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The Photographer's Story: The Art Of Visual Narrative
by Michael FreemanThis title shows how classic photo stories are shot and edited, giving aspiring photojournalists and hobbyists alike a wealth of ideas to unlock the potential of their most powerful storytelling tool - their camera.
The Photographer's Story: The Art of Visual Narrative
by Michael FreemanHaving already taught you how to compose and interpret great photos, Michael Freeman now continues his best-selling series by exploring the most successful methods for presenting photography meaningfully and in an engaging format. This is the critical "next step" that separates adequate image galleries from captivating collections - and disinterested viewers from enthralled audiences.Tapping into his decades of experience shooting for such publications as Smithsonian, GEO, and Condé Nast Traveller (among many others), Michael Freeman studies the photo-essay phenomenon that took the world by storm and gave storytellers a completely new set of tools to construct their narratives. Having established how rhythm, pacing, and careful organisation build tension and cultivate interest, Freeman goes on to explain what this means for presenting your own photos, particularly in the new digital formats of online galleries, slideshows, and tablets.The Photographer's Story will enliven your images, refresh your perspective, and elevate your understanding of how photographs work together to tell a story. Your audiences will thank you for it.
The Photographer's Story: The Art Of Visual Narrative
by Michael FreemanPhotography's greatest success has been in storytelling, based on its unique ability to capture images from reality. In fact, capture is what photography does best, reporting the world, life and society. Many enthusiasts who have mastered photography techniques search for direction and themes to help drive their creative ambitions-the kind of structure narrative offers. In The Photographer's Story, best-selling author Michael Freeman provides guidance and encouragement, drawing on his own experiences and assignments, but also on the rich history of documentary photography, which blossomed in the 1920s and has never faded. Michael Freeman is the author of the global bestseller, The Photographer's Eye. Now published in sixteen languages, The Photographer's Eye continues to speak to photographers everywhere. Reaching 100,000 copies in print in the US alone, and 300,000+ worldwide, it shows how anyone can develop the ability to see and shoot great digital photographs.
The Photographer's Survival Guide
by Suzanne Sease Amanda Sosa StonePractical, real-world advice for commercial photographersAt last, a down-to-earth, no-nonsense guide that provides guidance and tools for all levels of photographers-from those just starting out to those who want to move to the next level. Turn to this book for ready-to-use guidance on navigating the ins and outs of the industry, including:* Establishing a recognizable style that is all your own * Creating a website and portfolio, including costs, selecting images, and working with a designer* Building, buying, and using contact lists and databases; creating e-mail blasts and printed promotions; and person-to-person meetings with buyers* Estimating, bidding, and negotiating your fee * Doing the job: prep work, the actual shoot, post-production, and billing * Understanding the stock photography businessThe book considers those uncomfortable "What do I do?" moments and presents tips from industry insiders, including how they make buying decisions. The Photographer's Survival Guide is also a resource that lists portfolio makers, website builders, printers, and database services, as well as deadlines for important photography contests. An appendix explains usage terms the savvy photographer must understand. The accompanying CD contains 21 invaluable forms and templates-for an annual budget, a database of contacts, estimate and invoice forms, releases, terms and conditions, and more-that photographers can download.From the Trade Paperback edition.
The Photographer's Vision: Understanding and Appreciating Great Photography (The\photographer's Eye Ser.)
by Michael FreemanIn The Photographer's Vision, international bestseller Michael Freeman examines the work of photography's greats, explaining how to view a photo and how to learn from looking at it. Photographers featured include some of the most distinguished names in photography's history: Nick Knight, Frederick Henry Evans, Frans Lanting, Tim Page, Wolfgang Tillmans, Nan Goldin, Walker Evans, Cindy Sherman, Elliott Erwitt, Trent Parke, Jeff Wall, Paul Strand, Romano Cagnoni and many more, making this book visually stunning as well as intellectually rigorous.
The Photographer's Vision: Understanding And Appreciating Great Photography (The\photographer's Eye Ser.)
by Michael Freeman'The Photographer's Vision' examines the work of photography's greats, explaining how to look at a photo and how to learn from looking at it.
The Photographer's Vision: Understanding And Appreciating Great Photography
by Michael FreemanIn The Photographer's Eye, Michael Freeman showed what a photographer needs to do in the instant before the shutter is released. In the sequel, The Photographer's Mind, he explained the way that professional photographers think a picture through before taking it. Both of these international best-sellers featured Michael's own photography: stunning landscapes, revealing portraits, and fascinating street photography.Now, in The Photographer's Vision, he examines the work of photography's greats, explaining how to look at a photo - and how to learn from looking at it.The featured work includes some of the most distinguished names in photography's history: Nick Knight, Frederick Henry Evans, Frans Lanting, Tim Page, Wolfgang Tillmans, Nan Goldin, Paul Outerbridge, Walker Evans, Cindy Sherman, Elliott Erwitt, Trent Parke, Jeff Wall, Paul Strand, Romano Cagnoni, Horst Faas, James Casebere and many more, making this book visually stunning as well as intellectually authoritative.
The Photographer's Vision Remastered (The Photographer's Eye #3)
by Michael FreemanIn The Photographer's Vision, international bestseller Michael Freeman examines the work of photography's greats, explaining how to view a photo and how to learn from looking at it. Photographers featured include some of the most distinguished names in photography's history: Nick Knight, Frederick Henry Evans, Frans Lanting, Tim Page, Wolfgang Tillmans, Nan Goldin, Walker Evans, Cindy Sherman, Elliott Erwitt, Trent Parke, Jeff Wall, Paul Strand, Romano Cagnoni and many more, making this book visually stunning as well as intellectually rigorous.
Photographic Architecture in the Twentieth Century
by Claire ZimmermanOne hundred years ago, architects found in the medium of photography--so good at representing a building's lines and planes--a necessary way to promote their practices. It soon became apparent, however, that photography did more than reproduce what it depicted. It altered both subject and reception, as architecture in the twentieth century was enlisted as a form of mass communication. Claire Zimmerman reveals how photography profoundly influenced architectural design in the past century, playing an instrumental role in the evolution of modern architecture. Her "picture anthropology" demonstrates how buildings changed irrevocably and substantially through their interaction with photography, beginning with the emergence of mass-printed photographically illustrated texts in Germany before World War II and concluding with the postwar age of commercial advertising. In taking up "photographic architecture," Zimmerman considers two interconnected topics: first, architectural photography and its circulation; and second, the impact of photography on architectural design. She describes how architectural photographic protocols developed in Germany in the early twentieth century, expanded significantly in the wartime and postwar diaspora, and accelerated dramatically with the advent of postmodernism. In modern architecture, she argues, how buildings looked and how photographs made them look overlapped in consequential ways. In architecture and photography, the modernist concepts that were visible to the largest number over the widest terrain with the greatest clarity carried the day. This richly illustrated work shows, for the first time, how new ideas and new buildings arose from the interplay of photography and architecture--transforming how we see the world and how we act on it.
Photographic Composition
by Albrecht RisslerAll fine artists share a common goal: to combine individual elements into a convincing, cohesive whole that tells a story or expresses an intention. Photography is especially suited to this pursuit because the photographer can create multiple, distinct images of a single subject using a variety of design techniques. The display on a digital camera instantly shows the arrangement of elements in an image, allowing the photographer to make changes and refine their creation as they work.Albrecht Rissler believes that a firm understanding of image design is as important as having an observant eye or having the technical knowledge to operate a camera. Photographic Composition presents the most important concepts of image design and offers 250 beautiful photographs to illustrate these concepts. By applying these concepts to your own work, you will greatly improve your photographic eye and your ability to compose an ideal image.This book's impressive images are in black-and-white, intentionally removing the distraction of color and making it easy to focus on compositional elements and form. With this book, photographers as well as all visual artists will learn how to infuse their own images with excitement, develop and hone their visual language, and express their personal artistic aesthetic.Topics include:The effect of various aspect ratiosPerspective and compositionForm and contrastProportion and harmonySymmetry and asymmetryBrightness and darknessStructures and texturesThe "perfect moment"
Photographic Composition: A Visual Guide
by Richard D. Zakia David Page"Those of you who follow this blog know that Dr. Richard Zakia, former RIT professor, is one of my all time favorite photo gurus. We send each other pictures. We talk about looking into pictures - and not just looking at them. Big difference.. Dr. Richard Zakia, a.k.a. Dick, is the co-author, along with David Page, of Photographic Composition: A Visual Guide. These two dudes are also two of my favorite people."---Rick Sammon's blog "Covers all the tips needed to help photographers construct their own unique, outstanding images and is an outstanding 'must' for any collection."--CA Bookwatch
The Photographic Eye: Learning to See with a Camera
by Michael E O'Brien Norman SibleyLearn how to take apart each element of a successful photograph, analyze it, master it, and then put it all back together.
The Photographic Garden: Mastering the Art of Digital Garden Photography
by Matthew BensonThe garden is a rich canvas of visual ideas, all waiting to be skillfully captured and evoked by the camera. With in-depth discussions on creative technique and technical literacy, The Photographic Garden is an inspiring guide for understanding the complexities of light and design in the garden and a primer on the latest digital image-making tools, from cameras to postproduction software. Professional photographer Matthew Benson shows you how to become a better, more intuitive artist in the landscape; helps you foster a deeper understanding of design and aesthetics; and encourages you to develop your own visual sensibility—through hundreds of his own thoughtprovoking, evocative garden images. You'll learn how to explore the garden with your camera; how to apply the fundamentals of composition, light, and color to image-making; and how to use digital technology to improve and enhance (and even rescue!) the images you've taken. Most of all, you'll be motivated to see like a camera, work like a professional, and imagine and create like an artist.
Photographic Guide to Longhorned Beetles of Bolivia: Guía Fotográfica de Escarabajos Longicornios de Bolivia
by James Earl Wappes Julieta Ledezma Arias Steven Wayne LingafelterWith loss of habitats throughout the world occurring at a staggering rate, it is critical to document what is being lost. This book strives to do that by focusing on longhorned woodboring beetles in Bolivia. Wholesale clearing of large tracts of land kills everything or forces species to move quickly to other areas, disrupting the balance of the ecosystem. This book will help people discover and appreciate some of the amazing diversity of life that exists in the undeveloped and/or remote natural areas of Bolivia. Nearly 1,900 species of longhorned woodboring beetles (Disteniidae, Vesperidae, and Cerambycidae) are known from Bolivia (with more than 200 species yet to be determined). This work features 500 of them, representing the breadth of morphological evolution.
The Photographic Image in Digital Culture (Comedia)
by Martin ListerThis new edition of The Photographic Image in Digital Culture explores the condition of photography after some 20 years of remediation and transformation by digital technology. Through ten especially commissioned essays, by some of the leading scholars in the field of contemporary photography studies, a range of key topics are discussed including: the meaning of software in the production of photograph; the nature of networked photographs; the screen as the site of photographic display; the simulation of photography in the videogame; photography, ubiquitous computing and technologies of ambient intelligence; developments in vernacular photography and social media; the photograph and the digital archive; the curation and exhibition of the networked photograph; the dominance of the image bank in commercial and advertising photography; the complexities of citizen photojournalism. A recurring theme addressed throughout is the nature of ‘photography after photography’ and the paradoxical nature of the medium in the 21st century; a time when the traditional technology of photography has become defunct while there is more ‘photography’ than ever. This is an ideal book for students studying photography and digital media.
The Photographic Invention of Whiteness: The Visual Cultures of White Atlantic Worlds (Routledge History of Photography)
by Stephanie PolskyFocusing on the creation of the concept of Whiteness, this study links early photographic imagery to the development and exploitation that were common in the colonial Atlantic World of the mid-to-late nineteenth century. With the advent of the daguerreotype in the mid-nineteenth century, White European settlers could imagine themselves as a supra-national community, where the attainment of wealth was rapidly becoming accessible through colonisation. Their dispersal throughout the colonial territories made possible the advent of a new representative type of Whiteness that eventually merged with the portrayal of modernity itself. Over time, the colonisation of the Atlantic World became synonymous with fascination itself within a European mind fixated upon both a racially subordinated world and the technical media through which it was represented. In the intervening centuries, images have acted as a medium of the imaginary, allowing for ideas around classification and the measurement of value to travel and to situate themselves as universal means. Contemporary societies still grapple with the residues of race, gender, class, and sexuality first established by the contrived mores of this representational medium, and those who were racialised by the camera as objects of fascination, curiosity, or concern have remained so well into the post-digital era. The book will be of interest to scholars working in history of photography, art history, colonialism, and critical race theory.
A Photographic Journey Through the London Underground: Look Again
by Elke Rollmann Niko RollmannWHAT IS THERE TO SEE? That was the question the authors of this book, Elke and Niko Rollman, heard all the time when explaining their photographic project. The answer is LOOK AGAIN, this book will encourage its readers to see the London Underground in a different light. There is indeed a multitude of images on offer, ranging from architecture to technology, from old design classics to modern art. For anyone interested in the history of the London Underground, spanning over 150 years, this is the book for you. Once you discover the beauty of this particular underworld, it can turn your daily routine into an exciting and almost endless trail of new impressions. The authors also want to encourage readers to go out there and explore "The Tube" by themselves. Photographer Elke Rollmann and historian Niko Rollmann - have spent over 10 years exploring this iconic network of the London Underground with their cameras aiming to catch as many different aspects of the system as possible. A lot of time also went into researching the Underground's complex history . This publication is not just about the network as such, but also about the people who work there and, of course, the commuters. A timeline and a further reading list complement the images and texts.
Photographic Lighting Equipment
by Kirk TuckFrom flashlights and top-of-the-line studio electronic flashes to light stands and battery/inverter packs, this all-encompassing survey evaluates the vast array of lighting and equipment options available to professional photographers. Beginning with a basic history of the role of lighting equipment and the interplay between advances in capture and lighting technologies, the emphasis then shifts to advances made within the past five years that have enabled photographers to consider more low-powered and cost effective options than ever before. In addition to identifying the wide range of gear currently on the market#151;as well as those photographers may devise on their own#151;this reference examines the pros and cons of the various technologies and provides suggestions for their most practical use. Photographs of the equipment surveyed as well as real-life images created with the different pieces of equipment are interspersed throughout the text. Other helpful hints include tips for maximizing versatility, investment in each piece of equipment, and a #147;Top-Ten Must-Have List. ”
Photographic Lighting Simplified
by Susan MccartneyFor aspiring photographers ready to transform their work from average to expert, here is the "bible" to lighting any subject and space effectively. In specific but nontechnical terms, Photographic Lighting Simplified explains how to take light sources-from outdoor bright sunlight to indoor household lighting-and recreate their effects in the studio. A series of enjoyable, hands-on assignments show readers tips for selecting the right camera format, film, and lenses; the basics of metering and testing; overviews of essential equipment for studio lighting; and much more. Plus, dozens of step-by-step illustrations demonstrate an array of techniques for lighting reflective metal and glass objects; lighting different face types and groups; and special lighting considerations for digital cameras. For anyone who is serious about taking better photographs, this is the ultimate success guide.
Photographic Literacy: Cameras in the Hands of Russian Authors
by Katherine M. ReischlPhotography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted the camera with skepticism in the nineteenth century, numerous twentieth-century authors welcomed it with a warm embrace. As Katherine M. H. Reischl shows in Photographic Literacy, authors as varied as Leonid Andreev, Ilya Ehrenburg, and Alexander Solzhenitsyn picked up the camera and reshaped not only their writing practices but also the sphere of literacy itself.For these authors, a single photograph or a photograph as illustration is never an endpoint; their authorial practices continually transform and animate the frozen moment. But just as authors used images to shape the reception of their work and selves, Russian photographers—including Sergei Prokudin-Gorsky and Alexander Rodchenko—used text to shape the reception of their visual work. From the diary to print, the literary word imbues that photographic moment with a personal life story, and frames and reframes it in the writing of history. In this primer on photographic literacy, Reischl argues for the central place that photography has played in the formation of the Russian literary imagination over the course of roughly seventy years. From image to text and back again, she traces the visual consciousness of modern Russian literature as captured through the lens of the Russian author-photographer.
Photographic Multishot Techniques
by Juergen Gulbins Rainer GulbinsPhotographers are just beginning to realize the potential of high dynamic range imaging (HDRI). Now, the newest techniques based on a bracketed series of exposures make it possible to go beyond HDRI: photographers can increase resolution for ultra-sharp, detailed images, and they can extend the depth of field in a way that was never before possible. Photographic Multishot Techniques provides a thorough introduction and is a hands-on guide to these various techniques. Using a series of example images, the authors explain and illustrate the use of each technique. Included are lessons on HDRI, super-resolution, focus stacking, and stitching images. Moreover, the reader will learn how to effectively combine these various techniques to create amazing images. Throughout the book, the authors use tools such as Photoshop, PhotoAcute, Photomatix Pro, FDRTools, CombineZM, DOP Detail Extractor, and Helicon Focus to illustrate the workflow with detailed, step-by-step instructions. Most of these tools offer free trial versions that are available for download at the Rocky Nook Website at the book description of "Photographic Multishot Techniques". Learning to use these cutting-edge techniques is sure to expand the repertoire and improve the photographic skills of the professional, as well as the advanced amateur, photographer.
The Photographic Object 1970
by Mary StatzerIn 1970 photography curator Peter C. Bunnell organized an exhibition called Photography into Sculpture for the Museum of Modern Art, New York. The project, which brought together twenty-three photographers and artists from the United States and Canada, was among the first exhibitions to recognize work that blurred the boundaries between photography and other mediums. At once an exhibition catalogue after the fact, an oral history, and a critical reading of exhibitions and experimental photography during the 1960s and 1970s, The Photographic Object 1970 proposes precedents for contemporary artists who continue to challenge traditional practices and categories. Mary Statzer has gathered a range of diverse materials, including contributions from Bunnell, Eva Respini and Drew Sawyer, Erin O’Toole, Lucy Soutter, and Rebecca Morse as well as interviews with Ellen Brooks, Michael de Courcy, Richard Jackson, Jerry McMillan, and other of the exhibition’s surviving artists. Featuring seventy-nine illustrations, most of them in color, this volume is an essential resource on a groundbreaking exhibition.
Photographic Possibilities: The Expressive Use of Equipment, Ideas, Materials, and Processes
by Robert HirschPhotographic Possibilities, Third Edition is a marvelously updated resource of innovative and traditional photographic processes that imagemakers have come to trust and depend on to enhance their technical knowledge, create astonishing pictures, and raise their visual consciousness. This concise and reliable handbook provides professional and advanced photography students with practical pathways of utilizing diverse photographic methods to produce engaging, expressive pictures from an informed aesthetic and conceptual position. This update, in full color for this first time, offers new links between analog and digital photography by featuring clear, up-to-date, step-by-step instructions on topics ranging from making ambrotypes and digital negatives to pre-picturemaking activities that utilize a thinking system to visually realize what is in your mind's eye in an effective and safe manner. This edition vividly showcases the thought-provoking work of over 140 international artists including Peter Beard, Dan Burkholder, Carl Chiarenza, Michael Kenna, Dinh Q. Lê, Joe Mills, Andrea Modica, Bea Nettles, France Scully and Mark Osterman, Robert & Shana ParkeHarrison, Holly Roberts, Martha Rosler, Mike and Doug Starn, John Sexton, Brian Taylor, Jerry Uelsmann, and Joel Peter Witkin as well as other major and emerging talents. Image captions explain how each artist technically realized their vision and concept. All technical information and resources have been refreshed to provide the latest data for acquiring the products needed for these processes. Above all, this comprehensive reference provides field-proven know-how, encouragement, inspiration, and a profuse compendium of promising photo-based explorations one can discover and pursue.
Photographic Possibilities: The Expressive Use of Concepts, Ideas, Materials, and Processes
by Robert HirschThe long-awaited new edition of this seminal text features clear, reliable, step-by-step instructions on innovative alternative and traditional photographic processes. Over and above a full update and revision of the technical data, there are new sections on digital negative making, electrophotography, and self-publishing. Foremost practioners, including Edward Bateman, Dan Burkholder, Tom Carpenter, Mark Osterman, France Scully Osterman, Jill Skupin Burkholder, Brian Taylor, and Laurie Tümer, have contributed their expertise to this edition. Perfect for practitioners or students of handmade photography, the book covers classic black-and-white film and paper processes, hand-coated processes like Cyanotype, and Platinum/Palladium. Also featured is an enhanced section on gum bichromate, invaluable instruction on workflow, and the integration of digital, promoting the effective union of one’s concepts, materials, and processes. The book showcases work and commentary from more than 150 international artists.
Photographic Presidents: Making History from Daguerreotype to Digital
by Cara A. FinneganDefining the Chief Executive via flash powder and selfie sticks Lincoln’s somber portraits. Lyndon Johnson’s swearing in. George W. Bush’s reaction to learning about the 9/11 attacks. Photography plays an indelible role in how we remember and define American presidents. Throughout history, presidents have actively participated in all aspects of photography, not only by sitting for photos but by taking and consuming them. Cara A. Finnegan ventures from a newly-discovered daguerreotype of John Quincy Adams to Barack Obama’s selfies to tell the stories of how presidents have participated in the medium’s transformative moments. As she shows, technological developments not only changed photography, but introduced new visual values that influence how we judge an image. At the same time, presidential photographs—as representations of leaders who symbolized the nation—sparked public debate on these values and their implications. An original journey through political history, Photographic Presidents reveals the intertwined evolution of an American institution and a medium that continues to define it.