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Vientiane: Transformations of a Lao landscape (Routledge Studies in Asia's Transformations)
by William Logan Colin Long Marc AskewProviding insights into this neglected Southeast Asian city, this interesting book interprets Vientiane’s landscape - physical as well as imagined - as a reflection of key aspects of Lao geo-political history, the nature of Lao urbanism, and its critical relation to constructions of Lao identity in the contemporary period. It is argued that the patterns of change seen through Vientiane’s past embody the key political and economic processes and transformations impacting on the people of Laos. The Lao urban past has rarely been an object of attention by scholars. Laos, in fact, is continually portrayed as a rural backwater, marginal to the dynamic trends affecting most of the Southeast Asian mainland. In contrast to these persistent and static portrayals of Laos as a tiny landlocked backwater, with no significant urban present or past, the authors aim to document, explain and evaluate the significance of the Lao urban landscape. Focusing on the theme of Vientiane’s ‘marginality’ in its various forms, the book interprets this apparent marginality as an historically-produced phenomenon resulting from geo-politics dating from the pre-colonial period and extending into the post-colonial period. Drawing on a wide range of research materials, Vientiane is the first work of its kind on this ignored city.
Vietnam Style
by Luca Invernizzi Tettoni Bertrand De Hartingh Anna Craven-Smith-MilnesVietnam has long captured the imagination of travelers, both real and armchair. It is an appealing country, filled with natural beauty, tranquil village life and fascinating cities. Vietnam also has an inimitable architectural and interior design style, the product of its rich cultural heritage and the various influences of Chinese, French and other Western colonialism.Vietnam Style is an exploration of the balancing act between traditional vernacular design and architecture and the outside influences of colonialism. The unusual and striking new design styles created by melding these elements are a true cultural kaleidoscope of Vietnam today. Chinese-style shophouses, temples with Indian influences, Thai-style palaces, French Colonial civic and domestic buildings, and the variety of tribal and native wooden houses present in Vietnam Style offer an intimate look into the vibrant, yet virtually unknown world of modern Vietnamese architecture and design.
Vietnamese in Orange County
by Linda Trinh Vo Thuy Vo Dang Tram LeVietnamese Americans have transformed the social, cultural, economic, and political life of Orange County, California. Previously, there were Vietnamese international students, international or war brides, or military personnel living in the United States, but the majority arrived as refugees and immigrants after the end of the Vietnam War in 1975. Although they are lumped together as "refugees," Vietnamese Americans are diverse in terms of their class, ethnic, regional, religious, linguistic, and ideological backgrounds. Their migration path varied, and they often struggled with resettling in a new homeland and rebuilding their lives. They are dispersed throughout the country, but many are concentrated in central Orange County, where three cities--Westminster, Garden Grove, and Santa Ana--have "Welcome to Little Saigon" signs. They constitute the largest population of Vietnamese outside of Vietnam and have created flourishing residential neighborhoods and bustling commercial centers and contribute to the political and cultural life of the region. This book captures snapshots of Vietnamese life in Orange County over the span of 40 years and shows a dynamic, vibrant community that is revitalizing the region.
View and Manage Your Photos on the iPad: The Mini Missing Manual
by J. D. BiersdorferOne of the iPad's big pluses is its beautiful, high-resolution display. That makes it a perfect way to stroll down memory lane-from the comfort of your armchair. View and Manage Your Photos on the iPad: The Mini Missing Manual shows you how to import, organize, and enjoy your photos using clear, jargon-free explanations and step-by-step instructions. You'll learn to create slideshows complete with your own soundtrack and transitions, connect your tablet to a big-screen TV so you can gather the family around, turn your slab into a digital picture frame (a great idea when you recharge your 'Pad), use a treasured photo as your wallpaper, and share your images with friends by attaching one--or many-pics to a message. You'll also learn how to import your images into the iPad using iTunes' easy syncing feature, how to pull pictures off of email messages and into your tablet's photo album, and how to import pictures directly from your camera. In short, this Mini Missing Manual tells you everything you need to know to view and manage your photos on your iPad.
View Camera Technique
by Leslie StroebelNow in its seventh edition, View Camera Technique is a unique, comprehensive book that presents clearly and precisely the features, operations and applications of view cameras. It details camera movements, image formation, exposure control, and information concerning lenses and accessories. Diagrams, comparison charts, and more than 500 photographs and illustrations by distinguished professional photographers provide the reader with the tools necessary to analyze a picture situation, set up and manipulate the camera, and portray the subject to meet the expectations of the professional photographer. This text has been completely revised and updated to include over 100 brand-name view cameras, and offers comparison tables to assist readers in choosing cameras, lenses, and view-camera digital backs. This latest edition offers expanded coverage of the newest technology, including electronic features that simplify the use of view cameras for conventional photography and digital view cameras that eliminate the need for film and make it possible to modify the digital images with image-processing computer software programs
A View from A Broad
by Bette MidlerBette Midler, also known as Divine Miss M--the indomitable and incomparable singer, actor, and musical theater extraordinaire, with a career spanning almost half a century--revisits her classic memoir, now with a new introduction.This book was a kind of last hurrah. When I read it, I hear a disarmingly younger, sweeter voice...I am not sure that this little confection captures a whole time, but I think it's an accurate picture of the spirit and tone of what I was doing in those days...I hope it holds up, and that you find your best younger self in it as I do... With her brassy voice and bold performances making the world finally pay attention, this ambitious Jewish girl from Hawaii, needs no introduction. Grammy award-winning singer, Academy Award-nominee, Broadway star of her critically acclaimed one-woman show, and beloved actress in The Rose, Beaches, and Down and Out in Beverly Hills--Bette Midler is a household name whose career and fans span generations. In A View from A Broad, Bette relives her career through memories of endless rehearsals, her fear of flying, crazy schedules, and wisdom she learned from Thai Gondoliers with her trademark razor-blade wit that her fans have grown to know, love, and expect. Filled with photographs, a new introduction, and heartwarming stories that highlight only a portion of a brilliant career, A View from a Broad is the perfect gift for anyone who loves music, theater, or just plain fun--and will be cherished by the fans of Divine Miss M for years to come.
The View from Above: The Science of Social Space
by Jeanne HaffnerThe role of aerial photography in the evolution of the concept of social space”and its impact on French urban planning in the mid-twentieth century.In mid-twentieth century France, the term “social space” (l'espace social)—the idea that spatial form and social life are inextricably linked—emerged in a variety of social science disciplines. Taken up by the French New Left, it also came to inform the practice of urban planning. In The View from Above, Jeanne Haffner traces the evolution of the science of social space from the interwar period to the 1970s, illuminating in particular the role of aerial photography in this new way of conceptualizing socio-spatial relations. As early as the 1930s, the view from above served for Marcel Griaule and other anthropologists as a means of connecting the social and the spatial. Just a few decades later, the Marxist urban sociologist Henri Lefebvre called the perspective enabled by aerial photography—a technique closely associated with the French colonial state and military—“the space of state control.” Lefebvre and others nevertheless used the notion of social space to recast the problem of massive modernist housing projects (grands ensembles) to encompass the modern suburb (banlieue) itself—a critique that has contemporary resonance in light of the banlieue riots of 2005 and 2007. Haffner shows how such “views” permitted new ways of conceptualizing the old problem of housing to emerge. She also points to broader issues, including the influence of the colonies on the metropole, the application of sociological expertise to the study of the built environment, and the development of a spatially oriented critique of capitalism.
The View from Above
by Jeanne Haffner Peter GalisonIn mid-twentieth century France, the term "social space" ( l'espace social) -- the idea that spatial form and social life are inextricably linked -- emerged in a variety of social science disciplines. Taken up by the French New Left, it also came to inform the practice of urban planning. In The View from Above, Jeanne Haffner traces the evolution of the science of social space from the interwar period to the 1970s, illuminating in particular the role of aerial photography in this new way of conceptualizing socio-spatial relations. As early as the 1930s, the view from above served for Marcel Griaule and other anthropologists as a means of connecting the social and the spatial. Just a few decades later, the Marxist urban sociologist Henri Lefebvre called the perspective enabled by aerial photography -- a technique closely associated with the French colonial state and military -- "the space of state control." Lefebvre and others nevertheless used the notion of social space to recast the problem of massive modernist housing projects (grands ensembles) to encompass the modern suburb (banlieue) itself -- a critique that has contemporary resonance in light of the banlieue riots of 2005 and 2007. Haffner shows how such "views" permitted new ways of conceptualizing the old problem of housing to emerge. She also points to broader issues, including the influence of the colonies on the metropole, the application of sociological expertise to the study of the built environment, and the development of a spatially oriented critique of capitalism.
The View from Babylon: The Notes of a Hollywood Voyeur
by Donald RawleyRawley paints the definitive portrait of Hollywood in the '90s. A lifelong L.A. inhabitant, Rawley takes you on a tour beyond the city's edge - from Malibu's shining white beaches to lonely desert communities to big-studio arenas where life speeds by in "Hollywood time." He introduces a memorable cast of characters - a wistful, recovering methamphetamine addict; a loving father and dedicated ex-soldier driven by heartbreaking failure; the always glamorous, never satisfied Hollywood denizens at one of the industry's "big-big-big" premieres. The View from Babylon is a portrait of the city that reflects our deepest dreams and darkest desires.
The View from Highway 1: Essays on Television
by Michael J. ArlenA series of excellent essays that critique television and society. A highly recommended follow-up read to Arlen's "Living Room War".
A View from the Bottom: Asian American Masculinity and Sexual Representation
by Tan Hoang NguyenA View from the Bottom offers a major critical reassessment of male effeminacy and its racialization in visual culture. Examining portrayals of Asian and Asian American men in Hollywood cinema, European art film, gay pornography, and experimental documentary, Nguyen Tan Hoang explores the cultural meanings that accrue to sexual positions. He shows how cultural fantasies around the position of the sexual "bottom" overdetermine and refract the meanings of race, gender, sexuality, and nationality in American culture in ways that both enable and constrain Asian masculinity. Challenging the association of bottoming with passivity and abjection, Nguyen suggests ways of thinking about the bottom position that afford agency and pleasure. A more capacious conception of bottomhood--as a sexual position, a social alliance, an affective bond, and an aesthetic form--has the potential to destabilize sexual, gender, and racial norms, suggesting an ethical mode of relation organized not around dominance and mastery but around the risk of vulnerability and shame. Thus reconceived, bottomhood as a critical category creates new possibilities for arousal, receptiveness, and recognition, and offers a new framework for analyzing sexual representations in cinema as well as understanding their relation to oppositional political projects.
The View From the Bridge: Memories of Star Trek and a Life in Hollywood
by Nicholas MeyerThe critically acclaimed director and writer shares his account of the making of the three classic Star Trek filmsThe View from the Bridge is Nicholas Meyer's enormously entertaining account of his involvement with the Star Trek films: STII: The Wrath of Khan, STIV: The Voyage Home, and STVI: The Undiscovered Country, as well as his illustrious career in the movie business. The man best known for bringing together Sherlock Holmes and Sigmund Freud in The Seven Per-Cent Solution had ironically never been interested in Star Trek until he was brought on board to save the film series. Meyer shares how he created the script for The Wrath of Khan, the most revered Star Trek film of all, in twelve days-only to have William Shatner proclaim he hated it. He reveals the death threats he received when word got out that Spock would be killed, and finally answers the long-pondered question of whether Khan's chiseled chest is truly that of Ricardo Montalban. Meyer's reminiscences on everyone from Gene Roddenberry to Laurence Olivier will appeal not only to the countless legions of Trekkies, but to anyone fascinated by the inner workings of Hollywood.
The View from the Cheap Seats: Selected Nonfiction
by Neil GaimanThe View from the Cheap Seats draws together myriad non-fiction writing by international phenomenon and Sunday Times bestselling author Neil Gaiman. From Make Good Art, the speech that went viral, to pieces on artists and legends including Terry Pratchett and Lou Reed, the collection offers a glimpse into the head and heart of one of the most acclaimed writers of our time.'If this book came to you during a despairing night, by dawn, you would believe in ideas and hope and humans again' Caitlin Moran'Literature does not occur in a vacuum. It cannot be a monologue. It has to be a conversation' This collection will draw you in to exchanges on making good art and Syrian refugees, the power of a single word and playing the kazoo with Stephen King, writing about books, comics and the imagination of friends, being sad at the Oscars and telling lies for a living. Here Neil Gaiman opens our minds to the people he admires and the things he believes might just mean something - and welcomes us to the conversation too.
The View from the Cheap Seats: Selected Nonfiction
by Neil GaimanThe View from the Cheap Seats draws together myriad non-fiction writing by international phenomenon and Sunday Times bestselling author Neil Gaiman. From Make Good Art, the speech that went viral, to pieces on artists and legends including Terry Pratchett and Lou Reed, the collection offers a glimpse into the head and heart of one of the most acclaimed writers of our time.'Literature does not occur in a vacuum. It cannot be a monologue. It has to be a conversation'Welcome to the conversation. Neil Gaiman fled the land of journalism to find truths through storytelling and sanctuary in not needing to get all the facts right. Of course, the real world continued to make up its own stories around him, and he has responded over the years with a wealth of ideas and introductions, dreams and speeches. Here 'we can meet the writer full on' (Stephen Fry) as he opens our minds to the people he admires and the things he believes might just mean something - and makes room for us to join the conversation too.(P)2016 HarperCollins Digital
The View From The Studio Door
by Ted OrlandIn the perennial best-seller Art & Fear, Ted Orland (with David Bayles) examined the obstacles that artists encounter each time they enter their studio and stand before a new blank canvas. Now, in The View From The Studio Door, Orland turns his attention to broader issues that stand to either side of that artistic moment of truth.In a text marked by grace, brevity and humor, Orland argues that when it comes to art making, theory and practice are always intertwined. There are timeless philosophical questions (How do we make sense of the world?) that address the very nature of art making, as well as gritty real-world questions (Is there art after graduation?) that artists encounter the moment they're off the starting blocks and producing work on a regular basis.Simply put, this is a book of practical philosophy. As a teacher and working artist himself, Orland brings authentic insight and encouragement to all those who face the challenge of making art in an uncertain world. The breadth of material covered is reflected in chapters that include Making Sense of the World, Art & Society, The Education of the Artist, Surviving Graduation, Making Art That Matters, The Artistic Community, and more.The View From The Studio Door is the perfect companion piece to Art & Fear, and will appeal to a similar (and already-established) audience of students, working artists, teachers and professionals. For students' benefit, The View is also modestly priced, with wide page margins for easy note-taking and annotation.
The View From The Train
by Patrick Keiller"Robinson believed that, if he looked at it hard enough, he could cause the surface of the city to reveal to him the molecular basis of historical events, and in this way he hoped to see into the future." In his sequence of films, Patrick Keiller retraces the hidden story of the places where we live, the cities and landscapes of our everyday lives. Now, in this brilliant collection of essays, he offers a new perspective on how Britain works and sees itself. He discusses the background to his work and its development - from surrealism to post-2008 economic catastrophe - and expands on what the films reveal. Referencing writers including Benjamin and Lefebvre, the essays follow his career since the late 1970s, exploring themes including the surrealist perception of the city; the relationship of architecture and film; how cities change over time, and how films represent this; as well as accounts of cross-country journeys involving historical figures, unexpected ideas and an urgent portrait of post-crash Britain.From the Hardcover edition.
A View of Venice: Portrait of a Renaissance City
by Kristin Love Huffman, EditorJacopo de’ Barbari’s View of Venice, a woodcut first printed in the year 1500, presents a bird’s-eye portrait of Venice at its peak as an international hub of trade, art, and culture. An artistic and cartographic masterpiece of the Renaissance, the View depicts Venice as a vibrant, waterborne city interconnected by canals and bridges and filled with ornate buildings, elaborate gardens, and seafaring vessels. The contributors to A View of Venice: Portrait of a Renaissance City draw on a high-resolution digital scan of the over nine-foot-wide composite print to examine the complexities of this extraordinary woodcut and portrayal of early modern Venetian life. The essays show how the View constitutes an advanced material artifact of artistic, humanist, and scientific culture. They also outline the ways the print reveals information about the city’s economic and military power, religious and social infrastructures, and cosmopolitan residents. Featuring methodological advancements in the digital humanities, A View of Venice highlights the reality and myths of a topographically unique, mystical city and its place in the world.Contributors. Karen-edis Barzman, Andrea Bellieni, Patricia Fortini Brown, Valeria Cafà, Stanley Chojnacki, Tracy E. Cooper, Giada Damen, Julia A. DeLancey, Piero Falchetta, Ludovica Galeazzo, Maartje van Gelder, Jonathan Glixon, Richard Goy, Anna Christine Swartwood House, Kristin Love Huffman, Holly Hurlburt, Claire Judde de Larivière, Blake de Maria, Martina Massaro, Cosimo Monteleone, Monique O’Connell, Mary Pardo, Giorgio Tagliaferro, Saundra Weddle, Bronwen Wilson, Rangsook Yoon
The Viewer as Poet: The Renaissance Response to Art
by Norman E. LandThis is a book on Renaissance aesthetics. Renaissance art lovers comment on the famous works of art of their time.
Viewers Like You: How Public TV Failed the People
by Laurie OuelletteHow "public" is public television if only a small percentage of the American people tune in on a regular basis? When public television addresses "viewers like you," just who are you? Despite the current of frustration with commercial television that runs through American life, most TV viewers bypass the redemptive "oasis of the wasteland" represented by PBS and turn to the sitcoms, soap operas, music videos, game shows, weekly dramas, and popular news programs produced by the culture industries. Viewers Like You? traces the history of public broadcasting in the United States, questions its priorities, and argues that public TV's tendency to reject popular culture has undermined its capacity to serve the people it claims to represent. Drawing from archival research and cultural theory, the book shows that public television's perception of what the public needs is constrained by unquestioned cultural assumptions rooted in the politics of class, gender, and race.
Viewers Like You: How Public TV Failed the People
by Laurie OulletteHow "public" is public television if only a small percentage of the American people tune in on a regular basis? When public television addresses "viewers like you," just who are you? Despite the current of frustration with commercial television that runs through American life, most TV viewers bypass the redemptive "oasis of the wasteland" represented by PBS and turn to the sitcoms, soap operas, music videos, game shows, weekly dramas, and popular news programs produced by the culture industries. Viewers Like You? traces the history of public broadcasting in the United States, questions its priorities, and argues that public TV's tendency to reject popular culture has undermined its capacity to serve the people it claims to represent. Drawing from archival research and cultural theory, the book shows that public television's perception of what the public needs is constrained by unquestioned cultural assumptions rooted in the politics of class, gender, and race.
Viewfinder: A Memoir of Seeing and Being Seen
by Jeremy McCarter Jon M. ChuFrom visionary director Jon M. Chu comes a powerful, inspiring memoir of belonging, creativity, and learning to see who you really are.&“A must-read for aspiring artists and dreamers of all kinds.&”—Ava DuVernayLong before he directed Wicked, In The Heights, or the groundbreaking film Crazy Rich Asians, Jon M. Chu was a movie-obsessed first-generation Chinese American, helping at his parents&’ Chinese restaurant in Silicon Valley and forever facing the cultural identity crisis endemic to children of immigrants. Growing up on the cutting edge of twenty-first-century technology gave Chu the tools he needed to make his mark at USC film school, and to be discovered by Steven Spielberg, but he soon found himself struggling to understand who he was. In this book, for the first time, Chu turns the lens on his own life and work, telling the universal story of questioning what it means when your dreams collide with your circumstances, and showing how it&’s possible to succeed even when the world changes beyond all recognition. With striking candor and unrivaled insights, Chu offers a firsthand account of the collision of Silicon Valley and Hollywood—what it&’s been like to watch his old world shatter and reshape his new one. Ultimately, Viewfinder is about reckoning with your own story, becoming your most creative self, and finding a path all your own.
Viewing America
by Christopher BigsbySomething has happened in the world of television drama. For the last decade and a half America has assumed a dominant position. Novelists, screenwriters and journalists, who would once have had no interest in writing for television, indeed who often despised it, suddenly realised that it was where America could have a dialogue with itself. The new television drama was where writers could engage with the social and political realities of the time, interrogating the myths and values of a society moving into a new century. Familiar genres have been reinvented, from crime fiction to science fiction. This is a book as much about a changing America as about the television series which have addressed it, from The Sopranos and The Wire to The West Wing, Mad Men and Treme, in what has emerged as the second golden age of American television drama.
Viewing Art with Babies: First Encounters (Routledge Guides to Practice in Museums, Galleries and Heritage)
by Kathy Danko-McGheeViewing Art with Babies demonstrates how to facilitate quality art viewing experiences with babies from as young as 2 months old. Such experiences can help to nurture early literacy and receptive language skills, sensory stimulation, and early brain development. Based on the author’s research with babies in New Zealand, Australia, Romania, England, and the U.S., the book provides the reader with information about early brain, vision, sensory and language development, and the aesthetic preferences of babies. Danko-McGhee provides details about the type of art that babies like, how to display art in the learning environment, and how to interact with a baby when viewing art. Case studies of international museums, national museums, and community agencies that have had success with engaging babies in art viewing experiences have been included in the book as a way of demonstrating how theory and research can be successfully put into practice. Viewing Art with Babies details practical ways through which museum practitioners, early childhood and community educators, and parents can provide artviewing experiences in the museum, early childhood classroom or even their own home. It will be of interest to practitioners and parents around the world, and those engaged in the study of museum education.
Viewing Inscriptions in the Late Antique and Medieval World
by Antony EastmondInscriptions convey meaning not just by their contents but also by other means, such as choice of script, location, scale, spatial organisation, letterform, legibility and clarity. The essays in this book consider these visual qualities of inscriptions, ranging across the Mediterranean and the Near East from Spain to Iran and beyond, including Norman Sicily, Islamic North Africa, Byzantium, medieval Italy, Georgia and Armenia. While most essays focus on Late Antiquity and the Middle Ages, they also look back at Achaemenid Iran and forward to Mughal India. Topics discussed include real and pseudo-writing, multilingual inscriptions, graffiti, writing disguised as images and images disguised as words. From public texts set up on mountainsides or on church and madrasa walls to intimate craftsmen's signatures, barely visible on the undersides of precious objects, the inscriptions discussed in this volume reveal their meanings as textual and visual devices.
Viewing Photography in Post-Dictatorship Latin America: Visual Interruptions, 1997-2016
by David RojinskyThis book examines the archival aesthetic of mourning and memory developed by Latin American artists and photographers between 1997-2016. Particular attention is paid to how photographs of the assassinated or disappeared political dissident of the 1970s and 1980s, as found in family albums and in official archives, were not only re-imagined as conduits for private mourning, but also became allegories of social trauma and the struggle against socio-political amnesia. Memorials, art installations, photo-essays, street projections, and documentary films are all considered as media for the reframing of these archival images from the era of the Cold War dictatorships in Argentina, Chile, Guatemala, and Uruguay. While the turn of the millennium was supposedly marked by “the end of history” and, with the advent of digital technologies, by “the end of photography,” these works served to interrupt and hence, belie the dominant narrative on both counts. Indeed, the book's overarching contention is that the viewer’s affective identification with distant suffering when engaging these artworks is equally interrupted: instead, the viewer is invited to apprehend memorial images as emblems of national and international histories of ideological struggle.