- Table View
- List View
Willamette Valley Wineries
by Barbara Smith RandallDespite its short, 50-year history, Oregon’s Willamette Valley was named Wine Region of the Year in 2016 by Wine Enthusiast, besting Champagne, France; Crete, Greece; and Sonoma, California. Credit for the award can be traced to the pioneer winemakers, a small group of dreamers who—through grit and determination—succeeded in growing grapes where it was considered impossible. Wine has been made in Oregon since the mid-1800s, but it was not until 1965 that winemaking began in earnest in the region. That year, David and Diana Lett planted 3,000 pinot noir vines on a carefully selected south-facing slope. Others joined the adventure, and through collaboration and a passion for making the best wine possible, the Willamette Valley’s wine industry was born. This book presents a history of the challenges, hardships, and ultimate success of Willamette Valley wineries.
William Addison Dwiggins: Stencilled Ornament and Illustration
by Kit Hinrichs Bruce Kennett Dorothy AbbeThere has never been anyone in the design world like William Addison Dwiggins (1880-1956). The first American to call himself a graphic designer, he applied his prodigious talents in the fields of typography, calligraphy, illustration, and even puppeteering--a more fitting title might have been Renaissance man. He is best known for his book designs, which combine his expertise in calligraphy, use of stencils, and typography. Very little has been published on Dwiggins, until now. This edition of Stencilled Ornament & Illustration includes the original book, along with stencils and plates illustrating a dizzying array of graphical elements. A new introduction by Bruce Kennett shows how Dwiggins used ornaments, rules, and other elements in his final book and jacket designs. Originally published in a letterpress edition of 120 copies, this important book introduces the unique genius of Dwiggins to a broader audience.
William Aiken Walker: Southern Genre Painter
by August Trovaioli Roulhac B. ToledanoA study of the South Carolina native&’s life as an artist and as a man, with 157 color illustrations and fifty-eight black-and-white paintings and drawings. Born in South Carolina in 1838, William Aiken Walker remains one of the South&’s most gifted and treasured artists. Though mostly known for his breathtaking depictions of Black Southerners following the Civil War, he is also recognized for his lush and vivid landscapes, which capture the eye and the imagination. After serving in the Confederate Army during the Civil War, Walker traveled throughout the South to sell his paintings to tourists in areas such as New Orleans, Charleston, and cities across Georgia. In those years, he created the most extensive record of Black life of the period and permanently influenced art in the South. With 157 color illustrations and fifty-eight black-and-white paintings and drawings, William Aiken Walker is a remarkable documentary of Walker&’s life as an artist and as a man. First published in 1972, this book is now presented by Pelican in a stunning new edition that includes scores of color photographs not used in the previous edition. Praise for William Aiken Walker: Southern Genre Painter&“Now in a new and expanded edition . . . William Aiken Walker: Southern Genre Painter is an informed and informative history of his life and work, enhanced with the inclusion of 157 color illustrations and 58 black-and-white paintings and drawing. . . . An ideal memorial tribute to a truly talented 19th century American painter.&” —The Midwest Book Review &“[Toledano] has brought Walker . . . back to life for art lovers the world over.&” —The Hook
William and Mary Men's Soccer (Images of Sports)
by Jon Stewart Al AlbertFrom its humble beginnings as a club team with hand-me-down football jerseys, William and Mary men's soccer team has become an exemplary intercollegiate program. Whether judged by their 30 consecutive winning seasons or the success of their graduates--including Comedy Central's Jon Stewart and MLS stars Wade Barrett, Steve Jolley, and Adin Brown--Tribe soccer has become what college soccer should be. For almost 50 years, William and Mary has not only developed outstanding individuals and teams, but has also exerted an amazing amount of influence on soccer in their community by contributing to the growth of youth, high school, and women's soccer.
William Blake: The very best poems from one of the most important figures of the Romantic Age (The Great Poets)
by William Blake'To see the world in a grain of sand, and to see heaven in a wild flower, hold infinity in the palm of your hands, and eternity in an hour' William BlakeWilliam Blake was a poet and artist. Born in Soho in the eighteenth century, the son of a shopkeeper, he is now acclaimed as a radical left-field artist. Most recently, the Tate held an exhibition of his work: 'Magnificent ... reveal's Blake's vision at its most vivid and strange' GUARDIANBlake's written work was equally vivid. A major poet of the Romantic age, the full range of his poetry includes the joyful and sorrowful, the childlike and complex - and illustrates his original and prophetic vision. Considered mad by contemporaries for his idiosyncratic opinions, he is now revered for the depth of his poetry and art, and the philosophical undercurrents intrinsic to all his creative work.'If the Sun and Moon should ever doubt, they'd immediately go out''The imagination is not a state; it is the human existence itself'
William Blake: The very best poems from one of the most important figures of the Romantic Age (The Great Poets)
by William Blake'To see the world in a grain of sand, and to see heaven in a wild flower, hold infinity in the palm of your hands, and eternity in an hour' William BlakeWilliam Blake was a poet and artist. Born in Soho in the eighteenth century, the son of a shopkeeper, he is now acclaimed as a radical left-field artist. Most recently, the Tate held an exhibition of his work: 'Magnificent ... reveal's Blake's vision at its most vivid and strange' GUARDIANBlake's written work was equally vivid. A major poet of the Romantic age, the full range of his poetry includes the joyful and sorrowful, the childlike and complex - and illustrates his original and prophetic vision. Considered mad by contemporaries for his idiosyncratic opinions, he is now revered for the depth of his poetry and art, and the philosophical undercurrents intrinsic to all his creative work.'If the Sun and Moon should ever doubt, they'd immediately go out''The imagination is not a state; it is the human existence itself'
William Blake: A New Kind of Man
by Michael DavisThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.
William Blake and the Art of Engraving (The History of the Book #4)
by Mei-Ying SungSung closely examines William Blake’s extant engraved copper plates and arrives at a new interpretation of his working process. Sung suggests that Blake revised and corrected his work more than was previously thought. This belies the Romantic ideal that the acts of conception and execution are simultaneous in the creative process.
William Blake in the Desolate Market
by G.E. Bentley JrExperience taught William Blake that "Wisdom is sold in the desolate market where none come to buy." His brilliant achievements as a poet, painter, and engraver brought him public notice, but little income. William Blake in the Desolate Market records how Blake, the most original of all the major English poets, earned his living. G.E. Bentley Jr, the dean of Blake scholars, details the poet's occupations as a commercial engraver, print-seller, teacher, copperplate printer, painter, publisher, and vendor of his own books. In his early career as a commercial engraver, Blake was modestly prosperous, but thereafter his fortunes declined. For his most ambitious commercial designs, he made hundreds of folio designs and scores of engravings, but was paid scarcely more than twenty pounds for two or three years' work. His invention of illuminated printing lost money, and many of his greatest works, such as Jerusalem, were left unsold at his death. He came to believe that his "business is not to gather gold, but to make glorious shapes." William Blake in the Desolate Market is an investigation of Blake's labours to support himself by his arts. The changing prices of his works, his costs and receipts, as well as his patrons and employers are expertly gathered and displayed to show the material side of the artistic career in Britain's Romantic period.
William Blake vs. the World
by John HiggsA wild and unexpected journey through culture, science, philosophy and religion to better understand the mercurial genius of William Blake.Poet, artist, and visionary, William Blake is an archetypal misunderstood genius. His life passed without recognition and he worked without reward, often mocked, dismissed and misinterpreted. Yet from his ignoble end in a pauper's grave, Blake now occupies a unique position as an artist who unites and attracts people from all corners of society—a rare inclusive symbol of human identity. Blake famously experienced visions, and it is these that shaped his attitude to politics, sex, religion, society, and art. Thanks to the work of neuroscientists and psychologists, we are now in a better position to understand what was happening inside that remarkable mind and gain a deeper appreciation of his brilliance. His timeless work, we will find, has never been more relevant. In William Blake vs the World we return to a world of riots, revolutions, and radicals; discuss movements from the Levellers of the sixteenth century to the psychedelic counterculture of the 1960s; and explore the latest discoveries in neurobiology, quantum physics, and comparative religion. Taking the reader on a wild adventure into unfamiliar territory, John Higgs places the bewildering eccentricities of a most singular artist into fascinating context. And although the journey begins with us trying to understand him, we will ultimately discover that it is Blake who helps us to understand ourselves.
William Blake's Divine Comedy Illustrations: 102 Full-Color Plates
by William BlakeDante's Divine Comedy captivated medieval readers, and each successive era remains spellbound by its sublime portraits of Hell, Purgatory, and Heaven. In the early 19th century, one of England's great epic poets paid tribute to the Italian master's work. Gifted at both poetry and painting, William Blake transformed more than a hundred of Dante's visions into sketches, engravings, and brilliant watercolors. This collection features all of his distinctive interpretations of Dante's immortal trilogy.Although Blake labored in poverty and obscurity all his life, he is recognized today as one of the preeminent artists and poets of the English-speaking world. An 1825 commission from patron John Linnell enabled him to focus on illustrating Dante's tales -- the type of visionary work to which his talents were ideally suited. The artist spent the last three years of his life creating these images, which range from completely finished pieces to rough sketches. Blake's highly original approach offers not only an excellent introduction to Dante's allegorical tales, but also a new and fresh perspective for those already familiar with the Divine Comedy.
William Cameron Menzies
by James CurtisHe was the consummate designer of film architecture on a grand scale, influenced by German expressionism and the work of the great European directors. He was known for his visual flair and timeless innovation, a man who meticulously preplanned the color and design of each film through a series of continuity sketches that made clear camera angles, lighting, and the actors' positions for each scene, translating dramatic conventions of the stage to the new capabilities of film. Here is the long-awaited book on William Cameron Menzies, Hollywood's first and greatest production designer, a job title David O. Selznick invented for Menzies' extraordinary, all-encompassing, Academy Award-winning work on Gone With the Wind (which he effectively co-directed). It was Menzies--winner of the first-ever Academy Award for Art Direction, jointly for The Dove (1927) and Tempest (1928), and who was as well a director (fourteen pictures) and a producer (twelve pictures)--who changed the way movies were (and still are) made, in a career that spanned four decades, from the 1920s through the 1950s. His more than 120 films include Rosita (1923), Things to Come (1936), Foreign Correspondent (1940), Kings Row (1942), Mr. Lucky (1943), The Pride of the Yankees (1943), For Whom the Bell Tolls (1943), Address Unknown (1944), It's a Wonderful Life (1947), Invaders from Mars (1953), and Around the World in 80 Days (1956). Now, James Curtis, acclaimed film historian and biographer, writes of Menzies' life and work as the most influential designer in the history of film. His artistry encompassed the large, scenic drawings of Douglas Fairbanks' The Thief of Bagdad (1924), which created a new standard for beauty on the screen and whose exotic fairy-tale sets are still regarded as pure genius. ("I saw The Thief of Bagdad when it first came out," said Orson Welles--he was, at the time, a nine-year-old boy. "I'll never forget it.") Curtis writes of Menzies' design and supervision of John Barrymore's Beloved Rogue (1927), a film that remains a masterpiece of craft and synthesis, one of the most distinctive pictures to emerge from Hollywood's waning days of silent films, and of his extraordinary, opulent appointments for Gone With the Wind (1939). It was Menzies who defined and solidified the role of art director as having overall control of the look of the motion picture, collaborating with producers like David O. Selznick and Samuel Goldwyn; with directors such as D. W. Griffith, Raoul Walsh, Alfred Hitchcock, Lewis Milestone, and Frank Capra. And with actors as varied as Ingrid Bergman, W. C. Fields, Cary Grant, Clark Gable, John Barrymore, Barbara Stanwyck, Ronald Reagan, Gary Cooper, Vivien Leigh, Carole Lombard, Mary Pickford, Gloria Swanson, and David Niven. Interviewing colleagues, actors, directors, friends, and family, and with full access to the William Cameron Menzies family collection of original artwork, correspondence, scrapbooks, and unpublished writing, Curtis brilliantly gives us the path-finding work of the movies' most daring and dynamic production designer: his evolution as artist, art director, production designer, and director. Here is a portrait of a man in his time that makes clear how the movies were forever transformed by his startling, visionary work.(With 16 pages of color illustrations, and black-and-white photographs throughout.)From the Hardcover edition.
William Carey University: Celebrating 125 Years (Campus History)
by Barbara Hamilton Joshua Wilson Donna Duck WheelerIn 2006, William Carey College celebrated 100 years of serving students in south Mississippi. To accompany the centennial, alumni director Donna Duck Wheeler wrote William Carey College: The First 100 Years. In the 11 years following 2006, the school�s enrollment increased to nearly 1,500 students and more programs, such as the College of Osteopathic Medicine, have been established. The span between the first volume and this updated one also includes the name change to William Carey University and the discovery of an additional predecessor institution, Pearl River Boarding School, founded in 1892. This expanded volume, published in commemoration of the institution�s corrected 125th birthday, tells the next chapter of Carey�s history�a history filled with faculty, staff, students, and alumni living out the words of the university�s namesake, William Carey, and �expecting and attempting great things for God.�
William & Catherine: Their Romance and Royal Wedding in Photographs
by David Elliot CohenExperience the fairytale romance and historic wedding of the Prince and Princess of Wales in this volume of more than 200 spectacular photographs.Few events capture the worlds heart and imagination like a British royal wedding. Through more than two hundred photographs—including 80 pages of their wedding alone—William & Catherine recounts the couple’s wildly different childhoods, their romance and engagement, the events leading up to the wedding, and the grand affair itself.Here are the massive crowds lining the parade route, the sparkling celebrities at Westminster Abbey, the brides spectacular gown, “The Kisses” on the Buckingham Palace balcony, and the worldwide celebrations. Also included is a brief pictorial history of British royal weddings from Queen Victoria and Prince Albert in 1840 to Prince Charles and Lady Diana in 1981. With informative and fascinating captions, as well as a foreword by renowned royal watcher Robert Jobson, this book magnificently illustrates the pomp, the pageantry, the history and enchantment of the romance that charmed the world.
William Cullen Bryant's Cedarmere Estate (Images of America)
by Harrison Hunt Linda HuntCedarmere, in the village of Roslyn Harbor, is one of the most picturesque and historic spots on Long Island's North Shore. Its main house was the country home of William Cullen Bryant, the nation's first significant poet and an influential editor of the New York Evening Post. Bryant, who ultimately owned almost 200 acres containing 13 houses, created what may be the first of Long Island's Gold Coast estates. The story of Cedarmere's buildings, grounds, residents, and famous visitors is told here in more than 200 vintage photographs and prints, many of them family images never before published.
William Faulkner and the Tangible Past: The Architecture of Yoknapatawpha
by Thomas S. HinesThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived</DIV
William Faulkner in Hollywood: Screenwriting for the Studios (The South on Screen)
by Stefan SolomonA scholarly examination of the scripts and fiction Faulkner created during his foray as a Hollywood screenwriter. During more than two decades (1932-1954), William Faulkner worked on approximately fifty screenplays for major Hollywood studios and was credited on such classics as The Big Sleep and To Have and Have Not. Faulkner&’s film scripts—and later television scripts—constitute an extensive and, until now, thoroughly underexplored archival source. Stefan Solomon analyzes the majority of these scripts and also compares them to the fiction Faulkner was writing concurrently. His aim: to reconcile two aspects of a career that were not as distinct as they first might seem: Faulkner the screenwriter and Faulkner the modernist, Nobel Prize–winning author. As Solomon shows Faulkner adjusting to the idiosyncrasies of the screenwriting process (a craft he never favored or admired), he offers insights into Faulkner&’s compositional practice, thematic preoccupations, and understanding of both cinema and television. In the midst of this complex exchange of media and genres, much of Faulkner&’s fiction of the 1930s and 1940s was directly influenced by his protracted engagement with the film industry. Solomon helps us to see a corpus integrating two vastly different modes of writing and a restless author. Faulkner was never only the southern novelist or the West Coast &“hack writer&” but always both at once. Solomon&’s study shows that Faulkner&’s screenplays are crucial in any consideration of his far more esteemed fiction—and that the two forms of writing are more porous and intertwined than the author himself would have us believe. Here is a major American writer seen in a remarkably new way.
William Forsythe: A Tool For The Analytical Dance Eye
by Senta DriverFirst Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
William Forsythe and the Practice of Choreography: It Starts From Any Point
by Steven SpierWilliam Forsythe’s reinvigoration of classical ballet during his 20-year tenure at the Ballett Frankfurt saw him lauded as one of the greatest choreographers of the postwar era. His current work with The Forsythe Company has gone even further to challenge and investigate fundamental assumptions about choreography itself. William Forsythe and the Practice of Choreography presents a diverse range of critical writings on his work, with illuminating analysis of his practice from an interdisciplinary perspective. The book also contains insightful working testaments from Forsythe’s collaborators, as well as a contribution from the choreographer himself. With essays covering all aspects of Forsythe’s past and current work, readers are provided with an unparalleled view into the creative world of this visionary artist, as well as a comprehensive resource for students, scholars, and practitioners of ballet and contemporary dance today.
William Forsythe’s Postdramatic Dance Theater: Unsettling Perception (Cognitive Studies in Literature and Performance)
by Freya VassThis book takes choreographer William Forsythe’s choreographic and scenographic processes as a holistic lens through which to view dance as a fundamentally visuo-sonic art form and choreography as a form of perceptual experimentation. In doing so, it reveals how the made worlds within which postdramatic dance is situated influence how choreography is perceived. Resonating with ecological perspectives but also drawing on an extensive range of cognitive research approaches, the volume’s choreo-scenographic perspective emphasizes the importance of considering the expanded scenography of lighting, sound, space, scenic elements, costume, and performer movement when analyzing the sensory and cognitive perception of dance. The volume provides a first book-length cognitive study of both an individual choreographer and the aesthetics of postdramatic theatre. It also satisfies a need for more dedicated scholarship on Forsythe, whose extensive and varied array of groundbreaking ballets and dance theater works for the Ballett Frankfurt (1984-2004), The Forsythe Company (2005-15), and as an independent choreographer have made him a key figure in 20th/21st century dance.
William Friedkin: Interviews (Conversations with Filmmakers Series)
by Christopher LaneAcademy Award–winning director William Friedkin (b. 1935) is best known for his critically and commercially successful films The French Connection and The Exorcist. Unlike other film school–educated filmmakers of the directors’ era, Friedkin got his start as a mailroom clerk at a local TV station and worked his way up to becoming a full-blown Hollywood filmmaker by his thirties. His rapid rise behind the camera from television director to Oscar winner came with self-confidence and unorthodox methods. Known for his gritty and auteurist style, Friedkin’s films tell the story of a changing America upended by crime, hypocrisy, the occult, and amorality. Although his subsequent films achieved varying levels of success, his cultural impact is undeniable. William Friedkin: Interviews collects fifteen articles, interviews, and seminars spanning Friedkin’s career. He discusses early influences, early successes, awards, and current projects. The volume provides coverage of his directorial process, beliefs, and anecdotes from his time serving as the creative force of some of the biggest films of the 1970s and beyond—from his early days in Chicago to his run-ins with Alfred Hitchcock to firing guns on set and witnessing an actual exorcism in Italy. Through previously unpublished and obscure interviews and seminars, the story of William Friedkin’s work and life is woven together into a candid and concise impression for cinephiles, horror junkies, and aspiring filmmakers alike. Readers will gain insight into Friedkin’s genius from his own perspectives and discover the thoughts and processes of a true maverick of American cinema.
William Greaves: Filmmaking as Mission
by Scott MacDonald and Jacqueline Najuma StewartWilliam Greaves is one of the most significant and compelling American filmmakers of the past century. Best known for his experimental film about its own making, Symbiopsychotaxiplasm: Take One, Greaves was an influential independent documentary filmmaker who produced, directed, shot, and edited more than a hundred films on a variety of social issues and on key African American figures ranging from Muhammad Ali to Ralph Bunche to Ida B. Wells. A multitalented artist, his career also included stints as a songwriter, a member of the Actors Studio, and, during the late 1960s, a producer and cohost of Black Journal, the first national television show focused on African American culture and politics.This volume provides the first comprehensive overview of Greaves’s remarkable career. It brings together a wide range of material, including a mix of incisive essays from critics and scholars, Greaves’s own writings, an extensive meta-interview with Greaves, conversations with his wife and collaborator Louise Archambault Greaves and his son David, and a critical dossier on Symbiopsychotaxiplasm. Together, they illuminate Greaves’s mission to use filmmaking as a tool for transforming the ways African Americans were perceived by others and the ways they saw themselves. This landmark book is an essential resource on Greaves’s work and his influence on independent cinema and African-American culture.
William Haggar: Fairground Film Maker
by Peter YorkeBiography of William Haggar, a pioneer of the cinema.Written by Haggar's great-grandson, the book draws on oral reminiscences, unpublished family memoirs and contemporary press reports. It tells the rags-to-riches story of a travelling theatrical who became one of Britain's select band of pioneer film-makers. Containing information on Victorian portable theatres, fairground bioscope shows and Haggar's films, it is a "must" for anyone interested in the popular entertainment of 100 years ago.Contents:- Ten chapters deal with Haggar's life (1851-1925) from his birth at Dedham, Essex, via forty years of travelling with portable theatres and his own Bioscope Exhibition, to respected retirement in Aberdare, South Wales. The last chapter relates the subsequent rediscovery of his films and the recognition of their pioneering quality.- Illustrations include contemporary family portraits, photographs of his huge ornate bioscope sh ow-fronts and stills from his films.- Eight factual appendices provide supporting lists and descriptions of plays and films; and the full texts of particular newspaper articles alluded to in the main narrative.- Notes on sources of information, references and other details.The author, William Haggar's great-grandson Peter Yorke was educated at Queen Elizabeth's Hospital, Bristol, and Pembroke College, Cambridge, graduating in Classics in 1960. Much of his working life was spent representing the University of East Anglia, Norwich, as client to architects, consultants and contractors constructing the then "new university". Retiring in 1996 and moving to Dorset, he has researched his great-grandfather's life and times, travelling throughout England and Wales and to Australia to meet his Haggar relatives to consult their memories for inclusion in this book.
William Haggar: Fairground Film Maker
by Peter YorkeBiography of William Haggar, a pioneer of the cinema.Written by Haggar's great-grandson, the book draws on oral reminiscences, unpublished family memoirs and contemporary press reports. It tells the rags-to-riches story of a travelling theatrical who became one of Britain's select band of pioneer film-makers. Containing information on Victorian portable theatres, fairground bioscope shows and Haggar's films, it is a "must" for anyone interested in the popular entertainment of 100 years ago.Contents:- Ten chapters deal with Haggar's life (1851-1925) from his birth at Dedham, Essex, via forty years of travelling with portable theatres and his own Bioscope Exhibition, to respected retirement in Aberdare, South Wales. The last chapter relates the subsequent rediscovery of his films and the recognition of their pioneering quality.- Illustrations include contemporary family portraits, photographs of his huge ornate bioscope sh ow-fronts and stills from his films.- Eight factual appendices provide supporting lists and descriptions of plays and films; and the full texts of particular newspaper articles alluded to in the main narrative.- Notes on sources of information, references and other details.The author, William Haggar's great-grandson Peter Yorke was educated at Queen Elizabeth's Hospital, Bristol, and Pembroke College, Cambridge, graduating in Classics in 1960. Much of his working life was spent representing the University of East Anglia, Norwich, as client to architects, consultants and contractors constructing the then "new university". Retiring in 1996 and moving to Dorset, he has researched his great-grandfather's life and times, travelling throughout England and Wales and to Australia to meet his Haggar relatives to consult their memories for inclusion in this book.
William Henry Jernagin in Washington, D.C.: Faith in the Fight for Civil Rights (American Heritage)
by Ida E. JonesWilliam Henry Jernagin was a devout Christian and fierce advocate for civil rights in the first half of the twentieth century. He was senior pastor of the Mount Carmel Baptist Church in the Mount Vernon Square neighborhood for more than forty-five years. His activism made him an internationally recognized figure. He was a foundational leader in the American civil rights movement. His residency allowed him to contribute to the collective action to abolish Jim Crow in the nation's capital. Through his office in the National Baptist Convention, he also identified the potential in a lesser-known leader of the time, Martin Luther King Jr. Jernagin's passion lifted him to leading positions in the National Baptist Convention and National Fraternal Council of Negro Churches, as well as close work with Presidents Roosevelt, Truman and Eisenhower. Author Ida E. Jones reveals the story of this often-overlooked leader and his fight for civil rights while living in the District of Columbia.