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Steven Spielberg and Philosophy: We're Gonna Need a Bigger Book (The Philosophy of Popular Culture #Ppcs)
by Dean A. KowalskiWithout question, few directors have had such a powerful influence on the film industry and the moviegoing public as Steven Spielberg. Often referred to as the most successful American filmmaker of all time, Spielberg has been nominated for the Academy Award for Best Director six times, winning twice -- for Schindler's List in 1994 and Saving Private Ryan in 1999. Seven of his films have received the Best Picture Oscar nomination. He has brought to life some of the most popular heroes of all time, such as Indiana Jones, as well as some of the most despised villains, including Amon Goeth from Schindler's List and the killer shark from Jaws. Whatever the subject -- dinosaurs, war, extra-terrestrials, slavery, the Holocaust, or terrorism -- one clear and consistent touchstone is present in all of Spielberg's films: an interest in the human condition. In Steven Spielberg and Philosophy, Dean A. Kowalski and some of the nation's most respected philosophers investigate Spielberg's art to illuminate the nature of humanity. The book explores rich themes such as cinematic realism, fictional belief, terrorism, family ethics, consciousness, virtue and moral character, human rights, and religion in Spielberg's work. Avid moviegoers and deep thinkers will discover plenty of common ground in this collection.
Steven Spielberg's Style by Stealth
by James MairataThis book reveals how Spielberg utilises stylistic strategies that are both unique and innovative when considered within the context of the classical Hollywood system. James Mairata identifies two distinct systems at work in Spielberg's application of style. One is the use of deep space compositions and staging, a form that was commonly seen in Hollywood cinema until the rise of the 'New Hollywood' in the early 1970s. The other system is based on the ubiquitous shot, reverse shot arrangement most commonly used for dialogue scenes, and which Spielberg has modified into what the author describes as wide reverses. Through the integration of both systems, Spielberg is able to create a more complete visual sense of scenographic space and a more comprehensive world of the narrative, while still remaining within the conventional boundaries of classical style. The wide reverse system also permits him to present a more highly developed version of Hollywood's conventional practice of rendering style as transparent or unnoticed. This volume shows that this, together with the wide reverse further enables Spielberg to create a narrative that offers the spectator both a more immersive and more affective experience.
Stevens County
by Kay L. CountsStevens County was first inhabited by a Paleo-Indian culture that occupied Kettle Falls along the Columbia River for 9,000 years. A gathering place for several Salish Indian tribes, the area called Shonitkwu, meaning "Falls of Boiling Baskets," was an abundant resource for fishing--specifically salmon. Traveling downriver from Kettle Falls to the trading post Spokane House in 1811, Canadian fur trapper David Thompson described the village as "built of long sheds of 20 feet in breadth" and noted the tribe's ceremonial dances worshiping the arrival of salmon. In 1829, Fort Colville was producing large amounts of food from local crops. And in 1934, work began on the Columbia Dam to generate a much-needed power source for irrigation from the Columbia River. Upon its completion in 1940, the native tribes gathered one last time, not to celebrate the return of the salmon but for a "ceremony of tears" on the salmon's departure.
Stevens County (Images of America)
by Stevens County Historical SocietyThe land area that came to be known as Stevens County was ceded to the United States government by the Dakota Indians in the treaty of the Traverse des Sioux in 1851. Government and railroad exploration parties, Red River Trail oxcarts, and pioneers and missionaries had come through the area long before it was officially ceded or settled. After the Dakota uprising of 1862, the United States government made the decision to put a fort in Dakota Territory. In 1864, Fort Wadsworth, later called Fort Sisseton, was built. Mule teams with supplies for soldiers and Native Americans, and pioneers began traveling in greater numbers across the tallgrass prairies of Stevens County from St. Cloud and into Dakota Territory. Pioneers from many different countries settled in Stevens County to break up the prairie sod and plant wheat and tree claims on their homesteaded land. Grasshoppers, prairie fires, and blizzards tested their determination, but the hardy ones survived to provide for their children's education, organize local governments, and build homes, churches, and businesses.
Steward of the Land: Selected Writings of Nineteenth-Century Horticulturist Thomas Affleck (The Hill Collection: Holdings of the LSU Libraries)
by Lake Douglas Thomas AffleckIn the first collection of published writings of Thomas Affleck (1812--1868), Lake Douglas re-establishes the reputation of a tireless agricultural reformer, entrepreneur, and horticulturist. Affleck's wide range of interests -- animal husbandry, agriculture, scientific farming, ornamental horticulture, insects, and hydrology, among others -- should afford him a celebrated status in several disciplines; yet until now his immense contributions remained largely unheralded. Steward of the Land remedies this oversight with a broad, annotated selection of Affleck's works, rightfully placing him alongside his better-known contemporaries Andrew Jackson Downing and Frederick Law Olmsted.After immigrating to the United States from Scotland in 1832, Affleck witnessed the burgeoning American expansion and its major advances in agriculture and technology. He worked as a journalist for the influential Western Farmer and Gardener, covering Ohio, Kentucky, and the Mississippi River Valley. Affleck moved to Mississippi in 1842 to manage his new wife's failing plantation; there, he created one of the first commercial nurseries of the South while writing prolifically on numerous agrarian topics for regional periodicals and newspapers. From 1845 to 1865 he edited Affleck's Southern Rural Almanac and Plantation and Garden Calendar, published in New Orleans. Following a postwar move to Brenham, Texas, he published letters and essays about rebuilding that state's livestock herds and rejuvenating its agricultural labor forces.Steward of the Land includes excerpts from dozens of Affleck's articles on subjects ranging from bee keeping to gardening to orchard tending. This valuable single-volume resource reveals Affleck's astonishing breadth of horticultural knowledge and entrepreneurial sagacity, and his role in educating mid-nineteenth-century readers about agricultural products and practices, plant usage, and environmental stewardship. Never before collected or contextualized, Affleck's writings provide a firsthand account of the advancement of agricultural techniques and practices that created a new environmental awareness in America.
Stewards of Memory: The Past, Present, and Future of Historic Preservation at George Washington's Mount Vernon
by Carol Borchert CadouMount Vernon, despite its importance as the estate of George Washington, is subject to the same threats of time as any property and has required considerable resources and organization to endure as a historic site and house. This book provides a window into the broad scope of preservation work undertaken at Mount Vernon over the course of more than 160 years and places this work within the context of America’s regional and national preservation efforts. It was at Mount Vernon, beginning with efforts in 1853, that the American tradition of historic preservation truly took hold. As the nation’s oldest historic house museum, Mount Vernon offers a unique opportunity to chronicle preservation challenges and successes over time as well as to forecast those of the future. Stewards of Memory features essays by senior scholars who helped define American historic preservation in the twentieth and early twenty-first centuries, including Carl R. Lounsbury, George W. McDaniel, and Carter L. Hudgins. Their contributions—complemented by those of Scott E. Casper, Lydia Mattice Brandt, and Mount Vernon’s own preservation scholars—offer insights into the changing nature of the field. The multifaceted story told here will be invaluable to students of historic preservation, historic site professionals, specialists in the preservation field, and any reader with an interest in American historic preservation and Mount Vernon. Support provided by the David Bruce Smith Book Fund and the Fred W. Smith National Library for the Study of George Washington at Mount Vernon.
Stewards of the Nation's Art
by Andrea Geddes PooleBetween 1890 and 1939, the groups of men involved in running Britain's four main public art galleries - the National Gallery, the Tate Gallery, the Wallace Collection, and the National Portrait Gallery - were embroiled in continuous power struggles. Stewards of the Nation's Art examines the internal tensions between the galleries' administrative directors, the aristocrats dominating the boards of trustees, and those in the Treasury who controlled the funds as well as board appointments.Andrea Geddes Poole uses meticulous primary research from all four of these institutions to discuss changing ideas about class, education, and work during this period. The conflicts between aristocratic trustees and administrative directors were not only about the running of the galleries, but also reflected the era's strain between aristocratic amateurs and nouveau riche professionals. Stewards of the Nation's Art is an absorbing study that explores the extent to which the aristocracy was able to hold on to cultural power in an increasingly professional and meritocratic age.
Stewardship of the Built Environment
by Robert A YoungWhen we think of green building, we tend to picture new construction. But Robert A. Young argues that the greenest building is often the one that has already been built. In Stewardship of the Built Environment, he shows how retrofitting existing structures holds untapped potential for achieving sustainable communities. Stewardship of the Built Environment explores the social, environmental, and economic benefits of reuse-from the societal value of reusing existing buildings to financial incentives available for refurbishment. Readers will become familiar with essential terminology; sustainability and historic preservation metrics; government oversight processes; and opportunities for smart growth afforded by rehabilitation. This knowledge is key to preserving the past while building a sustainable future.
STEWdio: The Naphic Grovel Artrilogy Of Chuck D
by Chuck DChuck D (Public Enemy, Prophets of Rage, etc.) brings his personal insights and social critiques to the page in fierce, passionate, and evocative visual art and prose "The Public Enemy mastermind combines art and hip-hop rhymes to provide his compelling, personal views on the chaotic years between 2020 and 2022. Though they often feel like diary entries, each installment has an overarching storyline and theme . . . In an engaging, distinctly hip-hop style, Chuck D reveal important lessons from the early pandemic years." —Kirkus Reviews, Starred Review Legendary hip-hop artist and social activist Chuck D has used every opportunity in his groundbreaking career to stand up for civil rights. His rap group Public Enemy is widely regarded as a revolutionary act both in terms of its impact on hip-hop and its use of music to impart a message of race and class equality. The band emerged from the late 1970s/early '80s coalescence of rap, punk, and street art into hip-hop music culture on the East Coast. At the time, Chuck D had completed his BFA in graphic design, and while his music career exploded, his passion for visual art never left his heart. In February 2020, he turned his gaze once again to the page, and began to fill three 5 x 8 journals with his written and drawn reflections of a world beginning to unravel. STEWdio: The Naphic Grovel ARTrilogy of Chuck D recreates format of his original art, combining three full-color paperback bound books into a beautiful box set. The box set is the inaugural offering from Enemy Books, the new Akashic Books imprinted curated by Chuck D. Spanning the onset of COVID-19 through the first year of the Joe "Bye-Don" administration, Chuck D lends his powerful artistic voice to one of the most tumultuous periods in American history, and puts it in a capsule. Like the neo-expressionist graffiti art of Jean-Michel Basquiat, Chuck D's energetic "Naphic Grovels" marry text with drawings, commenting on contemporary events with the same activist instinct that propelled Public Enemy's "music-with-a-message" reputation. His inventive, Amiri Baraka–esque language and accompanying art is also occasionally used as a tool for introspection, providing unparalleled insight into one of the most important cultural figures of our time. Each journal follows a distinct period in Chuck D's (and America's) life; There's a Poison Goin On chronicles the onset of the COVID-19 pandemic, from February–April 2020; 45 Daze of REaD Octobot follow the days leading up to and the aftermath of the historic 2020 election; and Datamber Mindpaper, which focuses on the early days of the Biden administration. No song may be more reflective of 1980s America than Public Enemy's "Fight the Power;" no document may come to capture our COVID era like Chuck D's STEWdio.
Stick
by Jeffrey MetznerIn this box of note cards you'll find masterpieces by Leonardo Da Vinci, Gustave Klimt, Norman Rockwell, and more reinterpreted entirely with stick figures. Artists designers, museum fans-or anyone with a funny bone and a keen eye-will appreciate these great moments in art.
Stick It!
by Bridget DoveDiscover just how much fun these seemingly boring squares of coloured paper can truly be! Post-it notes are found in offices and homes all over the world and they are much more versatile than you may first think. In Stick It! Bridget Dove offers the latest take on the increasingly popular paper-craft trend - which taps into the theme for mindful craft - in this fabulously innovative book. The projects are divided into three categories - Wall Art, Origami and Decorations - and with 40 imaginative ideas ranging from a colourful lampshade to a beautiful scene of a tree with falling `leaves', and from sticky origami flowers and boxes to a graphic table runner, there is something to suit everyone. Bridget gives clear, easy instructions and with step-by-step illustrations, you can indulge your creativity, whatever your ability.
Stick It!: 40 Creative Ways To Have Fun With Sticky Notes
by Bridget DoveDiscover just how much fun these seemingly boring squares of coloured paper can truly be! Post-it notes are found in offices and homes all over the world and they are much more versatile than you may first think. In Stick It! Bridget Dove offers the latest take on the increasingly popular paper-craft trend - which taps into the theme for mindful craft - in this fabulously innovative book. The projects are divided into three categories - Wall Art, Origami and Decorations - and with 40 imaginative ideas ranging from a colourful lampshade to a beautiful scene of a tree with falling `leaves', and from sticky origami flowers and boxes to a graphic table runner, there is something to suit everyone. Bridget gives clear, easy instructions and with step-by-step illustrations, you can indulge your creativity, whatever your ability.
Stickley Craftsman Furniture Catalogs
by Gustav Stickley L. Stickley594 illustrations, including 277 photos, of authentic, prized, Craftsman furniture as shown in two catalogs -- circa 1910 -- by foremost manufacturers. Numerous settles, rockers, armchairs, bookcases, plus many other kinds of pieces. Captions.
Stickwork
by Patrick DoughertyUsing minimal tools and a simple technique of bending, interweaving, and fastening together sticks, artist Patrick Dougherty creates works of art inseparable with nature and the landscape. With a dazzling variety of forms seamlessly intertwined with their context, his sculptures evoke fantastical images of nests, cocoons, cones, castles, and beehives. Over the last twenty-five years, Dougherty has built more than two hundred works throughout the United States, Europe, and Asia that range from stand-alone structures to a kind of modern primitive architecture every piece mesmerizing in its ability to fly through trees, overtake buildings, and virtually defy gravity. Stickwork , Dougherty's first monograph, features thirty-eight of his organic, dynamic works that twist the line between architecture, landscape, and art. Constructed on-site using locally sourced materials and local volunteer labor, Dougherty's sculptures are tangles of twigs and branches that have been transformed into something unexpected and wild, elegant and artful, and often humorous. Sometimes freestanding, and other times wrapping around trees, buildings, railings, and rooms, they are constructed indoors and in nature. As organic matter, the stick sculptures eventually disintegrate and fade back into the landscape. Featuring a wealth of photographs and drawings documenting the construction process of each remarkable structure, Stickwork preserves the legend of the man who weaves the simplest of materials into a singular artistic triumph.
Stieg Larsson's Millennium Trilogy
by Steven PeacockUniquely placed to explore the worldwide phenomenon of Stieg Larsson's Millennium trilogy beginning with The Girl with the Dragon Tattoo, the book offers the first full-length study of Larsson's work in both its written and filmed forms.
Stigma: Marking Skin in the Early Modern World (Perspectives on Sensory History)
by Katherine Dauge-Roth and Craig KoslofskyThe early modern period opened a new era in the history of dermal marking. Intensifying global travel and trade, especially the slave trade, bought diverse skin-marking practices into contact as never before. Stigma examines the distinctive skin cultures and marking methods of Asia, Europe, Africa, and the Americas as they began to circulate and reshape one another in the early modern world. By highlighting the interwoven histories of tattooing, branding, stigmata, baptismal and beauty marks, wounds and scars, this volume shows that early modern markers of skin and readers of marked skin did not think about different kinds of cutaneous signs as separate from each other. On the contrary, Europeans described Indigenous tattooing in North America, Thailand, and the Philippines by referring their readers to the tattoos Christian pilgrims received in Jerusalem or Bethlehem. When explaining the devil’s mark on witches, theologians claimed it was an inversion of holy marks such as those of baptism or divine stigmata. Stigma investigates how early modern people used permanent marks on skin to affirm traditional roles and beliefs, and how they hybridized and transformed skin marking to meet new economic and political demands.In addition to the editors, the contributors to this volume are Xiao Chen, Ana Fonseca Conboy, Peter Erickson, Claire Goldstein, Matthew S. Hopper, Katrina H. B. Keefer, Mordechay Lewy, Nicole Nyffenegger, Mairin Odle, and Allison Stedman.
Stigmas of the Tamil Stage: An Ethnography of Special Drama Artists in South India
by Susan SeizerA study of the lives of popular theater artists, Stigmas of the Tamil Stage is the first in-depth analysis of Special Drama, a genre of performance unique to the southernmost Indian state of Tamilnadu. Held in towns and villages throughout the region, Special Drama performances last from 10 p. m. until dawn. There are no theatrical troupes in Special Drama; individual artists are contracted "specially" for each event. The first two hours of each performance are filled with the kind of bawdy, improvisational comedy that is the primary focus of this study; the remaining hours present more markedly staid dramatic treatments of myth and history. Special Drama artists themselves are of all ages, castes, and ethnic and religious affiliations; the one common denominator in their lives is their lower-class status. Artists regularly speak of how poverty compelled their entrance into the field. Special Drama is looked down upon by the middle- and upper-classes as too popular, too vulgar, and too "mixed. " The artists are stigmatized: people insult them in public and landlords refuse to rent to them. Stigma falls most heavily, however, on actresses, who are marked as "public women" by their participation in Special Drama. As Susan Seizer's sensitive study shows, one of the primary ways the performers deal with such stigma is through humor and linguistic play. Their comedic performances in particular directly address questions of class, culture, and gender deviations--the very issues that so stigmatize them. Seizer draws on extensive interviews with performers, sponsors, audience members, and drama agents as well as on careful readings of live Special Drama performances in considering the complexities of performers' lives both on stage and off.
Stik
by StikThe first collected volume of work from feted street artist Stik, fully illustrated and beautifully presented"Social change IS what art does. I don't know what else there is, to be honest. Social change seems to me the primary function of art. I feel that's my duty. That's why I'm here. That's what art is supposed to do." --STIK Stik first came to notoriety as an underground street artist who painted life-size stick figures during the night around London's East End. As a firm believer in the right to protest, the freedom of speech, and basic human rights, Stik has now painted murals in cities, towns, and villages all over the world, focusing his work in communities that face repression and disenfranchisement. Having gained an international following, Stik credits his audience with the intelligence to fill in the emotional details of his work, which always consists of just six lines and two dots. Each piece is a meditation. This is the first collected volume of his work to date. It reveals the political and artistic inspiration behind the work of one of the street art community's most brilliant and inspiring artists.The first edition includes an exclusive limited edition lithographic print inside the book, in either blue or orange.From the Hardcover edition.
Still: American Silent Motion Picture Photography
by David S. ShieldsThe success of movies like "The Artist" and "Hugo" recreated the wonder and magic of silent film for modern audiences, many of whom might never have experienced a movie without sound. But while the American silent movie was one of the most significant popular art forms of the modern age, it is also one that is largely lost to us, as more than eighty percent of silent films have disappeared, the victims of age, disaster, and neglect. We now know about many of these cinematic masterpieces only from the collections of still portraits and production photographs that were originally created for publicity and reference. Capturing the beauty, horror, and moodiness of silent motion pictures, these images are remarkable pieces of art in their own right. In the first history of still camera work generated by the American silent motion picture industry, David S. Shields chronicles the evolution of silent film aesthetics, glamour, and publicity, and provides unparalleled insight into this influential body of popular imagery. Exploring the work of over sixty camera artists, " Still "recovers the stories of the photographers who descended on early Hollywood and the stars and starlets who sat for them between 1908 and 1928. Focusing on the most culturally influential types of photographs the performer portrait and the scene still Shields follows photographers such as Albert Witzel and W. F. Seely as they devised the poses that newspapers and magazines would bring to Americans, who mimicked the sultry stares and dangerous glances of silent stars. He uncovers scene shots of unprecedented splendor visions that would ignite the popular imagination. And he details how still photographs changed the film industry, whose growing preoccupation with artistry in imagery caused directors and stars to hire celebrated stage photographers and transformed cameramen into bankable names. Reproducing over one hundred and fifty of these gorgeous black-and-white photographs, "Still" brings to life an entire long-lost visual culture that a century later still has the power to enchant. "
Still: American Silent Motion Picture Photography
by David S. ShieldsThe success of movies like The Artist and Hugo recreated the wonder and magic of silent film for modern audiences, many of whom might never have experienced a movie without sound. But while the American silent movie was one of the most significant popular art forms of the modern age, it is also one that is largely lost to us, as more than eighty percent of silent films have disappeared, the victims of age, disaster, and neglect. We now know about many of these cinematic masterpieces only from the collections of still portraits and production photographs that were originally created for publicity and reference. Capturing the beauty, horror, and moodiness of silent motion pictures, these images are remarkable pieces of art in their own right. In the first history of still camera work generated by the American silent motion picture industry, David S. Shields chronicles the evolution of silent film aesthetics, glamour, and publicity, and provides unparalleled insight into this influential body of popular imagery. Exploring the work of over sixty camera artists, Still recovers the stories of the photographers who descended on early Hollywood and the stars and starlets who sat for them between 1908 and 1928. Focusing on the most culturally influential types of photographs—the performer portrait and the scene still—Shields follows photographers such as Albert Witzel and W. F. Seely as they devised the poses that newspapers and magazines would bring to Americans, who mimicked the sultry stares and dangerous glances of silent stars. He uncovers scene shots of unprecedented splendor—visions that would ignite the popular imagination. And he details how still photographs changed the film industry, whose growing preoccupation with artistry in imagery caused directors and stars to hire celebrated stage photographers and transformed cameramen into bankable names. Reproducing over one hundred and fifty of these gorgeous black-and-white photographs, Still brings to life an entire long-lost visual culture that a century later still has the power to enchant.
Still Foolin' 'Em: Where I've Been, Where I'm Going, and Where the Hell Are My Keys?
by Billy Crystal<P>Hilarious and heartfelt observations on aging from one of America's favorite comedians as he turns 65, and a look back at a remarkable career in this New York Times bestseller. <P>Billy Crystal is turning 65, and he's not happy about it. With his trademark wit and heart, he outlines the absurdities and challenges that come with growing old, from insomnia to memory loss to leaving dinners with half your meal on your shirt. In humorous chapters like "Buying the Plot" and "Nodding Off," Crystal not only catalogues his physical gripes, but offers a road map to his 77 million fellow baby boomers who are arriving at this milestone age with him. He also looks back at the most powerful and memorable moments of his long and storied life, from entertaining his relatives as a kid in Long Beach, Long Island, his years doing stand-up in the Village, up through his legendary stint at Saturday Night Live, When Harry Met Sally, and his long run as host of the Academy Awards. Readers get a front-row seat to his one-day career with the New York Yankees (he was the first player to ever "test positive for Maalox"), his love affair with Sophia Loren, and his enduring friendships with several of his idols, including Mickey Mantle and Muhammad Ali. He lends a light touch to more serious topics like religion ("the aging friends I know have turned to the Holy Trinity: Advil, bourbon, and Prozac"), grandparenting, and, of course, dentistry. As wise and poignant as they are funny, Crystal's reflections are an unforgettable look at an extraordinary life well lived.
Still Friends: 25 Years of the TV Show That Defined an Era
by Saul AusterlitzTwenty-five years on from when it first aired, Still Friends is an entertaining, fascinating and deeply researched behind-the-scenes look at the success of the hit show, Friends, featuring exclusive interviews with the show's creators, cast members and industry insiders. In September 1994, six friends sat down in their favourite coffee shop and began bantering. A quarter of a century later, new fans are still finding their way into the lives of Rachel, Ross, Joey, Chandler, Monica and Phoebe, and thanks to a combination of talented creators, its intimate understanding of its youthful audience, and its reign during network television's last moment of dominance, Friends has become the most influential and beloved show of its era. Noted pop culture historian Saul Austerlitz is here to tell us how it happened. Utilizing exclusive interviews with creators David Crane and Marta Kauffman, executive producer Kevin Bright, director James Burrows, and many other producers, writers, and cast members, Still Friends tells the story of Friends' creation, its remarkable decade-long run, and its astonishing Netflix-fuelled afterlife. Readers will learn how the show was developed and cast, written and filmed. They'll be reminded of episodes like the one about the trivia contest, the prom video, and the London trip. And, of course, the saga of Ross and Rachel. They'll also discover surprising details: that Monica and Joey were the show's original romantic couple, how Danielle Steel probably saved Jennifer Aniston's career, and why Friends is still so popular today. On the 25th anniversary of this truly groundbreaking show, it's clear that Friends has a legacy that has endured beyond wildest expectations. And in this hilarious, informative, and entertaining book, readers will now understand why.As published in the US as Generation Friends.
Still Here: The Madcap, Nervy, Singular Life of Elaine Stritch
by Alexandra JacobsOne of The New Yorker's favorite nonfiction book of 2019 | A New York Times Book Review Editors' ChoiceNamed one of Vogue's "17 Books We Can't Wait to Read This Fall""Compulsively readable . . . ravenously consuming . . . manna from heaven . . . If ever someone knew how to put a genuinely irresistible book together, it's Jacobs in Still Here." —Jeff Simon, The Buffalo NewsStill Here is the first full telling of Elaine Stritch’s life. Rollicking but intimate, it tracks one of Broadway’s great personalities from her upbringing in Detroit during the Great Depression to her fateful move to New York City, where she studied alongside Marlon Brando, Bea Arthur, and Harry Belafonte. We accompany Elaine through her jagged rise to fame, to Hollywood and London, and across her later years, when she enjoyed a stunning renaissance, punctuated by a turn on the popular television show 30 Rock. We explore the influential—and often fraught—collaborations she developed with Noël Coward, Tennessee Williams, and above all Stephen Sondheim, as well as her courageous yet flawed attempts to control a serious drinking problem. And we see the entertainer triumphing over personal turmoil with the development of her Tony Award–winning one-woman show, Elaine Stritch at Liberty, which established her as an emblem of spiky independence and Manhattan life for an entirely new generation of admirers.In Still Here, Alexandra Jacobs conveys the full force of Stritch’s sardonic wit and brassy charm while acknowledging her many dark complexities. Following years of meticulous research and interviews, this is a portrait of a powerful, vulnerable, honest, and humorous figure who continues to reverberate in the public consciousness.
Still Life: Ecologies of the Modern Imagination at the Art Museum
by Fernando Domínguez RubioHow do you keep the cracks in Starry Night from spreading? How do you prevent artworks made of hugs or candies from disappearing? How do you render a fading photograph eternal—or should you attempt it at all? These are some of the questions that conservators, curators, registrars, and exhibition designers dealing with contemporary art face on a daily basis. In Still Life, Fernando Domínguez Rubio delves into one of the most important museums of the world, the Museum of Modern Art (MoMA) in New York, to explore the day-to-day dilemmas that museum workers face when the immortal artworks that we see in the exhibition room reveal themselves to be slowly unfolding disasters. Still Life offers a fascinating and detailed ethnographic account of what it takes to prevent these disasters from happening. Going behind the scenes at MoMA, Domínguez Rubio provides a rare view of the vast technological apparatus—from climatic infrastructures and storage facilities, to conservation labs and machine rooms—and teams of workers—from conservators and engineers to guards and couriers—who fight to hold artworks still. As MoMA reopens after a massive expansion and rearranging of its space and collections, Still Life not only offers a much-needed account of the spaces, actors, and forms of labor traditionally left out of the main narratives of art, but it also offers a timely meditation on how far we, as a society, are willing to go to keep the things we value from disappearing into oblivion.
Still Life: Ecologies of the Modern Imagination at the Art Museum
by Fernando Domínguez RubioHow do you keep the cracks in Starry Night from spreading? How do you prevent artworks made of hugs or candies from disappearing? How do you render a fading photograph eternal—or should you attempt it at all? These are some of the questions that conservators, curators, registrars, and exhibition designers dealing with contemporary art face on a daily basis. In Still Life, Fernando Domínguez Rubio delves into one of the most important museums of the world, the Museum of Modern Art (MoMA) in New York, to explore the day-to-day dilemmas that museum workers face when the immortal artworks that we see in the exhibition room reveal themselves to be slowly unfolding disasters. Still Life offers a fascinating and detailed ethnographic account of what it takes to prevent these disasters from happening. Going behind the scenes at MoMA, Domínguez Rubio provides a rare view of the vast technological apparatus—from climatic infrastructures and storage facilities, to conservation labs and machine rooms—and teams of workers—from conservators and engineers to guards and couriers—who fight to hold artworks still. As MoMA reopens after a massive expansion and rearranging of its space and collections, Still Life not only offers a much-needed account of the spaces, actors, and forms of labor traditionally left out of the main narratives of art, but it also offers a timely meditation on how far we, as a society, are willing to go to keep the things we value from disappearing into oblivion.