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Polish Film And The Holocaust
by Marek HaltofDuring World War II Poland lost more than six million people, including about three million Polish Jews who perished in the ghettos and extermination camps built by Nazi Germany in occupied Polish territories. This book is the first to address the representation of the Holocaust in Polish film and does so through a detailed treatment of several films, which the author frames in relation to the political, ideological, and cultural contexts of the times in which they were created. Following the chronological development of Polish Holocaust films, the book begins with two early classics: Wanda Jakubowska's The Last Stage (1948) and Aleksander Ford's Border Street (1949), and next explores the Polish School period, represented by Andrzej Wajda's A Generation (1955) and Andrzej Munk's The Passenger (1963). Between 1965 and 1980 there was an "organized silence" regarding sensitive Polish-Jewish relations resulting in only a few relevant films until the return of democracy in 1989 when an increasing number were made, among them Krzysztof Kieślowski's Decalogue 8 (1988), Andrzej Wajda's Korczak (1990), Jan Jakub Kolski's Keep Away from the Window (2000), and Roman Polański's The Pianist (2002). An important contribution to film studies, this book has wider relevance in addressing the issue of Poland's national memory.
Polish Jewish Culture Beyond the Capital: Centering the Periphery
by Zehavit Stern Justin Cammy Bozena Shallcross Malgorzata Stolarska-Fronia Naomi Seidman Magdalena Kozlowska Sylwia Jakubczyk-Sleczka Marcos Silber Alicja Maslak-Maciejewska Eugenia Prokop-Janiec Ela Bauer Daniel Kupfert HellerPolish Jewish Culture beyond the Capital: Centering the Periphery is a path-breaking exploration of the diversity and vitality of urban Jewish identity and culture in Polish lands from the second half of the nineteenth century to the outbreak of the Second World War (1899–1939). In this multidisciplinary essay collection, a cohort of international scholars provides an integrated history of the arts and humanities in Poland by illuminating the complex roles Jews in urban centers other than Warsaw played in the creation of Polish and Polish Jewish culture. Each essay presents readers with the extraordinary production and consumption of culture by Polish Jews in literature, film, cabaret, theater, the visual arts, architecture, and music. They show how this process was defined by a reciprocal cultural exchange that flourished between cities at the periphery—from Lwów and Wilno to Kraków and Łódź—and international centers like Warsaw, thereby illuminating the place of Polish Jews within urban European cultures. Companion website (https://polishjewishmusic.iu.edu)
Polish National Cinema
by Marek HaltofIn the years since World War II, Poland has developed one of Europe's most distinguished film cultures. However, in spite of the importance of Polish cinema this is a domain in need of systematic study. This book is the first comprehensive study of Polish cinema from the end of the 19th century to the present. It provides not only an introduction to Polish cinema within a socio-political and economic context, but also to the complexities of East-Central European cinema and politics.
Polish Popular Music on Screen
by Ewa MazierskaThis book examines the interface between Polish popular music and screen media against the background of Polish history, cinema, and popular culture and situates that interface in a local as well as global context. It looks at Polish musicals, biographical films about musicians, documentary films and, finally, music videos. The author draws attention to the immense popularity of musical comedies in Polish interwar cinema, the enduring appeal of musical genres during the period of state socialism, despite their low status in film criticism, and the re-birth of musicals in the 2010s. Mazierska also discusses the most important stars, directors and authors of songs presented in Polish films, and points to the effect of technological changes on inception and transformation of music-centred genres of screen media, including the effect of YouTube on their growth and preservation. The book is informed by the question of how parochial and universal is Polish popular music and its screen representation.
Polish Romantic Drama: Three Plays in English Translation (Polish Theatre Archives Ser. #Vol. 5)
by Harold B. SegelThis is the first volume in English to be devoted entirely to Polish Romantic drama. It contains translations of three major plays: Forefathers; Eve, Part III, by Adam Mickiewics; The Un-Divine Comedy by Zygmunt Krasinski; and Fantazy by Juliusz Slowacki. In his highly informative introduction, Professor Segel discusses the plays against the background of the Romantic movement in Poland and points out their ideological and artistic importance. As products of a revolutionary Poland; they were written and published in Paris by writers who either resettled there after the Insurrection of 1830 or otherwise identified with the Great Emigration; they are permeated with the spirit of Romantic Rebellion, with pleas for universial justice, and with queries concerning the role of the poet in society. Brillant productions of the plays in Poland in the late nineteenth and early twentieth-centuries gave impetus to an entire tradition of modern Polish theatrical experimentation as well as dramatic writing which extends to the present day.
Polishing Your Prose: How to Turn First Drafts Into Finished Work
by Steven Cahn Victor CahnThis singular book illustrates how to edit a piece of prose and enhance its clarity of thought and felicity of style. The authors first present ten principles of effective composition, and then scrutinize three extended paragraphs, suggesting with remarkable specificity how to improve them. The volume also offers challenging practice questions, as well as two finished essays, one serious and one humorous, that demonstrate how attention to sound mechanics need not result in mechanical writing. Steven M. Cahn and Victor L. Cahn help readers deploy a host of corrective strategies, such as avoiding jargon, bombast, and redundancy; varying sentence structure; paring the use of adjectives and adverbs; properly deploying phrases and clauses; and refining an argument. Here is a book for all who seek to increase their facility in written communication.
Political and Protest Theatre after 9/11: Patriotic Dissent (Routledge Advances in Theatre & Performance Studies)
by Jenny SpencerThis collection documents and examines political and protest theatre produced between the 9/11 attacks in 2001 and Obama’s election in 2008 by British and American artists responding to their own governments’ actions and policies during this time. The plays take up topics such as the ongoing wars on terror, Blair’s support of U.S. policies, the flawed intelligence that led to the Iraq war, and illegal detentions and torture at Abu Ghraib. The authors argue that engaged artists faced a radically different sociopolitical context for their work after 9/11 compared to earlier social protest movements and new forms of theatre, and different emotional strategies were necessary to meet the challenges. The subtitle Patriotic Dissent suggests the double stance of many artists-- influenced by patriotic expressions of national solidarity, yet critical of the ways that patriotic language was put to use against others. The articles represent a broad range of theatre: Broadway musicals, documentary theatre, adaptations of classical theatre, new plays by British playwrights, street performances and installations, and musical concerts. The contributors’ case studies evaluate the effectiveness of important instances of political theatre and protest from this decade, arguing for the significance, relevance, and continuing necessity for evolving forms of political theatre today.
Political Camerawork: Documentary and the Lasting Impact of Reenacting Historical Trauma
by D. Andy RiceWhat mental and physical distress do actors, camerapersons, and reporters experience when working on reenactments of traumatic moments in history? In Political Camerawork, D. Andy Rice theorizes that the intense feelings produced while creating these performed scenarios, called "simulation documentaries," connect difficult pasts to the present. Building on his background as a nonfiction film director, producer, editor, and cinematographer, Rice analyzes performance techniques to gain insight into the emotional toll of simulation documentaries, including those reliving the Vietnam War, the US military's embodied training in California during the Iraq War, and an annual quadruple lynching reenactment organized by Black civil rights activists in Georgia.Investigating the lasting impact of these productions, Political Camerawork reveals that, by performing a simulation of a traumatic event they didn't directly experience, those involved become carriers of the trauma.
Political Censorship of the Visual Arts in Nineteenth-Century Europe: Arresting Images
by Robert Justin Goldstein Andrew M. NeddIn this comprehensive account of censorship of the visual arts in nineteenth-century Europe, when imagery was accessible to the illiterate in ways that print was not, specialists in the history of the major European countries trace the use of censorship by the authorities to implement their fears of the visual arts, from caricature to cinema.
Political Communication and Social Theory (Communication and Society)
by Aeron DavisPolitical Communication and Social Theory presents an advanced and challenging text for students and scholars of political communication and mass media in democracies. It draws together work from across political communication, media sociology and political sociology, and includes a mix of theoretical debate and current examples from several democratic media systems. Its wide ranging discussions both introduce and contest the traditional scholarship on a number of contemporary topics and issues. These include: comparative political and media systems theories of democracy, representation and the public sphere political party communication, marketing and elections the production of news media and public policy media sociology and journalist-source relations celebrity politics, popular culture and political leadership new media and online democracy national-global politics and international political communication foreign policy-making, war and media the crisis of public communication in established democracies. At the same time, Political Communication and Social Theory also offers a fascinating investigation of the causes of crisis in established political and media systems. In today’s democracies, trust in politicians, state institutions and mainstream media sources has dropped to new lows. The traditional business model that sustained journalism is failing and nations are struggling to respond to the existing global recession and impending environmental and resource crises. Drawing on interviews with over 100 experienced politicians, journalists and civil servants, Aeron Davis explores how the varied political actors and communicative processes, at the centre of UK democracy, may or may not be contributing to such crisis tendencies.
Political Communication in Postmodern Democracy
by Kees Brants Katrin VoltmerThis book explores the changing relationship between politics, the media and citizens. Based on comparative evidence from the UK and the Netherlands it provides new insights into the dynamics of political communication in post-modern democracy, which is characterized by uncertainty about the location of politics and an erosion of grand narratives and political ideologies. The contributions of this volume aim to understand these changes as a two-dimensional process: the horizontal dimension encompasses the shifting power balance between politicians and the media. The vertical dimension explores how new forms of citizenship and the pervasiveness of popular culture alongside new communication technologies are challenging the authority of both established journalism and institutionalized politics. What emerges is a complex picture of politicization and de-politicization, elite dominance and the power of vox populi, mediatisation and effective control of political elites over the public agenda.
The Political Culture of Planning: American Land Use Planning in Comparative Perspective
by J Barry Cullingworth J. Barry CullingworthFirst published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.
Political Cyberformance: The Etheatre Project
by Christina PapagiannouliWritten from a practice-based perspective, this book focuses on the political character of 'cyberformance': the genre of digital performance that uses the Internet as a performance space. The Etheatre Project comprises a series of experimental cyberformances aiming to reconsider the characteristics of theatre in the Internet age.
The Political Economy of Disney
by Alexandre BohasThis book sheds new light on the socio-economic impact of multinational corporations. Combining Cultural Studies and International Political Economy, it provides a revealing analysis of the Walt Disney Company, and by extension the wider Hollywood studio system. It does so by examining the cultural and economic forces powering the industry's expansion, the 'civilisation' that Disney disseminates, and the various ways that societies beyond the USA have adopted facets of the Hollywood productions to which they are exposed. Identifying both the strengths and the weaknesses of these transnational firms, it demonstrates the significance of their contribution to American power and predominance.
The Political Economy of Hollywood: Capitalist Power and Cultural Production
by James McMahonIn Hollywood, the goals of art and business are entangled. Directors, writers, actors, and idealistic producers aspire to make the best films possible. These aspirations often interact with the dominant firms that control Hollywood film distribution. This control of distribution is crucial as it enables the firms and other large businesses involved, such as banks that offer financing, to effectively stand between film production and the market. This book analyses the power structure of the Hollywood film business and its general modes of behaviour. More specifically, the work analyses how the largest Hollywood firms attempt to control social creativity such that they can mitigate the financial risks inherent in the art of filmmaking. Controlling the ways people make or watch films, the book argues, is a key element of Hollywood’s capitalist power. Capitalist power—the ability to control, modify, and, sometimes, limit social creation through the rights of ownership—is the foundation of capital accumulation. For the Hollywood film business, capitalist power is about the ability of business concerns to set the terms that will shape the future of cinema. For the major film distributors of Hollywood, these terms include the types of films that will be distributed, the number of films that will be distributed, and the cinematic alternatives that will be made available to the individual moviegoer. Combining theoretical analysis with detailed empirical research on the financial performance of the major Hollywood film companies, the book details how Hollywood’s capitalist goals have clashed with the aesthetic potentials of cinema and ultimately stymied creativity in the pursuit of limiting risk. This sharp critique of the Hollywood machine provides vital reading for students and scholars of political economy, political theory, film studies, and cinema.
The Political Economy of Television Sports Rights
by Tom Evens Petros Iosifidis Paul SmithSport on television is big business. Broadcasters across the world regularly agree highly lucrative deals for the television broadcast rights to cover major sporting events or competitions. At the same time, however, sport is about more than just commerce. Sport is a social and cultural activity practiced and valued by millions of people throughout the world. The Political Economy of Sports Rights examines both the economic and the social significance of sports broadcasting, as well as how each of these contrasting perspectives have led to the extensive regulation of sports broadcasting by national governments and, in the case of many European countries, the European Union. Using a range of national case studies from Europe and beyond, this book highlights the need for a regulatory approach to sports broadcasting that balances the commercial priorities of sports organisations and private media companies with the wider social and cultural benefits to be gained from free-to-air sports broadcasting.
The Political Economy of the Creative and Cultural Industries: Stitching Perspectives for Research, Policy and Practice (Routledge Research in the Creative and Cultural Industries)
by null Leandro ValiatiThe creative and cultural industries (CCIs) are often seen by markets as critical drivers of economic growth and by governments as feasible ways to foster development. The link between these two perspectives lies in the CCIs’ capacity to generate both economic value and social innovation simultaneously. While markets value their direct contribution to GDP and employment, governments recognise their potential to catalyse broader societal development through cultural expression, innovation and community engagement.Divided into key sections covering theoretical foundations, economic growth and development, innovation, policy and data analysis, this book presents a multifaceted view of CCIs’ role in modern economies and societies. It challenges traditional economic models, advocates for a holistic approach to socio‑economic development and examines the transformative impact of digital technologies on creative work. This work makes significant contributions to the field by advancing the political economy of CCIs, synthesising current debates and clarifying critical concepts. It explores innovative approaches to measuring the economic impact of CCIs and proposes a roadmap for harnessing their full potential in driving sustainable and inclusive growth. With its flexible structure allowing for customised learning experiences, this book is an essential resource for understanding the complexities of creative industries in our rapidly changing world.This interdisciplinary volume bridges theory and practice, providing invaluable insights relevant to students of CCIs, economics, arts and cultural management, as well as for academics, policymakers and practitioners.
A Political Economy of the Senses: Neoliberalism, Reification, Critique (New Directions in Critical Theory #2)
by Anita ChariAnita Chari revives the concept of reification from Marx and the Frankfurt School to spotlight the resistance to neoliberal capitalism now forming at the level of political economy and at the more sensate, experiential level of subjective transformation. Reading art by Oliver Ressler, Zanny Begg, Claire Fontaine, Jason Lazarus, and Mika Rottenberg, as well as the politics of Occupy Wall Street, Chari identifies practices through which artists and activists have challenged neoliberalism's social and political logics, exposing its inherent tensions and contradictions.
Political Economy, Race, and the Image of Nature in the United States, 1825–1878 (Routledge Research in Art and Politics)
by Evan Robert NeelyPolitical Economy, Race, and the Image of Nature in the United States, 1825–1878 is an interdisciplinary work analyzing the historical origins of a dominant concept of Nature in the culture of the United States during the period of its expansion across the continent.Chapters analyze the ways in which “Nature” became a discursive site where theories of race and belonging, adaptation and environment, and the uses of literary and pictorial representation were being renegotiated, forming the basis for an ideal of the human and the nonhuman world that is still with us. Through an interdisciplinary approach involving the fields of visual culture, political economy, histories of racial identity, and ecocritical studies, the book examines the work of seminal figures in a variety of literary and artistic disciplines and puts the visual culture of the United States at the center of intellectual trends that have enormous implications for contemporary cultural practice.The book will be of interest to scholars working in art history, visual culture, American studies, environmental studies/ecocriticism, critical race theory, and semiotics.
Political Entertainment in a Post-Authoritarian Democracy: Humor and the Mexican Media (Routledge Studies in Media, Communication, and Politics)
by Martin Echeverria Frida V. RodeloThe book offers an analytical and empirical account of the specificities of political entertainment in post-authoritarian democracies. Centered around Mexico as a case study, the book explores the production of political entertainment in post-authoritarian legacy media and how political and economic conditions constrain the range and edge of discourse; how political entertainment in social media is shaped by the structure of platforms, as creators are encouraged to conform to specific norms such as constant publication; and the impacts of these media on attitude formation among the population. The book proposes a theoretical framework for identifying the specific conditions of post-authoritarian democracies that constrain the production of political entertainment, as well as its outcomes in terms of content and effects. This framework can be applied to the analysis of similar case studies, particularly in the Global South at large. With an analysis drawing on hard data, historical accounts, and anecdotal evidence, this volume will resonate within academic communities interested in political communication, media studies, transitional democracies, and popular culture.
Political Exercise: Active Living, Public Policy, and the Built Environment
by Lawrence D. BrownThe public health benefits of giving city dwellers increased opportunities to lead physically active lifestyles are well known to urban planners, public health scholars, and government officials. Moreover, increases in “active living,” such as walking and cycling, help the environment, support local businesses, and reduce traffic congestion, among other advantages. But despite wide agreement that active living is both achievable and valuable, best practices are not easy to implement.In Political Exercise, Lawrence D. Brown presents five case studies of cities that have promoted active living with varying success through a range of approaches. He shows how and why the transformation of a call for public intervention into projects, programs, and policies is inescapably political. Brown argues that in order to implement policies that support active living, their proponents must give communities a sense of ownership of recommended changes in the built environment, filter the public health agenda through a range of public and private organizations, and secure committed political champions. At the intersection of public health and urban planning, Political Exercise offers a framework for scholars, policy makers, and reformers to more productively address both the rationales behind active living and the political strategies that spur change.
Political Graffiti in Critical Times: The Aesthetics of Street Politics (Protest, Culture & Society #28)
by Ricardo Campos, Andrea Pavoni Yiannis ZaimakisWhether aesthetically or politically inspired, graffiti is among the oldest forms of expression in human history, one that becomes especially significant during periods of social and political upheaval. With a particular focus on the demographic, ecological, and economic crises of today, this volume provides a wide-ranging exploration of urban space and visual protest. Assembling case studies that cover topics such as gentrification in Cyprus, the convulsions of post-independence East Timor, and opposition to Donald Trump in the American capital, it reveals the diverse ways in which street artists challenge existing social orders and reimagine urban landscapes.
Political Graffiti in Critical Times: The Aesthetics of Street Politics (Protest, Culture & Society #28)
by Ricardo Campos, Andrea Pavoni Yiannis ZaimakisWhether aesthetically or politically inspired, graffiti is among the oldest forms of expression in human history, one that becomes especially significant during periods of social and political upheaval. With a particular focus on the demographic, ecological, and economic crises of today, this volume provides a wide-ranging exploration of urban space and visual protest. Assembling case studies that cover topics such as gentrification in Cyprus, the convulsions of post-independence East Timor, and opposition to Donald Trump in the American capital, it reveals the diverse ways in which street artists challenge existing social orders and reimagine urban landscapes.
Political Moods: Film Melodrama and the Cold War in the Two Koreas (Global Korea #4)
by Travis WorkmanA free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Melodrama films dominated the North and South Korean industries in the period between liberation from Japanese colonial rule in 1945 and the hardening of dictatorship in the 1970s. The films of each industry are often read as direct reflections of Cold War and Korean War political ideologies and national historical experiences, and therefore as aesthetically and politically opposed to each other. However, Political Moods develops a comparative analysis across the Cold War divide, analyzing how films in both North and South Korea convey political and moral ideas through the sentimentality of the melodramatic mode. Travis Workman reveals that the melancholic moods of film melodrama express the somatic and social conflicts between political ideologies and excesses of affect, meaning, and historical references. These moods dramatize the tension between the language of Cold War politics and the negative affects that connect cinema to what it cannot fully represent. The result is a new way of historicizing the cinema of the two Koreas in relation to colonialism, postcolonialism, war, and nation building.
Political Performance in Syria
by Edward ZiterPolitical Performance in Syria, charts the history of a theatre that has sought the expansion of civil society and imagined alternate political realities. In doing so, the manuscript situates the current use of performance and theatre by artists of the Syrian Revolution within a long history of political contestation.