- Table View
- List View
What's Your Favorite Color? (Eric Carle and Friends' What's Your Favorite #2)
by Eric CarleEverybody has a favorite color. Some like blue balloons or brown buildings or mint green ice cream cones. Others prefer sunshine yellow, Maine morning gray, or Mexican pink.In What's Your Favorite Color?, fifteen beloved children's book artists draw their favorite colors and explain why they love them. This personal collection will undoubtedly inspire readers to create favorite color drawings and stories of their own!Contributors include: Eric Carle, Lauren Castillo, Bryan Collier, Mike Curato, Etienne Delessert, Anna Dewdney, Rafael Lopez, William Low, Marc Martin, Jill McElmurry, Yuyi Morales, Frann Preston-Gannon, Uri Shulevitz, Philip C. Stead, Melissa Sweet
What's Your Favorite Food? (Eric Carle and Friends' What's Your Favorite #4)
by Eric CarleA new title in the Eric Carle and Friends What's Your Favorite picture book series, in which Eric Carle and thirteen other beloved children's book artists illustrate their favorite foods and explain why they love them. Everybody has a favorite food. Some enjoy sweet treats like rich honey or ripe, juicy berries. Others prefer the savory comforts of warming matzo ball soup or creamy chicken Alfredo. With beautiful illustrations and charming personal stories, fourteen children's book artists share their favorite foods and why they love them. Artists include: Aki, Isabelle Arsenault, Brigette Barrager, Matthew Cordell, Benji Davies, Karen Katz, Laurie Keller, Juliet Menendez, Greg Pizzoli, Misa Saburi, Felicita Sala, Dan Santat, Shannon Wright.
What's Your Opinion?: An Interactive Discovery-Based Language Arts Unit for High-Ability Learners (Grades 6-8)
by Richard Cote Darcy BlauveltThe Interactive Discovery-Based Units for High-Ability Learners, for grades 6-8, provide teachers with opportunities to deliver content in exciting new contexts. These engaging curriculum units culminate in real-world activities that provide students with open-ended opportunities to demonstrate academic understanding. Each book in the series contains tiered lessons that teachers can easily modify to meet individual students' needs. What's Your Opinion? uses debate to extend students' abilities to analyze and interpret informational texts, strengthen students' reading strategies and fluency, and help students develop persuasive speaking and writing skills.Grades 6-8
Wheatland (Images of America)
by Barbara Chapman Catherine GilbertThe town of Wheatland lies along the west bank of the Genesee River in the southwest corner of Monroe County. In 1786, the adventurous frontiersman Ebenezer "Indian" Allan built a log cabin near the river. The Allan family soon moved on, but the settlement of the entire area west of the Genesee River had begun. The name given to the town in 1821 recognized the successful wheat crops already yielded by its fertile soil. Oatka Creek, which winds its way across town to the river, once powered flour and plaster mills that made the villages and hamlets of Wheatland thriving communities. Today Wheatland remains a rural area known for its picturesque countryside and its recreational opportunities.
Wheaton
by Keith CallWhere will you find C. S. Lewis's wardrobe, J. R. R. Tolkien's desk, Malcolm Muggeridge's typewriter, Madame Blavatsky's tiara, the bones of a hulking mastodon, Billy Graham's traveling pulpit, and Tyndale House, publishers ofthe best-selling Left Behind series? Where will you find students, mystics, theologians, doctors, authors, actors, and musicians living in harmony? In Wheaton. Located 26 miles west of Chicago, the "All America City" boasts excellent schools, exquisite old homes, safe streets, and fine museums. Though Horace Greeley is credited with uttering the immortal "Go west, young man!" the sentiment had been acted upon much earlier by questing pioneers, many of whom halted in the middle plains, sensing terrific potentialin the rich black soil of Illinois. Among these were Warren and Jesse Wheaton and Erastus Gary from Pomfret, Connecticut. Seeking suitable land for farming, they settled and constructed a mill. From there they built cabins and harvested spring crops. Soon there was a village of a few hundred, connected by train to the farthest reaches of the nation. Now there is a city of 55,000 residents.
Wheelchair Housing Design Guide
by Centre For (Cae)The Wheelchair Housing Design Guide explains how to design and detail a home that is fully manageable by wheelchair users and maximises their independence. This fully-updated, activity-based guide discusses design considerations, requirements and recommendations for various activities carried out within the home; provides design solutions and good practice examples of how to comply with the building accessibility regulations and Building Regulations Part M; reflects and promotes the values and principles of existing strategies for social inclusion, and promotes the long-term cost benefits of designing to wheelchair accessibility standards.
Wheeling
by Brent Carney William A. Carney Jr.When most people think of Wheeling they remember Independence Hall and the birth of West Virginia, but Wheeling's history goes back even further to the frontier legends of Lewis Wetzel and Maj. Samuel McColloch. Images of America: Wheeling includes photographs of both Wetzel's cave and Major McColloch's smoke house, as well as a multitude of historic photographs depicting the way life used to be in the late 19th and early 20th centuries.Famous visitors such as Babe Ruth, Franklin D. Roosevelt, Charles Lindbergh, President John F. Kennedy, actress Sarah Bernhardt, and Buffalo Bill are featured. Within these pages memorable snapshots document some famous moments in the history of the 20th century, such as when President Eisenhower decided to keep Senator Nixon on the ticket at the Ohio County Public Airport and Sen. Joseph McCarthy's famous speech about Communists in the State Department at Wheeling's McLure Hotel. However, the real stars of this book are Wheeling's own buildings, industries, and people, from machine workers on the job to millionaires at play. A chapter devoted to the African-American experience in Wheeling includes Center Market's slave auction block as well as an image of the great jazz saxophonist Leon "Chu" Berry. This collection highlights some of the horrific natural disasters that occurred at the turn of the century as well as Wheeling's Victorian architectural treasures, which were erected during the same era.
Wheeling
by Sean Patrick Duffy Paul RinkesThe convergence of the Ohio River, the National Road, a remarkable bridge, and the Baltimore and Ohio Railroad transformed Wheeling into a transportation hub. Fed by an influx of immigrant labor, the city prospered, adding industrial muscle. But global economic changes brought the machine to a sudden halt. In Then & Now: Wheeling author Seán Duffy and photographer Paul Rinkes explore a city still recovering from that trauma, a city with a proud past and an uncertain but hopeful future.
When a Gesture Was Expected: A Selection of Examples from Archaic and Classical Greek Literature
by Alan L. BoegeholdA boldly innovative study of nonverbal communication in the poetry and prose of Hellenic antiquityWhen a Gesture Was Expected encourages a deeper appreciation of ancient Greek poetry and prose by showing where a nod of the head or a wave of the hand can complete meaning in epic poetry and in tragedy, comedy, oratory, and in works of history and philosophy. All these works anticipated performing readers, and, as a result, they included prompts, places where a gesture could complete a sentence or amplify or comment on the written words. In this radical and highly accessible book, Alan Boegehold urges all readers to supplement the traditional avenues of classical philology with an awareness of the uses of nonverbal communication in Hellenic antiquity. This additional resource helps to explain some persistently confusing syntaxes and to make translations more accurate. It also imparts a living breath to these immortal texts.Where part of a work appears to be missing, or the syntax is irregular, or the words seem contradictory or perverse—without evidence of copyists' errors or physical damage—an ancient author may have been assuming that a performing reader would make the necessary clarifying gesture. Boegehold offers analyses of many such instances in selected passages ranging from Homer to Aeschylus to Plato. He also presents a review of sources of information about such gestures in antiquity as well as thirty illustrations, some documenting millennia-long continuities in nonverbal communication.
When Ballet Became French
by Ilyana KarthasFor centuries before the 1789 revolution, ballet was a source of great cultural pride for France, but by the twentieth century the art form had deteriorated along with France's international standing. It was not until Serge Diaghilev's Ballets Russes found success in Paris during the first decade of the new century that France embraced the opportunity to restore ballet to its former glory and transform it into a hallmark of the nation. In When Ballet Became French, Ilyana Karthas explores the revitalization of ballet and its crucial significance to French culture during a period of momentous transnational cultural exchange and shifting attitudes towards gender and the body. Uniting the disciplines of cultural history, gender and women's studies, aesthetics, and dance history, Karthas examines the ways in which discussions of ballet intersect with French concerns about the nation, modernity, and gender identities, demonstrating how ballet served as an important tool for France's project of national renewal. Relating ballet commentary to themes of transnationalism, nationalism, aesthetics, gender, and body politics, she examines the process by which critics, artists, and intellectuals turned ballet back into a symbol of French culture. The first book to study the correlation between ballet and French nationalism, When Ballet Became French demonstrates how dance can transform a nation's cultural and political history.
When Ballet Became French: Modern Ballet and the Cultural Politics of France, 1909-1958
by Ilyana KarthasFor centuries before the 1789 revolution, ballet was a source of great cultural pride for France, but by the twentieth century the art form had deteriorated along with France's international standing. It was not until Serge Diaghilev's Ballets Russes found success in Paris during the first decade of the new century that France embraced the opportunity to restore ballet to its former glory and transform it into a hallmark of the nation. In When Ballet Became French, Ilyana Karthas explores the revitalization of ballet and its crucial significance to French culture during a period of momentous transnational cultural exchange and shifting attitudes towards gender and the body. Uniting the disciplines of cultural history, gender and women's studies, aesthetics, and dance history, Karthas examines the ways in which discussions of ballet intersect with French concerns about the nation, modernity, and gender identities, demonstrating how ballet served as an important tool for France's project of national renewal. Relating ballet commentary to themes of transnationalism, nationalism, aesthetics, gender, and body politics, she examines the process by which critics, artists, and intellectuals turned ballet back into a symbol of French culture. The first book to study the correlation between ballet and French nationalism, When Ballet Became French demonstrates how dance can transform a nation's cultural and political history.
When Blanche Met Brando: The Scandalous Story of A Streetcar Named Desire
by Sam StaggsExhaustively researched and almost flirtatiously opinionated, When Blanche Met Brando is everything a fan needs to know about the ground-breaking New York and London stage productions of Williams' "Streetcar" as well as the classic Brando/Leigh film. Sam Staggs' interviews with all the living cast members of each production will enhance what's known about the play and movie, and help make this book satisfying as both a pop culture read and as a deeper piece of thinking about a well-known story. Readers will come away from this book delighted with the juicy behind-the-scenes stories about cast, director, playwright and the various productions and will also renew their curiosity about the connection between the role of Blanche and Viven Leigh's insatiable sexual appetite and later descent into breakdown. They may also-for the first time-question whether the character of Blanche was actually "mad" or whether her anxiousness was symptomatic of another disorder."A Streetcar Named Desire" is one of the most haunting and most-studied modern plays. Staggs' new book will fascinate fans and richen newcomers' understanding of its importance in American theater and movie history.
When Boston Rode the EL
by Anthony Mitchell Sammarco Frank CheneyThe Boston Elevated Railway broke ground in 1899 for a new transit service that opened in 1901, providing a seven-mile elevated railway that connected Dudley Street Station in Roxbury and Sullivan Square Station in Charlestown, two huge multilevel terminals. When the EL, as it was popularly known, opened for service, it provided an unencumbered route high above the surging traffic of Boston, until it went underground through the city. The new trains of the EL were elegant coaches of Africanmahogany, bronze hardware, plush upholstered seats, plate glass windows, and exteriors of aurora red with silver gilt striping and slate grey roofs. They stopped at ten equally distinguished train stations, designed by the noted architect Alexander WadsworthLongfellow. All of this elegance, let alone convenience, could be had for the price of a five-cent ticket. The popularity of the EL was instantaneous. The railway continued to provide transportation service high above Boston's streets until 1987, when it was unfortunately ended after 86 years of elevated operation. Today, the squealing wheels of the Elevated trains, the rocking coaches, the fascinating views, and the fanciful copper-roofed stations of the line are a missing part of the character of Boston, when one could ride high above the city for a nickel.
When Broadway Was Black: The Triumphant Story of the All-Black Musical that Changed the World
by Caseen GainesThe triumphant story of how an all-Black Broadway cast and crew changed musical theatre—and the world—forever."This musical introduced Black excellence to the Great White Way. Broadway was forever changed and we, who stand on the shoulders of our brilliant ancestors, are charged with the very often elusive task of carrying that torch into our present."—Billy Porter, Tony, Grammy, and Emmy Award-winning actor"The 1920s were the years of Manhattan's Black Renaissance. It began with Shuffle Along." —Langston HughesIf Hamilton, Rent, or West Side Story captured your heart, you'll love this in-depth look into the rise of the 1921 Broadway hit, Shuffle Along, the first all-Black musical to succeed on Broadway. No one was sure if America was ready for a show featuring nuanced, thoughtful portrayals of Black characters—and the potential fallout was terrifying. But from the first jazzy, syncopated beats of composers Noble Sissle and Eubie Blake, New York audiences fell head over heels.When Broadway Was Black is the story of how Sissle and Blake, along with comedians Flournoy Miller and Aubrey Lyles, overcame poverty, racism, and violence to harness the energy of the Harlem Renaissance and produce a runaway Broadway hit that launched the careers of many of the twentieth century's most beloved Black performers. Born in the shadow of slavery and establishing their careers at a time of increasing demands for racial justice and representation for people of color, they broke down innumerable barriers between Black and white communities at a crucial point in our history.Author and pop culture expert Caseen Gaines leads readers through the glitz and glamour of New York City during the Roaring Twenties to reveal the revolutionary impact one show had on generations of Americans, and how its legacy continues to resonate today.Praise for When Broadway Was Black:"A major contribution to culture."—Brian Jay Jones, New York Times bestselling author of Jim Henson: The Biography"With meticulous research and smooth storytelling, Caseen Gaines significantly deepens our understanding of one of the key cultural events that launched the Harlem Renaissance."—A Lelia Bundles, New York Times bestselling author of On Her Own Ground: The Life and Times of Madam C.J. Walker"Absorbing..."—The Wall Street JournalPreviously published as Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way
When Business Meets Culture: Ideas and Experiences for Mutual Profit
by Beatriz Muñoz-Seca Josep RiverolaThe cultural sector is gaining increasing importance in our economies, consistantly registering growth rates above average GDP. This book presents insights on how cultural institutions can find new perspectives in their management and provides ideas to hasten culture's role as an economic developer.
When Clowns Attack
by Chuck SambuchinoTHEY'RE COMING FOR YOU Coulrophobia--the fear of clowns--is very real and for good reason. You might think these red-nosed jokers are creepy, sure, but certainly not dangerous. You'd be wrong. Clowns never reveal their real names, and dress to obscure their identities. The rules of civilized society don't apply to them (what other stranger could offer candy to children and get away with it?), they have countless places to hide weapons on their person, and their appearance is downright unnatural. Clowns are the scariest people on earth, and the truth is, they are coming for your valuables, your children, and your sanity. In this comprehensive guide to self-protection from clown creepery, petty crime, and violence, Chuck Sambuchino--founder of the anti-clown group Red Nose Alert--delves into the terrifying clown underworld to provide the knowledge you need to know to protect yourself from these seemingly innocuous gagmen, using his proven four-step system: ASSESS, ANALYZE, DEFEND, PROTECT. Included within are instructions on how to defeat a clown in close combat, tips for spotting the plainclothes clown, and tutorials for fully clown-proofing your home against these painted and bewigged warriors. Most importantly, you'll learn what to do when clowns attack... because it's only a matter of time before they do.From the Hardcover edition.
When Did I See You Hungry?
by Gerard Thomas StraubThis book is about poverty and our responsibility to help those who are forced to live on the margins of society. The photographs in this book depict real people--suffering souls whose lives are spent in the harshly cruel prison of poverty. To look into their eyes, eyes that are profoundly human and tragically sad, compels the observer to want to do something to relieve the pain, to end the misery.
When Documentaries Meet New Media: Interactive Documentary Projects in China and the West
by Le CaoNew media and digital technologies open up numerous possibilities to document different versions of reality, which makes it essential to examine how they transform the logic behind the creation and production of documentaries in digital cultures. This study aims to investigate the integration between the traditional documentary and new media: the interactive documentary, in the context of the different sociocultural and technological environments of China and the West. Accordingly, a comparative study on the evolution and integration of these two fields was carried out. The documentary genre brings with it a method of classification and various modes of representing reality, while new media provide new approaches to interactivity as well as the production and distribution of interactive documentaries. Interactive documentaries grow and change as a continuously evolving system, engaging the roles of the author and the user, such that their roles are mixed for better co-expression and the reshaping of their shared environment. In addition, an analytical approach based on the types of interactivity was adopted to explore this new form of documentary; both to deduce how the stories about our shared world can be told and to understand the impact of interactive documentaries on the construction of our versions of the reality as well as our role in it.
When Eero Met His Match: Aline Louchheim Saarinen and the Making of an Architect
by Eva HagbergA uniquely personal biographical account of Louchheim’s life and work that takes readers inside the rarified world of architecture mediaAline B. Louchheim (1914–1972) was an art critic on assignment for the New York Times in 1953 when she first met the Finnish-American architect Eero Saarinen. She would become his wife and the driving force behind his rise to critical prominence. When Eero Met His Match draws on the couple’s personal correspondence to reconstruct the early days of their thrilling courtship and traces Louchheim’s gradual takeover of Saarinen’s public narrative in the 1950s, the decade when his career soared to unprecedented heights.Drawing on her own experiences as an architecture journalist on the receiving end of press pitches and then as a secret publicist for high-end architects, Eva Hagberg paints an unforgettable portrait of Louchheim while revealing the inner workings of a media world that has always relied on secrecy, friendship, and the exchange of favors. She describes how Louchheim codified the practices of architectural publicity that have become widely adopted today, and shows how, without Louchheim as his wife and publicist, Saarinen’s work would not have been nearly as well known.Providing a new understanding of postwar architectural history in the United States, When Eero Met His Match is both a poignant love story and a superb biographical study that challenges us to reconsider the relationship between fame and media representation, and the ways the narratives of others can become our own.
When Everybody Wore a Hat
by William SteigFrom the book: This is the story of when I was a boy, almost 100 years ago, when fire engines were pulled by horses, boys did not play with girls, kids went to libraries for books, there was no TV, you could see a movie for a nickel, and everybody wore a hat.
When Frankie Went to Hollywood: Frank Sinatra and American Male Identity
by Karen McnallyThis first in-depth study of Frank Sinatra's film career explores his iconic status in relation to his many performances in postwar Hollywood cinema. When Frankie Went to Hollywood considers how Sinatra's musical acts, television appearances, and public commentary impacted his screen performances in Pal Joey, The Tender Trap, Some Came Running, The Man with the Golden Arm, and other hits. A lively discussion of sexuality, class, race, ethnicity, and male vulnerability in postwar American culture illuminates Karen McNally's investigation into Sinatra's cinematic roles and public persona. This entertainment luminary, she finds, was central in shaping debates surrounding definitions of American male identity in the 1940s and '50s.
When Glitter Met Glue (When Pencil Met Eraser)
by Karen KilpatrickThe third hilarious picture book in the award-winning When Pencil Met Eraser series in which underappreciated Glue longs to stand out, and soon meets a new friend, Glitter, who helps bring out her inner sparkle, confidence, and creativity. Glue loves making art with her friends—especially pasting on googly eyes!—but sometimes she feels invisible. Instead of always being stuck in the background, Glue wants to be noticed like Pencil and colorful like the Markers! How can she find a way to stand out?When a new friend named Glitter arrives in a swirl of sparkles, Glue and Glitter team up to make something completely original and help Glue shine like the star she truly is.Karen Kilpatrick & Germán Blanco's When Glitter Met Glue spotlights art’s unsung hero—a glue bottle—in a hilarious and clever story that encourages creativity, self-acceptance, and spurs us all to recognize our inner shimmer.
When Harry Met Pablo: Truman, Picasso, and the Cold War Politics of Modern Art
by Matthew AlgeoTruman and Picasso were contemporaries and were both shaped by and shapers of the great events of the twentieth century—the man who painted Guernica and the man who authorized the use of atomic bombs against civilians. But in most ways, they couldn't have been more different. Picasso was a communist, and probably the only thing Harry Truman hated more than communists was modern art. Picasso was an indifferent father, a womanizer, and a millionaire. Truman was utterly devoted to his family and, despite his fame, far from a rich man. How did they come to be shaking hands in front of Picasso's studio in the south of France? Truman's meeting with Picasso was quietly arranged by Alfred H. Barr Jr., the founding director of New York's Museum of Modern Art and an early champion of Picasso. Barr knew that if he could convince these two ideological antipodes, the straight-talking politician from Missouri and the Cubist painter from MÁlaga, to simply shake hands, it would send a powerful message, not just to reactionary Republicans pushing McCarthyism at home, but to the whole world: modern art was not evil. Truman author Matthew Algeo retraced the Trumans' Mediterranean vacation and visited the places they went with Picasso, including Picasso's villa, Picasso's ceramics studio in Vallauris, and ChÂteau Grimaldi, a museum in Antibes.A rigorous history with a heartwarming center, When Harry Met Pablo intertwines the biographies of Truman and Picasso, the history of modern art, and twentieth-century American politics, but at its core it is the touching story of two old men who meet for the first time and realize they have more in common—and are more alike—than they ever imagined.
When Hollywood Had a King: The Reign of Lew Wasserman, Who Leveraged Talent into Power and Influence
by Connie BruckIn When Hollywood Had a King, the distinguished journalist Connie Bruck tells the sweeping story of MCA and its brilliant leader, a man who transformed the entertainment industry-- businessman, politician, tactician, and visionary Lew Wasserman. The Music Corporation of America was founded in Chicago in 1924 by Dr. Jules Stein, an ophthalmologist with a gift for booking bands. Twelve years later, Stein moved his operations west to Beverly Hills and hired Lew Wasserman. From his meager beginnings as a movie-theater usher in Cleveland, Wasserman ultimately ascended to the post of president of MCA, and the company became the most powerful force in Hollywood, regarded with a mixture of fear and awe. In his signature black suit and black knit tie, Was-serman took Hollywood by storm. He shifted the balance of power from the studios--which had seven-year contractual strangleholds on the stars--to the talent, who became profit partners. When an antitrust suit forced MCA's evolution from talent agency to film- and television-production company, it was Wasserman who parlayed the control of a wide variety of entertainment and media products into a new type of Hollywood power base. There was only Washington left to conquer, and conquer it Wasserman did, quietly brokering alliances with Democratic and Republican administrations alike. That Wasserman's reach extended from the underworld to the White House only added to his mystique. Among his friends were Teamster boss Jimmy Hoffa, mob lawyer Sidney Korshak, and gangster Moe Dalitz--along with Presidents Johnson, Clinton, and especially Reagan, who enjoyed a particularly close and mutually beneficial relationship with Wasserman. He was equally intimate with Hollywood royalty, from Bette Davis and Jimmy Stewart to Steven Spielberg, who began his career at MCA and once described Wasserman's eyeglasses as looking like two giant movie screens.The history of MCA is really the history of a revolution. Lew Wasserman ushered in the Hollywood we know today. He is the link between the old-school moguls with their ironclad studio contracts and the new industry defined by multimedia conglomerates, power agents, multimillionaire actors, and profit sharing. In the hands of Connie Bruck, the story of Lew Wasserman's rise to power takes on an almost Shakespearean scope. When Hollywood Had a King reveals the industry's greatest untold story: how a stealthy, enterprising power broker became, for a time, Tinseltown's absolute monarch.From the Hardcover edition.
When Hollywood Was Right
by Donald T. CritchlowHollywood was not always a bastion of liberalism. Following World War II, an informal alliance of movie stars, studio moguls and Southern California business interests formed to revitalize a factionalized Republican Party. Coming together were stars such as John Wayne, Robert Taylor, George Murphy and many others, who joined studio heads Cecil B. DeMille, Louis B. Mayer, Walt Disney and Jack Warner to rebuild the Republican Party. They found support among a large group of business leaders who poured money and skills into this effort, which paid off with the election of George Murphy to the US Senate and of Richard Nixon and Ronald Reagan to the highest office in the nation. This is an exciting story based on extensive new research that will forever change how we think of Hollywood politics.