- Table View
- List View
Studying Sound: A Theory and Practice of Sound Design
by Karen CollinsAn introduction to the concepts and principles of sound design practice, with more than 175 exercises that teach readers to put theory into practice.This book offers an introduction to the principles and concepts of sound design practice, from technical aspects of sound effects to the creative use of sound in storytelling. Most books on sound design focus on sound for the moving image. Studying Sound is unique in its exploration of sound on its own as a medium and rhetorical device. It includes more than 175 exercises that enable readers to put theory into practice as they progress through the chapters.
Studying Talk to Her
by Emily HughesTalk to Her (2002) is a hugely rich and interesting, but ambiguous, film which met with both popular success and critical acclaim. The film won the 2003 Oscar for best original screenplay and has been hailed by some critics as Pedro Almodóvar's masterpiece. But like most of Almodóvar's films, little is clear cut; the characters are complex and our affinity and empathy for them shifts throughout the film. In Studying Talk to Her, Emily Hughes provides an in-depth analysis of both the formal elements of the film (narrative, genre, auteur study) and the themes and issues that arise, including the social context of modern Spain and the old traditional iconography, the shifting attitudes towards gender, and, crucially, the uneasy, morally ambiguous depiction of rape and the spectator's reaction to it.
Studying Talk to Her (Studying Films)
by Emily HughesTalk to Her (2002) is a hugely rich and interesting though ambiguous film that met with both popular success and critical acclaim. The film won an Oscar for best original screenplay and has been hailed by some critics as Pedro Almodóvar's masterpiece. Yet like most of Almodóvar's films, little is clear cut. The characters are complex and our affinity and empathy for them shifts throughout the film. In Studying Talk to Her, Emily Hughes provides an in-depth analysis of both the formal elements of the film (its narrative, genre, and auteur study) and the themes and issues it raises, discussing the social context of modern Spain and its old, traditional iconography; shifting attitudes towards gender; and, crucially, the film's uneasy, morally ambiguous depiction of rape and the spectator's reaction to it.
Studying the British Crime Film
by Paul ElliottEver since its inception, British cinema has been obsessed with crime and the criminal. One of the first narrative films to be produced in Britain, the Hepworth's 1905 short Rescued by Rover, was a fast-paced, quick-edited tale of abduction and kidnap, and the first British sound film, Alfred Hitchcock's Blackmail (1930), centered on murder and criminal guilt. For a genre seemingly so important to the British cinematic character, there is little direct theoretical or historical work focused on it. The Britain of British cinema is often written about in terms of national history, ethnic diversity, or cultural tradition, yet very rarely in terms of its criminal tendencies and dark underbelly. This volume assumes that, to know how British cinema truly works, it is necessary to pull back the veneer of the costume piece, the historical drama, and the rom-com and glimpse at what is underneath. For every Brief Encounter (1945) there is a Brighton Rock (2010), for every Notting Hill (1999) there is a Long Good Friday (1980).
Studying the British Crime Film (Studying British Cinema Ser.)
by Paul ElliottEver since its inception, British cinema has been obsessed with crime and the criminal. One of the first narrative films to be produced in Britain, the Hepworth’s 1905 short Rescued by Rover, was a fast-paced, quick-edited tale of abduction and kidnap, and the first British sound film, Alfred Hitchcock’s Blackmail (1930), centered on murder and criminal guilt. For a genre seemingly so important to the British cinematic character, there is little direct theoretical or historical work focused on it. The Britain of British cinema is often written about in terms of national history, ethnic diversity, or cultural tradition, yet very rarely in terms of its criminal tendencies and dark underbelly. This volume assumes that, to know how British cinema truly works, it is necessary to pull back the veneer of the costume piece, the historical drama, and the rom-com and glimpse at what is underneath. For every Brief Encounter (1945) there is a Brighton Rock (2010), for every Notting Hill (1999) there is a Long Good Friday (1980).
Studying Waltz with Bashir (Studying Films)
by Giulia MillerOn its release in 2008, Ari Folman's animated documentary Waltz with Bashir was heralded as a brilliant and original exploration of trauma, and trauma's impact on memory and the recording of history. But it is surprising that although the film is seen through the eyes of one particular soldier, a viewpoint portrayed using highly experimental forms of animation, this has not prevented Waltz with Bashir from being regarded as both an 'autobiographical' and 'honest' account of the director's own experiences in the 1982 Lebanon war. In fact, the film won several documentary awards, and even those critics focusing on the representation of trauma suggest that this trauma must be authentic. In this sense, it is the documentary form rather than the animation that has had the most influence upon critics.As Studying Waltz with Bashir will show, it is the tension between the two forms that makes the film so complex and interesting, allowing for multiple themes and discourses to coexist, including Israel's role during the Lebanon War and the impact of trauma upon narrative, but also the representation of Holocaust memory and its role in the formation of Israeli identity. In addition to these themes that coexist by virtue of the film's unusual animated documentary format, Waltz with Bashir can also be discussed in relation to a broad range of contexts; for example, the representation of war in film, the history of Israeli Holocaust cinema, and recent trends in experimental animation, such as Richard Linklater's Waking Life (2001) and A Scanner Darkly (2006), as well as Folman's most recent live action/animation work The Congress (2013).
The Stuff Games Are Made Of (Playful Thinking)
by Pippin BarrA deep dive into practical game design through playful philosophy and philosophical play.What are video games made of? And what can that tell us about what they mean? In The Stuff Games Are Made Of, experimental game maker Pippin Barr explores the materials of video game design. Taking the reader on a deep dive into eight case studies of his own games, Barr illuminates the complex nature of video games and video game design, and the possibilities both offer for exploring ideas big and small.Through a variety of engaging and approachable examples, Barr shows how every single aspect of a game—whether it is code, graphics, interface, or even time itself—can be designed with and related to the player experience. Barr&’s experimental approach, with its emphasis on highly specific elements of games, will leave readers armed with intriguing design philosophy, conceptual rigor, and diverse insights into the inner life of video games. Upon finishing this book, readers will be ready to think deeply about the nature of games, to dive into expressive and experimental game design themselves, or simply to play with a new and expanded mindset.
The Stuff of Spectatorship: Material Cultures of Film and Television
by Caetlin Benson-AllottFilm and television create worlds, but they are also of a world, a world that is made up of stuff, to which humans attach meaning. Think of the last time you watched a movie: the chair you sat in, the snacks you ate, the people around you, maybe the beer or joint you consumed to help you unwind—all this stuff shaped your experience of media and its influence on you. The material culture around film and television changes how we make sense of their content, not to mention the very concepts of the mediums. Focusing on material cultures of film and television reception, The Stuff of Spectatorship argues that the things we share space with and consume as we consume television and film influence the meaning we gather from them. This book examines the roles that six different material cultures have played in film and television culture since the 1970s—including video marketing, branded merchandise, drugs and alcohol, and even gun violence—and shows how objects considered peripheral to film and television culture are in fact central to its past and future.
Stuffed Animals: A Modern Guide to Taxidermy
by Katie Innamorato Divya AnantharamanA quirky, timely, and disturbingly beautiful how-to taxidermy guide, emphasizing ethical sourcing and personal expression Whether inspiration came from an exhibition at an edgy art gallery, a visit to the Natural History Museum, or the sight of your crazy uncle’s jackalope, more and more people are opening up to the fun and wonder of taxidermy. A mix of art, science, and a touch of alchemy, taxidermy lets you engage with the natural world in ways most other people don’t. In Stuffed Animals, Divya Anantharaman and Katie Innamorato demystify the practice, shatter the gross stereotypes, and make taxidermy accessible to anyone, anywhere. Committed to ethical and sustainable sourcing, Anantharaman and Innamorato are part of the vanguard of young taxidermists who bring a sense of fun and experimentation to this old-school hobby. In their sold-out classes in Brooklyn, they teach hundreds of taxidermy novices how to create mantle-worthy pieces out of small birds and mammals. Both a helpful how-to manual and a strangely captivating gift book, Stuffed Animals is the definitive guide to a growing movement.
Stug III & Stug IV: German Army, Waffen-SS and Luftwaffe: Western Front, 1944–1945 (TankCraft)
by Dennis OliverA guide that blends the history behind this German World War II tank with resources for military vehicle modeling enthusiasts. In the last years of the Second World War the Sturmgeschütz III (StuG III) and Sturmgeschütz IV (StuG IV) played a vital role as assault guns during the German army&’s struggle to block the Allied advance on the Western Front. As the Wehrmacht&’s tank forces declined, these armored vehicles were thrown into every defensive operation. They are not as well-known as the Tigers and Panthers, but German resistance would have been much weaker without them. They were also among the most frequently encountered German armored vehicles on the battlefields, which is why they are such a fascinating subject for Dennis Oliver in this volume in the TankCraft series He uses archive photos and extensively researched color illustrations to examine the StuG III and StuG IV deployed by the German army and the Waffen-SS during these doomed campaigns. A key section of his book displays available model kits and aftermarket products, complemented by a gallery of beautifully constructed and painted models in various scales. Technical details as well as modifications introduced during production and in the field are also examined providing everything the modeler needs to recreate an accurate representation of these historic armored vehicles.
Stulpen und Handschuhe stricken für Dummies (Für Dummies)
by Petra DanielsAnfänger werden Schritt für Schritt in die Grundlagen des Strickens eingeführt und lernen alle nötigen Techniken, um die Projekte nacharbeiten zu können. Dabei bauen die Projekte in ihrem Schwierigkeitsgrad aufeinander auf: Anfänger können sehr bald einen Muff oder Pulswärmer fertigen. Wer Vorkenntnisse hat, kann bei seinem Kenntnisstand einsteigen oder sich inspirieren lassen. Neben den leicht verständlichen Anleitungen enthält das Buch viele Tipps und Anregungen für individuelle Fäustlinge, Fingerhandschuhe und Co. Warme Basics oder für jedes Outfit ein modisches Accessoire? Dieses Buch macht es möglich.
Stunning 3-D Quilts Simplified: Create Dimension with Color, Value & Geometric Shapes
by Ruth Ann BerryLearn how to sew three-dimensional illusions with these twelve quilt projects.Create a stunning quilt that will have your friends asking, “How did you do that?” Believe it or not, these attention-grabbing projects come together with straight rows of simple shapes. You’ll learn how to sew twelve visually arresting quilts each in four colorways giving you dozens of dynamic options. Build your confidence in bias piecing, as you pair light, medium, and dark fabrics for heavenly hexes. Don’t be intimidated—just follow the easy assembly diagrams and watch your quilt come together one row at a time with no inset seams. These 3-D illusions are so impressive, you won’t know whether to keep them on the bed or hang them on the wall. Sew 3-D illusion quilts that have your friends asking how you did itArrange sixty-degree triangles in rows for easy piecing with no inset seamsBuild your confidence in bias piecing, mixing color values for dimensional effects
Stunning Iceland: The Hedonist's Guide
by Bertrand Jouanne Gunnar FreyrGo beyond the ordinary with this remarkable travelogue, guidebook, and coffee table keepsake filled with spectacular color photography that showcases Iceland’s stunning beauty and hidden gems, from its fjords and highlands to the Western Islands and the capital Reykjavik—the first entry in the Hedonist’s Guide travel series.Combining essential insider details, cultural information, must-see attractions, and detailed maps with glorious custom photography, Stunning Iceland is the ultimate handbook for modern nomads, including both savvy travelers and novice tourists. Designed for twenty-first century globetrotters, Stunning Iceland features stylish graphics and an elegant visual design, as well as a breakdown of must-visit places, thematic double-page photographic spreads to help you discover and understand the city, and walking routes to explore each district away from the crowds. Whether you prefer a more traditional visit or want to chart your own unique course, this user-friendly handbook includes everything you need—and more:Discover the charm of a luxury ecolodge surrounded by natureMeet the surfers of the ArcticTaste the new Nordic gastronomyFollow in the footsteps of the heroes of the Icelandic sagasMeet the polar fox and the blue whaleBathe in the natural hot springsAdmire the Icelandic floraLearn about the battle between the tectonic plates beneath Iceland and its active volcanoesExperience Reykjavík, the nation’s beating heart Stunning Iceland offers inspiration and insight for armchair travelers and dreamers alike. Best of all, the gorgeous photography transforms the book into a keepsake that will transport you back to your favorite places and sights long after returning home.Experience Iceland as never before with the Hedonist’s Guide!
Stunning Stitches for Crazy Quilts: 480 Embroidered Seam Designs, 36 Stitch-Template Designs for Perfect Placement
by Kathy Seaman ShawFind endless inspiration for stitching your crazy quilts in this treasure trove of seam designs and templates by the creator of Shawkl Designs.You don't have to be a master embroiderer to create beautiful crazy-quilt seams! With 480 seam designs to inspire your creativity, Stunning Stitches for Crazy Quilts will also teach you the simple techniques that give your stitches a professional appearance. Line everything up perfectly with full-size stitch templates and dozens of step-by-step illustrations. Then dress up embroidered seams with sparkly beads, buttons, sequins, and silk ribbon embellishments for endless creative combinations!This eBook edition includes links to printable full-size templates.
Stunts of Late Nineteenth-Century New York: Aestheticised Precarity, Endangered Liveness
by Kirstin SmithStunts of Late Nineteenth- Century New York: Aestheticised Precarity, Endangered Liveness examines the emergence of stunts in the media, politics, sport and art of New York at the turn of the twentieth century. This book investigates stunts in sport, media and politics, demonstrating how these risky performances tapped into anxieties and fantasies concerning work, freedom, gendered/ raced/ classed bodies and the commodifi cation of human life. Its case studies examine bridge jumping, extreme walking contests, stunt journalists such as Nellie Bly, and cycling feats including Annie Londonderry’s round- the- world venture. Supported by extensive archival research and Performance Studies theorisations of precarity, liveness and surrogation, Smith theorises an under- examined form which is still prevalent in art, politics and commerce, to show what stunts reveal about value, risk and human life. Suitable for scholars and practitioners across a range of subjects, from Performance Studies to gender studies, to media studies, Stunts of Late Nineteenth- Century New York explores how stunts turned everyday precarity into a spectacle.
Stuntwomen: The Untold Hollywood Story (Screen Classics)
by Mollie Gregory“Gives voice to the women who have risked their lives for a few (perilous) moments on the big screen. A fascinating look at a risky profession.” —The Washington PostThey’ve traded punches in knockdown brawls, crashed biplanes through barns, and raced to the rescue in fast cars. They add suspense and drama to the story, portraying the swimmer stalked by the menacing shark, the heroine dangling twenty feet below a soaring hot air balloon, or the woman leaping nine feet over a wall to escape a dog attack. Only an expert can make such feats of daring look easy, and stuntwomen with the skills to perform—and survive—great moments of action in movies have been hitting their mark in Hollywood since the beginning of film.Here, Mollie Gregory presents the first history of stuntwomen in the film industry from the silent era to the twenty-first century. In the early years of motion pictures, women were highly involved in all aspects of film production, but they were marginalized as movies became popular, and more important, profitable. Capable stuntwomen were replaced by men in wigs, and very few worked between the 1930s and 1960s. As late as the 1990s, men wore wigs and women’s clothes to double as actresses, and were even “painted down” for some performances, while men and women of color were regularly denied stunt work.For decades, stuntwomen have faced institutional discrimination, unequal pay, and sexual harassment even as they jumped from speeding trains and raced horse-drawn carriages away from burning buildings. Featuring sixty-five interviews, Stuntwomen showcases the absorbing stories and uncommon courage of women who make their living planning and performing action-packed sequences that keep viewers’ hearts racing.
Stupid Movie Lines: The 776 Dumbest Things Ever Uttered on the Silver Screen
by Ross Petras Kathryn PetrasThe creme de la crud of screen history "War! War! That's all you think of, Dick Plantagenet! You burner! You pillager!" --Virginia Mayo as Lady Edith to George Sanders in King Richard and the Crusaders (1954) "Visits? That would indicate visitors. " --Army captain learning of alien visits in Plan 9 from Outer Space (1959) "When I'm sitting here with you, I don't even think about the slime people. " --Hero to heroine in The Slime People (1962) "Suck the coffin mushroom now. " --The Ultimate Vampire (1991) "This is bad. " --Leonardo DiCaprio as the you-know-what hits the you-know-what in Titanic (1997)
Sturgeon Bay
by Door County Historical Museum Ann Jinkins Maggie WeirStretching midway across Wisconsin's famous Door County peninsula, Sturgeon Bay has developed into the county's business and industrial center. Divided by the waterway it's named after, this small city provided a home to a working waterfront that once housed sawmills and docks for shipping ice, quarried stone, and, later, cherries. A canal dug from Sturgeon Bay to Lake Michigan in 1880 enabled ships to avoid the long passage over the tip of the peninsula. Sturgeon Bay became a shipbuilding capital, housing three major yards. The lively downtown districts on each side of the bay sported the typical hotels, taverns, stores, and blacksmith shops. Residents took pride in their newly formed schools, churches, and public services such as the Pioneer Fire Department. Families, fortunate to live in a land of great natural beauty, enjoyed recreational pursuits in the woods and on the water, whether it was perch fishing early on a summer morning or skating over the ice on a crisp winter afternoon.
Sturgis' Illustrated Dictionary of Architecture and Building: An Unabridged Reprint of the 1901-2 Edition, Vol. II
by Francis A. Davis Russell SturgisVolume 2 of monumental 3-volume classic offers comprehensive and detailed coverage of architectural terms, individuals and national styles. Total in set: over 100 photographs and more than 1000 illustrations. Bibliography.
Sturtevant: Warhol Marilyn
by Patricia LeeWarhol Marilyn (1965) is not a work by Andy Warhol but by the artist Elaine Sturtevant (1930--2014). Throughout her career, Sturtevant (as she preferred to be called) remade and exhibited works by other contemporary artists, among them Jasper Johns, Roy Lichtenstein, and Robert Rauschenberg. For Warhol Marilyn, Sturtevant used one of Warhol's own silkscreens from his series of Marilyn printed multiples. (When asked how he made his silkscreened work, Warhol famously answered, "I don't know. Ask Elaine.") In this book, Patricia Lee examines Warhol Marilyn as representing a shift in thinking about artistic authorship and originality, highlighting a decisive moment in the rethinking of the contemporary artwork.Lee describes the cognitive dissonance a viewer might feel on learning the identity of Warhol Marilyn's author, and explains that mistaken identity is part of Sturtevant's intention for the operation of the work. She discusses the ways that Sturtevant's methodology went against the grain of a certain interpretation of modernism, and addresses the cultural significance of both Warhol and Monroe as celebrity figures. She considers Dorothy Podber's shooting a bullet through a stack of Warhol's Marilyns (thereafter known as The Shot Marilyns) at the Factory in 1964 and its possible influence on Sturtevant's decision to remake the work. Lee writes that Sturtevant's critical reception has been informed by some fictional forebears: the made-up artist Hank Herron (whose nonexistent work duplicating paintings by Frank Stella was reviewed by a fictional critic), and (suggested by Sturtevant herself) Pierre Menard, the title character of Jorge Luis Borges's "Pierre Menard, Author of the Quixote," who recreates a section of Cervantes's masterpiece line by line. And finally, she explores installation contexts and display strategies for Sturtevant's work as illuminating her broader artistic aims and principles.
Sturtevant: Warhol Marilyn (One Work)
by Patricia LeeAn illustrated examination of a work—a Warhol that isn't by Warhol—that embodies a shift in attitudes about artistic authorship and originality. Warhol Marilyn (1965) is not a work by Andy Warhol but by the artist Elaine Sturtevant (1930–2014). Throughout her career, Sturtevant (as she preferred to be called) remade and exhibited works by other contemporary artists, among them Jasper Johns, Roy Lichtenstein, and Robert Rauschenberg. For Warhol Marilyn, Sturtevant used one of Warhol's own silkscreens from his series of Marilyn printed multiples. (When asked how he made his silkscreened work, Warhol famously answered, “I don't know. Ask Elaine.”) In this book, Patricia Lee examines Warhol Marilyn as representing a shift in thinking about artistic authorship and originality, highlighting a decisive moment in the rethinking of the contemporary artwork. Lee describes the cognitive dissonance a viewer might feel on learning the identity of Warhol Marilyn's author, and explains that mistaken identity is part of Sturtevant's intention for the operation of the work. She discusses the ways that Sturtevant's methodology went against the grain of a certain interpretation of modernism, and addresses the cultural significance of both Warhol and Monroe as celebrity figures. She considers Dorothy Podber's shooting a bullet through a stack of Warhol's Marilyns (thereafter known as The Shot Marilyns) at the Factory in 1964 and its possible influence on Sturtevant's decision to remake the work. Lee writes that Sturtevant's critical reception has been informed by some fictional forebears: the made-up artist Hank Herron (whose nonexistent work duplicating paintings by Frank Stella was reviewed by a fictional critic), and (suggested by Sturtevant herself) Pierre Menard, the title character of Jorge Luis Borges's “Pierre Menard, Author of the Quixote,” who recreates a section of Cervantes's masterpiece line by line. And finally, she explores installation contexts and display strategies for Sturtevant's work as illuminating her broader artistic aims and principles.
Stutterer Interrupted: The Comedian Who Almost Didn't Happen
by Nina G.Nina G bills herself as “The San Francisco Bay Area’s Only Female Stuttering Comedian.” On stage, she encounters the occasional heckler, but off stage she is often confronted with people’s comments toward her stuttering; listeners completing her sentences, inquiring, “Did you forget your name?” and giving unwanted advice like “slow down and breathe” are common. (As if she never thought about slowing down and breathing in her over thirty years of stuttering!) When Nina started comedy nearly ten years ago, she was the only woman in the world of stand-up who stuttered—not a surprise, since men outnumber women four to one amongst those who stutter and comedy is a male-dominated profession. Nina’s brand of comedy reflects the experience of many people with disabilities in that the problem with disability isn’t in the person with it but in a society that isn’t always accessible or inclusive.
Stuttgart (Images of America)
by Glenn MosenthinStuttgart was founded in 1880 by a colony of German Lutherans who moved from Ohio to Arkansas's Grand Prairie. The city grew steadily after the Cotton Belt Railroad arrived in 1883. A group of realtors promoted Stuttgart to residents of Midwestern states, attracting a large population influx. Initially, the main income sources were hay and cattle, but that changed forever after rice was successfully grown near Stuttgart. The first rice mill was built in 1907, followed in 1921 by the creation of a farmers' cooperative that is now the world's largest rice processor and marketer. By the 1930s, Stuttgart's location on the Mississippi Flyway, along with abundant surface water, led to its renown as a waterfowl hunter's paradise. The World Championship Duck Calling Contest has been held here since 1936, and today it is a nationally known event. In the post-World War II era, Stuttgart launched a successful industrial development campaign that resulted in today's progressive city.
Style: A Queer Cosmology (Postmillennial Pop #37)
by Taylor BlackAssembles texts, performances, and personae from American culture to assert the elemental natureof styleWhile “style” is equated with fashion or convention in common parlance, Style: A Queer Cosmologydefines the term as a mode of expression that makes us more like ourselves and less like everyone else.Taylor Black’s interdisciplinary conceptual analysis assembles texts, performances, and personae fromAmerican culture that engage in ethical, creative, and performative modes of what he terms “abundantrevelation.” Moving back and forth through time, this book sketches American cosmologies cultivated byiconic and subterranean American artists like Edgar Allan Poe, Flannery O’Connor, Nikki Giovanni, andBob Dylan. Presiding throughout is the book’s conceptual guide: latter-day American and notorioushomosexual Quentin Crisp, resurrected here as a philosopher of style.As a scholarly intervention, Style participates in the critical work of revival and attunement—revitalizingfigures, terms, and ideas that have become too familiar. Returning to viewing the critic as a stylist, Style: A Queer Cosmology leans into the study of things and qualities that are immanent and elude paraphrase or social scientific categorization. Style is about the possible rather than the probable, singularity over universals, personality instead of identity, the emergent and not the new—the mystery of becoming.
Style: An Approach To Appreciating Theatre
by E. Bert WallaceStyle: An Approach to Appreciating Theatre offers brief, readable chapters about the basics of theatre as a starting point for discussion, and provides new adaptations of classic plays that are both accessible to students learning about theatre and fit for production. In this text, style is the word used to describe the various ways in which theatre is done in real space and time by humans in the physical presence of other humans. The book uses style, the "liveness" of theatre that makes it distinct from literature or history, as a lens to see how playwrights, directors, designers, and actors bring scripts to life on stage. Rather than focusing on theatre history or literary script analysis, it emphasizes actual theatrical production through examples and explores playscripts illustrating four theatrical styles: Realism, Theatricalism, Expressionism, and Classicism. Susan Glaspells Realistic play Trifles is presented as written, while The Insect Play by the Brothers apek, The Hairy Ape by Eugene ONeill, and Antigone by Sophocles are original, full-length adaptions. Style: An Approach to Appreciating Theatre is the perfect resource for students of Theatre Appreciation, Introduction to Theatre, Theatrical Design, and Stagecraft courses.