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The Vintage Tea Party Year
by Angel Strawbridge''Elegant images and illustrations adorn the pages of Angel Adoree's delightful book, which is brimming with style and recipe ideas'' -The Times"Party like its 1949" - Irish IndependentAngel Adoree cordially invites you to accompany her on a journey to create your perfect vintage tea party year!Angel is the founder of The Vintage Patisserie, a popular vintage hosting company offering bespoke tea parties from a bygone era, delivering everything from music, makeovers and - of course - a customised menu of tea party treats that elevate any function into a swanky soiree. The Vintage Tea Party Year takes you on twelve months of parties,celebrations and tea-time treats as well as introducing more games and craft projects for your chosen theme.See the New Year in with vintage style, make Valentine's Day extra special, give every child their dream tea party, find inspiration for weddings and baby showers, be the talk of the town with your own summer street party and wrap up for winter with a vintage-inspired Christmas. Angel's inimitable style will take you on a seasonal journey and help you put on the perfect tea party whatever the occasion.Your vintage year includes...INTRODUCTION Hello! Can you tell already that the era of "vintage" is a considerable source of inspiration for me? On these pages, I explain how the past has influenced mypresent and future, and suggest how to use this book to plan your own vintage-style party.NEW YEAR'S EVE TEA PARTY To end your year on a high note and start the next as you mean to go on, look no further -that is, if you intend to go on in decadence, glamour, indulgence... This chapter showcasesmy most fabulous New Year's Eve party ideas, so that you can give the event the attention itdeserves, then let your hair down in style (or go for an uber-elegant vintage up-do perhaps?).CHILDREN'S TEA PARTY Roll up, roll up! Who doesn't love the circus, what with its bright colours, crazy costumes andgiddy, gleeful sense of fun? The spirit of the circus plus yummy treats dreamed up in kiddyheaven equals a spectacular party to live on in the memories of kids and grown-up kids alike!COMING OF AGE TEA PARTY When a girl comes of age, it's definitely something worth celebrating. And a young lady shouldbegin womanhood in a sassy dress with a chic hair-do, wearing a lady-like pair of gloves inwhich to raise her mocktail glass as she shares a toast to her glorious life ahead.TEA FOR TWO Love is in the air (and in the hair...). Whether it's for Valentine's Day, or for anyday on which your passions are running high, my suggestions for how toromance the man in your life are sure to make him swoon!HEN TEA PARTY When a treasured girlfriend leaves the single life behind, it's time to pull out all thestops. This party must be momentous, and the name of the game is sheerindulgence, naughtiness and uproarious fun. Bring a touch of the cabaretto your night of decadence and it's bound to be fabulous!
Vintage Typography and Signage: For Designers, By Designers (Dover Pictorial Archive)
by Frank H. Atkinson Charles J. Strong L. S. StrongThis versatile reference contains classic typographic images that will inspire the creation of ads with nostalgic flair. The collection consists of commercial signs, images, and fonts from two rare, early 20th-century sources that were used as a reference for sign painters and lithographers.More than 1,400 eye-catching signs and design elements include 25 different fonts and more than 100 full-color images. The compilation abounds in borders, frames, typography, and other graphics, all ideal for recreating styles from the 1890s to the 1920s. Plates from the source books depict the color and black-and-white illustrations in their original usage. From elegant and delicate to big and bold, these images will inspire artists, crafters, and anyone seeking classic vintage accents.
Vintage Wedding Flowers
by Vic BrothersonVic Brotherson believes that wedding flowers should express the character and individuality of a couple. In Vintage Wedding Flowers she provides ideas and inspiration for everything from bouquets to buttonholes, to table dressings, and corsages - and to suit all possible budgets. Chapters include Classic Flora, which considers traditional white and green displays; Graceful Rose, which has soft and graceful arrangements; Crazy Iris, for the more adventurous bride; and Romantic Violet, for those wanting a magical, dreamy feel. Full of beautifully shot colour photographs and helpful, step-by-step instructions, Vintage Wedding Flowers helps you create beautiful, timeless wedding flowers from simple blooms whether you plan to do the flowers yourself or employ someone to do them for you.
Vintage Wristwatches
by Reyne HainesFashion with FunctionStep into the fascinating world of watches. From the early "trench watches" of World War I to some of today's elegant diamond-studded cocktail watches, Vintage Wristwatches will entertain and educate you about these small works of art that have stood the test of time.Whether novice or seasoned collector, you'll enjoy the rich histories of American and European manufacturers past and present. Original newspaper and magazine advertisements complement more than 1,200 photographs of collectible wristwatches, while brief descriptions include values recently commanded at auction.In addition, you'll find:A glossary of watch terminology commonly used among collectorsTutorials for identifying wristwatchesFactors to consider when determining a wristwatch's value
Vinton County
by Deanna L. Tribe Vinton County Historical and Genealogical SocietyWhen Ohio became a state in 1803, settlement of what would become Vinton County had hardly begun. Largely forested then and now, Vinton was carved out of the five adjacent counties and in 1850 became the second-to-last county established in Ohio. McArthur, which later became the county seat with a population of 424, was laid out as the village of McArthurstown in 1815; the village celebrates its bicentennial in 2015, having grown to about 1,700 residents. Although rural in manner, life, and outlook, Vinton Countians have maintained a strong sense of community through both good and bad times in this part of Ohio Appalachia. Images of America: Vinton County features images from the Vinton County Historical and Genealogical Society and photograph collections shared by residents. This book presents a snapshot of the county's history, heritage, and culture--a story seldom presented in print.
Vinyl Age: A Guide to Record Collecting Now
by Max BrzezinskiFrom Carolina Soul Records, one of the world's largest online record sellers, comes the definitive guide to every aspect of record collecting in the digital era. Any music fan knows that there's nothing like the tactile pleasure of a record. Even with access to a variety of streaming services, digital technology has paved the way for the analog revival; from multiplatinum megahits to ultra-obscure private presses, millions of records are available for purchase from all over the world. Vinyl Age is the ultimate post-internet guide to record collecting.Written by Max Brzezinski of Carolina Soul Records, one of the world's largest high-end record dealers, Vinyl Age combines an engaging narrative and incisive analysis to reveal the joys and explain the complexities of the contemporary vinyl scene. Brzezinski demystifies the record game and imparts the skills essential to modern record digging -- how to research, find, buy, evaluate, and understand vinyl in the twenty-first century.
Vinyl Record Collecting For Dummies
by Dave ThompsonGet on the vinyl train and learn about this captivating hobby Vinyl Record Collecting For Dummies teaches you how to start a collection, grow your collection, and make that collection sound excellent. You’ll learn how to shop for new, used, and rare records, and how to select the turntable that’s right for you. Learn how to determine a record’s value, build your collection on a budget, and properly store and maintain your records. This handy Dummies guide also gives you the background knowledge you’ll need to hold your own in conversations with vinyl enthusiasts—all about music genres, the pros and cons of vinyl types, how records are made, and even the history of record collecting itself. Now you can start collecting rare records, new releases, and everything in between. Learn the basics of buying records at record shops, secondhand stores, and online Determine the value of your collection and learn how to recognize great deals Select the turntable and sound system that are right for your needs Explore the history of recorded music and learn why people are going wild for vinyl This is the perfect Dummies guide for anyone who’s ready to get swept up in the excitement of collecting vinyl records, including beginners and seasoned collectors.
Violated Frames: Armando Bó and Isabel Sarli's Sexploits (Feminist Media Histories #2)
by Victoria RuetaloWhen Armando Bó and Isabel Sarli began making sexploitation films together in 1956, they provoked audiences by featuring explicit nudity that would increasingly become more audacious, constantly challenging contemporary norms. Their Argentine films developed a large and international fan base. Analyzing the couple's films and their subsequent censorship, Violated Frames develops a new, roughly constructed, and "bad" archive of relocated materials to debate questions of performance, authorship, stardom, sexuality, and circulation. Victoria Ruétalo situates Bó and Sarli’s films amidst the popular culture and sexual norms in post-1955 Argentina, and explores these films through the lens of bodies engaged in labor and leisure in a context of growing censorship. Under Perón, manual labor produced an affect that fixed a specific type of body to the populist movement of Peronism: a type of body that was young, lower-classed, and highly gendered. The excesses of leisure in exhibition, enjoyment, and ecstasy in Bó and Sarli's films interrupted the already fragmented film narratives of the day and created alternative sexual possibilities.
Violence Against LGBTQ+ Persons: Research, Practice, and Advocacy
by Emily M. Lund Claire Burgess Andy J. JohnsonAs violence against LGBTQ+ persons continues to be a pervasive and serious problem, this book aims to inform mental health providers about the unique needs of LGBTQ+ survivors of interpersonal and structural violence. Individual chapters analyze unique aspects of violence against specific subpopulations of LGBTQ+ persons in order to avoid ineffective and sometimes simplistic one-size-fits-all treatment strategies. Among the topics covered: Macro Level Advocacy for Mental Health Professionals: Promoting Social Justice for LGBTQ+ Survivors of Interpersonal Violence Intimate Partner Violence in Women’s Same-Sex Relationships Violence Against Asexual PersonsInvisibility and Trauma in the Intersex CommunitySexual and Gender Minority Refugees and Asylum Seekers: An Arduous JourneySexual and Gender Minority Marginalization in Military ContextsNavigating Potentially Traumatic Conservative Religious Environments as a Sexual/Gender Minority Violence Against LGBTQ+ Persons prepares mental health professionals for addressing internalized forms of prejudice and oppression that exacerbate the trauma of the survivor, in order to facilitate healing, empowerment, healthy relationships, and resilience at the intersection of sexual orientation, gender identity, gender expression, and diverse social locations. This is a valuable reference for psychologists, social workers, counselors, nurses, mental health professionals, and graduate students, regardless of whether they are preparing for general practice, treatment of LGBTQ+ clients, or treatment of survivors and perpetrators of various forms of violence.
Violence and American Cinema: Violence And American Cinema (AFI Film Readers)
by J. David SlocumFirst Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Violence and Resistance, Art and Politics in Colombia
by Stephen Zepke Nicolás Alvarado CastilloThis book explores the historical and contemporary connections between art and politics in Colombia. These relations are unique because of the ways in which they are saturated by violence, as the country has passed through conquest, struggles for Independence, fighting between political factions, civil war, paramilitaries, narco-traffickers and state violence. This seemingly unending stream of violence gives art in Colombia one of its main themes. The lavishly illustrated essays, written by Colombian authors, examine Colombian visual arts, music, theatre, literature, cinema, indigenous arts, popular culture, militant publications and recent protest movements, analysing them with tools drawn from contemporary philosophy and theory. Approaches include decolonisation theory, cosmopolitics, anthropology after the ontological turn, Colombian philosophy, feminism, and French theory. The essays all offer powerful understandings of how art has not only been complicit in perpetuating political violence in Colombia, but also how it has been a vital form of analysis and resistance.
Violence and the Genesis of the Anatomical Image
by Rose Marie San JuanNothing excited early modern anatomists more than touching a beating heart. In his 1543 treatise, Andreas Vesalius boasts that he was able to feel life itself through the membranes of a heart belonging to a man who had just been executed, a comment that appears near the woodcut of a person being dissected while still hanging from the gallows. In this highly original book, Rose Marie San Juan confronts the question of violence in the making of the early modern anatomical image.Engaging the ways in which power operated in early modern anatomical images in Europe and, to a lesser extent, its colonies, San Juan examines literal violence upon bodies in a range of civic, religious, pedagogical, and “exploratory” contexts. She then works through the question of how bodies were thought to be constituted—systemic or piecemeal, singular or collective—and how gender determines this question of constitution. In confronting the issue of violence in the making of the anatomical image, San Juan explores not only how violence transformed the body into a powerful and troubling double but also how this kind of body permeated attempts to produce knowledge about the world at large.Provocative and challenging, this book will be of significant interest to scholars across fields in early modern studies, including art history and visual culture, science, and medicine.
Violence and the Limits of Representation
by Graham MatthewsViolence and the Limits of Representation explores the representation of violence in literature, film, drama, music and art in order to demonstrate the ways in which the work done by researchers in the Arts and Humanities can offer fresh perspectives on current social and political issues.
Violence, Conflict and Discourse in Mexican Cinema (2002-2015)
by Miriam HadduThe last two decades have seen dramatic changes to Mexico’s socio-political landscape. A former president fleeing into exile, political assassinations, a rebellion in Chiapas, and the eruption of the so-called war on drugs provide key examples of critical events shaping the nation. This book examines Mexican cinema’s representations of, and responses to, these socio-political moments. Beginning with the definitive year 1994, which saw the Ejército Zapatista de Liberación Nacional (EZLN) declare war on the Mexican government, the early chapters in this book discuss the outcome of these episodes in subsequent years and how they find screen representation. The study then moves on to provide close readings of key filmic texts as reflections of the so-called narco-war and its effects on Mexican society. Focusing on both fiction and documentary filmmaking, this book explores notions of violence, victimhood, and the complex processing of grief in the context of enforced disappearances and the narco-conflict. In addition to examining films made in Mexico, this investigation incorporates the work of three of the nation’s most celebrated transnational directors: Guillermo del Toro, Alejandro González Iñárritu and Alfonso Cuarón. By examining their work on European soil as a comparative exercise, the analyses offer an understanding of the imprints left by warfare and trauma upon the collective and individual psyche, seen from a universal viewpoint. Using rigorous theoretical frameworks and succinct filmic analyses, this book will be essential reading for those interested in Mexican and Latin American film, as well as those working in the fields of Cultural, Screen, and Trauma Studies.
The Violence of the Image: Photography and International Conflict (International Library Of Visual Culture Ser.)
by Liam KennedyPhotography has visualized international relations and conflicts from the midnineteenth century onwards and continues to be an important medium in framing the worlds of distant, suffering others. Although photojournalism has been challenged in recent decades, claims that it is dead are premature. The Violence of the Image examines the roles of image producers and the functions of photographic imagery in the documentation of wars, violent conflicts and human rights issues; tackling controversial ideas such as 'witnessing', the making of appeals based on displays of human suffering and the much-cited concept of 'compassion fatigue'. In the twenty-first century, the advent of digital photography, camera phones and socialmedia platforms has altered the relationship between photographers, the medium and the audience- as well as contributing to an ongoing blurring of the boundaries between news and entertainment and professional and amateur journalism. The Violence of the Image explores how new vernacular and artistic modes of photographic production articulate international friction.This innovative, timely book makes a major contribution to discussions about the power of the image in conflict.
Violence Taking Place: The Architecture of the Kosovo Conflict
by Andrew HerscherWhile the construction of architecture has a place in architectural discourse, its destruction, generally seen as incompatible with the very idea of "culture," has been neglected in theoretical and historical discussion. Responding to this neglect, Herscher examines the case of the former Yugoslavia and in particular, Kosovo, where targeting architecture has been a prominent dimension of political violence. Rather than interpreting violence against architecture as a mere representation of "deeper" social, political, or ideological dynamics, Herscher reveals it to be a form of cultural production, irreducible to its contexts and formative of the identities and agencies that seemingly bear on it as causes. Focusing on the particular sites where violence is inflicted and where its subjects and objects are articulated, the book traces the intersection of violence and architecture from socialist modernization, through ethnic and nationalist conflict, to postwar reconstruction.
Violence, Visual Culture, and the Black Male Body (Routledge Research In Cultural And Media Studies #27)
by Cassandra JacksonFrom early photographs of disfigured slaves to contemporary representations of bullet-riddled rappers, images of wounded black men have long permeated American culture. While scholars have fittingly focused on the ever-present figure of the hypermasculine black male, little consideration has been paid to the wounded black man as a persistent cultural figure. This book considers images of wounded black men on various stages, including early photography, contemporary art, hip hop, and new media. Focusing primarily on photographic images, Jackson explores the wound as a specular moment that mediates power relations between seers and the seen. Historically, the representation of wounded black men has privileged the viewer in service of white supremacist thought. At the same time, contemporary artists have deployed the figure to expose and disrupt this very power paradigm. Jackson suggests that the relationship between the viewer and the viewed is not so much static as fluid, and that wounds serve as intricate negotiations of power structures that cannot always be simplified into the condensed narratives of victims and victimizers. Overall, Jackson attempts to address both the ways in which the wound has been exploited to patrol and contain black masculinity, as well as the ways in which twentieth century artists have represented the wound to disrupt its oppressive implications
Violent Acts And Urban Space In Contemporary Tel Aviv
by Tali HatukaViolent acts over the past fifteen years have profoundly altered civil rituals, cultural identity, and the meaning of place in Tel Aviv. Three events in particular have shed light on the global rule of urban space in the struggle for territory, resources, and power: the assassination of Prime Minister Rabin in 1995 in the city council square; the suicidal bombing at the Dolphinarium Discothèque along the shoreline in 2001; and bombings in the Neve Shaanan neighbourhood in 2003. Tali Hatuka uses an interdisciplinary framework of urban theory and socio-political theory to shed light on the discourse regarding violent events to include an analysis of the physical space where these events take place. She exposes the complex relationships among local groups, the state, and the city, challenging the national discourse by offering a fresh interpretation of contesting forces and their effect on the urban environment. Perhaps the most valuable contribution of this book is its critical assessment of the current Israeli reality, which is affected by violent events that continually alter the everyday life of its citizens. Although these events have been widely publicized by the media, there is scant literature focusing on their impact on the urban spaces where people live and meet. In addition, Hatuka shows how socio-political events become crucial defining moments in contemporary lived experience, allowing us to examine universal questions about the way democracy, ideology, and memory are manifested in the city.
Violent Women in Contemporary Cinema
by Janice LoreckViolent women in cinema pose an exciting challenge to spectators, overturning ideas of 'typical' feminine subjectivity. This book explores the representation of homicidal women in contemporary art and independent cinema. Examining narrative, style and spectatorship, Loreck investigates the power of art cinema to depict transgressive femininity.
Violent Women in Contemporary Cinema
by Janice LoreckViolent women in cinema pose an exciting challenge to spectators, overturning ideas of 'typical' feminine subjectivity. This book explores the representation of homicidal women in contemporary art and independent cinema. Examining narrative, style and spectatorship, Loreck investigates the power of art cinema to depict transgressive femininity.
Violent Women in Contemporary Theatres
by Nancy Taylor PorterThis book brings together the fields of theatre, gender studies, and psychology/sociology in order to explore the relationships between what happens when women engage in violence, how the events and their reception intercept with cultural understandings of gender, how plays thoughtfully depict this topic, and how their productions impact audiences. Truthful portrayals force consideration of both the startling reality of women's violence -- not how it's been sensationalized or demonized or sexualized, but how it is -- and what parameters, what possibilities, should exist for its enactment in life and live theatre. These women appear in a wide array of contexts: they are mothers, daughters, lovers, streetfighters, boxers, soldiers, and dominatrixes. Who they are and why they choose to use violence varies dramatically. They stage resistance and challenge normative expectations for women. This fascinating and balanced study will appeal to anyone interested in gender/feminism issues and theatre.
Violet Velvet Mittens on Everything: The Fabulous Life of Diana Vreeland
by Deborah BlumenthalThis wonderful true story of iconic fashion editor Diana Vreeland teaches young readers that individuality is to be celebrated, and that even extraordinary dreams can come true.Violet Velvet Mittens with Everything captures the dramatic, spectacular world of famed fashion icon Diana Vreeland, whose legacy at Harper's Bazaar, Vogue, and the Costume Institute of the Metropolitan Museum of Art continues to influence the fashion world today. As a little girl in Paris, Vreeland loved to read and dance, and most of all dress up. Her love of originality persisted into her career in fashion, where her work was colorful, zany, and never, ever boring. Violet Velvet Mittens with Everything captures Vreeland's larger-than-life personality with an infectiously extravagant tone and style, while showing young readers that above dazzling and daring, being yourself makes the most lasting impact of all.
Violeta Parra’s Visual Art: Painted Songs
by Lorna DillonThis book explores Violeta Parra’s visual art, focusing on her embroideries (arpilleras), paintings, papier-mâché collages and sculptures. Parra is one of Chile’s great artists and musicians, yet her visual art is relatively unknown. Her fusion of complex imagery from Chilean folk music and culture with archetypes in Western art results in a hybrid body of work. Parra’s hybridism is the story of this book, in which Dillon explores Parra’s ‘painted songs’, the ekphrastic nature of her creations and the way ideas translate from her music and poetry into her visual art. The book identifies three intellectual currents in Parra’s art: its relationship to motifs from Chilean popular and oral culture; its relationship to the work of other modern artists; and its relationship to the themes of her protest music. It argues that Parra’s commentaries on inequality and injustice have as much resonance today as they did fifty years ago. Dillon also explores the convergence between Parra’s art and the work of other modern twentieth-century artists, considering its links to Surrealism, Pop Art and the Mexican Muralism Movement. Parra exhibited in open-air art fairs, museums and cultural centres as well as in prestigious venues such as Museu de Arte Moderna do Brasil (the Museum of Modern Art in Brazil) and the Musée des Arts Décoratifs (Museum of Decorative Arts) in Paris. This book reflects on Parra’s socially-engaged work as it was expressed through her exhibitions in these centres as well as in through own cultural centre La carpa de la reina.
VipIMAGE 2019: Proceedings of the VII ECCOMAS Thematic Conference on Computational Vision and Medical Image Processing, October 16–18, 2019, Porto, Portugal (Lecture Notes in Computational Vision and Biomechanics #34)
by João Manuel R. S. Tavares Renato Manuel Natal JorgeThis book gathers full papers presented at the VipIMAGE 2019—VII ECCOMAS Thematic Conference on Computational Vision and Medical Image Processing—held on October 16-18, 2019, in Porto, Portugal. It discusses cutting-edge methods, findings, and applications related to 3D vision, bio- and medical imaging, computer-aided diagnosis, image enhancement, image processing and analysis, virtual reality, and also describes in detail advanced image analysis techniques, such as image segmentation and feature selection, as well as statistical and geometrical modeling. The book provides both researchers and professionals with extensive and timely insights into advanced imaging techniques for various application purposes.
Viral Dramaturgies: Hiv And Aids In Performance In The Twenty-first Century
by Alyson Campbell Dirk GindtThis book analyses the impact of HIV and AIDS on performance in the twenty-first century from an international perspective. It marks a necessary reaffirmation of the productive power of performance to respond to a public and political health crisis and act as a mode of resistance to cultural amnesia, discrimination and stigmatisation. It sets out a number of challenges and contexts for HIV and AIDS performance in the twenty-first century, including: the financial interests of the pharmaceutical industry; the unequal access to treatment and prevention technologies in the Global North and Global South; the problematic division between dominant (white, gay, urban, cis-male) and marginalised narratives of HIV; the tension between a damaging cultural amnesia and a potentially equally damaging partner ‘AIDS nostalgia’; the criminalisation of HIV non-disclosure; and, sustaining and sustained by all of these, the ongoing stigmatisation of people living with HIV.This collection presents work from a vast range of contexts, grouped around four main areas: women’s voices and experiences; generations, memories and temporalities; inter/national narratives; and artistic and personal reflections and interventions.