- Table View
- List View
A Post-Nationalist History of Television in Ireland
by Edward BrennanThis book explores the question of how society has changed with the introduction of private screens. Taking the history of television in Ireland as a case study due to its position at the intersection of British and American media influences, this work argues that, internationally, the transnational nature of television has been obscured by a reliance on institutional historical sources. This has, in turn, muted the diversity of audience experiences in terms of class, gender and geography. By shifting the focus away from the default national lens and instead turning to audience memories as a key source, A Post-Nationalist History of Television in Ireland defies the notion of a homogenous national television experience and embraces the diverse and transnational nature of watching television. Turning to people’s memories of past media, this study ultimately suggests that the arrival of the television in Ireland, and elsewhere, was part of a long-term, incremental change where the domestic and the intimate became increasingly fused with the global.
Post-Occupancy Evaluation (Routledge Revivals)
by Edward White Wolfgang F. Preiser Harvey RabinowitzPost-occupancy evaluation, focusing on building’s occupants and their needs, provides insight into the consequences of past design decisions and forms a sound basis for creating better buildings in the future. This book, first published in 1988, includes a review of the evolution of the field, a conceptual frame-work for POE, and pragmatic information on planning, conducting, and reporting POEs. Post-Occupancy Evaluation categorizes the approaches to building evaluation by describing the three levels of POE effort – indicative, investigative, and diagnostic, each differing in terms of time, resources, and personnel needed. In its scope Post-Occupancy Evaluation is both comprehensive and specific; professionals in the design and planning disciplines will find it an invaluable resource for understanding the theory behind POE’s and the procedures needed to put the theory into practice.
The Post Office Girls: Book One in a heartwarming and uplifting new wartime saga series
by Poppy CooperWith the Great War raging, can they keep Britain going? 1915. On Beth Healey's eighteenth birthday, she hopes that she will be able to forget the ghastly war and celebrate. But that evening, her twin brother Ned announces that he has signed up to fight. No longer able to stand working in her parents' village shop while others are doing their bit, Beth applies to join the Army Post Office's new Home Depot on the Regent's Park, and is astounded to be accepted. She will be responsible for making sure that letters and parcels get through to the troops on the front line. Beth is thrilled to be a crucial part of the war effort and soon makes friends with fellow post girls Milly and Nora, and meets the handsome James. But just as she begins to feel that her life has finally begun, everything starts falling apart, with devastating consequences for Beth and perhaps even the outcome of the war itself. Can Beth and her new friends keep it all together and find happiness at last?
The Post Office Girls: Book One in a heartwarming and uplifting new wartime saga series
by Poppy CooperWith the Great War raging, can they keep Britain going?1915. On Beth Healey's eighteenth birthday, she hopes that she will be able to forget the ghastly war and celebrate. But that evening, her twin brother Ned announces that he has signed up to fight. No longer able to stand working in her parents' village shop while others are doing their bit, Beth applies to join the Army Post Office's new Home Depot on the Regent's Park, and is astounded to be accepted. She will be responsible for making sure that letters and parcels get through to the troops on the front line. Beth is thrilled to be a crucial part of the war effort and soon makes friends with fellow post girls Milly and Nora, and meets the handsome James. But just as she begins to feel that her life has finally begun, everything starts falling apart, with devastating consequences for Beth and perhaps even the outcome of the war itself. Can Beth and her new friends keep it all together and find happiness at last?The Post Office Girls is perfect for fans of Johanna Bell, Daisy Styles and Nancy Revell.
Post-Petroleum Design
by George ElvinDespite the growing demand for design strategies to reduce our petroleum use, no one has yet brought together the lessons of the world’s leading post-petroleum designers into a single resource. Post-Petroleum Design brings them together for the first time. Readers will be introduced to the most current, innovative, plastic-and petroleum-free products and projects in industrial design, architecture, transportation, electronics, apparel and more. Post-Petroleum Design explores firsthand the client and consumer motivations behind the demand, and shares the case studies, principles, best practices, risks and opportunities of the world’s leading post-petroleum design experts who are already meeting that demand. It introduces 40 inspiring individuals from across the globe; people like Eben Bayer, the American innovator whose company, Ecovative, is growing houses from mushrooms; Mohammed Bah Abba, whose Zeer Pot is helping families keep produce fresh in the sweltering Nigerian summer without electricity; and the engineers at Mercedes-Benz Advanced Design Studios whose Biome car evolves from genetically engineered DNA. Post-Petroleum Design gives design professionals the information they need to research, evaluate, and select materials, technologies and design strategies that meet the growing demand for sustainable design, plastic-free materials and process energy conservation. Designer profiles, studies, statistics and many colour illustrations all highlight the work—some of the best design work to be found anywhere, and showcased here for the first time.
Post-Production and the Invisible Revolution of Filmmaking: From the Silent Era to Synchronized Sound (Routledge Advances in Film Studies)
by George LarkinPost-Production and the Invisible Revolution of Filmmaking studies the discourses surrounding post-production, as well as the aesthetic effects of its introduction during the 1920s and 1930s, by exploring the philosophies and issues faced by practitioners during this transitional, transformative period. The introduction of post-production during the transition from silent cinema to the synchronized sound era in the 1920s American studio system resulted in what has been a previously unheralded and invisible revolution in filmmaking. Thereafter, a film no longer arose from a live and variable combination of audio and visual in the theater, as occurred during the silent film era, where each exhibition was a singular event. The new system of post-production effectively shifted control of a film’s final form from the theater to the editing room. With this new process, filmmakers could obtain and manipulate an array of audio elements and manufacture a permanent soundtrack. This transition made possible a product that could be easily mass-produced, serving both to transform and homogenize film presentation, fundamentally creating a new art form. With detailed research and analysis and nearly 50 illustrations, this book is the ideal resource for students and researchers of film history and post-production.
Post-Rational Planning: A Solutions-Oriented Call to Justice
by Laura E. TatePost-Rational Planning confronts today’s threats to truth, particularly after recent news events that present alternative facts and media smear campaigns, often described as post-truth politics. At the same time, it appreciates critical tensions: between rationality (prized by planners and other policy professionals) and desires for positive, socially just outcomes. Rather than abandoning quests for truth, this book provides planners, policy professionals, and students with tools for better responding to debates over truth. Post-Rational Planning examines planners’ unease with emotion and politics, advocating for more scholarship and practice capable of unpacking uses of rhetoric and framing to support or counter key planning decisions impacting social justice. This includes learning from recent works engaging with rhetoric, narrative construction, and framing in planning, while introducing other valuable concepts from disciplines like psychology, including confirmation bias; identity-protective cognition; from marketing and adult education. Each chapter sheds new light on a specific topic requiring a response through post-rational practice. It starts with recent research findings, then demonstrates them with case examples, enabling their use in classroom and practice settings. Each chapter ends by summarizing key lessons in "Take-aways for Practice," better enabling readers of all levels to synthesize and use key ideas.
Post-Revolution Nonfiction Film: Building the Soviet and Cuban Nations (New Directions in National Cinemas)
by Joshua MalitskyA study of how the state has used documentary films to create historical and political narratives in the Soviet Union and Cuba.In the charged atmosphere of post-revolution, artistic and political forces often join in the effort to reimagine a new national space for a liberated people. Joshua Malitsky examines nonfiction film and nation building to better understand documentary film as a tool used by the state to create powerful historical and political narratives. Drawing on newsreels and documentaries produced in the aftermath of the Russian revolution of 1917 and the Cuban revolution of 1959, Malitsky demonstrates the ability of nonfiction film to help shape the new citizen and unify, edify, and modernize society as a whole. Post-Revolution Nonfiction Film not only presents a critical historical view of the politics, rhetoric, and aesthetics shaping post-revolution Soviet and Cuban culture but also provides a framework for understanding the larger political and cultural implications of documentary and nonfiction film.“A splendid and highly readable book which imbues a suggestive comparison of cinema in the early years of the Soviet and Cuban revolutions with fresh insights.” —Michael Chanan, author of Cuban Cinema“Joshua Malitsky here mines a rich seam. By closely comparing Vertov and Alvarez he uncovers “post-revolutionary nonfiction film” as a discernible entity with commonalities shared across time and cultures. The extensive—indeed vast—archive of newsreels from both filmmakers is well worth the thorough attention he gives it, suggesting a context for their better-known documentaries. And his situating of Esfir Shub’s compilations as not so much an alternative to Vertov but rather a wholesale replacement approach to agitprop is also compelling. All in all, Malitsky offers a crucial corrective to much received thinking on 20th century radical film.” —Brian Winston, University of Lincoln, UK
Post Rock Country (Images of America)
by Rush County Historical Society Bradley R. PenkaRush County, at the south end of Post Rock Country, was organized on December 5, 1874, and named in honor of Capt. Alexander Rush, Company H, of the 2nd Kansas Colored Infantry. The first settlers arrived in 1869 and established homesteads along Walnut Creek near the Fort Hays-Fort Dodge Trail. With few trees on the vast, dry prairie, settlers searched for alternative building materials. Post Rock, a unique limestone bed that sat within inches of the surface, was so well used and became such a curiosity that it gave rise to the Post Rock Museum in 1963.
Post-Show Discussions in New Play Development
by Teresa A. FisherMany theatres host post-show discussions, or talkbacks, as part of their season. This book is a critical examination of what has/has not worked with post-show discussions utilized in new play development, providing a framework for understanding discussions, steps for building the foundation of them, and various strategies for structuring them.
Post-Socialist Urban Infrastructures
by Tauri Tuvikene Wladimir Sgibnev Carola S. NeugebauerPost-Socialist Urban Infrastructures critically elaborates on often forgotten, but some of the most essential, aspects of contemporary urban life, namely infrastructures, and links them to a discussion of post-socialist transformation. As the skeletons of cities, infrastructures capture the ways in which urban environments are assembled and urban lives unfold. Focusing on post-socialist cities, marked by neoliberalisation, polarisation and hybridity, this book offers new and enriching perspectives on urban infrastructures by centering on the often marginalised aspects of urban research—transport, green spaces, and water and heating provision. Featuring cases from West and East alike, the book covers examples from Azerbaijan, Bulgaria, Serbia, Croatia, Germany, Russia, Georgia, Lithuania, Poland, the Czech Republic, Tajikistan, and India. It provides original insights into the infrastructural back end of post-socialist cities for scholars, planners and activists interested in urban geography, cultural and social anthropology, and urban studies.
The Post-Soul Cinema of Kasi Lemmons
by Dianah WynterIn this edited volume, Kasi Lemmons, the first African-American woman auteur to solidly and steadily produce a full body of work in cinema—an oeuvre of quality, of note, of international recognition—will get the full film-studies treatment. This collection offers the first scholarly examination of Lemmons’ films through various frameworks of film theory, illuminating her highly personal, unique, and rare vision. In Lemmons’ worldview, the spiritual and the supernatural manifest in the natural, corporeal world. She subtly infuses her work with such images and narratives, owning her formalism, her modernist aesthetic, her cinematic preoccupations and her ontological leanings on race. Lemmons holds the varied experiences of African-American life before her lens—the ambitious bourgeoise, the spiritually lost, the ill and discarded, and the historically erased—and commits to capturing the nuances and differentiations, rather than perpetuating essentialized portrayals. This collection delves into Lemmons’ iconoclastic drive and post-soul aesthetic as emanations of her attitudes toward personal agency, social agency, and social justice.
Post-TV
by Michael StrangeloveIn the late 2000s, television no longer referred to an object to be watched; it had transformed into content to be streamed, downloaded, and shared. Tens of millions of viewers have "cut the cord," abandoned cable television, tuned into online services like Netflix, Hulu, and YouTube, and also watch pirated movies and programmes at an unprecedented rate. The idea that the Internet will devastate the television and film industry in the same way that it gutted the music industry no longer seems farfetched. The television industry, however, remains driven by outmoded market-based business models that ignore audience behaviour and preferences.In Post-TV, Michael Strangelove explores the viewing habits and values of the post-television generation, one that finds new ways to exploit technology to find its entertainment for free, rather than for a fee. Challenging the notion that the audience is constrained by regulatory and industrial regimes, Strangelove argues that cord-cutting, digital piracy, increased competition, and new modes of production and distribution are making audiences and content more difficult to control, opening up the possibility of a freer, more democratic, media environment.A follow-up to the award-winning Watching YouTube, Post-TV is a lively examination of the social and economic implications of a world where people can watch what they want, when they want, wherever they want.
Post-war British Drama: Sexuality And The Family In Post-war British Drama (Routledge Revivals Ser.)
by Michelene WandorIn this extensively revised and updated edition of her classic work, Look Back in Gender, Michelene Wandor confirms the symbiotic relationship between drama and gender in a provocative look at key, representative British plays from the last fifty years. Repositioning the text at the heart of hteatre studies, Wandor surveys plays by Ayckbourn, Beckett, Churchill, Daniels, Friel, Hare, Kane, Osborne, Pinter, Ravenhill, Wertenbaker, Wesker and others. Her nuanced argument, central to any analysis of contemporary drama, discusses: *the imperative of gender in the playwright's imagination *the function of gender as a major determinant of the text's structural and narrative drives *the impact of socialism and feminism on post-war British drama, and the relevance of feminist dynamics in drama *differences in the representation of the fmaily, sexuality and the mother, before and after 1968 *the impact of the slogan that the 'personal is political' on contemporary form and content.
Post-War British Theatre (Routledge Revivals)
by John ElsomSince the Second World War, we have witnessed exciting, often confusing developments in the British theatre. This book, first published in 1976, presents an enlightening, objective history of the many facets of post-war British theatre and a fresh interpretation of theatre itself. The remarkable and profound changes which have taken place during this period range from the style and content of plays, through methods of acting, to shapes of theatres and the organisational habits of managers. Two national theatres have been brought almost simultaneously into existence; while at the other end of the financial scale, the fringe and pub theatres have kicked their way into vigorous life. The theatre in Britain has been one of the post-war success stories, to judge by its international renown and its mixture of experimental vitality and polished experience. In this book Elsom presents an approach to the problems of criticism and appreciation which range beyond those of literary analysis.
Post-War British Theatre Criticism (Routledge Revivals)
by John ElsomThis book, first published in 1981, sets out the critical reaction to some fifty key post-war productions of the British theatre, as gauged primarily through the contemporary reviews of theatre critics. The plays chosen are each, in their different ways, important in their contribution to the development of the British theatre, covering the period from immediately after the Second World War, when British theatre fell into decline, through the revival of the late 1950s, to the time in which this book was first published, in which British theatre enjoyed a high international reputation for its diversity and quality. This book is ideal for theatre studies students, as well as for the general theatre-goer.
Post-War Italian Cinema: American Intervention, Vatican Interests (Routledge Advances in Film Studies)
by Daniela Treveri GennariThrough a comparative approach of current theories developed on ideology and an analysis of official documents from the Vatican and the United States Department of State, the book investigates the decisive role that American production companies played in the development of the Italian film industry and their links to the Vatican. This analysis evaluates how the Italian production and distribution industries satisfied the American political and economic interests. American political and cultural ideology of the post-1945 era, is compared with the Roman Catholic ideology in order to assess their cultural propaganda. This is followed by studies of the roles played by key individuals, such as Giulio Andreotti, and institutions such as ANICA and A.G.I.S. involved in formulating the policies and regulations that affected the production and distribution of American and Italian films in the post-1945 era, as well as the involvement of the Roman Catholic Church in this process.
Post-Western Histories of Architecture (Routledge Research in Architecture)
by Pilar Maria Guerrieri Marco BiraghiThis book seeks to provide an alternative post-Western perspective to the history of contemporary architecture. It puts forward detailed critical analyses of various areas of the world, including Europe, Latin America, Africa, China, Australia, India and Japan, where particular movements of architecture have developed as active ‘political acts’. The authors focus on a broad spectrum of countries, architectures and architects that have developed a design approach closely linked to the building context. The concept of context is broad and includes various economic, social, cultural, political and natural aspects. In all cases, the architects selected in this book have chosen to view context as an opportunity. However, each architect has considered certain specific aspects of context: some have been very attentive to the social context, others to material aspects or typological issues, and still others to aspects related to political visions or economic factors. The analysis critically highlights interesting, creative and respectful design approaches towards local conditions, such as sustainability in Nordic Europe, climate-conscious design in Africa, and the ‘bottom-up’ sensitivity of India. The book’s main aim is to retrace, through both theoretical arguments and case studies, the debate that focuses on politics and the environment. Thanks to its valuable examples, this book strives to make a conscious contribution to establishing a bulwark against the current ‘flattening-out’ processes that architecture is experiencing. This book will be of relevance to researchers, teachers and students interested in the history of architecture, architecture and planning, and postcolonial studies.
Post-Westerns: Cinema, Region, West (Postwestern Horizons)
by Neil CampbellDuring the post-World War II period, the Western, like America&’s other great film genres, appeared to collapse as a result of revisionism and the emergence of new forms. Perhaps, however, as theorists like Gilles Deleuze suggest, it remains, simply &“maintaining its empty frame.&” Yet this frame is far from empty, as Post-Westerns shows us: rather than collapse, the Western instead found a new form through which to scrutinize and question the very assumptions on which the genre was based. Employing the ideas of critics such as Deleuze, Jacques Derrida, and Jacques Rancière, Neil Campbell examines the haunted inheritance of the Western in contemporary U.S. culture. His book reveals how close examination of certain postwar films—including Bad Day at Black Rock, The Misfits, Lone Star, Easy Rider, Gas Food Lodging, Down in the Valley, and No Country for Old Men—reconfigures our notions of region and nation, the Western, and indeed the West itself.Campbell suggests that post-Westerns are in fact &“ghost-Westerns,&” haunted by the earlier form&’s devices and styles in ways that at once acknowledge and call into question the West, both as such and in its persistent ideological framing of the national identity and values.
Post-Work
by Stanley Aronowitz Jonathan CutlerIn Post-Work, Stanley Aronowitz and Jonathan Cutler have collected essays from a variety of scholars to discuss the dreary future of work. The introduction, The Post-Work Manifesto,, provides the framework for a radical reappraisal of work and suggests an alternative organization of labor. The provocative essays that follow focus on specific issues that are key to our reconceptualization of the notion and practice of work, with coverage of the fight for shorter hours, the relationship between school and work, and the role of welfare, among others. Armed with an interdisciplinary approach, Post-Work looks beyond the rancorous debates around welfare politics and lays out the real sources of anxiety in the modern workplace. The result is an offering of hope for the future--an alternative path for a cybernation, where the possibility of less work for a better standard of living is possible.
Post-Yugoslav Cinema: Towards a Cosmopolitan Imagining
by Dino MurticDrawing primarily on selected filmic texts from former-Yugoslavia, the book examines key social and political events that triggered the Yugoslav wars in the 1990s. Yugoslav politics and society are set within the broader artistic and cinematic strategies that helped stabilise post-Yugoslav territories strategies that were part of the national desire of looking forward to a time of 'perpetual peace' and its subsequent cosmopolitan norms. It argues that filmic texts demonstrate the degree to which nationalism was at the heart of the violent disintegration of Yugoslavia. Yet, the concern of the argument is not simply to offer a filmic critique but to develop an alternative to nationalism; namely, a theoretical framework through which cosmopolitan humanism is at the forefront of addressing former Yugoslavia's political wounds.
Postcard America: Curt Teich and the Imaging of a Nation, 1931–1950
by Jeffrey L. MeikleThis illustrated history of the colorized linen postcards of the 1930s and &’40s is &“an incredible tour . . . A veritable treasure trove of American culture&” (Crave Online). From the Great Depression through the early postwar years, any postcard sent in America was more than likely a &“linen&” card. Colorized in vivid, often exaggerated hues and printed on card stock embossed with a linen-like texture, linen postcards celebrated the American scene with views of majestic landscapes, modern cityscapes, roadside attractions, and other notable features. These colorful images portrayed the United States as shimmering with promise, quite unlike the black-and-white worlds of documentary photography or Life magazine. Linen postcards were enormously popular, with close to a billion printed and sold. Postcard America offers the first comprehensive study of these cards and their cultural significance. Drawing on the production files of Curt Teich & Co. of Chicago, the originator of linen postcards, Jeffrey L. Meikle reveals how photographic views were transformed into colorized postcard images—often by means of manipulation—adding and deleting details or collaging bits and pieces from several photos. He presents two extensive portfolios of postcards—landscapes and cityscapes—that comprise a representative iconography of linen postcard views. For each image, Meikle explains the postcard&’s subject, describes aspects of its production, and places it in social and cultural contexts. In the concluding chapter, he shifts from historical interpretation to a contemporary viewpoint, considering nostalgia as a motive for collectors and others who are fascinated today by these striking images.
Postcard Collector
by Barbara AndrewsAn exciting overview of the manufacturers, design and subject matter used in 19th and 20th century American postcards.
Postcards to Europe: The unique must-have collection
by VariousThis is not a book about politics. It is a book about what makes us British, and what makes us European.Spend time with some of your favourite writers and artists in this truly unique collection spanning everything from art, language, food, music and movies, to war, literature, driving, nudity, geography, smoking and nature.Featuring pieces of exceptional quality from some of our most treasured novelists, historians, journalists, poets and artists, including: Jessie Burton, Richard Herring, Alain de Botton, Tom Bradby, Val McDermid, Matt Haig, Afua Hirsch, Lionel Shriver, Sarah Perry, Sanjeev Bhaskar, Ian Rankin, Owen Jones, Mark Kermode, Robert Macfarlane, Chris Riddell, Former Prime Minister Jim Hacker and many more.A must-read for anyone who wants to understand the times we live in, our relationship with the continent, and ourselves.* * * * *INCLUDES PIECES BY:Yasmin Alibhai-Brown, Sanjeev Bhaskar, Tom Bradby, Jessie Burton, Ben Collins (aka The Stig), Colonel Tim Collins, Robert Crampton, Adam Dant, Alain de Botton, Kate Eberlen, Matt Frei, Nicci French, Simon Garfield, Jonathan Lynn writing as Former Prime Minister Jim Hacker, Matt Haig, Richard Herring, Jennifer Higgie, Afua Hirsch, Owen Jones, Oliver Kamm, Alex Kapranos, Mark Kermode, Hari Kunzru, Olivia Laing, Marie Le Conte, Amy Liptrot, Robert Macfarlane, Henry Marsh, Val McDermid, Ian McEwan, Hollie McNish, Kate Mosse, Jenni Murray, Sarah Perry, Ian Rankin, Jacob Rees-Mogg, Cathy Rentzenbrink, Chris Riddell, Andrew Roberts, Will Self, David Shrigley, Lionel Shriver, Sunny Singh, Ece Temelkuran, Rob Temple, Bee Wilson, Sarah Winman
Postcinematic Vision: The Coevolution of Moving-Image Media and the Spectator (Posthumanities #54)
by Roger F. CookA study of how film has continually intervened in our sense of perception, with far-ranging insights into the current state of lived experience How has cinema transformed our senses, and how does it continue to do so? Positing film as a stage in the long coevolution of human consciousness and visual technology, Postcinematic Vision offer a fresh perspective on the history of film while providing startling new insights into the so-called divide between cinematic and digital media.Starting with the argument that film viewing has long altered neural circuitry in our brains, Roger F. Cook proceeds to reevaluate film&’s origins, as well as its merger with digital imaging in the 1990s. His animating argument is that film has continually altered the relation between media and human perception, challenging the visual nature of modern culture in favor of a more unified, pan-sensual way of perceiving. Through this approach, he makes original contributions to our understanding of how mediation is altering lived experience.Along the way, Cook provides important reevaluations of well-known figures such as Franz Kafka, closely reading cinematic passages in the great author&’s work; he reassesses the conventional wisdom that Marshall McLuhan was a technological determinist; and he lodges an original new reading of The Matrix. Full of provocative and far-reaching ideas, Postcinematic Vision is a powerful work that helps us see old concepts anew while providing new ideas for future investigation.