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Victorian Fashions: A Pictorial Archive, 965 Illustrations (Dover Pictorial Archive)
by Carol Belanger GraftonWomen's fashions during the second half of the nineteenth century offered a delightful display of styles reflecting English, French, and American tastes. This comprehensive treasury of more than 900 crisp black-and-white illustrations ― arranged chronologically and dated by year ― provides a rich pictorial record of clothing styles from that period. Suitable for a wide variety of graphic projects, these cuts will especially appeal to artists and illustrators in search of finely rendered images of authentic Victorian fashions. Selected by graphic artist Carol Belanger Grafton from such vintage sources as Harper's Bazar, La Mode Illustrée, Peterson's Magazine, Godey's Salon de la Mode and Frank Leslie's Ladies' Magazine, the cuts brim with clear detail and old-time flavor as they record a wealth of evolving styles ― from ornate gowns of the mid-1800s, widened by hoop skirts and elaborately enhanced with ribbons, ruffles, laces, and bows, to turn-of-the-century fashions that produced leg-o'-mutton sleeves, narrowed skirts, diminished bustles, and high-necked bodices (except for evening wear, which exhibited a more daring neckline).Here, for copyright-free use, are hundreds of elegant dresses accented with intricately embroidered designs, shirtwaists featuring lace inserts, and row upon row of tiny pleats, tightly laced undergarments, wide-brimmed hats topped with feathers, flowers, and ribbon; beaded handbags, magnificent parasols, fur-trimmed capes, and much, much more.An invaluable reference to period clothing styles for designers, illustrators, and costume historians, this magnificent archive ― with its entertaining glimpse of the fashions of yesteryear ― will also delight casual browsers and lovers of Victoriana. "A superb resource." — History in Review.
Victorian Fashions and Costumes from Harper's Bazar, 1867-1898
by Stella BlumAfter the Civil War the upper middle class in America expanded and became increasingly style-conscious. Visiting European royalty as well as American women returning from the International Exhibition in Paris in 1867 stimulated fashion awareness--and it was in this climate that the magazine Harper's Bazar flowered. Dedicated to being "A repository of Fashion, Pleasure, and Instruction," it brought to American women inside glimpses of the very latest European and American fashions, all in carefully detailed engravings. It was much the finest source for high fashion for this period.This book consists of the finest illustrations from Harper's Bazar between the years 1867 and 1898, the period of its peak importance. These illustrations not only show you what apparel appealed to our Victorian ancestors, but give you an idea of the evolutionary nature of fashion as well. You will see bustles come and go, natural forms become the vogue only to be superseded by the constricting hourglass figure. Each look is illustrated with a number of different garments. There are gowns for the morning hours, dinner dresses, sporting costumes, traveling clothes and apparel for special occasions: weddings, communions, funerals, etc. Since no costume was complete without accessories, a full line of hats, fans, parasols, muffs, gloves, handkerchiefs, jewelry, shoes and hair styles is shown as well. A selection of children's attire is also included. An introduction by Stella Blum covers the history of Harper's Bazar and examines the various phases fashion went through between 1867 and 1898
Victorian Fashions for Women
by Fiona Kay Neil R. StoreyVictorian Fashions for Women explores the British styles and clothing throughout the long reign of Queen Victoria, from the late 1830s to the first years of the 20th century. Within are a superb overview of the dresses, hats, hair styles, corsetry, undergarments shoes and boots that combined to present the prevailing styles for each decade. From those who had enough money to have day and evening wear and clothes for sports and outdoor activities, to those with limited income and wardrobes or labouring folk with little more than the clothes they stood up in. All decades are illustrated with original photographs, adverts and contemporary magazine features from the authors' own remarkable collections, accompanied by a knowledgeable and informative text that describes the fashions, their social history context and influences reflected in the clothes of the time. Laid out in a clear and easy-to-follow chronological order, the key features of styles, decoration and accoutrements will help family historians to date family photographs and will provide a useful resource for students and costume historians or for anyone with a love of fashion and style to enjoy.
A Victorian Flower Dictionary
by Mandy Kirkby Vanessa Diffenbaugh"A flower is not a flower alone; a thousand thoughts invest it." Daffodils signal new beginnings, daisies innocence. Lilacs mean the first emotions of love, periwinkles tender recollection. Early Victorians used flowers as a way to express their feelings--love or grief, jealousy or devotion. Now, modern-day romantics are enjoying a resurgence of this bygone custom, and this book will share the historical, literary, and cultural significance of flowers with a whole new generation. With lavish illustrations, a dual dictionary of flora and meanings, and suggestions for creating expressive arrangements, this keepsake is the perfect compendium for everyone who has ever given or received a bouquet.From the Hardcover edition.
Victorian Goods and Merchandise: 2,300 Illustrations
by Carol Belanger GraftonThis immensely usable archive of vintage illustrations not only offers a wonderful window on the goods and merchandise of a bygone era, but is an absolute treasure trove of easily reproducible graphic art as well.Some 2,300 cuts culled from such rare nineteenth-century periodicals as The Art Journal, The Illustrated London News, The Scientific American, and The Youth's Companion have been organized in convenient categories: clothes, furniture, kitchenware, toys and games, musical instruments, stationery supplies, domestic accessories, and much more.Among them are detailed and highly reproducible illustrations of fans, corsets, toiletry kits, jewelry, roller skates, a baby carriage, bicycles, baseball gloves, a pencil sharpener, crayons, fountain pen, typewriter, drafting tools, compass, microscope, feather duster, parasol, small table with smoking paraphernalia, high-topped "storm slippers," and hundreds of other objects.
Victorian Hartford (Postcard History)
by Tomas J. NenortasFrom workers' housing to the grand homes of industrialists, prosperous Hartford experienced an explosion of Victorian building that turned this capital city into a rich mixture of culture, beauty, and business. The capital of the insurance industry, Hartford was also home to the first public art museum, the Wadsworth Atheneum; the first municipal rose garden, Elizabeth Park; and colossal factories that produced Colt firearms, typewriters, sewing machines, and even the first automobiles. Victorian Hartford showcases the city's great architecture through historic images, some of which are the only evidence of the city's former grandeur, and provides glimpses into a world long gone.
Victorian Hartford Revisited
by Tomas J. NenortasThe gilded city of Hartford triumphantly returns in this volume, Victorian Hartford Revisited, a compilation of many never before published images of Victorian splendor and incredible architecture. The social, economic, cultural, and architectural center of the state went through unparalleled growth after the Civil War. Demand for new technology made Hartford not only the political capital but the epicenter of the Industrial Revolution in the region. Tremendous wealth accumulated and materialized in the form of extensive estates, historic parks, magnificent schools, churches, public buildings, grand hotels, and a multitude of immigrant housing. This once Colonial port city along the Connecticut River rose to epitomize America's Victorian age, and it is captured within these impressive pages.
Victorian House Designs in Authentic Full Color: 75 Plates from the "Scientific American -- Architects and Builders Edition," 1885-1894
by Blanche CirkerExquisitely detailed, exceptionally handsome designs for an enormous variety of attractive city dwellings, spacious suburban and country homes, charming "cottages" and other structures -- all accompanied by perspective views and floor plans with measurements. Invaluable to architects, home restorers and preservationists; of immense interest to lovers of Victorian architecture.
A Victorian Housebuilder's Guide: Woodward's National Architect of 1869 (Dover Architecture)
by Edward G. Thompson George E. WoodwardHere are detailed drawings, floor plans, elevations, specifications, and vintage cost estimates for twenty distinctive Victorian structures, ranging from a humble cottage to an ornate brick villa. They have been reproduced from a rare 1869 publication of Woodward's National Architect, a publication directed to builders, carpenters, and masons of the Victorian era.Each of these highly individual and appealing structures has been meticulously rendered in a landscaped perspective view along with front and side elevations, first- and second-floor plans, and close-up sections. With more than 580 black-and-white illustrations, the text provides directions for finishing trim, baseboards, and wainscoting; completing brick and plaster work; constructing chimneys, cesspools, and cisterns; and much more. With its wealth of authentic detail, A Victorian Housebuilder's Guide is a valuable resource for restorers, preservationists, builders, and anyone interested in the era's architecture.
The Victorian Idyll in Art and Literature: Subject, Ecology, Form (Routledge Research in Art History)
by Thomas Hughes Emma MerklingResonating with contemporary ecological and queer theory, this book pioneers the theorization of the Victorian idyll, establishing its nature, lineaments, and significance as a formal mode widely practised in nineteenth-century British culture across media and genre. Chapters trace the Victorian idyll’s emergence in the 1830s, its flourishing in the 1860s, and its evolution up to the century’s close, drawing attention to the radicalism of idyllic experiments with pictorial, photographic, dramatic, literary, and poetic form in the work of canonical and lesser-known figures. Approaching the idyll through three intersecting categories—subject, ecology, and form—this book remaps Victorian culture, reshaping thinking about artistic form in the nineteenth century, and recalibrating accepted chronologies. In the representations by a host of Victorian artists and writers engaging with other-than-human forms, and in the natures of the subjectivities animated by these encounters, we find versions of Victorian ecology providing provocative imaginative material for ecocritics, scholars, writers, and artists today. This book will be of interest to scholars working in art history, English literature, Victorian studies, British history, queer and trans* theory, musicology, and ecocriticism, and will enliven debates pertaining to the environmental across periods.
Victorian Imagery and Design: The Essential Reference
by Carol Belanger GraftonRichly detailed, authentic, and engrossing, this compendium draws upon Dover's archives to present a pictorial survey of the Victorian world. Sources include historical periodicals such as Harper's Weekly,The Illustrated London News, and Punch as well as printers' and trade catalogs, architectural graphics, and patterns for fabric and wall decoration by William Morris, Christopher Dresser, and other designers. Hundreds of color and black-and-white images offer glimpses of social history from the great book illustrators of the era as well as ordinary and extraordinary everyday objects, including displays of glassware, furniture, needlework, and stained glass windows from the famous Crystal Palace Exhibition of 1851.Detailed bibliographical information concerning every source - including biographical details of each artist - makes this collection a vital reference tool as well as a stunning compendium of Victorian graphic and pictorial art and illustration. Students of graphic art, typography, and illustration as well as graphic designers and advertising professionals will prize this remarkable resource.
Victorian Jamaica
by Tim Barringer Wayne ModestVictorian Jamaica explores the extraordinary surviving archive of visual representation and material objects to provide a comprehensive account of Jamaican society during Queen Victoria's reign over the British Empire, from 1837 to 1901. In their analyses of material ranging from photographs of plantation laborers and landscape paintings to cricket team photographs, furniture, and architecture, as well as a wide range of texts, the contributors trace the relationship between black Jamaicans and colonial institutions; contextualize race within ritual and performance; and outline how material and visual culture helped shape the complex politics of colonial society. By narrating Victorian history from a Caribbean perspective, this richly illustrated volume—featuring 270 full-color images—offers a complex and nuanced portrait of Jamaica that expands our understanding of the wider history of the British Empire and Atlantic world during this period. Contributors. Anna Arabindan-Kesson, Tim Barringer, Anthony Bogues, David Boxer, Patrick Bryan, Steeve O. Buckridge, Julian Cresser, John M. Cross, Petrina Dacres, Belinda Edmondson, Nadia Ellis, Gillian Forrester, Catherine Hall, Gad Heuman, Rivke Jaffe, O'Neil Lawrence, Erica Moiah James, Jan Marsh, Wayne Modest, Daniel T. Neely, Mark Nesbitt, Diana Paton, Elizabeth Pigou-Dennis, Veerle Poupeye, Jennifer Raab, James Robertson, Shani Roper, Faith Smith, Nicole Smythe-Johnson, Dianne M. Stewart, Krista A. Thompson
A Victorian Lady's Guide to Fashion and Beauty
by Mimi Matthews&“Meticulously researched and beautifully illustrated . . . indispensable to anyone interested in the era.&” —Tasha Alexander, New York Times–bestselling author of the Lady Emily series What did a Victorian lady wear for a walk in the park? How did she style her hair for an evening at the theater? And what products might she have used to soothe a sunburn or treat an unsightly blemish? USA Today-bestselling author Mimi Matthews answers these questions and more as she takes readers on a decade-by-decade journey through Victorian fashion and beauty history. Women&’s clothing changed dramatically during the course of the Victorian era. Necklines rose, waistlines dropped, and Gothic severity gave way to flounces and frills. Sleeves ballooned up and skirts billowed out. The crinoline morphed into the bustle and steam-molded corsets cinched women&’s waists ever tighter. As fashion evolved, so too did trends in ladies&’ hair care and cosmetics. An era which began by prizing natural, barefaced beauty ended with women purchasing lip and cheek rouge, false hairpieces and pomades, and fashionable perfumes. Using research from nineteenth-century beauty books, fashion magazines, and lady&’s journals, the author of the Parish Orphans of Devon series brings Victorian fashion into modern day focus—and offers a glimpse of the social issues that influenced women&’s clothing and the outrage that was a frequent response to those bold females who used fashion and beauty to assert their individuality and independence. &“An elegant resource that I will be reaching for again and again.&”—Deanna Raybourn, New York Times-bestselling author of the Veronica Speedwell novels
Victorian London Street Life in Historic Photographs
by John ThomsonClassic document of social realism contains 37 photographs by famed Victorian photographer John Thomson, accompanied by individual essays -- by Thomson himself or social activist Adolphe Smith -- that offer sharply drawn vignettes of lower-class laborers, dustmen, street musicians, shoe blacks, and other street people. A treasure trove of astonishing historical detail.
Victorian Material Culture
by Tatiana Kontou Victoria Mills Kate NicholsFrom chatelaines to whale blubber, ice making machines to stained glass, this six-volume collection will be of interest to the scholar, student or general reader alike - anyone who has an urge to learn more about Victorian things. The set brings together a range of primary sources on Victorian material culture and discusses the most significant developments in material history from across the nineteenth century. The collection will demonstrate the significance of objects in the everyday lives of the Victorians and addresses important questions about how we classify and categorise nineteenth-century things. This volume on ‘Victorian Arts’ will include sources on painting sculpture, book illustration, photography and the much-neglected area of Victorian stained glass.
The Victorian Novel and the Space of Art
by Dehn GilmoreThis interdisciplinary study argues for the vital importance of visual culture as a force shaping the Victorian novel's formal development and reading history. It shows how authors like Charles Dickens, William Makepeace Thackeray, Wilkie Collins and Thomas Hardy borrowed language and conceptual formations from art world spaces - the art market, the museum, the large-scale exhibition, and art critical discourse - not only when they chose certain subjects or refined certain aspects of realism, but also when they tried to adapt various genres of the novel for a new and newly vociferous mass audience. Quandaries specific to new forms of public display affected authors' sense of their relationship with their own public. Debates about how best to appreciate a new mass of visual information impacted authors' sense of how people read, and consequently the development of particular novel forms like the multi-plot novel, the historical novel, the sensation novel, and fin-de-sicle fiction.
Victorian Ornamental Plasterwork Designs (Dover Pictorial Archive)
by Wilhelm SteinhauserHandsome treasury of more than 320 elegant images for use — royalty-free — by today's artists, illustrators, and anyone interested in the interior decor of bygone days. Includes a wealth of floral and foliated sprays, frames and borders of intricate scrollwork, elaborate wall plaques, ceiling roses, cornices and friezes; and much more.
Victorian Pantomime: A Collection of Critical Essays
by Jim DavisFeaturing contributions by new and established nineteenth-century theatre scholars, this collection of critical essays is the first of its kind devoted solely to Victorian pantomime. It takes us through the various manifestations of British pantomime in the Victorian period and its ambivalent relationship with Victorian values.
Victorian Patterns and Designs for Artists and Designers (Dover Pictorial Archive)
by Carol Belanger GraftonOver 150 patterns selected from rare 19th-century publications. Florals, foliates, geometrics, and many other motifs ready to add period flavor to almost any project. Indispensable for textile, package and graphic designers, artists, craftspeople, many more.
Victorian Patterns and Designs in Full Color (Dover Pictorial Archive)
by G. A. AudsleyThe last and one of the most important of the great chromolithographic collections of the Victorian era, this magnificent volume first appeared in 1892. Spans a wide spectrum of ornamental styles: Greek moldings and pilaster designs; medieval roof ornamentation, "masonry" patterns; Renaissance coffer and panel ornamentation; Japanese fret bands; and more.
Victorian Photography, Literature, and the Invention of Modern Memory: Already the Past (Photography, History: History, Photography)
by Jennifer Green-LewisInvented during a period of anxiety about the ability of human memory to cope with the demands of expanding knowledge, photography not only changed the way the Victorians saw the world, but also provided them with a new sense of connection with the past and a developing language with which to describe it. Analysing a broad range of texts by inventors, cultural critics, photographers, and novelists, Victorian Photography, Literature, and the Invention of Modern Memory: Already the Past argues that Victorian photography ultimately defined the concept of memory for generations to come –including our own. In addition to being invaluable for scholars working within the emerging field of research at the intersection of photographic and literary studies, this book will also be of interest to students of Victorian and modernist literature, visual culture and intellectual history.
Victorian Secrets: What a Corset Taught Me about the Past, the Present, and Myself
by Sarah A. ChrismanOn Sarah A. Chrisman's twenty-ninth birthday, her husband, Gabriel, presented her with a corset. The material and the design were breathtakingly beautiful, but her mind immediately filled with unwelcome views. Although she had been in love with the Victorian era all her life, she had specifically asked her husband not to buy her a corset--ever. She'd heard how corsets affected the female body and what they represented, and she wanted none of it. However, Chrisman agreed to try on the garment . . . and found it surprisingly enjoyable. The corset, she realized, was a tool of empowerment--not oppression. After a year of wearing a corset on a daily basis, her waist had gone from thirty-two inches to twenty-two inches, she was experiencing fewer migraines, and her posture improved. She had successfully transformed her body, her dress, and her lifestyle into that of a Victorian woman--and everyone was asking about it. In Victorian Secrets, Chrisman explains how a garment from the past led to a change in not only the way she viewed herself, but also the ways she understood the major differences between the cultures of twenty-first-century and nineteenth-century America. The desire to delve further into the Victorian lifestyle provided Chrisman with new insight into issues of body image and how women, past and present, have seen and continue to see themselves.
Victorian Secrets: What a Corset Taught Me about the Past, the Present, and Myself
by Sarah A. Chrisman Sue LeanOn Sarah A. Chrisman’s twenty-ninth birthday, her husband, Gabriel, presented her with a corset. The material and the design were breathtakingly beautiful, but her mind immediately filled with unwelcome views. Although she had been in love with the Victorian era all her life, she had specifically asked her husband not to buy her a corset?ever. She’d heard how corsets affected the female body and what they represented, and she wanted none of it. However, Chrisman agreed to try on the garment . . . and found it surprisingly enjoyable. The corset, she realized, was a tool of empowerment?not oppression. After a year of wearing a corset on a daily basis, her waist had gone from thirty-two inches to twenty-two inches, she was experiencing fewer migraines, and her posture improved. She had successfully transformed her body, her dress, and her lifestyle into that of a Victorian woman?and everyone was asking about it. In Victorian Secrets, Chrisman explains how a garment from the past led to a change in not only the way she viewed herself, but also the ways she understood the major differences between the cultures of twenty-first-century and nineteenth-century America. The desire to delve further into the Victorian lifestyle provided Chrisman with new insight into issues of body image and how women, past and present, have seen and continue to see themselves.
Victorian Sourcebook of Medieval Decoration: With 166 Full-Color Designs (Dover Pictorial Archive)
by W. Audsley G. AudsleyCompiled by two noted British architects and designers, this magnificent volume was intended to provide Victorian artists and crafters with a rich source of ornamentation adapted from the decoration of medieval buildings.Meticulously reproduced motifs from rare 1882 edition, this volume contains all the original 166 full-color designs as well as the informative introduction and notes on the original plates. Among the designs are elaborate and richly colored diaper patterns, medallions for ornamental devices, pillars and arch moldings, bands and borders, floral and foliated designs, alphabets, illuminated initials, and much more. As in Victorian England, today's artists, designers, and crafters will find these beautiful royalty-free designs ideal for visual inspiration or immediate practical use. Students, art historians, and lovers of fine design will also welcome this collection for its splendid examples of medieval artistry.
Victorian Spectacular Theatre 1850-1910 (Routledge Library Editions: Victorian Theatre #3)
by Michael R. BoothOriginally published in 1981. This study concentrates on one aspect of Victorian theatre production in the second half of the nineteenth century – the spectacular, which came to dominate certain kinds of production during that period. A remarkably consistent style, it was used for a variety of dramatic forms, although surrounded by critical controversy. The book considers the theories and practice of spectacle production as well as the cultural and artistic movements that created the favourable conditions in which spectacle could dominate such large areas of theatre for so many years. It also discusses the growth of spectacle and the taste of the public for it, examining the influence of painting, archaeology, history, and the trend towards realism in stage production. An explanation of the working of spectacle in Shakespeare, pantomime and melodrama is followed by detailed reconstructions of the spectacle productions of Irving’s Faust and Beerbohm Tree’s King Henry VIII.