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Who Was Pablo Picasso? (Who was?)
by True KelleyOver a long, turbulent life, Picasso continually discovered new ways of seeing the world and translating it into art. A restless genius, he went through a blue period, a rose period, and a Cubist phase. He made collages, sculptures out of everyday objects, and beautiful ceramic plates. True Kelley's engaging biography is a wonderful introduction to modern art.
Who Was Salvador Dalí? (Who Was?)
by Paula K. Manzanero Who HQLearn about the fascinating career of surrealist Salvador Dalí from his early life in Spain through his public life as an internationally famous artist in this exciting addition to the #1 New York Times Best-Selling series.Most famous for his surrealist painting The Persistence of Memory and its melting clocks, Salvador Dalí combined his dreamlike ideas with his excellent technical skills to become one of the most famous artists of the twentieth century. Beyond painting, Dalí pursued the arts in many other mediums including sculpture, film, fashion, photography, architecture, and more. He was friends with many of his famous contemporaries, including Picasso, Bunuel, Miro, and Duchamp. Learn about the sometimes-shy man with the instantly recognizable upturned mustache in this book for young readers that details the life of one of modern art's most celebrated figures.
Who Was Walt Disney? (Who Was?)
by Nancy Harrison Whitney StewartWalt Disney always loved to entertain people. Often it got him into trouble. Once he painted pictures with tar on the side of his family's white house. His family was poor, and the happiest time of his childhood was spent living on a farm in Missouri. His affection for small-town life is reflected in Disneyland Main Streets around the world. With black-and-white illustrations throughout, this biography reveals the man behind the magic.This book is not authorized, licensed or endorsed by the Walt Disney Company or any affiliate.From the Trade Paperback edition.
Who Was Walt Disney?: A Who Was? Board Book (Who Was? Board Books)
by Lisbeth Kaiser Who HQThe latest addition to the Who HQ board book series: a biography of Walt Disney, created specifically for the preschool audience!The #1 New York Times Bestselling Who Was? series expands into the board book space, bringing age-appropriate biographies of influential figures to readers ages 2-4.The chronology and themes of Walt Disney's inspiring life are presented in a masterfully succinct text, with just a few sentences per page. The fresh, stylized illustrations are sure to captivate young readers and adults alike. With a read-aloud biographical summary in the back, this age-appropriate introduction shares the life and work of one of the most influential creators and entertainers of our time.WHO WAS? BOARD BOOKS bring inspiring biographies to the youngest readers in an accessible and memorable way.
Who We're Reading When We're Reading Murakami
by David KarashimaHow did a loner destined for a niche domestic audience become one of the most famous writers alive? A "fascinating" look at the "business of bringing a best-selling novelist to a global audience" (The Atlantic)―and a “rigorous” exploration of the role of translators and editors in the creation of literary culture (The Paris Review). Thirty years ago, when Haruki Murakami’s works were first being translated, they were part of a series of pocket-size English-learning guides released only in Japan. Today his books can be read in fifty languages and have won prizes and sold millions of copies globally. How did a loner destined for a niche domestic audience become one of the most famous writers alive? This book tells one key part of the story. Its cast includes an expat trained in art history who never intended to become a translator; a Chinese American ex-academic who never planned to work as an editor; and other publishing professionals in New York, London, and Tokyo who together introduced a pop-inflected, unexpected Japanese voice to the wider literary world. David Karashima synthesizes research, correspondence, and interviews with dozens of individuals—including Murakami himself—to examine how countless behind-the-scenes choices over the course of many years worked to build an internationally celebrated author’s persona and oeuvre. His careful look inside the making of the “Murakami Industry" uncovers larger questions: What role do translators and editors play in framing their writers’ texts? What does it mean to translate and edit “for a market”? How does Japanese culture get packaged and exported for the West?
Who Were The Three Stooges?
by Pam Pollack Meg BelvisoDiscover more about the comedy team that perfected the art of the pie fight!The Three Stooges were the hardworking children of immigrants and discovered a love of performing at an early age. Starting out as a vaudeville act, they soon transitioned into movies, becoming a worldwide sensation in feature films and shorts. Never the critics' darlings, audiences loved them for their mastery of physical comedy and their willingness to do anything for a laugh. They remained popular over the years despite several personnel changes that revolved around the three Howard brothers from Brooklyn. Their comedies are still in syndication more than 50 years after they were first shown on TV and continue to delight old fans and attract new ones.
Who What Wear: Celebrity and Runway Style for Real Life
by Hillary Kerr Katherine PowerA smart and stylish fashion and beauty guide from the creators of the popular website WhoWhatWear.com. Now, the creators share their tricks of the trade, translating high fashion in a low-fuss, accessible way. Hillary Kerr and Katherine Power, two former Elle magazine editors, are the fashionable duo behind the booming website. In Who What Wear they’ve compiled the best of their tips and advice into one stylish compendium. Trends come and go at a dizzying pace and it can be challenging to just get dressed in the morning!Kerr and Power banish those fashion faux-pas fears and give readers the tools necessary to update their own personal styles and recognize and incorporate the latest runway and Hollywood looks. Celebrity contributors such as Rachel Zoe, Nicole Richie, and Rachel Bilson also dish their insider style secrets alongside images from the runway and beyond.
Who Will Pay Reparations on My Soul?: Essays
by Jesse McCarthy"This is a very smart and soulful book. Jesse McCarthy is a terrific essayist." —Zadie Smith New York Times • "New Books to Watch For in March" A supremely talented young critic’s essays on race and culture, from Toni Morrison to trap, herald the arrival of a major new voice in American letters. Ranging from Ta-Nehisi Coates’s case for reparations to Toni Morrison’s revolutionary humanism to D’Angelo’s simmering blend of R&B and racial justice, Jesse McCarthy’s bracing essays investigate with virtuosic intensity the art, music, literature, and political stances that have defined the twenty-first century. Even as our world has suffered through successive upheavals, McCarthy contends, “something was happening in the world of culture: a surging and unprecedented visibility at every level of black art making.” Who Will Pay Reparations on My Soul? reckons with this resurgence, arguing for the central role of art and intellectual culture in an age of widening inequality and moral crisis. McCarthy reinvigorates the essay form as a space not only for argument but for experimental writing that mixes and chops the old ways into new ones. In “Notes on Trap,” he borrows a conceit from Susan Sontag to reveal the social and political significance of trap music, the drug-soaked strain of Southern hip-hop that, as he puts it, is “the funeral music that the Reagan Revolution deserves.” In “Back in the Day,” McCarthy, a black American raised in France, evokes his childhood in Paris through an elegiac account of French rap in the 1990s. In “The Master’s Tools,” the relationship between Spanish painter Diego Velázquez and his acolyte-slave, Juan de Pareja, becomes the lens through which Kehinde Wiley’s paintings are viewed, while “To Make a Poet Black” explores the hidden blackness of Sappho and the erotic power of Phillis Wheatley. Essays on John Edgar Wideman, Claudia Rankine, and Colson Whitehead survey the state of black letters. In his title essay, McCarthy takes on the question of reparations, arguing that true progress will not come until Americans remake their institutions in the service of true equality. As he asks, “What can reparations mean when the damage cannot be accounted for in the only system of accounting that a society recognizes?” For readers of Teju Cole’s Known and Strange Things and Mark Greif’s Against Everything, McCarthy’s essays portray a brilliant young critic at work, making sense of our disjointed times while seeking to transform our understanding of race and art, identity and representation.
Who Wrote Citizen Kane?: Statistical Analysis of Disputed Co-Authorship (Quantitative Methods in the Humanities and Social Sciences)
by Warren BucklandThis book offers a solution to one of film history’s major controversies: the long-running dispute over Orson Welles’ and Herman J. Mankiewicz’s contributions to the Citizen Kane screenplay. It establishes the vital importance of computing and statistics to solving previously intractable puzzles in the arts and humanities. Citizen Kane (1941) is one of the most acclaimed films in the history of cinema. For 50 years it topped the Sight & Sound film critics’ poll. Orson Welles directed the film and is credited with co-writing the screenplay with Herman J. Mankiewicz. But the co-writer credit generates furious disputes between those who argue Mankiewicz is the sole author of Citizen Kane and those who claim that Welles collaborated fully with its writing. The author employs computing and statistics to answer two questions: What are the distinguishing features of Welles’ and of Mankiewicz’s writing? And What did each contribute to the writing of the Citizen Kane screenplay? To answer these questions, the author bypasses opinions and impressions, and instead subjects the language of the Citizen Kane screenplay to a ‘forensic’ examination. Employing linguistics, basic statistical tests, plus computer technology and software, the author identifies the stylistic signature of each author – the combination of consistent and regular linguistic habits that make each author’s writing distinctive. This book replaces impressionistic discussions of Mankiewicz’s and Welles’ contributions to the Citizen Kane screenplay with a rigorous, experiment-driven statistical analysis. Earlier statistical studies of authorship have discovered that small, unassuming language features (such as punctuation, pronouns, and prepositions) in statistically significant quantities, constitute a screenwriter’s distinctive writing habits. Only with the extensive experimentation carried out in this volume, did the author decide Mankiewicz’s and Welles’ specific habits and their contributions to Citizen Kane.
Whole Body Interaction
by David EnglandWhole Body Interaction is "The integrated capture and processing of human signals from physical, physiological, cognitive and emotional sources to generate feedback to those sources for interaction in a digital environment" (England 2009). Whole Body Interaction looks at the challenges of Whole Body Interaction from the perspectives of design, engineering and research methods. How do we take physical motion, cognition, physiology, emotion and social context to push boundaries of Human Computer Interaction to involve the complete set of human capabilities? Through the use of various applications the authors attempt to answer this question and set a research agenda for future work. Aimed at students and researchers who are looking for new project ideas or to extend their existing work with new dimensions of interaction.
The Whole Building Handbook: How to Design Healthy, Efficient and Sustainable Buildings
by Maria Block Varis BokaldersThe Whole Building Handbook is a compendium of all the issues and strategies that architects need to understand to design and construct sustainable buildings for a sustainable society. The authors move beyond the current definition of sustainability in architecture, which tends to focus on energy-efficiency, to include guidance for architecture that promotes social cohesion, personal health, renewable energy sources, water and waste recycling systems, permaculture, energy conservation - and crucially, buildings in relation to their place. The authors offer a holistic approach to sustainable architecture and authoritative technical advice, on: * How to design and construct healthy buildings, through choosing suitable materials, healthy service systems, and designing a healthy and comfortable indoor climate, including solutions for avoiding problems with moisture, radon and noise as well as how to facilitate cleaning and maintenance. * How to design and construct buildings that use resources efficiently, where heating and cooling needs and electricity use is minimized and water-saving technologies and garbage recycling technologies are used. * How to 'close' organic waste, sewage, heat and energy cycles. For example, how to design a sewage system that recycles nutrients. * Includes a section on adaptation of buildings to local conditions, looking at how a site must be studied with respect to nature, climate and community structure as well as human activities. The result is a comprehensive, thoroughly illustrated and carefully structured textbook and reference.
The Whole Craft of Spinning: From the Raw Material to the Finished Yarn
by Carol KrollThe ancient craft of spinning is becoming increasingly popular with today's modern craft enthusiasts as it provides a method of creating unique, personal and unusual yarns that can be used in contemporary weaving, knitting, crocheting, needlepoint, embroidery and macramé. It is a highly creative craft, yet simple to learn, and therein lies both its fascination and challenge. The story of spinning is interwoven with the history of man. The first attempt at spinning probably consisted of twisting animal fibers with suitable plant material. Some forms of hand spinning existed as early as 15,000 years ago in Asia, and 12,000 years ago in North Africa. Many of the earliest methods and tools are still in use to this day, especially the various drop spindles, and the Indian and Navajo types of spindles. The spinning wheel itself is believed to have evolved in India 800 to 1,000 years ago.Now you can master this timeless craft through the clear instructions and easy-to-follow directions of well-known spinning authority Carol Kroll. Drawing upon her years of valuable experience, the author shows you everything you need to know from set-up to finished product. You'll learn about the different kinds of spindles and spinning wheels, their history, development, and modern applications. Her lucid text demonstrates the proper methods of preparing the fiber for spinning including: selecting the fiber, sorting, washing, adding oil, and carding.Whether you're a novice or an experienced hand, Carol Kroll's expert advice shows you the ins and outs of: Spinning with a Drop Spindle; Spinning on a Treadle Wheel; Finishing the Yarn; How to Shop for a Spinning Wheel; Spinning with Wool and Making the Most of Natural and Other Animal Fibers; Synthetic Fibers; Making Your Own Spindle; and The Fun of Creating Novelty Yarns.Plus, an access and resources section with suggested further reading, supplies, services, and much more to get you started making something that is truly your own, from the first step to the last.
Whole Life Costing: A New Approach
by Peter CaplehornWhole life costing has been a subject waiting to come of age for many years. What was previously of mainly academic interest is now becoming a key business tool in the procurement and construction of significant projects. With the advent of PPP and in particular of PFI, details of the project life need to be assessed and tied in to funding and operation plans. Many of these projects run to millions of pounds and are of high political or social importance, so the implications of the life of materials is crucial. A fundamental requirement of these procurement routes has been that the whole enterprise should be included within the bid, so that a company takes on not only the construction but also the running and maintenance of any building. Additionally as sustainability has emerged and grown in importance, so has the need for a whole life time costing approach, partly driven by governmental insistence. At the heart of sustainability is an understanding of what the specification means for the future of the building and how it will affect the environment. Whole life costing considers part of this and provides an understanding of how materials may perform and what allowances are needed at the end of their life. This book sets out the practical issues involved in the selection of materials, their performance, and the issues that need to be taken into account. The emphasis, unlike in other publications, is not to formularise or to package the issues but to leave the reader with a clear understanding and a sensible practical way of arriving at conclusions in the future.
The Whole Picture: The colonial story of the art in our museums & why we need to talk about it
by Alice Procter"Probing, jargon-free and written with the pace of a detective story... [Procter] dissects western museum culture with such forensic fury that it might be difficult for the reader ever to view those institutions in the same way again. " Financial Times 'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.' - Sumaya Kassim Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall?How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. The book is divided into four chronological sections, named after four different kinds of art space: The Palace, The Classroom, The Memorial and The Playground. Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India; the tattooed Maori skulls collected as 'art objects' by Europeans; and works by contemporary artists who are taking on colonial history in their work and activism today.The Whole Picture is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it.
The Whole Picture: The colonial story of the art in our museums & why we need to talk about it
by Alice Procter"Probing, jargon-free and written with the pace of a detective story... [Procter] dissects western museum culture with such forensic fury that it might be difficult for the reader ever to view those institutions in the same way again. " Financial Times 'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.' - Sumaya Kassim Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall?How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. The book is divided into four chronological sections, named after four different kinds of art space: The Palace, The Classroom, The Memorial and The Playground. Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India; the tattooed Maori skulls collected as 'art objects' by Europeans; and works by contemporary artists who are taking on colonial history in their work and activism today.The Whole Pictureis a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it.
The Whole Picture: The colonial story of the art in our museums & why we need to talk about it
by Alice ProcterShould museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall?How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a guide for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. The audiobook is divided into four chronological sections, named after four different kinds of art space: The Palace, The Classroom, The Memorial and The Playground. Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India; the tattooed Maori skulls collected as 'art objects' by Europeans; and works by contemporary artists who are taking on colonial history in their work and activism today.The Whole Picture is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it.(p) 2019 Octopus Publishing Group
The Whole Truth and Nothing But (Classics To Go)
by Hedda HopperFrom the dawn of the studio system to the decade it all came crashing down, Hedda Hopper was one of the Queens of Hollywood. Although she made her name as a star of the silent screen, she found her calling as a gossip columnist, where she had the ear of the most powerful force in show business: the public. With a readership of 20,000,000 people, Hopper turned nobodies into stars, and brought stars to their knees. And in this sensational memoir, she tells all. (Goodreads)
Whole World of Music: A Henry Cowell Symposium (Contemporary Music Studies)
by David NichollsFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Whom God Wishes to Destroy…: Francis Coppola and the New Hollywood
by Jon LewisIn March 1980 Francis Coppola purchased the dilapidated Hollywood General Studios facility with the hope and dream of creating a radically new kind of studio, one that would revolutionize filmmaking, challenge the established studio machinery, and, most importantly, allow him to make movies as he wished. With this event at the center of Whom God Wishes to Destroy, Jon Lewis offers a behind-the-scenes view of Coppola's struggle--that of the industry's best-known auteur--against the changing realities of the New Hollywood of the 1980s. Presenting a Hollywood history steeped in the trade news, rumor, and gossip that propel the industry, Lewis unfolds a lesson about power, ownership, and the role of the auteur in the American cinema. From before the success of The Godfather to the eventual triumph of Apocalypse Now, through the critical upheaval of the 1980s with movies like Rumble Fish, Hammett, Peggy Sue Got Married, to the 1990s and the making of Bram Stoker's Dracula and Kenneth Branagh's Frankenstein, Francis Coppola's career becomes the lens through which Lewis examines the nature of making movies and doing business in Hollywood today.
Whorephobia: Strippers on Art, Work, and Life
by Lizzie BordenIlluminating accounts of how stripping and sex work informs writers&’ experiences of friendship, motherhood, teaching, working, creating art, and activism.No one knows more than strippers about being looked at: as objects of desire, objects of curiosity, as angels or Jezebels or hookers with hearts of gold. In this anthology, twenty-three dancers whose careers span decades, geographies, and identities demand to be seen. Through stories from first nights on the job to the day they hung up their sky-high heels—or decided they never will—these writers offer glimpses into lives of camaraderie and celebration, joy, pride, despair, frustration, self-doubt, and fear. Their unfiltered perspectives on their lives, onstage and off, are a powerful counternarrative to the whorephobia that shrouds the conventional portrayals of strippers in crime movies, TV shows, music videos, newspaper articles, and legislative debates. Each of these illuminating essays and interviews peels away tired myths and salacious speculation and presents the naked truth: that sex work is real work and strippers are real people. Contributors:Cookie Mueller • Kathy Acker • Jo Weldon • Susan McMullen • Maggie Estep • Chris Kraus • Jodi Sh. Doff • Terese Pampellonne • Jill Morley • Susan Walsh • Debi Kelly Van Cleave • Elissa Wald • Essence Revealed • Sassy Penny • Jacq Frances • Reese Piper • Lindsay Byron • The Incredible, Edible Akynos • Antonia Crane • Lily Burana • A M Davies • Kayla Tange • Selena the Stripper
Whores and Other Feminists
by Jill NagleWhores and Other Feminists fleshes out feminist politics from the perspective of sex workers--strippers, prostitutes, porn writers, producers and performers, dominatrices--and their allies. Comprising a range of voices from both within and outside the academy, this collection draws from traditional feminisms, postmodern feminism, queer theory, and sex radicalism. It stretches the boundaries of contemporary feminism, holding accountable both traditional feminism for stigmatizing sex workers, and also the sex industry for its sexist practices.
Who’s 50: The 50 Doctor Who Stories to Watch Before You Die: An Unofficial Companion
by Robert Smith Graeme Burk<p>Ever since its premiere on November 23, 1963, Doctor Who has been a television phenomenon. This companion guide presents the top fifty stories from the show’s first fifty years—examining every corner of the imaginative, humorous, and sometimes scary universe that has made Doctor Who an iconic part of popular culture. <p>This must-have reference also includes behind the scenes details, goofs, trivia, connections to Doctor Who lore, and much more.</p>
Who's Afraid of Conceptual Art?
by Peter Goldie Elisabeth SchellekensWhat is conceptual art? Is it really a kind of art in its own right? Is it clever – or too clever? Of all the different art forms it is perhaps conceptual art which at once fascinates and infuriates the most. In this much-needed book Peter Goldie and Elisabeth Schellekens demystify conceptual art using the sharp tools of philosophy. They explain how conceptual art is driven by ideas rather than the manipulation of paint and physical materials; how it challenges the very basis of what we can know about art, as well as our received ideas of beauty; and why conceptual art requires us to rethink concepts fundamental to art and aesthetics, such as artistic interpretation and appreciation. Including helpful illustrations of the work of celebrated conceptual artists from Marcel Duchamp, Joseph Kosuth and Piero Manzoni to Dan Perjovschi and Martin Creed, Who’s Afraid of Conceptual Art? is a superb starting point for anyone intrigued but perplexed by conceptual art - and by art in general. It will be particularly helpful to students of philosophy, art and visual studies seeking an introduction not only to conceptual art but fundamental topics in art and aesthetics.
Who's Afraid of Contemporary Art?
by Kyung An Jessica CerasiA smart and playful introduction to the often-mystifying world of contemporary art What is contemporary art? What makes it contemporary? What is it for? And why is it so expensive? From museums and the art market to biennales and the next big thing, Who’s Afraid of Contemporary Art? offers concise and pointed insights into today’s art scene, decoding “Artspeak," explaining what curators do, demystifying conceptual art, exploring emerging art markets, and more. In this easy-to-navigate A to Z guide, the authors’ playful explanations draw on key artworks, artists, and events from around the globe, including how the lights going on and off won the Turner Prize, what makes the likes of Marina Abramovic and Ai Weiwei such great artists, and why Kanye West would trade his Grammys to be one. Packed with behind-the-scenes information and completely free of jargon, Who’s Afraid of Contemporary Art? is the perfect gallery companion and the go to guide for when the next big thing leaves you stumped.
Who's Who in The Archers 2011: An A-Z of Britain's Most Popular Radio Drama
by Graham HarveyNow fully updated, Who's Who in The Archers has become the indispensable companion to life in Britain's best-known village. Whether you need a quick run-down on a new character or a reminder about an on-going relationship, this handy guide is your first reference point. It'll tell you all you need to know about: Harry, the new milkman, who has wasted no time in getting himself noticed. The team running the new community shop. The unofficial "social club" founded by Eddie Grundy. Who lives at Grange Spinney.Each week five million listeners tune into the world's longest running drama series. Who's Who in The Archers will help keep you fully up-to-date on life in this ever-changing rural community. Whether you're a long-standing listener or a new-comer to Ambridge, this pocket guide is certain to add to your enjoyment.