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Veni, Vidi, Video: The Hollywood Empire and the VCR
by Frederick WasserA funny thing happened on the way to the movies. Instead of heading downtown to a first-run movie palace, or even to a suburban multiplex with the latest high-tech projection capabilities, many people's first stop is now the neighborhood video store. Indeed, video rentals and sales today generate more income than either theatrical releases or television reruns of movies. This pathfinding book chronicles the rise of home video as a mass medium and the sweeping changes it has caused throughout the film industry since the mid-1970s. Frederick Wasser discusses Hollywood's initial hostility to home video, which studio heads feared would lead to piracy and declining revenues, and shows how, paradoxically, video revitalized the film industry with huge infusions of cash that financed blockbuster movies and massive marketing campaigns to promote them. He also tracks the fallout from the video revolution in everything from changes in film production values to accommodate the small screen to the rise of media conglomerates and the loss of the diversity once provided by smaller studios and independent distributors.
Venice: City Of Pictures
by Martin GayfordA visual journey through five centuries of the city known for centuries as, “La Serenissima”—a unique and compelling story for both lovers of Venice and lovers of its art. Enchanting, captivating, precious—Venice is one of the most cherished cities in the world. For centuries it was the heart of a global maritime power and a crossroads for diverse cultures. Today the city attracts millions of visitors each year, enticed by its irresistible beauty. Art lovers are drawn here by the paintings, prints, drawings, and films made by generations of artists who have captured its magical allure. It is through images—both of the city and the art created there—that Venice’s identity has been forged and spread so powerfully. Venice was a major center of art in the Renaissance: the city where the medium of oil on canvas became the norm. The achievements of the Bellini brothers, Vittore Carpaccio, Giorgione, Titian, Tintoretto, and Paolo Veronese are a key part of this story. Nowhere else has been depicted by so many great painters in so many diverse styles and moods. Venetian views were a specialty of native artists such as Canaletto and Francesco Guardi, but the city has also been represented by outsiders: William Turner, Claude Monet, John Singer Sargent, Howard Hodgkin, and many more. Then there are those who came to look at and write about art. The reactions of Henry James, George Eliot, Richard Wagner, and others enrich this tale. Nor is the story over. Since the advent of the Venice Biennale in the 1890s, the city has become a shop window for the contemporary art of the whole world. In this elegant volume, Martin Gayford takes us on a visual journey through the past five centuries of the city known as “La Serenissima,” the “Most Serene.”
Venice: The Lion, the City and the Water (The\margellos World Republic Of Letters Ser.)
by Cees Nooteboom"You might think there is little new to say about Venice, but Cees Nooteboom strolls down many under-explored alleyways in the city, his insights coloured by his knowledge of art and literature as welll as his past experiences . . . Witty and meditative by turns, the overall effect is like being shown around by a wonderfully self-effacing, but impressively erudite guide" The Sunday Times BOOKS OF THE YEAR"Nooteboom has achieved the impossible: to say something new about the ageless city about which everything has been said" ALBERTO MANGUEL"The whole book is the illuminating testimony of a man who cannot look away and so sees things that others, even those with more specialist knowledge, have missed, whether it be the color and consistency ofthe ropes on the vaporetti, the glistening hues and squirming movements of the fish at the market, or the wondrous effects that Tintoretto could achieve with dabs of white in 'the gleam of armour, the folds in a sleeve, the windings of a turban, the halo of a man of the air who, as in the Last Judgment, is flying throughspace, in a wide flowing cloak . . .'" GREGORY DOWLING, Wall Street JournalVENICE: "A dream of palaces and churches, of power and money, dominion and decline, a paradise of beauty." By the author of Roads to Santiago and Roads to BerlinWith this treasury of his time spent in Venice over a period of fifty-five years, Nooteboom makes himself the indispensable companion for all lovers of "the sailing, amphibious city", and for every new visitor.Because he is a master storyteller with an inexhaustible curiosity, and always with a suitcase of books (to which new discoveries are added), he brings vividly and poetically to life not only the tumultuous history of the Republic but along the way its doges, its villains, its heroes, its magnificent painters, its architects, its scholars, its skies, its canals and piazzas and alleyways, and on his expeditions its "bronze voices of time".Those who know and love this city and its literature will recognise Nooteboom - in Laura Watkinson's fine translation - as the dazzling heir and companion to Montaigne, Thomas Mann, Rilke, Ruskin, Proust, Brodsky, and Donna Leon. His homage to Venice is a generous introduction, learned and enchanting, and worthy of its magnificent subject."His writing is lyrical and densely textured. He is a poet of time and memory" - COLIN THUBRONTranslated from the Dutch by Laura Watkinson
The Venice Arsenal: Between History, Heritage, and Re-use (Routledge Research in the Creative and Cultural Industries)
by Luca ZanThis book reviews four decades of debate about restoring an industrial heritage site of inestimable value – the Venice Arsenal. Focusing on the challenges of economic, financial and institutional feasibility, it reveals how failing to address these aspects has undermined potential solutions from both technicians and heritage professionals. With a deep connection to the city over centuries, the Arsenal was the very basis of La Serenissima’s sea power, enabling its economic expansion. Later, it maintained a vital military function through shipbuilding until World War II. But the slow process of abandonment of the traditional site’s uses and spaces continues to pose questions regarding its preservation and re-use. Drawing on original research from urban planners, architects and historians, the book provides a critical investigation into the organizational and managerial challenges of this unique site, and crucially, why so little has been achieved compared with potential opportunities. Featuring numerous color photographs and exploring the particular challenges of restoration and re-use facing the Venice Arsenal, this insightful evaluation of the history of this site provides a uniquely informative case for the discipline of industrial heritage.
The Venice Biennale and the Asia-Pacific in the Global Art World (Routledge Research in Art Museums and Exhibitions)
by Stephen NaylorThis monograph uses the national pavilions of the Venice Biennale as a vehicle to examine the development of international contemporary art trends within the Asia-Pacific region, including Australia, Japan and Korea and 16 additional national entities who have had less continuous participation in this global art event. Analysing both the spatial and visual representation of contemporary art presented at the Venice Biennale and incorporating the politics behind national selections, this monograph provides insights into a range of important elements of the global art industry. Areas analysed include national cultural trends and strategies, the inversion of the peripheral to the centre stage of the Biennale, geopolitics in gaining exhibition space at the Venice Biennale, curatorial practices for contemporary art presentation and artistic trends that seek to deal with major economic, cultural, religious and environmental issues emerging from non-European art centres. This monograph will be of interest to scholars in art history, museum studies and Asia-Pacific cultural history.
Venice from the Ground Up (From the Ground Up #8)
by James H. McGregorVenice came to life on spongy mudflats at the edge of the habitable world. Protected in a tidal estuary from barbarian invaders and Byzantine overlords, the fishermen, salt gatherers, and traders who settled there crafted an amphibious way of life unlike anything the Roman Empire had ever known. In an astonishing feat of narrative history, James H. S. McGregor recreates this world-turned-upside-down, with its waterways rather than roads, its boats tethered alongside dwellings, and its livelihood harvested from the sea. McGregor begins with the river currents that poured into the shallow Lagoon, carving channels in its bed and depositing islands of silt. He then describes the imaginative responses of Venetians to the demands and opportunities of this harsh environment—transforming the channels into canals, reclaiming salt marshes for the construction of massive churches, erecting a thriving marketplace and stately palaces along the Grand Canal. Through McGregor’s eyes, we witness the flowering of Venice’s restless creativity in the elaborate mosaics of St. Mark’s soaring basilica, the expressive paintings in smaller neighborhood churches, and the colorful religious festivals—but also in theatrical productions, gambling casinos, and masked revelry, which reveal the city’s less pious and orderly face. McGregor tells his unique history of Venice by drawing on a crumbling, tide-threatened cityscape and a treasure-trove of art that can still be seen in place today. The narrative follows both a chronological and geographical organization, so that readers can trace the city’s evolution chapter by chapter and visitors can explore it district by district on foot and by boat.
Venice from the Ground Up
by James H. S. McgregorVenice came to life on spongy mudflats at the edge of the habitable world. Protected in a tidal estuary from barbarian invaders and Byzantine overlords, the fishermen, salt gatherers, and traders who settled there crafted an amphibious way of life unlike anything the Roman Empire had ever known. In an astonishing feat of narrative history, James H. S. McGregor recreates this world-turned-upside-down, with its waterways rather than roads, its boats tethered alongside dwellings, and its livelihood harvested from the sea. McGregor begins with the river currents that poured into the shallow Lagoon, carving channels in its bed and depositing islands of silt. He then describes the imaginative responses of Venetians to the demands and opportunities of this harsh environment-transforming the channels into canals, reclaiming salt marshes for the construction of massive churches, erecting a thriving marketplace and stately palaces along the Grand Canal. Through McGregor's eyes, we witness the flowering of Venice's restless creativity in the elaborate mosaics of St. Mark's soaring basilica, the expressive paintings in smaller neighborhood churches, and the colorful religious festivals--but also in theatrical productions, gambling casinos, and masked revelry, which reveal the city's less pious and orderly face. McGregor tells his unique history of Venice by drawing on a crumbling, tide-threatened cityscape and a treasure-trove of art that can still be seen in place today. The narrative follows both a chronological and geographical organization, so that readers can trace the city's evolution chapter by chapter and visitors can explore it district by district on foot and by boat.
Venice in the 1920s (Images of America)
by Gregg M. TurnerIn the 1920s, a tremendous land boom gripped Florida, and waves of people descended upon the Sunshine State. Between just 1923and 1925 an estimated 300,000 people came to permanently settle in the state, and over a dozen new counties were created in this single decade. Fueled by postwar prosperity, tourists and new residents poured money into the state's economy and dramatically increased the demand for land, homes, hotels, industry, recreation, commerce, and services. At the height of the boom, when many believed that the bubble had to burst, there came news that a new resort city wasunder development on the Gulf Coast below Sarasota, and all eyes turned to Venice. Over the decades since its creation, Venice, with its balmy climate, unlimited boating and fishing, and pristine mainland beach, has grown to be a Mecca for thousands of tourists, snowbirds, and retirees. Carved out of a tropical wilderness by America's oldest and wealthiest union, the Brotherhood of Locomotive Engineers, Venice was made into a Gulf Coast oasis with Spanish-style architecture, beautiful landscaping, and a friendly network of tree-lined streets and boulevards. Visual documentation of this early era has captured a city in its infancy and a valuable piece of Venice's heritage.
Ventilating Cities: Air-flow Criteria for Healthy and Comfortable Urban Living (Springer Geography)
by Kyosuke Hiyama Shinsuke KatoThe majority of the world's population live in environments with artificially weakened wind as buildings in urban areas form wind-breaks and reduce wind speeds. Anthropogenic heat is also generated and during the summer dense urban areas suffer from the urban heat island effect, a known urban climate problem. This book discusses how to evaluate the urban wind environment, including ventilation performance and thermal comfort. This book is organized in two parts; Wind Environment and the Urban Environment and Criteria for Assessing Breeze Environments. It includes chapters on sea breeze in urban areas; thermal adaptation and the effect of wind on thermal comfort; health risk of exposures; pollutant transport in dense urban areas; legal regulations for urban ventilation and new criteria for assessing the local wind environment. Keywords: urban wind environments, urban heat island, urban climate, land use change, thermal comfort, risk assessment, urban air pollution, urban ventilation
Ventilation and Airflow in Buildings: Methods for Diagnosis and Evaluation (BEST (Buildings Energy and Solar Technology))
by Claude-Alain RouletEnergy efficiency in buildings requires, among other things, that ventilation be appropriately dimensioned: too much ventilation wastes energy, and insufficient ventilation leads to poor indoor air quality and low comfort. Studies have shown that ventilation systems seldom function according to their commissioned design. They have also shown that airflow measurement results are essential in improving a ventilation system. This key handbook explains why ventilation in buildings should be measured and describes how to measure it, giving applied examples for each measurement method. The book will help building physicists and ventilation engineers to properly commission ventilation systems and appropriately diagnose ventilation problems throughout the life of a building. Drawing on over 20 years of experience and the results of recent international research projects, this is the definitive guide to diagnosing airflow patterns within buildings.
Ventilation of Buildings
by H.B. AwbiHazim Awbi's Ventilation of Buildings has become established as the definitive text on the subject. This new, thoroughly revised, edition builds on the basic principles of the original text drawing in the results of considerable new research in the field. A new chapter on natural ventilation is also added and recent developments in ventilation concepts and room air distribution are also considered. The text is intended for the practitioner in the building services industry, the architect, the postgraduate student undertaking courses or research in HVAC, building services engineering, or building environmental engineering, and the undergraduate studying building services as a major subject. Readers are assumed to be familiar with the basic principles of fluid flow and heat transfer and some of the material requires more advanced knowledge of partial differential equations which describe the turbulent flow and heat transfer processes of fluids. The book is both a presentation of the practical issues that are needed for modern ventilation system design and a survey of recent developments in the subject
Ventriloquism, Performance, and Contemporary Art (Routledge Advances in Art and Visual Studies)
by Jennie Hirsh Isabelle Loring WallaceVentriloquism, Performance, and Contemporary Art volume calls attention to the unexpected prevalence of ventriloqual motifs and strategies within contemporary art. Engaging with issues of voice, embodiment, power, and projection, the case studies assembled in this volume span a range of media from painting, sculpture, and photography to installation, performance, architecture, and video. Importantly, they both examine and enact ventriloqual practices, and do so as a means of interrogating and performatively bearing out contemporary conceptions of authorship, subjectivity, and performance. Put otherwise, the chapters in this book oscillate seamlessly between art history, theory, and criticism through both analytical and performative means. Across twelve essays on ventriloquism in contemporary art, the authors, who are curators, historians, and artists, shine light on this outdated practice, repositioning it as a conspicuous and meaningful trend within a range of artistic practices today. This book will be of interest to scholars working in art history, contemporary art, media studies, performance, museum/curatorial studies, and theater.
Ventura
by Glenda J. JacksonThe city of Ventura traces its heritage back to the founding of Mission San Buenaventura in March 1782. The intervening eras have seen cattle drives down Main Street, revival tents in the marshy area now known as Pierpont, and the days when the Ventura trolley was the quickest way around town. The attractive images in this postcard tour through bygone times also include the stately Schiappapietra Mansion on Santa Clara Street, which was sadly torn down in the mid-1950s. The county seat of Ventura County, the city of Ventura retains a picture-postcard ambiance, and these images illustrate how that charm always has been a part of Ventura heritage.
Ventura (Postcard History Series)
by Glenda J. JacksonThe city of Ventura traces its heritage back to the founding of Mission San Buenaventura in March 1782. The intervening eras have seen cattle drives down Main Street, revival tents in the marshy area now known as Pierpont, and the days when the Ventura trolley was the quickest way around town. The attractive images in this postcard tour through bygone times also include the stately Schiappapietra Mansion on Santa Clara Street, which was sadly torn down in the mid-1950s. The county seat of Ventura County, the city of Ventura retains a picture-postcard ambiance, and these images illustrate how that charm always has been a part of Ventura heritage.
Ventura County Motor Sports (Images of America)
by Tony BakerVentura County has a long tradition in motor sports, and area racing enthusiasts have done it all, whether on four wheels or two, on the road or off, in a straight line or a circle, or even on the water. Ventura County Motor Sports takes you back to the vintage years of the Central Coast car and racing culture with a new set of classic photographs. Visit the forgotten racetrack known as Oxnard Speedway, check out the hot-rodding scene in Ojai during the 1950s and 1960s, and meet some of the personalities from Ventura County that made their mark in the automotive and racing world, plus get a special look at local custom cars and some great motorcycle, off-road, and drag boat action from the golden years.
Venue 2
by BrenkmanFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Venus and Aphrodite: A Biography Of Desire
by Bettany Hughes'Lively' THE TIMES'Engrossing' THE SPECTATOR'Stunning' WOMAN & HOME'Marvellous' BBC HISTORY MAGAZINEThrough ancient art, evocative myth, intriguing archaeological discoveries and philosophical explorations, Bettany Hughes takes us on a voyage of discovery to reveal the truth behind Venus, and why this immortal goddess is so much more than nudity, romance and sex. It is both the remarkable story of one of antiquity's most potent forces, and the story of human desire - how it transforms who we are and how we behave.
Venus and Aphrodite
by Bettany Hughes'Lively' THE TIMES'Engrossing' THE SPECTATOR'Stunning' WOMAN & HOME'Marvellous' BBC HISTORY MAGAZINEThrough ancient art, evocative myth, intriguing archaeological discoveries and philosophical explorations, Bettany Hughes takes us on a voyage of discovery to reveal the truth behind Venus, and why this immortal goddess is so much more than nudity, romance and sex. It is both the remarkable story of one of antiquity's most potent forces, and the story of human desire - how it transforms who we are and how we behave.
Venus and the Arts of Love in Renaissance Florence
by Rebekah ComptonIn this volume, Rebekah Compton offers the first survey of Venus in the art, culture, and governance of Florence from 1300 to 1600. Organized chronologically, each of the six chapters investigates one of the goddess's alluring attributes – her golden splendor, rosy-hued complexion, enchanting fashions, green gardens, erotic anatomy, and gifts from the sea. By examining these attributes in the context of the visual arts, Compton uncovers an array of materials and techniques employed by artists, patrons, rulers, and lovers to manifest Venusian virtues. Her book explores technical art history in the context of love's protean iconography, showing how different discourses and disciplines can interact in the creation and reception of art. Venus and the Arts of Love offers new insights on sight, seduction, and desire, as well as concepts of gender, sexuality, and viewership from both male and female perspectives in the early modern era.
The Venus Fixers: The Remarkable Story of the Allied Monuments Officers Who Saved Italy's Art During World War II
by Ilaria Dagnini BreyIn 1943, while the world was convulsed by war, a few visionaries -- in the private sector and in the military -- committed to protect Europe's cultural heritage from the indiscriminate ravages of World War II.In the midst of the conflict, the Allied Forces appointed the monuments officers—a motley group of art historians, curators, architects, and artists—to ensure that the great masterworks of European art and architecture were not looted or bombed into oblivion. The journalist Ilaria Dagnini Brey focuses her spellbinding account on the monuments officers of Italy, quickly dubbed "the Venus Fixers" by bemused troops.Working on the front lines in conditions of great deprivation and danger, these unlikely soldiers stripped the great galleries of their incomparable holdings and sent them into safety by any means they could. They worked with skeptical army strategists to make sure air raids didn't take out the heart of an ancient city, and patched up Renaissance palazzi and ancient churches whose lead roofs were sometimes melted away by the savagery of the attacks. Sometimes they failed. But to an astonishing degree, they succeeded, and anyone who marvels at Italy's artistic riches today is witnessing their handiwork.In the course of her research, Brey gained unprecedented access to private archives and primary sources, and the result is a book at once thorough and grandly entertaining—a revelatory take on a little-known chapter of World War II history. The Venus Fixers is an adventure story with the gorgeous tints of a Botticelli landscape as its backdrop.
Venus in Exile: The Rejection of Beauty in Twentieth-century Art
by Wendy SteinerWhereas previous eras had celebrated beauty as the central aim of art, the modernist avant-garde were deeply suspicious of beauty and its perennial symbols, woman and ornament, preferring instead the thrill and alienation of the sublime. They rejected harmony, empathy, and femininity in a denial still reverberating through art and social relations today. Exploring this casting of Venus, with all her charms, into exile, Wendy Steiner's brilliant, ambitious, and provocative analysis explores the twentieth century's troubled relationship with beauty. Tracing this strange and damaging history, starting from Kant's aesthetics and Mary Shelley's horrified response in Frankenstein, Steiner untangles the complex attitudes of modernists toward both beauty and the female subject in art. She argues that the avant-garde set out to replace the impurity of woman and ornament with form -- the new arch-symbol of artistic beauty. However, in the process of controlling desire and pleasure in this way, artists admitted the exotic fetish objects of "primitive" cultures -- someone else's power and allure that surely would not overmaster the sophisticated modernist. A century of pornography, shock, and alienation followed, and this rejection of feminine and bourgeois values -- domesticity, intimacy, charm -- kept the female subject an impossible and remote symbol. Ironically, as Steiner reveals, the feminist hostility to the "beauty myth" had a parallel result, leaving Western society alienated from desire and pleasure on all sides. In the course of this elegantly constructed and accessibly written argument, Steiner explores the cultural history of the century just ended, from Dada to Futurism, T. S. Eliot's Wasteland and Picasso's Les Demoiselles d'Avignon to Pumping Iron II: The Women and Deep Throat,Jean-Michel Basquiat and Outsider Art, Naomi Wolf and Cindy Sherman, Thomas Pynchon and Don DeLillo, ranging across art and architecture, poetry and the novel, feminist writing and pornography. Only in recent years, Steiner demonstrates, has our culture begun to see a way out of this damaging impasse, revising the reputations of neglected artists such as Pierre Bonnard, and celebrating pleasure and charm in the arts of the present. By disentangling beauty from a misogynistic view of femininity -- as passive, narcissistic, sentimental, inefficacious -- Western culture now seems ready to return to the female subject and ornament in art, and to accept male beauty as a possibility to explore and celebrate as well. Steiner finds hints of these developments in the work of figures as varied as the painter Marlene Dumas, the novelist Penelope Fitzgerald, and the choreographer Mark Morris as she leads us to a rediscovery and a reclamation of beauty in the Western world. From one of our most thoughtful and ambitious cultural critics, this important and thought-provoking work not only provides us with a searching analysis of where we have been in the last century but reveals the promise of where we might be going in the coming one.
Venus’s Palace: Shakespeare and the Antitheatricalists (Studies in Performance and Early Modern Drama)
by Reut BarzilaiThis book lays bare the dialogue between Shakespeare and critics of the stage, and positions it as part of an ongoing cultural, ethical, and psychological debate about the effects of performance on actors and on spectators. In so doing, the book makes a substantial contribution both to the study of representations of theatre in Shakespeare’s plays and to the understanding of ethical concerns about acting and spectating—then, and now. The book opens with a comprehensive and coherent analysis of the main early modern English anxieties about theatre and its power. These are read against 20th- and 21st-century theories of acting, interviews with actors, and research into the effects of media representation on spectator behaviour, all of which demonstrate the lingering relevance of antitheatrical claims and the personal and philosophical implications of acting and spectating. The main part of the book reveals Shakespeare’s responses to major antitheatrical claims about the powerful effects of poetry, music, playacting, and playgoing. It also demonstrates the evolution of Shakespeare’s view of these claims over the course of his career: from light-hearted parody in A Midsummer Night’s Dream, through systematic contemplation in Hamlet, to acceptance and dramatization in The Tempest. This study will be of great interest to scholars and students of theatre, English literature, history, and culture.
Veranda At Home in the South: Interior Design Reimagined
by Stephanie HuntA luxurious collection of 27 contemporary Southern homes that explores the range of style of the region—from classic and genteel to contemporary and edgy.On this exclusive Veranda house tour, you&’re invited to step inside spectacular Southern homes created by a diverse group of innovative designers and architects that share one important credo: an abiding love of beauty. The region holds its own as a design mecca, with swoon-worthy style along every coast and in every geographic nook and cranny. You&’ll tour a wooded cabin in Tennessee, an old farmhouse in Georgia, a serene Low Country island retreat, and exquisite historic homes in Palm Beach and Charleston, and more. From the dreamy Blue Ridge Mountains to the rural Arkansas Delta, from Atlanta to Dallas to Birmingham and beyond, you&’ll learn the secrets of southern style from designers and architects and how landscape and personality are always essential elements of successful design. Most important, you&’ll discover how Southern style is wildy inclusive –an amalgamation of many different aesthetic sensibilities. It&’s a style that resists easy categorizing and also defies cliché. You&’ll experience how the warmth of being &“at home&” is achieved through imaginative and evocative design by visionary designers including Keith Robinson, Mark D. Sikes, Bobby McAlpine, Bunny Williams, Darryl Carter, Phoebe Howards and others.
Veranda Elements of Beauty: The Art of Decorating
by Veranda Kathryn O'Shea-Evans"This new book by Veranda is a must for anyone's library who is passionate about design." --Bunny Williams, Interior Designer Explore this magnificent global collection of beautiful homes from VERANDA and become inspired by the talented designers and architects who created them.Our innate desire for beauty is every bit as powerful as our yearning for love and happiness. The editors of Veranda spoke with dozens of interior designers, architects and landscape designers--including Ellie Cullman, Celerie Kemble, Thomas A. Kligerman, Brooke and Steve Gianetti, Katie Ridder, Keith Robinson, Stephanie Sabbe, Mark D. Sikes, Ruthi Sommers, Colette van den Thillart, and Bunny Williams--about how they introduce beauty into the spaces they design so lovingly. Organized by room, each chapter displays both the grandeur of interiors and those special details that make a room arresting, reminding readers that some of the most beauteous thrills can happen in any corner of the home. From kitchens and bathrooms to bedrooms and gardens, these are the glorious spaces that feel as good as they look and invite us in with their enthralling combination of color, pattern, and texture, along with stunning architectural features like beamed ceilings, Venetian plaster walls, and an arbor fireplace. Step inside spectacular homes in exclusive locations like Palm Beach, New Orleans, Provence and Mustique to find: • Stunning color photographs that illuminate the designers' process, room by room • Personal advice on creating delightful living environments • How balance and scale are achieved in every space, from grand architectural elements to small details • An intimate view of light-flooded sunrooms, jewel-colored high-gloss walls, bronze window casings, antique doors, displays of Japanese textiles, and superbly dressed beds • Inspiration to live beautifully and gracefully and to establish your own personal style
Veranda Simply Chic
by Stephanie HuntA lavish collection of 30 spectacular homes around the world that are the epitome of chic, including coastal escapes, country retreats, and dramatic city residences.Chic is sophistication and elegance, balance and ebullience. It is stylish and fashionable, but never trendy and never tries too hard. On this exclusive Veranda tour of stunning homes, the talented designers and architects offer palettes, patterns, and points of view that are utterly confident and breathtakingly inspiring. The book opens the curtains on a fresh world of design that&’s ready, once again, to receive visitors.Veranda Simply Chic is a celebration of interior design that is authentic, alluring, and always dazzling. The inviting homes share a common thread of understated elegance and elevated ease; they round out the architecture and setting in such a way that evokes harmony and delightful surprise, a sense of &“oh, I&’d like to spend time here.&”Chic design can be found all over the world, from San Miguel to Montreal, from Paris to Pebble Beach, from the English coast to Maine&’s rocky shore. The glorious homes an intimate house tours in Simply Chic range include:mountain hideaways and seaside-retreats, metropolitan manses and country cottagestony pied-a-terres and even woodsy lakeside cabins.Simply put, natural elegance can be found in any abode where warmth and welcome are paramount.