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Portraits of Irish Art in Practice: Rita Duffy, Mairéad McClean, Paula McFetridge & Ursula Burke
by Jennifer KeatingThis book mines the space where aesthetic expression meets lived experience for Irish artists Rita Duffy, Mairéad McClean, Paula McFetridge and Ursula Burke. Portrait essays woven with photographs, document each artist’s coming of age in Ireland and Northern Ireland, in the context of her emerging practice. As individuals, their work considers infringements on human rights, systemic violence, gender roles and the negotiation of figurative and literal borders and boundaries. Together, they interrogate past and present conflict and emergence from conflict, locally and globally. Their critical work is threaded with hope in the context of past and present political fragmentation. Works considered include Rita Duffy’s paintings, drawings and animation like Siege, The Emperor Has No Clothes and Anatomy of Hope; Mairéad McClean’s films No More, Broadcast and Making Her Mark; Paula McFetridge’s productions like convictions, staged at the Crumlin Road Courthouse, This is What We Sang, performed at the Belfast Synagogue and Belfast Quartered, A Love Story, a promenade through Belfast’s LGBTQ+ underground; and Ursula Burke’s sculptures like Bonfire, Blue Sphinx and Peach Caryatid, and embroidery like The Politicians Frieze.
Portraits of the Ptolemies: Greek Kings as Egyptian Pharaohs
by Paul Edmund StanwickAs archaeologists recover the lost treasures of Alexandria, the modern world is marveling at the latter-day glory of ancient Egypt and the Greeks who ruled it from the ascension of Ptolemy I in 306 B.C. to the death of Cleopatra the Great in 30 B.C. The abundance and magnificence of royal sculptures from this period testify to the power of the Ptolemaic dynasty and its influence on Egyptian artistic traditions that even then were more than two thousand years old.<P><P>In this book, Paul Edmund Stanwick undertakes the first complete study of Egyptian-style portraits of the Ptolemies. Examining one hundred and fifty sculptures from the vantage points of literary evidence, archaeology, history, religion, and stylistic development, he fully explores how they meld Egyptian and Greek cultural traditions and evoke surrounding social developments and political events. To do this, he develops a "visual vocabulary" for reading royal portraiture and discusses how the portraits helped legitimate the Ptolemies and advance their ideology. Stanwick also sheds new light on the chronology of the sculptures, giving dates to many previously undated ones and showing that others belong outside the Ptolemaic period.
Portraits of Violence: War and the Aesthetics of Disfigurement
by Suzannah BiernoffPortraits of Violence explores the image and idea of facial disfigurement in one of its most troubling modern formations, as a symbol and consequence of war. It opens with Nina Berman’s iconic photograph Marine Wedding, which provoked a debate about the medical, military, and psychological response to serious combat injuries. While these issues remain urgent, it is equally crucial to interrogate the representation of war and injury. The concepts of valor, heroism, patriotism, and courage assume visible form and do their cultural work when they are personified and embodied. The mutilated or disabled veteran’s body can connote the brutalizing, dehumanizing potential of modern combat. Suzannah Biernoff draws on a wide variety of sources mainly from WWI but also contemporary photography and computer games. Each chapter revolves around particular images: Marine Wedding is discussed alongside Stuart Griffiths’ portraits of British veterans; Henry Tonks’ drawings of WWI facial casualties are compared to the medical photographs in the Gillies Archives; the production of portrait masks for the severely disfigured is approached through the lens of documentary film and photography; and finally the haunting image of one of Tonks’s patients reappears in BioShock, a highly successful computer game. The book simultaneously addresses a neglected area in disability studies; puts disfigurement on the agenda for art history and visual studies; and makes a timely and provocative contribution to the literature on the First World War.
Portraiture (Oxford History Of Art)
by Shearer WestThis fascinating new book explores the world of portraiture from a number of vantage points, and asks key questions about its nature. How has portraiture changed over the centuries? How have portraits represented their subjects, and how have they been interpreted? Issues of identity, modernity, and gender are considered within a cultural and historical context.Shearer West uncovers much intriguing detail about a genre that has often been seen as purely representational, featuring examples from African tribes to Renaissance princes, and from 'stars' such as David and Victoria Beckham to ordinary people. In the process, she shows us how to communicate with the past in an exciting new way.
Portraiture and British Gothic Fiction: The Rise of Picture Identification, 1764–1835
by Kamilla ElliottExamples from British writers of the eighteenth and nineteenth centuries show how portraits became a new mode of identity for the middle class.Traditionally, kings and rulers were featured on stamps and money, the titled and affluent commissioned busts and portraits, and criminals and missing persons appeared on wanted posters. British writers of the eighteenth and nineteenth centuries, however, reworked ideas about portraiture to promote the value and agendas of the ordinary middle classes. According to Kamilla Elliott, our current practices of "picture identification" (driver’s licenses, passports, and so on) are rooted in these late eighteenth- and early nineteenth-century debates.Portraiture and British Gothic Fiction examines ways writers such as Horace Walpole, Ann Radcliffe, Mary Shelley, and C. R. Maturin as well as artists, historians, politicians, and periodical authors dealt with changes in how social identities were understood and valued in British culture—specifically, who was represented by portraits and how they were represented as they vied for social power.Elliott investigates multiple aspects of picture identification: its politics, epistemologies, semiotics, and aesthetics, and the desires and phobias that it produces. Her extensive research not only covers Gothic literature’s best-known and most studied texts but also engages with more than 100 Gothic works in total, expanding knowledge of first-wave Gothic fiction as well as opening new windows into familiar work.
Portraiture and Critical Reflections on Being (Routledge Advances in Art and Visual Studies)
by Euripides AltintzoglouThis book analyzes the philosophical origins of dualism in portraiture in Western culture during the Classical period, through to contemporary modes of portraiture. Dualism – the separation of mind from body - plays a central part in portraiture, given that it supplies the fundamental framework for portraiture’s determining problem and justification: the visual construction of the subjectivity of the sitter, which is invariably accounted for as ineffable entity or spirit, that the artist magically captures. Every artist that has engaged with portraiture has had to deal with these issues and, therefore, with the question of being and identity.
Portraiture and Photography in Africa
by John Peffer Elisabeth L. CameronBeautifully illustrated, Portrait Photography in Africa offers new interpretations of the cultural and historical roles of photography in Africa. Twelve leading scholars look at early photographs, important photographers' studios, the uses of portraiture in the 19th century, and the current passion for portraits in Africa. They review a variety of topics, including what defines a common culture of photography, the social and political implications of changing technologies for portraiture, and the lasting effects of culture on the idea of the person depicted in the photographic image.
Portraiture and Politics in Revolutionary France (G - Reference, Information and Interdisciplinary Subjects)
by Amy FreundPortraiture and Politics in Revolutionary France challenges widely held assumptions about both the genre of portraiture and the political and cultural role of images in France at the beginning of the nineteenth century. After 1789, portraiture came to dominate French visual culture because it addressed the central challenge of the Revolution: how to turn subjects into citizens. Revolutionary portraits allowed sitters and artists to appropriate the means of representation, both aesthetic and political, and articulate new forms of selfhood and citizenship, often in astonishingly creative ways. The triumph of revolutionary portraiture also marks a turning point in the history of art, when seriousness of purpose and aesthetic ambition passed from the formulation of historical narratives to the depiction of contemporary individuals. This shift had major consequences for the course of modern art production and its engagement with the political and the contingent.
Portraiture and Politics in Revolutionary France
by Amy FreundPortraiture and Politics in Revolutionary France challenges widely held assumptions about both the genre of portraiture and the political and cultural role of images in France at the beginning of the nineteenth century. After 1789, portraiture came to dominate French visual culture because it addressed the central challenge of the Revolution: how to turn subjects into citizens. Revolutionary portraits allowed sitters and artists to appropriate the means of representation, both aesthetic and political, and articulate new forms of selfhood and citizenship, often in astonishingly creative ways. The triumph of revolutionary portraiture also marks a turning point in the history of art, when seriousness of purpose and aesthetic ambition passed from the formulation of historical narratives to the depiction of contemporary individuals. This shift had major consequences for the course of modern art production and its engagement with the political and the contingent.
Portraiture, Gender, and Power in Sixteenth-Century Art: Creating and Promoting the Public Image of Early Modern Women (ISSN)
by Noelia García PérezThis exciting and wide-ranging volume examines the construction and dissemination of the image of female power during the Renaissance.Chapters examine the creation, promotion, and display of the image of women in power, and how the artistic and cultural patronage they developed helped them craft a self-image that greatly contributed to strengthening their power, consolidating their political legitimacy, and promoting their authority. Contributors cover diverse models of sixteenth-century female power: from ruling queens, regents, and governors, to consorts of sovereigns and noblewomen outside the court. The women selected were key political figures and patrons of art in England, France, Castile, the Low Countries, the Holy Roman Empire, and Italian city states. The volume engages with crucial and controversial debates regarding the nature and use of portraiture as well as the changing patterns of how portraits were displayed, building a picture of the principal iconographic solutions and representational strategies that artists used.The book will be of interest to scholars working in art history, gender studies, women’s studies, and Renaissance studies.
Portraiture Unplugged
by Carl CaylorGood lighting is everything in portraiture. The right light sculpts our subjects, smooths the skin, evens skin tones, and helps create the feeling of a third dimension in a two-dimensional image. The gold standard of lighting has, for the better part of a century, been produced by artificial lights (hot lights or strobes) in the studio. These sources allow for precise lighting effects on demand. However, artificial light cannot match the beauty or ambience that gorgeous natural light creates--and studio lighting can break the bank. In part 1 of this book, Carl Caylor introduces readers to a failproof method for understanding, shaping, and harnessing natural light for dazzling results that rival studio-lighting looks. Using your powers of observation, an understanding of the physics of light, and employing a couple of inexpensive tools (reflector panels to bounce light and a gobo to block light), Caylor shows you how to make the most of the sunlight for indoor and outdoor location shoots--and even studio work. You’ll learn how to tweak the direction of light and manipulate lighting angles to re-create classic portrait lighting styles--short lighting, broad lighting, Rembrandt lighting, and more--that flatter and contour your subjects’ facial structures to make them look their very best. In part 2 of the book, Carl provides an in-depth analysis into the techniques he used to create 60 beautiful natural-light portraits in myriad locations and circumstances, producing a wide range of portrait looks. Readers will learn how to integrate other elements that are important to building an effective portrait--including prop selection, wardrobe, composition, expression, posing, and even planning for a top-notch, contrasty black & white shot. The text in this book, along with inspirational images, will coax many readers to enjoy a "back to basics” approach that will allow them to produce technically exquisite and profoundly artful, flattering portraits that will sell themselves to clients every time.
Portsmouth Cemeteries
by Glenn A. KnoblockPortsmouth Cemeteries, a photographic study of this city's cemeteries, uncovers a compelling history of the area from the Colonial era to the 1900s. These cemeteries provide a direct link to the past, where many stories are told in stone. The gravestones and monuments feature unusual works of art, and the inscriptions act as documents that preserve family histories, valiant military service, and memories of those lost at sea. Through the author's collection of photographs, readers can see how gravestones evolved over time and learn about some of Portsmouth's own practitioners in the art of stone carving.
Portsmouth Firefighting (Images of America)
by Steven E. AchillesIn September 1756, with only fire buckets, two hand tubs, and citizen volunteers safeguarding the Colonial seaport, Portsmouth decided to organize and regulate its fire protection. By 1852, the Portsmouth Fire Department boasted six suction engines and in 1864 entered the age of steam power when the first steam fire engine was delivered. Disastrous fires and a growing city required the department to modernize as it moved into the 20th century. The department's first motorized engine was purchased in 1912, and by 1921, there was a new central fire station along with a new gasoline-powered ladder truck. Through an exceptional collection of photographs, Portsmouth Firefighting richly illustrates the story and tradition of a fire department forever connected to its brave firefighters, their magnificent fire engines, and the spectacular blazes they fought.
Portsmouth Naval Prison (Images of America)
by Katy KramerThe Portsmouth Naval Prison, now vacant, sits at the far end of the Portsmouth Naval Shipyard on Seavey Island on the Maine and New Hampshire border. For over a century, "the Castle" or "the Rock," with its deceptively appealing exterior, has kept both visitors and New Hampshire residents in its thrall. Since its opening in 1908 to its decommissioning in 1974 and into the present day, myth and lore have surrounded this iconic building. For the 66 years it functioned, any prisoner who escaped was brought back dead or alive--or so it has been said. Only adding to the prison's mystique is its history of reform; particularly successful were the wartime restoration and rehabilitation programs. Although the prison's fearsome reputation is cemented in Darryl Ponicsan's The Last Detail, Portsmouth was a forerunner in many ways. Routine inside often reflected the latest advancements in the field. Yet, designed or deserved, the prison's legacy remains an intriguing mix of dread and redemption.
Portsmouth, Virginia (Images of America)
by Dr Robert AlbertsonLocated in heart of the Chesapeake Bay at the zero milepost on the Intracoastal Waterway, Portsmouth's five historic districts and its thriving downtown are living landmarks, reminding onlookers of the gracious living, perilous times, and exciting events that often played a crucial role in the life of the nation. Here the last Colonial governor of Virginia took refuge, and here Lord Cornwallis garrisoned his British troops before going to Yorktown, where his defeat gave birth to the United States. Here the first ironclad ship, the first battleship, and the first aircraft carrier were designed and built, and here the wounded from all of America's wars since 1830 have been brought to recover at Portsmouth's naval hospital. Vintage photographs within these pages capture the everyday lives of almost four centuries of residents. The ferries that connected Portsmouth to nearby Norfolk, the trains that made it the gateway to the South, and the city's center-its commercial district-all come alive through the images. Focusing on the Olde Towne historic district, the Naval Hospital, the Naval Shipyard, and the downtown area district, this volume provides a tour of the quaint structures of the oldest part of the city and preserves part of the nation's heritage.
Portsmouth Women: Madams & Matriarchs Who Shaped New Hampshire's Port City (American Heritage)
by Laura PopeIn the history of Portsmouth, New Hampshire, countless women rose above a rigid society to make their marks on the seaport city. In the eighteenth century, Allice Shannon Hight became a successful tavern keeper, outliving two husbands and providing for ten children. Others flourished in more scandalous ventures, like Alta Roberts, otherwise known as the Black Mystery of Portsmouth--always donned in black, she operated a successful brothel at the Roberts House Saloon in the nineteenth century. Even greater achievements would come in later years from the likes of Mary Carey Dondero, who became one of the first women elected mayor in New England. This collection of essays, compiled by author and historian Laura Pope, celebrates the victories--large and small--of Portsmouth's notable women.
Portuguese Artists in London: Shaping Identities in Post-War Europe (Routledge Research in Art History)
by Leonor de OliveiraThis book centres on four Portuguese artists’ journeys between Portugal and Britain and aims at rethinking the cultural and artistic interactions in the post-war Europe, the shaping of new identities within a context of creative experimentalism and transnational dynamics and the artistic responses to political troubles. Leonor de Oliveira examines the contributions of the work of Paula Rego, Barto dos Santos, João Cutileiro and Jorge Vieira, among other artists, to shape referential images of Portuguese identity that not only responded to the purpose of breaking with dominant iconographic and aesthetic representations but also incorporated a critical perspective on contemporaneity. This title will appeal to scholars interested in art history, Portuguese and European art, and the mid-twentieth-century art scene.
Portuguese Community of San Diego (Images of America)
by Donna Alves-Calhoun The Portuguese Historical CenterIn a century's time, Portuguese explorers had discovered two-thirds of the world. In 1542, Joao Rodrigues Cabrilho uncovered the west coast of America when he sailed into a large bay sheltered by a beautiful peninsula that would someday be known as Point Loma. By the 20th century, a small group of Portuguese immigrants had settled in the La Playa area in pursuit of a life on the sea. They brought their unique traditions and folklore customs, built churches and halls, and celebrated with Holy Spirit Festas in the streets of their new homeland. Today 19,717 make up San Diego's Portuguese community, where many of them still live in Point Loma.
Portuguese in San Jose, The
by Meg RogersFor hundreds of years, Portuguese explorers have swept across the globe, many of them landing in California in the 1840s as whalers, ship jumpers, and Gold Rush immigrants. Gold was the lure, but land was the anchor. San Jose became home toPortuguese immigrants who overcame prejudice to contribute to the area politically, socially, and economically. They worked hard, transplanting farming, family, and festa traditions while working in orchards and dairies. Many came from the Azores Islands, 800 miles out to sea from mainland Portugal. For over 160 years, the Portuguese haveenriched San Jose with colorful figures, including radio star Joaquim Esteves; jeweler and filmmaker Antonio Furtado; the charismatic and controversial Fr. Lionel Noia; educator Goretti Silveira; and community leaders Vicki and Joe Machado.
Portuguese in San Leandro, The
by J.A. Freitas Library Meg RogersThe Gold Rush drew the Portuguese from the Azores, sweeping them across the Atlantic Ocean and around South America's Cape Horn to the California shore. When gold failed to pan out, many Portuguese moved to the hamlet of San Leandro on the San Francisco Bay where land was reasonable and the ground fertile. Gradually the post-Gold Rush settlers joined with former Portuguese shore whalers to farm the fields of San Leandro. San Leandro became a principal landing place for newly arrived Portuguese immigrants putting down roots on small farms. A steady stream of relatives from the Azores and Hawaii poured into San Leandro's fertile foothills, and by 1911 the Portuguese comprised over two-thirds of the city's population. The early days were rough--Portuguese immigrants banded together in fraternal societies to overcome a lack of resources and to help one another navigate a strange world whose language they did not speak. Today the Portuguese Immigrant monument in Root Park's plaza commemorates the journey of Portuguese settlers who left everything behind to start a new life in the new world.
Portuguese Landscape Architecture Education, Heritage and Research: 80 Years of History (Project Thinking on Design)
by Cristina Castel-Branco Maria Matos Silva João Ferreira Nunes Luís Paulo Ribeiro Teresa AndresenIn 2022, the Landscape Architecture course in Portugal celebrated 80 years of existence. This edited collection, Portuguese Landscape Architecture Education, Heritage and Research, commemorates this important milestone by bringing together some of the most respected names in Portuguese Landscape Architecture. Although the book’s content is targeted at the assessment of the Portuguese history and influence, the themes under analysis are all-encompassing within the major fields, namely pedagogy; heritage; theory and methods; and design and landscape planning and management. The book seeks to address several research questions, including How has Landscape Architecture evolved in Portugal and how has it been revealed in the different disciplinary areas and educational institutions, particularly considering the great challenges of today? What legacy did Cabral, Sousa da Câmara and the first generation of landscape architects leave us that can be identified in the theory and practice of research projects, recent or ongoing, carried out by Portuguese landscape architects? How has the education, research and practice of Landscape Architecture in Portugal been influenced or reflected by the exchange of knowledge with other countries? This book will be of interest to researchers and students, as it encompasses an extensive contribution to the field of Landscape Architecture studies, aiming to impact both on the theory and practice of the discipline.
Posada's Popular Mexican Prints (Dover Fine Art, History of Art)
by José PosadaJosé Guadalupe Posada (1852-1913) was Mexico's most illustrious graphic artist. For over forty years he worked tirelessly as an incorruptible and truly popular artist, illustrating cookbooks and fortune-telling books, collections of songs and riddles, periodicals and newspapers, children's books and novels, and most of all famous broadsides that were distributed throughout the country. After his death he was venerated by the artists of the new generation -- Rivera, Orozco, and many others, who realized that he had both saved and renewed the art of engraving in Mexico, and incorporated much of Posada's imagery into their own work.Here are close to 300 of Posada's best engravings, all done for the printer and publisher A. Vanegas Arroyo in Mexico City. Posada worked in two techniques -- engraving on type metal with a many-pointed burin and, later, relief etching on zinc. The broadsides he illustrated commemorated all sorts of occasions -- disasters, political events, crimes, and miracles -- or they glorified great popular heroes like Zapata. Posada was known for his calaveras -- skeletons that cavorted, ate and drank, rode bicycles and horses, wielded swords and daggers, or were revolutionaries, streetcleaners, dishwashers, and almost everything else. This was traditional art for All Souls' Day, the Mexican Day of the Dead, but in Posada's hands it became extremely versatile, sometimes an instrument of social and political satire, sometimes a sympathetic portrait of a revolutionary, sometimes a comic, cartoon-like memento mori. He did engravings of murders, suicides, catastrophes, robberies, and executions, as well as of snake-men, giant snails, and other grotesques and deformation. He pictured the daily pleasures and chagrins of the people from a proletarian point of view, and with overflowing imaginativeness. There is brutality and horror in his art, but there is also humor, political consciousness, and a sprawling, immediate vitality.This edition includes explanatory notes and commentary, often giving precise topical meaning to what otherwise appears vague or allegorical. It presents all of Posada's various themes, and all of the many forms in which he worked in his maturity. It is hoped that through it he will gain the wider audience, especially in America, that he deserves.
Posing for Portrait Photography: A Head-to-Toe Guide
by Jeff SmithPhotographers learn how to gauge the needs of their clients before placing them into a stale, preconceived #147;women’s,” #147;men’s,” or #147;children’s” pose that hardly fits the client’s personality or preferences. Provided with a two-pronged approach to fail-safe posing, photographers learn first to determine what the mood of the portrait should be and how to use an appropriate posing genre#151;traditional, casual, glamour, or journalistic. Photographers are then shown how that genre can be used as a basis to produce a pose that best suits the client, allowing them to create dynamic yet natural-looking pose that the subject#151;and the intended recipient#151;will love.
A Posing Techniques: For Photographing Model Portfolios
by Billy PegramWith detailed discussions and eye-catching, dynamic images, this guidebook shows professional photographers how to masterfully create beautiful images of a model to achieve any creative objective. Instructions illustrate basic poses as well as a host of subtle variations to provide photographers with an endless array of looks for editorial fashion shots, athletics, glamour or nude photography, and shots designed to show curves, reveal personality, or showcase the hands, hair, or legs. This comprehensive resource also provides expert advice on conducting a successful session, how to work with the model, how to work with a support staff of image stylists, and tips for designing a high-quality portfolio. Additional lessons provide a start-to-finish analysis of four different shooting sessions, each with a different model and a different objective.
Positionen.Entwicklungen.Erfahrungen – 10 Jahre Junge Opern Rhein-Ruhr: Dokumentation der Konferenz zum Festival „Auf die Ohren, fertig, los!“
by Christiane Plank-Baldauf Merle FahrholzHören, Sehen, Staunen – in den deutschsprachigen Opernhäusern kann junges Publikum seit über zehn Jahren viel entdecken! Die vorliegende Dokumentation fasst die Ergebnisse der Konferenz „Auf die Ohren, fertig los!“ der Jungen Opern Rhein-Ruhr zusammen und gibt Einblicke in künstlerische Produktionsbedingungen, ästhetische Handschriften, Vermittlungsarbeit, institutionelle Rahmenbedingungen und fokussiert aktuelle Uraufführungen des Kooperationsverbunds. Die Ergebnisse der Konferenz werden zudem in einen übergreifenden Kontext gesellschafts- und kulturpolitischer Entwicklungen im Musiktheater für junges Publikum im deutschsprachigen Raum gestellt.