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William Cullen Bryant's Cedarmere Estate (Images of America)
by Harrison Hunt Linda HuntCedarmere, in the village of Roslyn Harbor, is one of the most picturesque and historic spots on Long Island's North Shore. Its main house was the country home of William Cullen Bryant, the nation's first significant poet and an influential editor of the New York Evening Post. Bryant, who ultimately owned almost 200 acres containing 13 houses, created what may be the first of Long Island's Gold Coast estates. The story of Cedarmere's buildings, grounds, residents, and famous visitors is told here in more than 200 vintage photographs and prints, many of them family images never before published.
William Faulkner and the Tangible Past: The Architecture of Yoknapatawpha
by Thomas S. HinesThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived</DIV
William Faulkner in Hollywood: Screenwriting for the Studios (The South on Screen)
by Stefan SolomonA scholarly examination of the scripts and fiction Faulkner created during his foray as a Hollywood screenwriter. During more than two decades (1932-1954), William Faulkner worked on approximately fifty screenplays for major Hollywood studios and was credited on such classics as The Big Sleep and To Have and Have Not. Faulkner&’s film scripts—and later television scripts—constitute an extensive and, until now, thoroughly underexplored archival source. Stefan Solomon analyzes the majority of these scripts and also compares them to the fiction Faulkner was writing concurrently. His aim: to reconcile two aspects of a career that were not as distinct as they first might seem: Faulkner the screenwriter and Faulkner the modernist, Nobel Prize–winning author. As Solomon shows Faulkner adjusting to the idiosyncrasies of the screenwriting process (a craft he never favored or admired), he offers insights into Faulkner&’s compositional practice, thematic preoccupations, and understanding of both cinema and television. In the midst of this complex exchange of media and genres, much of Faulkner&’s fiction of the 1930s and 1940s was directly influenced by his protracted engagement with the film industry. Solomon helps us to see a corpus integrating two vastly different modes of writing and a restless author. Faulkner was never only the southern novelist or the West Coast &“hack writer&” but always both at once. Solomon&’s study shows that Faulkner&’s screenplays are crucial in any consideration of his far more esteemed fiction—and that the two forms of writing are more porous and intertwined than the author himself would have us believe. Here is a major American writer seen in a remarkably new way.
William Forsythe: A Tool For The Analytical Dance Eye
by Senta DriverFirst Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
William Forsythe and the Practice of Choreography: It Starts From Any Point
by Steven SpierWilliam Forsythe’s reinvigoration of classical ballet during his 20-year tenure at the Ballett Frankfurt saw him lauded as one of the greatest choreographers of the postwar era. His current work with The Forsythe Company has gone even further to challenge and investigate fundamental assumptions about choreography itself. William Forsythe and the Practice of Choreography presents a diverse range of critical writings on his work, with illuminating analysis of his practice from an interdisciplinary perspective. The book also contains insightful working testaments from Forsythe’s collaborators, as well as a contribution from the choreographer himself. With essays covering all aspects of Forsythe’s past and current work, readers are provided with an unparalleled view into the creative world of this visionary artist, as well as a comprehensive resource for students, scholars, and practitioners of ballet and contemporary dance today.
William Forsythe’s Postdramatic Dance Theater: Unsettling Perception (Cognitive Studies in Literature and Performance)
by Freya VassThis book takes choreographer William Forsythe’s choreographic and scenographic processes as a holistic lens through which to view dance as a fundamentally visuo-sonic art form and choreography as a form of perceptual experimentation. In doing so, it reveals how the made worlds within which postdramatic dance is situated influence how choreography is perceived. Resonating with ecological perspectives but also drawing on an extensive range of cognitive research approaches, the volume’s choreo-scenographic perspective emphasizes the importance of considering the expanded scenography of lighting, sound, space, scenic elements, costume, and performer movement when analyzing the sensory and cognitive perception of dance. The volume provides a first book-length cognitive study of both an individual choreographer and the aesthetics of postdramatic theatre. It also satisfies a need for more dedicated scholarship on Forsythe, whose extensive and varied array of groundbreaking ballets and dance theater works for the Ballett Frankfurt (1984-2004), The Forsythe Company (2005-15), and as an independent choreographer have made him a key figure in 20th/21st century dance.
William Friedkin: Interviews (Conversations with Filmmakers Series)
by Christopher LaneAcademy Award–winning director William Friedkin (b. 1935) is best known for his critically and commercially successful films The French Connection and The Exorcist. Unlike other film school–educated filmmakers of the directors’ era, Friedkin got his start as a mailroom clerk at a local TV station and worked his way up to becoming a full-blown Hollywood filmmaker by his thirties. His rapid rise behind the camera from television director to Oscar winner came with self-confidence and unorthodox methods. Known for his gritty and auteurist style, Friedkin’s films tell the story of a changing America upended by crime, hypocrisy, the occult, and amorality. Although his subsequent films achieved varying levels of success, his cultural impact is undeniable. William Friedkin: Interviews collects fifteen articles, interviews, and seminars spanning Friedkin’s career. He discusses early influences, early successes, awards, and current projects. The volume provides coverage of his directorial process, beliefs, and anecdotes from his time serving as the creative force of some of the biggest films of the 1970s and beyond—from his early days in Chicago to his run-ins with Alfred Hitchcock to firing guns on set and witnessing an actual exorcism in Italy. Through previously unpublished and obscure interviews and seminars, the story of William Friedkin’s work and life is woven together into a candid and concise impression for cinephiles, horror junkies, and aspiring filmmakers alike. Readers will gain insight into Friedkin’s genius from his own perspectives and discover the thoughts and processes of a true maverick of American cinema.
William Greaves: Filmmaking as Mission
by Scott MacDonald and Jacqueline Najuma StewartWilliam Greaves is one of the most significant and compelling American filmmakers of the past century. Best known for his experimental film about its own making, Symbiopsychotaxiplasm: Take One, Greaves was an influential independent documentary filmmaker who produced, directed, shot, and edited more than a hundred films on a variety of social issues and on key African American figures ranging from Muhammad Ali to Ralph Bunche to Ida B. Wells. A multitalented artist, his career also included stints as a songwriter, a member of the Actors Studio, and, during the late 1960s, a producer and cohost of Black Journal, the first national television show focused on African American culture and politics.This volume provides the first comprehensive overview of Greaves’s remarkable career. It brings together a wide range of material, including a mix of incisive essays from critics and scholars, Greaves’s own writings, an extensive meta-interview with Greaves, conversations with his wife and collaborator Louise Archambault Greaves and his son David, and a critical dossier on Symbiopsychotaxiplasm. Together, they illuminate Greaves’s mission to use filmmaking as a tool for transforming the ways African Americans were perceived by others and the ways they saw themselves. This landmark book is an essential resource on Greaves’s work and his influence on independent cinema and African-American culture.
William Haggar: Fairground Film Maker
by Peter YorkeBiography of William Haggar, a pioneer of the cinema.Written by Haggar's great-grandson, the book draws on oral reminiscences, unpublished family memoirs and contemporary press reports. It tells the rags-to-riches story of a travelling theatrical who became one of Britain's select band of pioneer film-makers. Containing information on Victorian portable theatres, fairground bioscope shows and Haggar's films, it is a "must" for anyone interested in the popular entertainment of 100 years ago.Contents:- Ten chapters deal with Haggar's life (1851-1925) from his birth at Dedham, Essex, via forty years of travelling with portable theatres and his own Bioscope Exhibition, to respected retirement in Aberdare, South Wales. The last chapter relates the subsequent rediscovery of his films and the recognition of their pioneering quality.- Illustrations include contemporary family portraits, photographs of his huge ornate bioscope sh ow-fronts and stills from his films.- Eight factual appendices provide supporting lists and descriptions of plays and films; and the full texts of particular newspaper articles alluded to in the main narrative.- Notes on sources of information, references and other details.The author, William Haggar's great-grandson Peter Yorke was educated at Queen Elizabeth's Hospital, Bristol, and Pembroke College, Cambridge, graduating in Classics in 1960. Much of his working life was spent representing the University of East Anglia, Norwich, as client to architects, consultants and contractors constructing the then "new university". Retiring in 1996 and moving to Dorset, he has researched his great-grandfather's life and times, travelling throughout England and Wales and to Australia to meet his Haggar relatives to consult their memories for inclusion in this book.
William Haggar: Fairground Film Maker
by Peter YorkeBiography of William Haggar, a pioneer of the cinema.Written by Haggar's great-grandson, the book draws on oral reminiscences, unpublished family memoirs and contemporary press reports. It tells the rags-to-riches story of a travelling theatrical who became one of Britain's select band of pioneer film-makers. Containing information on Victorian portable theatres, fairground bioscope shows and Haggar's films, it is a "must" for anyone interested in the popular entertainment of 100 years ago.Contents:- Ten chapters deal with Haggar's life (1851-1925) from his birth at Dedham, Essex, via forty years of travelling with portable theatres and his own Bioscope Exhibition, to respected retirement in Aberdare, South Wales. The last chapter relates the subsequent rediscovery of his films and the recognition of their pioneering quality.- Illustrations include contemporary family portraits, photographs of his huge ornate bioscope sh ow-fronts and stills from his films.- Eight factual appendices provide supporting lists and descriptions of plays and films; and the full texts of particular newspaper articles alluded to in the main narrative.- Notes on sources of information, references and other details.The author, William Haggar's great-grandson Peter Yorke was educated at Queen Elizabeth's Hospital, Bristol, and Pembroke College, Cambridge, graduating in Classics in 1960. Much of his working life was spent representing the University of East Anglia, Norwich, as client to architects, consultants and contractors constructing the then "new university". Retiring in 1996 and moving to Dorset, he has researched his great-grandfather's life and times, travelling throughout England and Wales and to Australia to meet his Haggar relatives to consult their memories for inclusion in this book.
William Henry Jernagin in Washington, D.C.: Faith in the Fight for Civil Rights (American Heritage)
by Ida E. JonesWilliam Henry Jernagin was a devout Christian and fierce advocate for civil rights in the first half of the twentieth century. He was senior pastor of the Mount Carmel Baptist Church in the Mount Vernon Square neighborhood for more than forty-five years. His activism made him an internationally recognized figure. He was a foundational leader in the American civil rights movement. His residency allowed him to contribute to the collective action to abolish Jim Crow in the nation's capital. Through his office in the National Baptist Convention, he also identified the potential in a lesser-known leader of the time, Martin Luther King Jr. Jernagin's passion lifted him to leading positions in the National Baptist Convention and National Fraternal Council of Negro Churches, as well as close work with Presidents Roosevelt, Truman and Eisenhower. Author Ida E. Jones reveals the story of this often-overlooked leader and his fight for civil rights while living in the District of Columbia.
William Holman Hunt and Typological Symbolism (Routledge Revivals)
by George P. LandowIn this study, first published in 1979, Landow contends that Hunt’s version of Pre-Raphaelitism concerned itself primarily with an elaborate system of painterly symbolism rather than with a photographic realism as has been usually supposed. Like Ruskin, Hunt believed that a symbolism based on scriptural typology – the method of finding anticipations of Christ in Hebrew history – could produce an ideal art that would solve the problems of Victorian painting. According to Hunt, this elaborate symbolism could simultaneously avoid the dangers of materialism inherent in a realistic style, the dead conventionalism of academic art, and the sentimentality of much contemporary painting. George Landow examines Hunt’s work in the context of this argument and, drawing on much unknown or previously inaccessible material, shows how he used texts, frames, and symbols to create a complex art of mediation that became increasingly visionary as the artist grew older. This book is ideal for students of art history.
William Hunter and his Eighteenth-Century Cultural Worlds: The Anatomist and the Fine Arts (Routledge Research in Art History)
by Helen McCormackThe eminent physician and anatomist Dr William Hunter (1718-1783) made an important and significant contribution to the history of collecting and the promotion of the fine arts in Britain in the eighteenth century. Born at the family home in East Calderwood, he matriculated at the University of Glasgow in 1731 and was greatly influenced by some of the most important philosophers of the Scottish Enlightenment, including Francis Hutcheson (1694-1746). He quickly abandoned his studies in theology for Medicine and, in 1740, left Scotland for London where he steadily acquired a reputation as an energetic and astute practitioner; he combined his working life as an anatomist successfully with a wide range of interests in natural history, including mineralogy, conchology, botany and ornithology; and in antiquities, books, medals and artefacts; in the fine arts, he worked with artists and dealers and came to own a number of beautiful oil paintings and volumes of extremely fine prints. He built an impressive school of anatomy and a museum which housed these substantial and important collections. William Hunter’s life and work is the subject of this book, a cultural-anthropological account of his influence and legacy as an anatomist, physician, collector, teacher and demonstrator. Combining Hunter’s lectures to students of anatomy with his teaching at the St Martin’s Lane Academy, his patronage of artists, such as Robert Edge Pine, George Stubbs and Johan Zoffany, and his associations with artists at the Royal Academy of Arts, the book positions Hunter at the very centre of artistic, scientific and cultural life in London during the period, presenting a sustained and critical account of the relationship between anatomy and artists over the course of the long eighteenth century.
William J. Forsyth: The Life And Work Of An Indiana Artist
by Rachel Berenson PerryClosely associated with artists such as T. C. Steele and J. Ottis Adams, William J. Forsyth studied at the Royal Academy in Munich then returned home to paint what he knew best--the Indiana landscape. It proved a rewarding subject. His paintings were exhibited nationally and received major awards. With full-color reproductions of Forsyth's most important paintings and previously unpublished photographs of the artist and his work, this book showcases Forsyth's fearless experiments with artistic styles and subjects. Drawing on his personal letters and other sources, Rachel Berenson Perry discusses Forsyth and his art and offers fascinating insights into his personality, his relationships with his students, and his lifelong devotion to teaching and educating the public about the importance of art.
William Kentridge (October Files #21)
by Rosalind E. KraussCritical texts and interviews that explore the drawings, animations, and theatrical work of the South African artist William Kentridge.Since the 1970s, the South African artist William Kentridge has charted the turbulent terrain of his homeland in both personal and political terms. With erudition, absurdist humor, and an underlying hope in humankind, Kentridge's artwork has examined apartheid, humanitarian atrocities, aging, and the ambiguities of growing up white and Jewish in South Africa. This October Files volume brings together critical essays and interviews that explore Kentridge's work and shed light on the unique working processes behind his drawings, prints, stop-animation films, and theater works.The texts include an interview by the artist Carolyn Christov-Bakargiev, curator of the first major retrospective of Kentridge's work; an essay by Andreas Huyssen on the role of shadow-play in Kentridge's film series 9 Drawing for Projection; and investigations of Kentridge's work for opera and theater by Maria Gough, Joseph Leo Koerner, and Margaret Koster Koerner. An analysis by influential art historian Rosalind Krauss, the editor of this volume, argues that Kentridge's films are the result of a particularly reflexive drawing practice in which the marks on the page—particularly the smudges, smears, and erasures that characterize his stop-animations—define the act of drawing as a temporal medium. Krauss's understanding of Kentridge's work as embodying a fundamental tension between formal and sociological poles has been crucial to subsequent analyses of the artist's work, including the new essay by the anthropologist Rosalind Morris, who has collaborated with Kentridge on several projects.Essays and InterviewsCarolyn Christov-Bakargiev, Maria Gough, Andreas Huyssen, William Kentridge, Joseph Leo Koerner, Margaret Koster Koerner, Rosalind Krauss, Rosalind Morris
William Lethaby, Symbolism and the Occult (Routledge Research in Architectural History)
by Amandeep Kaur MannThis book delves into the life and work of architect William Richard Lethaby (1857–1931) and his relationship with the occult and alchemy, in particular. Using detailed analysis of Lethaby’s drawings and architecture, the research uncovers Lethaby’s familiarity with occult concepts and ideology during the spiritual revolution of the nineteenth century. Throughout this time, countless individuals, particularly members of the avant-garde, rejected more traditional religious pathways and sought answers through experimental and mystical alternatives. William Lethaby, Symbolism and the Occult reveals how the architect was profoundly influenced by the Zeitgeist, which was saturated with references to spiritualism, mysticism and the occult, and explores the impact of occultism on his contemporaries and the wider Arts and Crafts Movement. This book is written for upper-level students, researchers and academics interested in architectural history, William Lethaby and nineteenth century culture and society.
William Morris Full-Color Patterns and Designs
by William MorrisDefining beauty in art as the result of man's pleasure in his work, the noted English poet, designer, craftsman and pioneer Socialist William Morris (1834-1896) spent most of his life enthusiastically expounding this view through his many attractive designs for interior furnishings. The present book faithfully reproduces 40 of the most celebrated examples of Morris's work, reprinting in full color all the color plates from The Art of William Morris, published by George Bell & Sons in 1897. Included in this splendid, ready-to-use archive are richly detailed wallpaper designs incorporating marigold, vine, acanthus, apple, wild tulip, daisy and trellis motifs; hand-painted tiles with a rose pattern; chintzes displaying honeysuckle and bird and anemone designs; an acanthus design on printed velveteen; a superb peacock and dragon design on woven wool tapestry; a magnificent Kidderminster carpet with its lily motif. Originally intended to decorate Victorian homes, these tasteful patterns provide a wealth of source material for modern artists working in advertising, textile, residential or industrial design. Commercial artists and graphic designers will welcome this modestly priced collection of copyright-free designs by one of the most influential artists of the Victorian period.
William Morris in Appliqué: 6 Stunning Projects and Over 40 Individual Designs
by Michele HillCapture the glory of the historic textile designer’s work in exquisite appliqué quilts, cushions, and wallhangings, featuring an array of motifs.No artist ever captured the beauty of nature in such exquisite detail as William Morris. Now Michele Hill has transformed his graceful birds, flowers, vines, and woodland creatures into appliqué designs any quilter can master.• Turn William Morris' designs into 6 lovely appliqué projects: quilts, cushions, and wallhangings• Mix and match more than 50 appliqué motifs to create your own William Morris-inspired designs• Make your masterpiece quickly with easy fusible appliqué
William Morris’s Utopianism
by Owen HollandThis book offers a new interpretation of William Morris's utopianism as a strategic extension of his political writing. Morris's utopian writing, alongside his journalism and public lectures, constituted part of a sustained counter-hegemonic project that intervened both into the life-world of the fin de si#65533;cle socialist movement, as well as the dominant literary cultures of his day. Owen Holland demonstrates this by placing Morris in conversation with writers of first-wave feminism, nineteenth-century pastoralists, as well as the romance revivalists and imperialists of the 1880s. In doing so, he revises E. P. Thompson's and Miguel Abensour's argument that Morris's utopian writing should be conceived as anti-political and heuristic, concerned with the pedagogic education of desire, rather than with the more mundane work of propaganda. He shows how Morris's utopianism emerged against the grain of the now-here, embroiled in instrumental, propagandistic polemic, complicating Thompson's and Abensour's view of its anti-political character.
William Penn Highway, The (Postcard History)
by Robert A. MussonThe William Penn Highway was a major route through the Appalachian Mountains between Philadelphia and Pittsburgh throughout the 20th century. Established in 1916, a decade prior to the federal highway system, the road succeeded the former Northern Turnpike, with much of it following the course of the Pennsylvania Railroad through the Juniata River Valley. The highway also followed the former path of the Allegheny Portage Railroad in climbing the long grade of the Allegheny Ridge. In 1926, US Route 22 was established to follow the highway's course, extending it eastward to Newark, New Jersey, and westward to Cincinnati, Ohio, where it remains well traveled today. This book shows many of the highway's scenic and historic sites.
William Peter Blatty on The Exorcist from Novel to Film: From Novel To Screen
by William Peter BlattyIn William Peter Blatty on The Exorcist: From Novel to Film, the New York Times bestselling author reveals the real-life incidents that inspired his famous novel and how it evolved into the groundbreaking Academy Award-winning screenplay of the 1973 groundbreaking William Friedkin film.Featuring the original, controversial ending of the novel, and both the first draft of the screenplay and the shooting script, Blatty presents his behind-the-scenes commentary on the differences between the book and screenplays, detailing the specific reasons why the changes were made for the final cut. This is the true story of the making of The Exorcist, an insider's guide to Hollywood in one of its most creative eras. Includes photographsAt the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
William Shakespeare: His Life and Times
by Dennis KayA concise critical introduction to the greatest playwright in the English language.
William Shakespeare: The Critical Heritage Volume 4 1753-1765 (Critical Heritage Ser.)
by Brian VickersFirst published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
William Shakespeare: The Critical Heritage Volume 3 1733-1752 (Critical Heritage Ser.)
by Brian VickersFirst published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
William Shakespeare and the Globe
by AlikiFrom "Hamlet", to "Romeo and Juliet", to "A Midsummer Night's Dream", Shakespeare's celebrated works have touched people around the world. Aliki combines literature, history, biography, archaeology, and architecture in this richly detailed and meticulously researched introduction to Shakespeare's world-his life in Elizabethan times, the theater world, and the Globe, for which he wrote his plays. Then she brings history full circle to the present-day reconstruction of the Globe theater.