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Silk-Screen Printing for Artists and Craftsmen
by Mathilda V. SchwalbachScreen printing is simple enough for a child or beginner, but it is also a favorite printing process of experienced artists and craftspeople. It allows for a wide range of creative possibilities. It is less inhibiting than other printing processes. And, contrary to most other methods of printing, it does not require the user to make the mental translations of a reversed image.The extreme versatility of the medium has opened completely new possibilities for design and expression in both serigraphy (art prints) and textile designs. The Schwalbachs' book clearly explains how to employ silk-screen printing in both of these areas: producing a serigraph and making a fabric print. It also sets down all of the steps involved in constructing a printing board and frame, keying the screen, preparing inks or dyes, and printing the color runs -- plus a list of various problems that might turn up and their solutions.Other facets discussed include the best ways of cleaning up, handling the completed print, and working with different resists -- paper, blockout, washout, photo-emulsion. There is even a special print project for the beginner, using a cardboard frame and school tempera paint. Nearly 200 diagrams and photographs, including 19 in full color, make a clear text even clearer and offer examples of completed prints.The Schwalbachs taught silk-screen printing for many years at the University of Wisconsin. They know how to communicate the essence of this craft in the best manner possible. With their book as a guide, anyone can quickly master the techniques of silk-screening printing.
Silos: Fundamentals of Theory, Behaviour and Design
by J. Nielsen C. J. BrownBringing together the leading European expertise in behaviour and design of silos, this important new book is an essential reference source for all concerned with current problems and developments in silo technology. Silos are used in an enormous range of industries and the handling characteristics of many industrial materials require different app
Silver Bridge Disaster of 1967, The
by Bridget J. Gromek Ruth Fout Martha Fout Stephan G. BullardPoint Pleasant's Silver Bridge, the first eyebar suspension bridge in the United States, was an engineering marvel when it was constructed in 1927 and 1928. Located on US Highway 35, the bridge spanned the Ohio River and linked Point Pleasant, West Virginia, with the towns of Kanauga and Gallipolis, Ohio. For almost 40 years, the structure provided dependable service for travelers in the region. On December 15, 1967, this service came to a dramatic and disastrous end. At 4:58 p.m., during the height of rush hour, the bridge suddenly collapsed. Rescue and recovery operations started immediately but were hampered by poor weather conditions and freezing rain. The cause of the collapse was linked to the bridge's innovative design. Undetected corrosion stress cracks caused an eyebar on the Ohio side to fracture; because the eyebars were linked together in a chain, the failure of one led to the catastrophic collapse of the entire bridge. In total, 46 lives were lost in the disaster.
Silver Gelatin In the Digital Age: A Step-by-Step Manual for Digital/Analog Hybrid Photography (Contemporary Practices in Alternative Process Photography)
by Douglas EthridgeThis book provides photographers of all skill levels with a concise step-by-step guide to combining analog and digital tools with the goal of making silver gelatin prints in the traditional darkroom. It offers the most comprehensive treatment of lith printing published in many years, focusing on materials which are currently available. Key topics include traditional silver gelatin printing, direct and second-pass lith printing, film to digital image conversion, bleaching, toning and other post-production practices. Readers will learn how to use specific Photoshop tools to carry out the time-honored techniques of overall tonal control, contrast, and burning and dodging. This also features Photoshop basics for black and white, image shaping in Photoshop, and digital negative creation. Through exploring these skills, readers will gain an understanding of how to prepare images and create negatives that can be used in other historical processes including cyanotype, platinum/palladium, and many others. Author Douglas Ethridge details a systematic approach to combining analog and digital working methods, making the text ideal for both digital photographers looking to creatively edit their images with traditional darkroom aesthetics, and film photographers looking to incorporate digital capabilities into their practice
Silver Lake Bohemia: A History (American Chronicles)
by Michael Locke Vincent BrookSince the early 1900s, Silver Lake has been a magnet for iconoclastic writers, architects and political activists. Famed architect Frank Lloyd Wright, who designed the Hollyhock House for socialist and oil heiress Aline Barnsdall, drew a wave of visionary modernists to the area. Local civil rights advocate Loren Miller spearheaded the fight against housing discrimination. Silver Lake's Black Cat bar and Harry Hay's Mattachine Society were central to the early gay rights movement. Literary artists Anäis Nin and James Leo Herlihy made the neighborhood their home, as did other notables like first lady of baseball Effa Manley and "Hobo Millionaire" James Eads How. Michael Locke and Vincent Brook chronicle these and other people and places that helped make Silver Lake the bohemian epicenter of Los Angeles.
Silver Lake Park
by Mary L. McclureFrom modest beginnings as a local swimming and fishing spot, Silver Lake Park, established by Ralph H. Lodge in the 1870s, quickly grew to become one of northeast Ohio's most popular amusement parks. Thanks to its many exciting offerings, which included two roller coasters, a miniature railway, a merry-go-round, a dance pavilion, water toboggans, steamboat rides, live animal exhibits, and many other unique features, the park attracted up to 10,000 to 20,000 visitors a day from across Ohio and surrounding states. Always anxious to add new and thrilling attractions to the park, the Lodge family also introduced features described as the first public aquarium in the state of Ohio and the first aviation field in Summit County. In later years, the park added a popular Chautauqua, bringing the leading musical acts, entertainers, and orators of the day to the community.
Silver Screen Fiend: Learning About Life from an Addiction to Film
by Patton OswaltThe instant New York Times bestseller from author, comedian and actor Patton Oswalt, a “heartfelt and hilarious” (USA TODAY) memoir about coming of age as a performer during the late 1990s while obsessively watching classic films at a legendary theater in Los Angeles. “[Oswalt has] a set of synapses like a pinball machine and a prose style to match” (The New York Times).Between 1995 and 1999, Patton Oswalt lived with an unshakable addiction. It wasn’t drugs, alcohol, or sex: it was film. After moving to Los Angeles, Oswalt became a huge film buff (or as he calls it, a sprocket fiend), absorbing classics, cult hits, and new releases at the famous New Beverly Cinema. Silver screen celluloid became Patton’s life schoolbook, informing his notion of acting, writing, comedy, and relationships. Set in the nascent days of LA’s alternative comedy scene, Silver Screen Fiend chronicles Oswalt’s journey from fledgling stand-up comedian to self-assured sitcom actor, with the colorful New Beverly collective and a cast of now-notable young comedians supporting him all along the way. “Clever and readable...Oswalt’s encyclopedic knowledge and frothing enthusiasm for films (from sleek noir classics, to gory B movies, to cliché-riddled independents, to big empty blockbusters) is relentlessly present, whirring in the background like a projector” (The Boston Globe). More than a memoir, this is “a love song to the silver screen” (Paste Magazine).
Silver Screen to Digital: A Brief History of Film Technology
by Carlo MontanaroAn era has ended. After one hundred and twenty-five years, a change has taken place in cinemas. The thousands of figures formed by silver and coloured pigments can no longer be viewed through transparent film, instead, everything has become digital, compressed, virtual and built into the rapid alternation of millions (hopefully, for quality's sake) of dots, or pixels within a very neat and minuscule grid. But projection is just the last link in a chain that is transforming the most direct language invented by humanity over the centuries. The other links – shooting, editing, special effects, re-elaboration and sound reproduction – have by now undergone radical transformations that have often signified progress.Perhaps, it is worth the trouble, then, having accepted this transformation-revolution once and for all, to understand where we started out from, how cinematographic language was born and how its grammar first and later its syntax evolved thanks to technological development. Without lightweight equipment for sound recording, sensitive emulsions, portable and compact lighting, it would not have been possible, at the end of the 50s, for example, to create identifiable "currents" of experimentation and concept under such titles as free cinema or nouvelle vague, which were largely based on footage from life and no longer reconstructed in the studio. That which filmmakers today can achieve even more effectively thanks to a range of digital technologies, paradoxically, involves working with even more-minimal equipment such as a smartphone in front of green or blue screens, against absolutely virtual backgrounds. In short: no more silver and more and more pixels.
Silver Screen to Digital: A Brief History of Film Technology
by Carlo MontanaroA history of transformations in moviemaking technology, from pigments to pixels, celluloid to CGI.An era has ended. After one hundred and twenty-five years, a change has taken place in cinemas. The thousands of figures formed by silver and colored pigments can no longer be viewed through transparent film—instead, everything has become digital, compressed, virtual and built into the rapid alternation of millions (hopefully, for quality’s sake) of dots, or pixels within a very neat and minuscule grid.But projection is just the last link in a chain that is transforming the most direct language invented by humanity over the centuries. The other links—shooting, editing, special effects, re-elaboration and sound reproduction—have by now undergone radical transformations that have often signified progress. Perhaps it is worth the trouble, then, having accepted this transformation-revolution once and for all, to understand where we started out from, how cinematographic language was born, and how its grammar first and later its syntax evolved thanks to technological development.Without lightweight equipment for sound recording, sensitive emulsions, and portable and compact lighting, it would not have been possible, at the end of the fifties, for example, to create identifiable “currents” of experimentation and concept under such titles as free cinema or nouvelle vague, which were largely based on footage from life and no longer reconstructed in the studio. That which filmmakers today can achieve even more effectively thanks to a range of digital technologies, paradoxically, involves working with even more-minimal equipment such as a smartphone in front of green or blue screens, against absolutely virtual backgrounds. In short: no more silver and more and more pixels. This volume journeys through the history of cinema, focusing on the machines and mechanisms that contributed to the magic.
Silver Soldering Simplified: A New Jewelry Technique You Can Do at Home
by Scott David PlumleePopular jewelry designer and instructor Scott David Plumlee shows readers how to create 24 intricate-looking earrings, bracelets, and necklaces at home with a new quick and easy soldering technique. An innovative new material is turning traditional soldering upside down. Scott David Plumlee, author of Handcrafting Chain and Bead Jewelry, teaches jewelry makers how to use a revolutionary new soldering paste and a small hand-held butane torch to create a range of seemingly complex but easily doable chain and bead designs at their kitchen table--no elaborate, expensive studio required. Scott's ingenious methods, clear instruction, and inspiring designs will give any aspiring jewelry maker the confidence to master this formerly intimidating technique.
Silver Spring Township (Images of America)
by Christine Clepper Musser Senator Patricia VanceEstablished in 1757, Silver Spring Township is the fourth-oldest township in Cumberland County. The area was founded by the Scots-Irish, who cleared the area for farming and built taverns, inns, and mercantile businesses. Eventually, the villages of Hogestown and New Kingstown were established; these two villages are still home to many township residents. Rich in history, Silver Spring is home to the Silver Spring Presbyterian Church, the oldest church west of the Susquehanna River. Between 2012 and 2013, Silver Spring Township was the fourth-largest growing township in Pennsylvania. What were once heavily traveled Native American trails have become well-traveled highways and byways, and within a few hours, travelers can be in New York City, Philadelphia, Baltimore, and Washington, DC. Through vintage photographs, Silver Spring Township shares and celebrates the history of this well-preserved community.
Silver Surfers
by Neil PeartThe late Neil Peart, legendary drummer for the iconic rock band Rush, shares one last love letter to his beloved classic car collection and gives readers a glimpse of his lifelong passion for cars in this extraordinary collection.For Neil Peart, legendary drummer for Rush, cars were a lifelong passion. Now, in Neil's final work—a never-before-seen piece completed before his untimely passing in 2020—he writes about his beloved Silver Surfers collection; the joy of collecting these exquisite, rare, and important sports cars, and the even bigger joy of driving them. He first traces the roots of his auto obsession, taking us back to where it all began, with a 1969 Lotus Europa; through the cars he bought when the band first made it big and even his first &“family car,&” before taking us on a tour of the Silver Surfers themselves—a rare collection of the best sports cars from the 1960s. From a 1964 Aston Martin DB5 to a classic 1963 Chevrolet Corvette Sting Ray, each is a gorgeous silver (with the exception of one: a black 1964 Shelby Cobra whose patina Neil loved so much he wrote, &“I am not going to paint it&”). Gorgeous images of the cars and photos curated by Neil himself accompany his warm, personal story of building the collection, the friends he made along the way, and what it was like to be behind the wheel of these classics. Neil&’s final work is a love letter to these cars that meant so much to him, and to the passion of the road that fueled his life.
Silver Valley, The
by Historic Wallace Preservation SocietyThe descent into Idaho from the Montana border down Lookout Pass on Interstate 90 largely follows the trail Capt. John Mullan blazed over 150 years ago. The Silver Valley is home to Shoshone County's seat, the historic silver-mining city of Wallace, which has been something of a phoenix rising out of the ashes of two great fires. Along with Wallace, the valley encompasses many other small mining towns, such as Mullan, Silverton, Osburn, Kellogg, Smelterville, Pinehurst, and Kingston, with diverse histories that are both humorous and heartbreaking. It also surrounds the Cataldo Mission, Idaho's oldest standing building, built by the Jesuits and the Coeur d'Alene tribe in 1848.
Silverado Canyon
by Susan DeeringHidden in the Santa Ana Mountains below Santiago Peak is a canyon called Silverado. The Spaniards called it Canon de la Madera because of the abundance of timber. The first non-native homesteaders arrived in 1876 to tend bees and grow fruit trees. With the discovery in 1877 of quartz deposits embedded with silver, the canyon became a hotbed of activity, with possibilities of newfound fortune for the hundreds of men who arrived there. Renamed Silverado City, the heart of the canyon turned into a bustling mining town. After the silver bust, peace and quiet returned and Silverado was promoted as a health resort, a place to "take the waters" that flowed from the natural sulfur springs. Attracted by the beauty of the canyon, city dwellers began visiting. Abandoned cabins were turned into small bungalows and used as vacation homes and eventually year-round residences. Through boom and bust, fire and flood, the canyon remains a unique and enchanting part of Orange County.
Silverlight 5 in Action
by Pete BrownSummary A thorough revision of the bestselling Silverlight 4 in Action. This comprehensive guide teaches Silverlight from the ground up, covering all the new v. 5 features in depth. You'll also explore WCF RIA Services, MVVM, and more—with dozens of code samples you can use in Visual Studio 2010 or the free Visual Web Developer 2010 Express. About the Book This hands-on guide explores Silverlight from the ground up, covering every feature in rich, practical detail. It is readable and the coverage is comprehensive. You'll master networking, MVVM, and more—with dozens of code samples you can use in Visual Studio or the free Visual Web Developer Express. Silverlight 5 in Action teaches you how to build desktop-quality applications you can deploy on the web. Beginners will appreciate the progression from simple examples to full applications that employ good design and coding practices. Seasoned . NET developers will love how the sample code embraces and extends what they already know. Purchase of the print book comes with an offer of a free PDF, ePub, and Kindle eBook from Manning. Also available is all code from the book. What's Inside 2D and 3D graphics and animation Business application services, rules, and validation The MVVM pattern and testing Free appendixes (150 pages) available online A background in C# or VB.NET is helpful, but no knowledge of Silverlight or XAML is required. ============================================ Table of Contents PART 1 CORE SILVERLIGHT PART 2 CREATING THE USER INTERFACE PART 3 WORKING WITH DATA AND SERVICES PART 4 2D AND 3D GRAPHICS PART 5 MAKING THE MOST OF THE PLATFORM PART 6 BEST PRACTICES Introducing Silverlight XAML and the property system The application model and the plug-in Working with HTML and browsers Out-of-browser applications The security model and elevated trust Rendering, layout, and transforming Panels Human input Text fundamentals Editing plain and rich text Control basics and UserControls Animation and behaviors Resources, styles, and control templates Extensions, converters, custom controls, and panels Binding Data controls: DataGrid and DataForm Input validation Networking basics Working with SOAP services RESTful services with the ASP.NET Web API Working with XML, JSON, RSS, and Atom Duplex, sockets, and local connections Graphics and effects Working with images Introduction to 3D 3D lighting, texturing, and animation Pop-ups, windows, and full-screen applications Navigation Working with files and directories Printing COM, Native Extensions, and p-invoke Structuring and testing with the MVVM pattern Debugging your application The install experience and preloaders
Silvermine (Images of America)
by Samuel A. SchmittStraddling the towns of Norwalk, Wilton, and New Canaan is the little valley known as Silvermine, an artists' colony whose rural feel has changed little since it was settled in the Colonial era. By the 19th century, a dozen mills were humming along the Silvermine River. When the mills became silent with the advent of steam power, the bucolic beauty of the valley attracted painters and sculptors, writers and poets, and illustrators and cartoonists who formed a celebrated artists' colony centered around the Silvermine Guild of Artists and the Silvermine Tavern. In 2006, an enclave of 85 buildings in the core neighborhood, including a number of artists' homes, were recognized as part of the Silvermine Center Historic District. Today, Silvermine continues to attract residents who value its artistic heritage and natural beauty.
Silverpoint and Metalpoint Drawing: A Complete Guide to the Medium
by Susan Schwalb Tom MazzulloSilverpoint, and metalpoint more generally, is the practice of marking with soft metal on a specifically prepared drawing surface. Practiced for centuries, the artform is experiencing a resurgence in recent years, with contemporary work exploring abstract as well as realist, conceptual as well as traditional. Silverpoint and Metalpoint Drawing is the essential manual of metalpoint technique, written by Susan Schwalb and Tom Mazzullo, contemporary masters of the medium. This book is the first treatise on the subject for artists and art teachers with chapters on early history, materials including grounds, supports, metals, and tools, techniques for working in metalpoint as well as mixed media, and finally, the care of metalpoint works. Not only beautifully illustrated, this book also demonstrates how to photograph and exhibit metalpoint art. Featuring a gallery of drawings by contemporary artists, along with their tips and insight, Silverpoint and Metalpoint Drawing is a perfect introduction for students of the medium and an inspiration for those already more familiar with it.
Silversmithing
by Rupert Finegold William SeitzThe best book on the market that covers text on smithing, including the general principles of metalwork, types and properties of metals, tools, and techniques. Numerous diagrams, photos and illustrations enhance this in-depth, how-to book on silversmithing.
Silversmithing: A Contemporary Guide To Making
by Brian Hill Andrew PutlandAs well as promoting the traditional origins of handmaking craft skills, this lavish book explains the latest techniques and opportunities that exist for today's designer silversmith. It emphasizes the importance of acquiring fundamental skills as a basis to creating stunning and innovative designs, and illustrates this with fabulous case studies from leading silversmiths. Written by two experienced designer craftsmen, this book takes a fresh and exciting approach by converting craft theory into visual language that informs, educates and inspires you to try a new technique, extend your skills and develop your own personal direction.
Silverton and the Alpine Loop
by Jeff CorrAs the ancestral hunting grounds of mountain people known as the Utes, the future site of Silverton was explored by nomadic hunters for generations. During the 1860s, Charles Baker, an early mining prospector, discovered some mineral wealth in the area and spread highly exaggerated rumors that brought in even more prospectors. Significant wealth was found in Arrastra Gulch along the Alpine Loop, north of Baker's Park. From the beginning of its mining heritage, Silverton has gone through periods of boom to bust. In the 1950s, the area was discovered by Hollywood, increasing its appeal to tourism, and in the 1960s, the Durango & Silverton Narrow Gauge Railroad reinvested heavily to dedicate itself to tourist travel. Although mining continued on a limited basis up until the 1990s, Silverton's economy is now supported by those who come for its history, picturesque landscapes, fly fishing, jeeping, and hiking.
Simians, Cyborgs, and Women: The Reinvention of Nature
by Donna HarawaySimians, Cyborgs and Women is a powerful collection of ten essays written between 1978 and 1989. Although on the surface, simians, cyborgs and women may seem an odd threesome, Haraway describes their profound link as "creatures" which have had a great destabilizing place in Western evolutionary technology and biology. Throughout this book, Haraway analyzes accounts, narratives, and stories of the creation of nature, living organisms, and cyborgs. At once a social reality and a science fiction, the cyborg--a hybrid of organism and machine--represents transgressed boundaries and intense fusions of the nature/culture split. By providing an escape from rigid dualisms, the cyborg exists in a post-gender world, and as such holds immense possibilities for modern feminists. Haraway's recent book, Primate Visions, has been called "outstanding," "original," and "brilliant," by leading scholars in the field. (First published in 1991.)
Similarity Search and Applications: 11th International Conference, SISAP 2018, Lima, Peru, October 7–9, 2018, Proceedings (Lecture Notes in Computer Science #11223)
by Edgar Chávez Stéphane Marchand-Maillet Yasin N. SilvaThis book constitutes the refereed proceedings of the 11th International Conference on Similarity Search and Applications, SISAP 2018, held in Lima, Peru, in October 2018.The 16 full papers presented together with 3 short papers and 1 demonstration paper were carefully reviewed and selected from 31 submissions. The papers deal with issues surrounding the theory, design, analysis, practice, and application of content-based and feature-based similarity search. They are organized in the following topical sections: metric search; visual search; nearest neighbor queries; clustering and outlier detection; graphs and applications; and shared session SISAP and SPIRE.
Simon Hantaï and the Reserves of Painting (Refiguring Modernism #32)
by Molly WarnockThe Hungarian-born French painter Simon Hantaï (1922–2008) is best known for abstract, large-format works produced using pliage: the painting of a crumpled, gathered, or systematically pleated canvas that the artist then unfolds and stretches for exhibition. In her study of this profoundly influential artist, Molly Warnock presents a persuasive historical account of his work, his impact on a younger generation of French artists, and the genesis and development of the practice of pliage over time. Simon Hantaï and the Reserves of Painting covers the entirety of Hantaï’s expansive oeuvre, from his first aborted experiments with folding around 1950 to his post-pliage experiments with digital scanning and printing. Throughout, Warnock analyzes the artist’s relentlessly searching studio practice in light of his no less profound engagement with developments in philosophy, psychoanalysis, and critical theory. Engaging both Hantaï’s art and writing to support her argument and paying particular attention to his sustained interrogation of religious painting in the West, Warnock shows how Hantaï’s work evinces a complicated mixture of intentionality and contingency. Appendixes provide English translations of two major texts by the artist, "A Plantaneous Demolition" and "Notes, Deliberately Confounding, Accelerating, and the Like for a ‘Reactionary,’ Nonreducible Avant-Garde."Original and insightful, this important new book is a central reference for the life, art, and theories of one of the most significant and exciting artists of the twentieth century. It will appeal to art historians and students of modernism, especially those interested in the history of abstraction, materiality and Surrealism, theories of community, and automatism and making.
Simon Hantaï and the Reserves of Painting (Refiguring Modernism)
by Molly WarnockThe Hungarian-born French painter Simon Hantaï (1922–2008) is best known for abstract, large-format works produced using pliage: the painting of a crumpled, gathered, or systematically pleated canvas that the artist then unfolds and stretches for exhibition. In her study of this profoundly influential artist, Molly Warnock presents a persuasive historical account of his work, his impact on a younger generation of French artists, and the genesis and development of the practice of pliage over time. Simon Hantaï and the Reserves of Painting covers the entirety of Hantaï’s expansive oeuvre, from his first aborted experiments with folding around 1950 to his post-pliage experiments with digital scanning and printing. Throughout, Warnock analyzes the artist’s relentlessly searching studio practice in light of his no less profound engagement with developments in philosophy, psychoanalysis, and critical theory. Engaging both Hantaï’s art and writing to support her argument and paying particular attention to his sustained interrogation of religious painting in the West, Warnock shows how Hantaï’s work evinces a complicated mixture of intentionality and contingency. Appendixes provide English translations of two major texts by the artist, “A Plantaneous Demolition” and “Notes, Deliberately Confounding, Accelerating, and the Like for a ‘Reactionary,’ Nonreducible Avant-Garde.”Original and insightful, this important new book is a central reference for the life, art, and theories of one of the most significant and exciting artists of the twentieth century. It will appeal to art historians and students of modernism, especially those interested in the history of abstraction, materiality and Surrealism, theories of community, and automatism and making.
Simon Leach's Pottery Handbook: A Comprehensive Guide to Throwing Beautiful, Functional Pots
by Simon Leach Bruce Dehnert“A definitive guide for every step of pottery making, from styling small tools to building one’s own kiln” (Publishers Weekly).At one time or another, every potter gets frustrated at the wheel. Whether struggling to center the clay or attach a handle with precision, potters of all levels crave advice and answers, and world-renowned ceramicist and YouTube sensation Simon Leach has plenty to give. In Simon Leach’s Pottery Handbook, he presents clear tutorials and loads of original instruction on all of the core techniques, from studio setup to basic throwing, to applying appendages, trimming, glazing, and firing. For each technique, detailed step-by-step photography captures the subtle, intricate movements.Praise for Simon Leach’s Pottery Handbook“An amazingly detailed, step-by-step text for all major processes in ceramics. The in-depth perspective starts with his directions for making simple tools (a wire tool and a sponge stick) and is bolstered by charts and information-packed sidebars (e.g., for removing air bubbles and troubleshooting your first pull). Every topic that novices must master is covered, such as working basic shapes (cylinder and variations dishes) trimming, decorating and glazing, and firing.” ?Booklist “Among how-to books, this volume stands out. This gem is as carefully honed as the skills it seeks to share.” —American Craft“For those of us who learn best with a combo of text and demonstrations, Simon Leach’s new book is the perfect fit.” ?Ceramics Monthly