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Possibility: Essays Against Despair
by Patricia Vigderman"Reading Patricia Vigderman is like attending an ideal dinner party, where everyone has read your favorite books. Her essays wind particular passages of Proust, or George Eliot, or W.G. Sebald around personal moments; David Foster Wallace's story 'The Depressed Person' is threaded throughout an essay about her own relationship with a loved one's serious depression. Vigderman's responses are fresh and original and her sounding of our collective literary treasures are likely to send you back to read them again, now overlaid with her embroidery."-Mona SimpsonIn this accessible collection of essays, Patricia Vigderman attempts to translate some of life's disordered events into the orderly happiness of art. She encounters manatees, children, and snakes; with Henry Adams, Marcel Proust, and W.G. Sebald; with Texas landscape, Vertigo, and Johannes Vermeer. Adams, in Japan after his wife's death, found in the elaborate ritual of the tea ceremony and in the discomforts of a rural inn, occasions for the wit to face down grief. His letters to friends coax laughter from strangeness and loss. Like Adams, Vigderman has a stylist's passion for revelatory detail, and for the pleasure of immersion in a world. Smart, generous, and probing, her discoveries play with direct experience, exploring the interaction of life and art as "magic you can walk in and out of."Patricia Vigderman's work has appeared in The Nation, The New York Times, Georgia Review, Raritan, and others. She was a Literature Fellow at the Liguria Center for the Arts and Humanities in Italy and teaches at Kenyon College.
The Possibility of a World: Conversations with Pierre-Philippe Jandin
by null Jean-Luc Nancy null Pierre-Philippe JandinIn this series of interviews, Jean-Luc Nancy reviews his life’s work. But like Schlegel’s historian—“a prophet facing backwards”—Nancy takes this opportunity to rummage through the history of art, philosophy, religion, and politics in search of new possibilities that remain to be thought.This journey through Nancy’s thought is interspersed with accounts of places and events and deeply personal details. The result is at once unpretentious and encyclopedic: Concepts are described with remarkable nuance and specificity, but in a language that comes close to that of everyday life.As Nancy surveys his work, he thinks anew about democracy, community, jouissance, love, Christianity, and the arts. In the end, this is a book about the possibility of a world—a world that must be greeted because it is, as Nancy says, already here.
The Possibility of (an) Architecture: Collected Essays by Mark Goulthorpe, dECOi Architects
by Mark GoulthorpeArticulating a radical agenda for the rethinking of the basic precepts of the construction industry in light of digital technologies, this book explores the profound shift that is underway in all aspects of architectural process. Essays and lectures from the last fifteen years discuss these changes in relation to dECOi Architects, created in 1991 as a forward-looking architectural practice. This excellent collection is relevant to architectural professionals, academics and students and also to practitioners in many related creative fields who are similarly engaged in trying to comprehend the significance of the import of digital media.
The Possible South: Documentary Film and the Limitations of Biraciality
by R. Bruce BrasellUsing cultural theory, author R. Bruce Brasell investigates issues surrounding the discursive presentation of the American South as biracial and explores its manifestation in documentary films, including such works as Tell about the South, bro•ken/ground, and Family Name. After considering the emergence of the region’s biraciality through a consideration of the concepts of racial citizenry and racial performativity, Brasell examines two problems associated with this framework. First, the framework assumes racial purity, and, second, it assumes that two races exist. In other words, biraciality enacts two denials, first, the existence of miscegenation in the region and, second, the existence of other races and ethnicities.Brasell considers bodily miscegenation, discussing the racial closet and the southeastern expatriate road film. Then he examines cultural miscegenation through the lens of racial poaching and 1970s southeastern documentaries that use redemptive ethnography. In the subsequent chapters, using specific documentary films, he considers the racial in-betweenness of Spanish-speaking ethnicities (Mosquitoes and High Water, Living in America, Nuestra Communidad), probes issues related to the process of racial negotiation experienced by Asian Americans as they seek a racial position beyond the black and white binary (Mississippi Triangle), and engages the problem of racial legitimacy confronted by federally nonrecognized Native groups as they attempt the same feat (Real Indian).
The Possum That Didn't
by Frank TashlinThere once was a happy little possum, the happiest animal in the entire forest, who always wore a great big smile. This jolly creature was content simply to hang by his tail from a tree until he was discovered by a group of picnickers. Mistaking the possum's upside-down smile for a frown, the people resolve to rescue him ― and they turn the little possum's world topsy-turvy. Strikingly illustrated in black-and-white, this memorable satire of cultural intolerance was created by Frank Tashlin, the famed animator, film director, and author of The Bear That Wasn't. Readers of all ages will appreciate the book's message as well as its distinctive drawings.
Possums Are Not Cute!: And Other Myths about Nature's Most Misunderstood Critter
by Ally BurguieresPossums may steal your garbage…but with this book, they&’ll also steal your heart!Possums are more than the ugly-cute icons of the internet. These so-called trash animals and pointy kitties are not only relatable avatars for anxious but resilient people everywhere, but nature&’s secret clean-up crew. Organized around common myths that have given possums a bad reputation, this fun and offbeat book reveals the truth about possums through dozens of adorable photos, informative illustrations, and fascinating facts. Did you know that… • Possums protect people and pets from disease! A single possum can eat up to 4,000 ticks per week! • Possums excel at interspecies friendships, often sleeping in other animals&’ dens. • Possums are shy creatures: when they &“play dead,&” they are actually fainting from anxiety! Written by wildlife rehabber and possum advocate Ally Burguieres, known for her popular Instagram account @ItsMeSesame, this accessible and giftable guide explains why possums deserve our admiration and offers tips on how we can protect and advocate for these magical marsupials.
The Post-2000 Film Western
by Marek Paryz John R. LeoThis collection of thirteen essays by scholars from the US, UK, Netherlands, Germany, Poland, Australia and Hong Kong, explores the trajectories of the post-2000 film Western in American, transnational, inter-generic, and inter-medial contexts. With examples ranging from major American films, through acclaimed international productions, to works such as experimental films and television commercials, the contributors seek to account for the appeal and currency of the film Western today. Theyare concerned with the issues of historical revisionism and contemporary ideologies, of audience and industry, of the cross-pollination of film genres, and highlight a plethora of problems that contemporary Westerns have addressed. They make a case for the Western's capacity for renewal – through the reworking of staple themes, incorporation of other film genres, varied political implications, and foreign appropriations.
Post Cards from Space: In September
by Lawrence Wright"A magnificent book [from] one of our finest nonfiction writers. . . . In his minute-by-minute account of the talks Wright intersperses a concise history of Egyptian-Israeli relations dating from the story of Exodus. Even more important is Wright's understanding that Sadat, Begin and Carter were not just political leaders, but exemplars of the Holy Land's three internecine religious traditions
Post-choreography: Jérôme Bel’s Choreography and Movement in Malfunction (ISSN)
by Shuntaro YoshidaThis book sheds light on the practice of French choreographer Jérôme Bel, who is active in the fields of performing arts and contemporary art.Shuntaro Yoshida examines a case study of collective creation involving the choreographer and a group of amateur workshop participants. The focus is on Atelier Danse et Voix (Dance and Voice Workshop) (2014) and workshops held with local diverse participants in Brussels, Venice, and Munich after the cancellation of the Dance and Voice Workshop. This study elucidates Bel’s creative method by exploring the relationship between choreographer and participants in a situation where the typical framework of actors has been expanded. The focus of the case study is not so much the choreographic methodology itself, but the relationship between the method and the participants and the ways in which the choreographer cedes creative decision-making power to participants. In order to investigate Bel’s creative method, this study makes use of participant observation field notes taken during a rehearsal. Additional data sources include Bel’s emailed materials, performance programs, and interviews with participants.This book will be of great interest to students and scholars in theater, performance, and dance studies.
Post-Cinematic Theatre and Performance
by Piotr WoycickiA cinema without cameras, without actors, without screen frames and without narratives almost seems like an antithetical impossibility of what is usually expected from a cinematic spectacle. This book defines an emergent field of post-cinematic theatre and performance, challenging our assumptions and expectations about theatre and film.
Post-Colonial Cultures in France
by Alec Hargreaves Mark McKinneyEthnic minorities, principally from Africa, Asia, the Caribbean and the surviving remnants of France's overseas empire, are increasingly visible in contemporary France. Post-Colonial Cultures in France edited by Alec Hargreaves and Mark McKinney is the first wide-ranging survey in English of the vibrant cultural practices now being forged by France's post-colonial minorities. The contributions in Post-Colonial Cultures in France cover both the ethnic diversity of minority groups and a variety of cultural forms ranging from literature and music to film and television. Using a diversity of critical and theoretical approaches from the disciplines of cultural studies, literary studies, migration studies, anthropology and history, Post-Colonial Cultures in France explores the globalization of cultures and international migration.
Post-Colonial Drama: Theory, Practice, Politics
by Helen Gilbert Joanne TompkinsPost-Colonial Drama is the first full-length study to address the ways in which performance has been instrumental in resisting the continuing effects of imperialism. It brings to bear the latest theoretical approaches from post-colonial and performance studies to a range of plays from Australia, Africa, Canada, New Zealand, the Caribbean and other former colonial regions. Some of the major topics discussed in Post-Colonial Drama include: * the interactions of post-colonial and performance theories * the post-colonial re-stagings of language and history * the specific enactments of ritual and carnival * the theatrical citations of the post-colonial body Post-Colonial Drama combines a rich intersection of theoretical approaches with close attention to a wide range of performance texts.
Post-Communist Malaise: Cinematic Responses to European Integration (Media Matters)
by Zoran SamardzijaThe collapse of communism in the Soviet Union and Eastern Europe was supposed to bring about the “end of history” with capitalism and liberal democracy achieving decisive victories. Europe would now integrate and reconcile with its past. However, the aftershocks of the financial crisis of 2008—the rise in right-wing populism, austerity politics, and mass migration—have shown that the ideological divisions which haunted Europe in the twentieth century still remain. It is within this context that Post-Communist Malaise revives discourses of political modernism and revisits debates from Marxism and seventies film theory. Analyzing work of Theo Angelopoulos, Vera Chytilová, Srdjan Dragojevic, Jean-Luc Godard, Miklós Jancsó, Emir Kusturica, Dušan Makavejev, Cristi Puiu, Jan Švankmajer, Andrei Tarkovsky, and Béla Tarr, the book focuses on how select cinemas from Eastern Europe and the Balkans critique the neoliberal integration of Europe whose failures fuel the rise of nationalism and right-wing politics. By politicizing art cinema from the regions, Post-Communist Malaise asks fundamental questions about film, aesthetics, and ideology. It argues for the utopian potential of the materiality of cinematic time to imagine a new political and cultural organization for Europe.
Post-Conflict Monuments in Bosnia and Herzegovina: Unfinished Histories (Routledge Focus on Art History and Visual Studies)
by Uroš ČvoroAt a time of dramatic struggles over monuments around the world, this book examines monuments that have been erected in post-conflict Bosnia and Herzegovina (BiH) since 1996. Examining the historical precedents for the high rate of monumentbuilding, and its links to ongoing political instability and national animosity, this book identifies the culture of remembrance in BiH as symptomatic of a broader shift: a monumentalisation and privatisation of history. It provides an argument for how to account for the politics of contemporary nation-state formation, control of space, trauma and revisions of history in a region that has been subject to prolonged instability and crisis. This book will be of interest to scholars in contemporary art, museum studies, war and conflict studies, and European studies.
Post-Conflict Participatory Arts: Socially Engaged Development (Rethinking Development)
by Faith MkwananziThis book investigates the power of art to enhance human development and to initiate positive social change for individuals and societies recovering from conflict. Interventions aimed at reinforcing social justice and bringing communities together after conflict are often accused of being top-down, or failing to consider all groups and contexts within a society. The use of participatory arts can help to address these challenges by fostering community engagement, social cohesion, influencing public policy, and ultimately, advancing social justice. Arts-based methods can be particularly effective at reaching youth communities, providing voice and political agency to young people who are often not given a platform. Situated at the intersection of participatory arts, social and epistemic justice, this book brings together case studies from across the world to reflect on best practice for the use of bottom-up, participatory, co-produced, and co-designed arts processes in conflict settings. This book provides an important guide to the role that arts can play in addressing epistemic injustice and contributing to social justice and human development. As such, it will be of interest to international development and arts practitioners, policy makers, and to students and researchers across participatory arts, youth studies, international development, social justice, and peace and conflict studies.
Post-Conflict Performance, Film and Visual Arts
by Des O'Rawe Mark PhelanDrawing on a range of cities and conflicts from Europe, Africa and the Middle East, the collection explores the post-conflict condition as it is lived and expressed in modern cities such as Berlin, Belfast, Bilbao, Beirut, Derry, Skopje, Sarajevo, Tunis, Johannesburg and Harare. Post-Conflict Performance, Film and Visual Arts: Cities of Memory investigates how the memory of conflict can be inscribed in historical monuments, human bodies and hermeneutic acts of mapping, traversing, representing, and performing the city. Several essays explore the relations between memory, history and urban space; where memory is located and how it is narrated, as well as various aspects of embodied memory; testimonial memory; traumatic memory; counter-memory; false memory; post-memory. Other essays examine the representations of post-war cities and how cultural imaginations relate to the politics of reconstruction in places devastated by protracted urban warfare. Post-Conflict Performance, Film and Visual Arts: Cities of Memory offers a comparative survey of the complex and often controversial encounters between public art, political memory and commemoration in divided societies, as well as offering insights into the political and ethical difficulties of balancing the dynamics of forgetting and remembering.
Post-Construction Liability and Insurance
by J. KnockeWith the single European market and the growing internationalisation of the work of architects, engineers and contractors it is important for professionals to be aware of the liability provisions of legal systems around the world. An essential reference for lawyers and insurance companies, especially in construction law and insurance, this is required reading for construction professionals involved in international work.
Post-Crisis European Cinema: White Men in Off-Modern Landscapes
by György KalmárThis book explores the cinematic representations of the pervasive socio-cultural change that the 21st century brought to Europe and the world. Discussing films such as I, Daniel Blake, Cold War and Jupiter’s Moon, it puts distinctively “post-crisis”, gendered representations in a complex, theoretically informed and socially committed interdisciplinary perspective that maps the newly emerging formations of masculinity at a time of rapid socio-economic transition. Kalmar argues that the series of crises that started with the 9/11 terrorist attacks changed some of our fundamental expectations about history, debunked many of our grand narratives, and thus changed the cultural logic of our (thoroughly globalized) civilization. The book focuses on the ways cinema reflects, interprets and shapes a rapidly changing world: the hot issues of the times, the new formations of identity, and the shifts in cinematic representation. This is an interdisciplinary research that is equally interested in what new the 21st century brought about, most specifically to Europe and to its white men, as in film and its responses to these socio-cultural changes.
Post-Digital Letterpress Printing: Research, Education and Practice (Routledge Focus on Art History and Visual Studies)
by Pedro Amado, Ana Catarina Silva and Vítor QuelhasThis book presents an overview of the convergence of traditional letterpress with contemporary digital design and fabrication practices. Reflecting on the role of letterpress within the emergent hybrid post-digital design process, contributors present historical and contemporary analysis, grounded in case studies and current practice. The main themes covered include the research on letterpress as a technology and medium; a reflection on the contribution of letterpress to arts and design education; and current artistic and communication design practice merging past, present and future digital fabrication processes. This will be of interest to scholars working in graphic design, communication design, book design, typography, typeface design, design history, printing, and production technologies.
Post-Digital, Post-Internet Art and Education: The Future is All-Over (Palgrave Studies in Educational Futures)
by Kevin Tavin Gila Kolb Juuso TervoThis open access edited volume provides theoretical, practical, and historical perspectives on art and education in a post-digital, post-internet era. Recently, these terms have been attached to artworks, artists, exhibitions, and educational practices that deal with the relationships between online and offline, digital and physical, and material and immaterial. By taking the current socio-technological conditions of the post-digital and the post-internet seriously, contributors challenge fixed narratives and field-specific ownership of these terms, as well as explore their potential and possible shortcomings when discussing art and education. Chapters also recognize historical forebears of digital art and education while critically assessing art, media, and other realms of engagement. This book encourages readers to explore what kind of educational futures might a post-digital, post-internet era engender.
Post-feminist Impasses in Popular Heroine Television
by Alison HorburyAlison Horbury investigates the reprisal of the myth of Persephone - a mother-daughter plot of separation and initiation - in post-feminist television cultures where, she argues, it functions as a symptom expressing a complex around the question of sexual difference - what Lacan calls 'sexuation', where this question has been otherwise foreclosed. She takes four television heroines dramatizing this Persephone symptom - Ally McBeal, Sydney Bristow, Veronica Mars, and Meredith Grey - to showwhat is unconscious in this symptom, and identifies an impasse in feminist cultural criticisms as they respond to post-feminist cultures on the topic of 'woman'. She introduces psychoanalytic approaches to the novel to rethink the engagement of audiences with this Persephone symptom, and suggests that post-feminist discourses manifesting in Persephone's story offer us a cultural symptom that, when analysed, offers us new reflections on feminism today.
Post-Fordist Cinema: Hollywood Auteurs and the Corporate Counterculture (Film and Culture Series)
by Jeff MenneThe New Hollywood boom of the late 1960s and 1970s is celebrated as a time when maverick directors bucked the system. Against the backdrop of counterculture sensibilities and the prominence of auteur theory, New Hollywood directors such as Robert Altman and Francis Ford Coppola seemed to embody creative individualism. In Post-Fordist Cinema, Jeff Menne rewrites the history of this period, arguing that auteur theory served to reconcile directors to Hollywood’s corporate project.Menne traces the surprising affinities between auteur theory and management gurus such as Peter Drucker, who envisioned a more open and flexible corporate style. In founding production companies, New Hollywood filmmakers took part in the creation of new corporate models that emphasized entrepreneurial creativity. For firms such as Kirk Douglas’s Bryna Productions, Altman’s Lion’s Gate Films, the Zanuck-Brown Company, and BBS Productions, the counterculture ethos limbered up the studio system’s sclerotic production process—with striking parallels to how management theory conceived of the role of the individual within the firm. Menne offers insightful readings of how films such as Lonely Are the Brave, Brewster McCloud, Jaws, and The King of Marvin Gardens narrate the conditions in which they were created, depicting shifting notions of work and corporate structure. While auteur theory allowed directors to cast themselves as independent creators, Menne argues that its most consequential impact came as a management doctrine. An ambitious rethinking of New Hollywood, Post-Fordist Cinema sheds new light on the cultural myth of the great director and the birth of the “creative economy.”
Post-Growth Planning: Cities Beyond the Market Economy
by Federico SaviniThis book draws on a wide range of conceptual and empirical materials to identify and examine planning and policy approaches that move beyond the imperative of perpetual economic growth. It sketches out a path towards planning theories and practices that can break the cyclical process of urban expansion, crises, and recovery that negatively affect ecosystems and human lives. To reduce the dramatic social and environmental impact of urbanization, this book offers both a critique of growth-led urban development and a prefiguration of ecologically regenerative and socially just ways of organizing cities and regions. It uncovers emerging possibilities for post-growth planning in the fields of collective housing, mobility, urban commoning, ecological land-use, urban–rural symbiosis, and alternative planning worldviews. It provides a toolkit of concepts and real-life examples for urban scholars, urbanists, activists, architects, and designers seeking to make cities prosper within planetary boundaries. This book speaks to both experts and beginners in post-growth thinking. It concludes with a manifesto and glossary of key terms for urban scholars, students, and practitioners.
Post-Impressionists in England: The Critical Reception (Routledge Revivals)
by J. B. BullenFirst Published in 1988, Post-impressionists in England documents the response of English taste to modern French art from the first Post-Impressionist Exhibition in 1910 to the outbreak of the First World War. The notion of ‘Post-Impressionism’, unlike its earlier counterpart, Impressionism, was an exclusively English contribution to art history. Originally used to denote the work of Cezanne, Van Gogh, Gauguin, Matisse and the Fauve painters, it rapidly assimilated Futurism, Cubism and recent English work like Vorticism. By focusing on one aspect of an important and complex period in British cultural history, J.B. Bullen illuminates not only aesthetic questions but also the way in which those aesthetic issues were determined and conditioned by social and political concerns.Changes in English attitudes to art in this period were so rapid and were modified with such speed that the author has taken a strictly chronological approach to the subject. He sets out clearly the month-by-month developments in English attitudes and traces in detail the debates about modernism in England. To make matters clearer the book is divided into three major parts, each complementary to the others. The introduction surveys the period as a whole and places attitudes to art in the general context of the culture of the time. In the second part the extracts provide selected, concrete and particular examples of the huge range of material upon which the findings of the introduction are based; the writers represented include Roger Fry, Bernard Berenson, Desmond McCarthy, John singer Sargent, Walter Sickert, Clive Bell, Virginia Woolf and Wyndham Lewis. In the third part a chronology sets out in tabular form month-by-month events- exhibitions and major publications- as they occurred in Britain and in France. This is a must read for scholars and researchers of British cultural history and art history.
The (Post) Mistress
by Tomson HighwayMarie-Louise Painchaud has worked for thirty-five years as post mistress at the post office in Lovely, a francophone Canadian village where she has come to know every client whose mail she handles. The (Post) Mistress is a rollicking, emotional rollercoaster-ride in the form of a one-woman musical, with elements of jazz, Berlin cabaret, French café music, and Brazilian samba.