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A Portrait Of Leni Riefenstahl
by Audrey SalkeldLeni Riefenstahl will always be remembered for her brilliant film of the 1936 Olympic Games in Berlin - still rated as one of the best documentaries ever made. Before that she was acclaimed for her roles in silent feature films, when German cinema was in its artistic heyday in the 1920s. She pioneered the box office success of such classic mountaineering dramas as The White Hell of Piz Palu and then began to direct her own films. The Blue Light was admired by Hitler and led to her filming the Wagnerian Nuremberg Rally of 1934. After the war she was shunned by the film industry, despite a court in 1952 proclaiming her not guilty of supporting the Nazis in a punishable way. Her undoubted charisma led to many affairs and grandiose schemes - deep sea diving in her seventies and still filming wildlife in her nineties. Audrey Salkeld has sifted the fact from the legend and gives us a moving portrait of the great movie `star' who suffered more in the `wilderness' than her enduring fame suggests.
Portrait of Lies
by Dandi Daley MackallEncouraged by her close friends and a mystery supporter in cyberspace, Jamie decides to enter a contest to win an art camp scholarship despite her own lack of confidence in her artistic ability.
Portrait Of A Man
by Georges PerecGaspard Winckler, master forger, is trapped in a basement studio on the outskirts of Paris, with his paymaster's blood on his hands. The motive for this murder? A perversion of artistic ambition. After a lifetime lived in the shadows, he has strayed too close to the sun. Fittingly for such an enigmatic writer, Portrait of a Man is both Perec's first novel and his last. Frustrated in his efforts to find a publisher, he put it aside, telling a friend: 'I'll go back to it in ten years when it'll turn into a masterpiece, or else I'll wait in my grave until one of my faithful exegetes comes across it in an old trunk.' An apt coda to one of the brightest literary careers of the twentieth century, it is - in the words of David Bellos, the 'faithful exegete' who brought it to light - 'connected by a hundred threads to every part of the literary universe that Perec went on to create - but it's not like anything else that he wrote.
A Portrait of the Artist as a Young Cat: Life and Times of Artistic Felines
by Nia GouldA Portrait of the Artist as a Young Cat is a book of more than 20 influential artists reimagined as artistic felines.From Frida Catlo to Yayoi Catsama, Wassily Catdinski to Henri Catisse, each portrait of the artist as a young cat is accompanied by a clever tongue-in-cheek biography revealing the thrilling feline lives (all nine) behind their famed artwork.Loaded with clever cat puns, this playful romp through art history will twist the whiskers of any cat-loving creative, whether you're discovering the inspiration for Frida Catlo's renowned self-pawtraits to reflecting on the catmosphere that gave rise to Georgia O'Kitty's landscapes.• Features fantastic feline artists such as Mary Catsatt and Meow Weiwei• A cute and clever book that cat and art lovers alike will love• Packed with tons of real biographical info about each artist and plentiful cat punsFor cat lovers with an artistic purr-suasion, this is the ultimate celebration of their favorite artists.• A purrfectly smart and sweet book for cat lovers, art lovers, pun enthusiasts, and those who love them• Great for those who loved Fat Cat Art by Svetlana Petrova, Cats Galore by Susan Herbert, Of Cats and Men: Profiles of History's Great Cat-Loving Artists, Writers, Thinkers and Statesmen by Sam Kalda
A Portrait of the Auteur as Fanboy: The Construction of Authorship in Transmedia Franchises
by Anastasia Salter Mel StanfillIncreasingly over the past decade, fan credentials on the part of writers, directors, and producers have come to be seen as a guarantee of quality media making—the “fanboy auteur.” Figures like Joss Whedon are both one of “us” and one of “them.” This is a strategy of marketing and branding—it is a claim from the auteur himself or industry PR machines that the presence of an auteur who is also a fan means the product is worth consuming. Such claims that fan credentials guarantee quality are often contested, with fans and critics alike rejecting various auteur figures as the true leader of their respective franchises. That split, between assertions of fan and auteur status and acceptance (or not) of that status, is key to unravelling the fan auteur.In A Portrait of the Auteur as Fanboy: The Construction of Authorship in Transmedia Franchises, authors Anastasia Salter and Mel Stanfill examine this phenomenon through a series of case studies featuring fanboys. The volume discusses both popular fanboys, such as J. J. Abrams, Kevin Smith, and Joss Whedon, as well as fangirls like J. K. Rowling, E L James, and Patty Jenkins, and dissects how the fanboy-fangirl auteur dichotomy is constructed and defended by popular media and fans in online spaces, and how this discourse has played in maintaining the exclusionary status quo of geek culture. This book is particularly timely given current discourse, including such incidents as the controversy surrounding Joss Whedon’s so-called feminism, the publication of Harry Potter and the Cursed Child, and contestation over authorial voices in the DC cinematic universe, as well as broader conversations about toxic masculinity and sexual harassment in Hollywood.
Portrait Painting Atelier: Old Master Techniques and Contemporary Applications
by Domenic Cretara Suzanne BrookerThe art of portraiture approached its apex during the sixteenth century in Europe with the discovery of oil painting when the old masters developed and refined techniques that remain unsurpassed to this day. The ascendance of nonrepresentational art in the middle of the twentieth century displaced these venerable skills, especially in academic art circles. Fortunately for aspiring artists today who wish to learn the methods that allowed the Old Masters to achieve the luminous color and subtle tonalities so characteristic of their work, this knowledge has been preserved in hundreds of small traditional painting ateliers that persevered in the old ways in this country and throughout the world.Coming out of this dedicated movement, Portrait Painting Atelier is an essential resource for an art community still recovering from a time when solid instruction in art technique was unavailable in our schools. Of particular value here is a demonstration of the Old Masters' technique of layering paint over a toned-ground surface, a process that builds from the transparent dark areas to the more densely painted lights. This method unifies the entire painting, creating a beautiful glow that illuminates skin tones and softly blends all the color tones. Readers will also find valuable instruction in paint mediums from classic oil-based to alkyd-based, the interactive principles of composition and photograph-based composition, and the anatomy of the human face and the key relationships among its features. Richly illustrated with the work of preeminent masters such as Millet, Géricault, and van Gogh, as well as some of today's leading portrait artists--and featuring seven detailed step-by-step portrait demonstrations--Portrait Painting Atelier is the first book in many years to so comprehensively cover the concepts and techniques of traditional portraiture.From the Hardcover edition.
Portrait Pro
by Jeff SmithDroves of hobbyist photographers make a move to professional photography every year. They read a few books, watch rock star photographers shoot online, make business cards, and forge their path to a new career. When they book clients, work through the session, proof their images, and conduct a sales session, though, they encounter artistic, organizational, and financial problems they had not anticipated, and many stall out. In this book, Jeff Smith focuses on finding an audience and a target demographic, honing your posing and lighting skills, working with clients, and managing business and personnel concerns. Smith begins by taking a close look at the mind-set required for forging ahead as a professional photographer. He shows you how to define and target the clientele you want to work with and teaches you skillful approaches for creating and maintaining a strong photographer-client relationship. He notes that many photographers enter the business to create images that please them and explains that to be successful, photographers must instead learn to gain insight into just what the client wants to see in the final photos in order to maximize profits and keep clients coming back for more. With a clearly defined objective and approach outlines, Smith moves on to tackle common technical issues that new pros find daunting. He provides tips for creating perfect lighting in the studio and outdoors. He also discusses positioning for every part of the body, to create an ideal presentation to the camera. Next, he provides compositional tips-from where to position the subject in the frame, to selecting the best camera angle, to cropping for impact-in order to maximize image impact and present the best-possible image to your client. Finally, with the technical and artistic fields addressed, Smith turns to a discussion on the business side of the profession. He offers advice on acquiring equipment, understanding costs and pricing, creating new business opportunities, identifying an ideal studio location, and even managing your time.
Portrait Pro
by Jeff SmithDroves of hobbyist photographers make a move to professional photography every year. They read a few books, watch rock star photographers shoot online, make business cards, and forge their path to a new career. When they book clients, work through the session, proof their images, and conduct a sales session, though, they encounter artistic, organizational, and financial problems they had not anticipated, and many stall out.In this book, Jeff Smith focuses on finding an audience and a target demographic, honing your posing and lighting skills, working with clients, and managing business and personnel concerns.Smith begins by taking a close look at the mind-set required for forging ahead as a professional photographer. He shows you how to define and target the clientele you want to work with and teaches you skillful approaches for creating and maintaining a strong photographer-client relationship. He notes that many photographers enter the business to create images that please them and explains that to be successful, photographers must instead learn to gain insight into just what the client wants to see in the final photos in order to maximize profits and keep clients coming back for more.With a clearly defined objective and approach outlines, Smith moves on to tackle common technical issues that new pros find daunting. He provides tips for creating perfect lighting in the studio and outdoors. He also discusses positioning for every part of the body, to create an ideal presentation to the camera. Next, he provides compositional tips-from where to position the subject in the frame, to selecting the best camera angle, to cropping for impact-in order to maximize image impact and present the best-possible image to your client.Finally, with the technical and artistic fields addressed, Smith turns to a discussion on the business side of the profession. He offers advice on acquiring equipment, understanding costs and pricing, creating new business opportunities, identifying an ideal studio location, and even managing your time.
Portrait Revolution: Inspiration from Around the World For Creating Art in Multiple Mediums and Styles
by Julia L. KayBased on the popular international collaborative art project, Julia Kay's Portrait Party, this book features hundreds of portraits in multiple mediums and styles teamed with tips and insights on the artistic process. The human face is one of the most important subjects for artists, no matter their chosen medium. Pulling from 50,000 works of portraiture created by the artists of the international online collaborative project Julia Kay’s Portrait Party, Portrait Revolution presents a new look at this topic—one that doesn’t limit itself to one medium, one style, one technique, or one artist. By presenting portraits in pencil, pen, charcoal, oils, watercolors, acrylics, pastels, mixed media, digital media, collage, and more, Julia Kay and co. demonstrate the limitless possibilities available to aspiring artists or even to professional artists who are looking to expand creatively.Along with works in almost every conceivable medium, Portrait Revolution shines a spotlight on different portrait-making techniques and styles (featuring everything from realism to abstraction). With tips, insights, and recommendations from accomplished portrait artists from around the globe, this all-in-one inspiration resource provides everything you’ll need to kick-start your own portrait-making adventure.
Portrait Stories
by null Michal Peled GinsburgWhat makes stories about portraits so gripping and unsettling? Portrait Stories argues that it is the ways they problematize the relation between subjectivity and representation. Through close readings of short stories and novellas by Poe, James, Hoffmann, Gautier, Nerval, Balzac, Kleist, Hardy, Wilde, Storm, Sand, and Gogol, the author shows how the subjectivities of sitter, painter, and viewer are produced in relation to representations shaped by particular interests and power relations, often determined by gender as well as by class. She focuses on the power that can accrue to the painter from the act of representation (often at the expense of the portrait’s subject), while also exploring how and why this act may threaten the portrait painter’s sense of self. Analyzing the viewer’s relation to the portrait, she demonstrates how portrait stories problematize the very act of seeing and with it the way subjectivity is constructed in the field of vision.
The Portraitist: Frans Hals and His World
by Steven NadlerA biography of the great portraitist Frans Hals that takes the reader into the turbulent world of the Dutch Golden Age. Frans Hals was one of the greatest portrait painters in history, and his style transformed ideas and expectations about what portraiture can do and what a painting should look like. Hals was a member of the great trifecta of Dutch Baroque painters alongside Rembrandt and Vermeer, and he was the portraitist of choice for entrepreneurs, merchants, professionals, theologians, intellectuals, militiamen, and even his fellow artists in the Dutch Golden Age. His works, with their visible brush strokes and bold execution, lacked the fine detail and smooth finish common among his peers, and some dismissed his works as sloppy and unfinished. But for others, they were fresh and exciting, filled with a sense of the sitter’s animated presence captured with energy and immediacy. Steven Nadler gives us the first full-length biography of Hals in many years and offers a view into seventeenth-century Haarlem and this culturally rich era of the Dutch Republic. He tells the story not only of Hals’s life, but also of the artistic, social, political, and religious worlds in which he lived and worked.
The Portraitist: Frans Hals and His World
by Steven NadlerA biography of the great portraitist Frans Hals that takes the reader into the turbulent world of the Dutch Golden Age. Frans Hals was one of the greatest portrait painters in history, and his style transformed ideas and expectations about what portraiture can do and what a painting should look like. Hals was a member of the great trifecta of Dutch Baroque painters alongside Rembrandt and Vermeer, and he was the portraitist of choice for entrepreneurs, merchants, professionals, theologians, intellectuals, militiamen, and even his fellow artists in the Dutch Golden Age. His works, with their visible brush strokes and bold execution, lacked the fine detail and smooth finish common among his peers, and some dismissed his works as sloppy and unfinished. But for others, they were fresh and exciting, filled with a sense of the sitter’s animated presence captured with energy and immediacy. Steven Nadler gives us the first full-length biography of Hals in many years and offers a view into seventeenth-century Haarlem and this culturally rich era of the Dutch Republic. He tells the story not only of Hals’s life, but also of the artistic, social, political, and religious worlds in which he lived and worked.
Portraits
by John Berger Tom OvertonA major new book from one of the world's leading writers and art criticsJohn Berger, one of the world's most celebrated art writers, takes us through centuries of drawing and painting, revealing his lifelong fascination with a diverse cast of artists. In Portraits, Berger grounds the artists in their historical milieu in revolutionary ways, whether enlarging on the prehistoric paintings of the Chauvet caves or Cy Twombly's linguistic and pictorial play. In penetrating and singular prose, Berger presents entirely new ways of thinking about artists both canonized and obscure, from Rembrandt to Henry Moore, Jackson Pollock to Picasso. Throughout, Berger maintains the essential connection between politics, art and the wider study of culture. The result is an illuminating walk through many centuries of visual culture, from one of the contemporary world's most incisive critical voices.From the Hardcover edition.
Portraits and Philosophy (Routledge Research in Aesthetics)
by Hans MaesDespite its huge popularity, portraiture hasn’t received much philosophical attention. While there are countless art historical studies of portraiture, including self-portraiture and group-portraiture, contemporary philosophy has largely remained silent on the subject. This book brings together philosophers and philosophically minded art historians with different areas of expertise to discuss this enduring and continuously fascinating genre. The essays in this volume are grouped into thematic sections, each of which is guided by numerous research questions relevant to the genre of portraiture. Part I explores the boundaries of portraiture. What makes something a portrait? In what way is it similar to and different from other genres? How have artists pushed the limits and conventions of the portraiture? How does the recent vogue of selfies relate to the tradition of self-portraiture? Part II responds to questions about empathy and emotion in portraiture. How do artists express attitudes and emotions towards sitters of their portraits? Why are we moved by certain portraits and not so much by others? In Part III, the contributors address questions about fiction and depiction. Do portraits fall within the domain of non-fiction? Can authenticity in portraiture be achieved if portraits necessarily involve posing? Finally, Part IV grapples with the following question: What are the moral dimensions of the relation between artist, sitter, patron, and audience?
Portraits and Prayers
by Gertrude SteinPortraits and Prayers is a collection of early essays and word portraits by the American writer Gertrude Stein. Her subjects often provide a description of what she observed in her Saturday salons.
Portraits by Degas
by Jean Sutherland BoggsThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1962.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived</DIV
Portraits in Early Modern English Drama: Visual Culture, Play-Texts, and Performances (Studies in Performance and Early Modern Drama)
by Emanuel StelzerPortraits in Early Modern English Drama studies the complex web of interconnections that grows out of the presentation of portraits as props in early modern English drama. Emanuel Stelzer considers this theory from the Elizabethan age up to the closing of the theatres. This book examines how the dramatic text and the subjectivities of the dramatis personae are shaped and changed through the process of observation and interpretation of pictures in the dramatic actions and dialogues. Unlike any previous study, it confronts when a portrait is clearly meant not to be a miniature. This also has bearings on the effect of the picture on the audience and in terms of genre expectation. Two important questions are interrogated in the book: What were the price and value of these portraits? and What were the strategies deployed by the playing companies to show women’s portraits in a theatre without actresses? This book will be of interest to different areas of research dealing with the history of drama and literature, material and visual culture studies, art history, gender studies, and performance studies.
Portraits in Life and Death
by Peter HujarA new edition of the cult classic photography book by the legendary Peter Hujar. “I am moved by the purity of [Hujar’s] intentions.... These memento mori can exorcise morbidity as effectively as they evoke its sweet poetry and its panic.” —Susan Sontag Portraits in Life and Death is the only book of photographs published by Peter Hujar during his lifetime. The twenty-nine portraits of creative people—ranging from William Burroughs, Susan Sontag, and John Waters to Larry Ree, founder of the Trocadero Gloxinia Ballet Company, and T.C. (whose identity is unclear)—possess a haunting beauty and degree of psychological examination that is both offbeat and riveting. Following the portraits come eleven images that can only be described as devastating: pictures of semi-preserved, clothed bodies of nineteenth-century Sicilians found in the arid catacombs beneath a church in Palermo. There is no necessary connection in the photographs themselves or between the two sections of the book, yet the pictorial progression from life to death is an emblem of the journey we all take. The living subjects seem to be meditating on the mortality that is limned with such profound effect in the catacomb pictures. In different ways, both groups of images speak to the basic fears and emotions that we carry with us, somewhere beyond our consciousness. After viewing this extraordinary book, it is almost impossible not to make those connections and interpretations or be moved by Hujar’s consistent ability to convey what appears to be the inner spirit of his subjects. Even so, an air of nonchalance, even gaiety, hovers over the photographs. The book is odd, oblique, sometimes opaque, and certainly deeply felt; but it sticks to the mind like a burr. It will be noticed. Once seen, it cannot be forgotten.
Portraits of Courage: A Commander in Chief's Tribute to America's Warriors
by Laura Bush George W. Bush Peter Pace<P>A vibrant collection of oil paintings and stories by President George W. Bush honoring the sacrifice and courage of America’s military veterans. With Forewords by former First Lady Laura Bush and General Peter Pace, 16th Chairman of the Joint Chiefs of Staff. <P>Growing out of President Bush’s own outreach and the ongoing work of the George W. Bush Institute's Military Service Initiative, Portraits of Courage brings together sixty-six full-color portraits and a four-panel mural painted by President Bush of members of the United States military who have served our nation with honor since 9/11—and whom he has come to know personally. <P>Our men and women in uniform have faced down enemies, liberated millions, and in doing so showed the true compassion of our nation. Often, they return home with injuries—both visible and invisible—that intensify the challenges of transitioning into civilian life. In addition to these burdens, research shows a civilian-military divide. Seventy-one percent of Americans say they have little understanding of the issues facing veterans, and veterans agree: eighty-four percent say that the public has "little awareness" of the issues facing them and their families. <P>Each painting in this meticulously produced hardcover volume is accompanied by the inspiring story of the veteran depicted, written by the President. Readers can see the faces of those who answered the nation’s call and learn from their bravery on the battlefield, their journeys to recovery, and the continued leadership and contributions they are making as civilians. <P>It is President Bush’s desire that these stories of courage and resilience will honor our men and women in uniform, highlight their family and caregivers who bear the burden of their sacrifice, and help Americans understand how we can support our veterans and empower them to succeed. <P>President Bush will donate his net author proceeds from PORTRAITS OF COURAGE to the George W. Bush Presidential Center, a non-profit organization whose Military Service Initiative works to ensure that post-9/11 veterans and their families make successful transitions to civilian life with a focus on gaining meaningful employment and overcoming the invisible wounds of war. <P><b>A New York Times Bestseller</b>
Portraits of Empires: Habsburg Albums from the German House in Ottoman Constantinople (Ottomanica: Voices, Sources, Perspectives)
by Robyn Dora RadwayIn the late 16th century, hundreds of travelers made their way to the Habsburg ambassador's residence, known as the German House, in Constantinople. In this centrally located inn, subjects of the emperor found food, wine, shelter, and good company—and left an incredible collection of albums filled with images, messages, decorated papers, and more.Portraits of Empires offers a complete account of this early form of social media, which had a profound impact on later European iconography. Revealing a vibrant transimperial culture as viewed from all walks of life—Muslim and Christian, noble and servant, scholar and stable boy—the pocket-sized albums containing these curiosities have never been fully connected to the abundant archival records on the German House and its residents. Robyn Dora Radway not only introduces these objects, the people who filled their pages, and the house at the center of their creation, but she also presents several arguments regarding chronologies of exchange, workshop practices, the curation of social networks and visual collections based on status, and the purposes of these highly individualized material portraits.Featuring 162 fascinating color images, Portraits of Empires reconstructs the world of Habsburg subjects living in Ottoman Constantinople using a rich and distinctive set of objects to raise questions about imperial belonging and the artistic practices used to articulate it.
Portraits of Irish Art in Practice: Rita Duffy, Mairéad McClean, Paula McFetridge & Ursula Burke
by Jennifer KeatingThis book mines the space where aesthetic expression meets lived experience for Irish artists Rita Duffy, Mairéad McClean, Paula McFetridge and Ursula Burke. Portrait essays woven with photographs, document each artist’s coming of age in Ireland and Northern Ireland, in the context of her emerging practice. As individuals, their work considers infringements on human rights, systemic violence, gender roles and the negotiation of figurative and literal borders and boundaries. Together, they interrogate past and present conflict and emergence from conflict, locally and globally. Their critical work is threaded with hope in the context of past and present political fragmentation. Works considered include Rita Duffy’s paintings, drawings and animation like Siege, The Emperor Has No Clothes and Anatomy of Hope; Mairéad McClean’s films No More, Broadcast and Making Her Mark; Paula McFetridge’s productions like convictions, staged at the Crumlin Road Courthouse, This is What We Sang, performed at the Belfast Synagogue and Belfast Quartered, A Love Story, a promenade through Belfast’s LGBTQ+ underground; and Ursula Burke’s sculptures like Bonfire, Blue Sphinx and Peach Caryatid, and embroidery like The Politicians Frieze.
Portraits of the Ptolemies: Greek Kings as Egyptian Pharaohs
by Paul Edmund StanwickAs archaeologists recover the lost treasures of Alexandria, the modern world is marveling at the latter-day glory of ancient Egypt and the Greeks who ruled it from the ascension of Ptolemy I in 306 B.C. to the death of Cleopatra the Great in 30 B.C. The abundance and magnificence of royal sculptures from this period testify to the power of the Ptolemaic dynasty and its influence on Egyptian artistic traditions that even then were more than two thousand years old.<P><P>In this book, Paul Edmund Stanwick undertakes the first complete study of Egyptian-style portraits of the Ptolemies. Examining one hundred and fifty sculptures from the vantage points of literary evidence, archaeology, history, religion, and stylistic development, he fully explores how they meld Egyptian and Greek cultural traditions and evoke surrounding social developments and political events. To do this, he develops a "visual vocabulary" for reading royal portraiture and discusses how the portraits helped legitimate the Ptolemies and advance their ideology. Stanwick also sheds new light on the chronology of the sculptures, giving dates to many previously undated ones and showing that others belong outside the Ptolemaic period.
Portraits of Violence: War and the Aesthetics of Disfigurement
by Suzannah BiernoffPortraits of Violence explores the image and idea of facial disfigurement in one of its most troubling modern formations, as a symbol and consequence of war. It opens with Nina Berman’s iconic photograph Marine Wedding, which provoked a debate about the medical, military, and psychological response to serious combat injuries. While these issues remain urgent, it is equally crucial to interrogate the representation of war and injury. The concepts of valor, heroism, patriotism, and courage assume visible form and do their cultural work when they are personified and embodied. The mutilated or disabled veteran’s body can connote the brutalizing, dehumanizing potential of modern combat. Suzannah Biernoff draws on a wide variety of sources mainly from WWI but also contemporary photography and computer games. Each chapter revolves around particular images: Marine Wedding is discussed alongside Stuart Griffiths’ portraits of British veterans; Henry Tonks’ drawings of WWI facial casualties are compared to the medical photographs in the Gillies Archives; the production of portrait masks for the severely disfigured is approached through the lens of documentary film and photography; and finally the haunting image of one of Tonks’s patients reappears in BioShock, a highly successful computer game. The book simultaneously addresses a neglected area in disability studies; puts disfigurement on the agenda for art history and visual studies; and makes a timely and provocative contribution to the literature on the First World War.
Portraiture (Oxford History Of Art)
by Shearer WestThis fascinating new book explores the world of portraiture from a number of vantage points, and asks key questions about its nature. How has portraiture changed over the centuries? How have portraits represented their subjects, and how have they been interpreted? Issues of identity, modernity, and gender are considered within a cultural and historical context.Shearer West uncovers much intriguing detail about a genre that has often been seen as purely representational, featuring examples from African tribes to Renaissance princes, and from 'stars' such as David and Victoria Beckham to ordinary people. In the process, she shows us how to communicate with the past in an exciting new way.
Portraiture and British Gothic Fiction: The Rise of Picture Identification, 1764–1835
by Kamilla ElliottExamples from British writers of the eighteenth and nineteenth centuries show how portraits became a new mode of identity for the middle class.Traditionally, kings and rulers were featured on stamps and money, the titled and affluent commissioned busts and portraits, and criminals and missing persons appeared on wanted posters. British writers of the eighteenth and nineteenth centuries, however, reworked ideas about portraiture to promote the value and agendas of the ordinary middle classes. According to Kamilla Elliott, our current practices of "picture identification" (driver’s licenses, passports, and so on) are rooted in these late eighteenth- and early nineteenth-century debates.Portraiture and British Gothic Fiction examines ways writers such as Horace Walpole, Ann Radcliffe, Mary Shelley, and C. R. Maturin as well as artists, historians, politicians, and periodical authors dealt with changes in how social identities were understood and valued in British culture—specifically, who was represented by portraits and how they were represented as they vied for social power.Elliott investigates multiple aspects of picture identification: its politics, epistemologies, semiotics, and aesthetics, and the desires and phobias that it produces. Her extensive research not only covers Gothic literature’s best-known and most studied texts but also engages with more than 100 Gothic works in total, expanding knowledge of first-wave Gothic fiction as well as opening new windows into familiar work.