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Vision and Difference: Feminism, Femininity and Histories of Art (Routledge Classics Ser.)
by Griselda PollockGriselda Pollock provides concrete historical analyses of key moments in the formation of modern culture to reveal the sexual politics at the heart of modernist art. Crucially, she not only explores a feminist re-reading of the works of canonical male Impressionist and Pre-Raphaelite artists including Edgar Degas and Dante Gabriel Rossetti, but also re-inserts into art history their female contemporaries - women artists such as Berthe Morisot and Mary Cassatt. Pollock discusses the work of women artists such as Mary Kelly and Yve Lomax, highlighting the problems of working in a culture where the feminine is still defined as the object of the male gaze. Now published with a new introduction, Vision and Difference is as powerful as ever for all those seeking not only to understand the history of the feminine in art, but also to develop new strategies for representation for the future.
Vision and Displays for Military and Security Applications
by Keith K. NiallThe book discusses advances in projection technologies used for simulation in military and security applications. More specifically, the subject of this book is using high-resolution projection display technology for simulating night vision device conditions while increasing the distance that objects can be simulated under simulated daylight conditions. Topics covered include: advances in high-resolution projection, advances in image generation, advances in geographic modelling or photogrammetric technologies, night vision goggle human factors research, night vision goggle training techniques. The book will have special features including graphs and systems operational architectural diagrams specific to these domains. The main benefit the reader will gain from this book is that it will present leading edge methods for conducting human factors research for night vision device research, while also presenting leading edge technologies used design and apply visual displays for current simulations.
Vision and Verticality: A Multidisciplinary Approach (Social Visualities)
by Gary Bratchford Dennis ZuevThis rich and accessible volume maps current debates within the expanded field of image-based, vertical analysis. With contributions from astronauts, artists, architects, sociologists, urbanists, visual culture theorists, geographers, anthropologists and more the book signals new moves in inter and multidisciplinary research on visual-vertical thinking and related practices within the social sciences, humanities and across the arts. Grounded in socio-visual thinking, Vision and Verticality addresses the emerging shift in the way social scientists move from a sociology of or through images towards a sociology with images. In doing so, this volume illustrates how the sky and atmosphere remain a surprisingly underexplored domain within visual sociology, beyond the framework of drone-related research. Finally, this volume asserts how vertical and atmospherically framed socio-visual analysis is beginning to shape and inform how we see and experience urban spaces, travel, leisure, politics, and environmental challenges through various prisms, including artistic practices, methodological processes, and user-generated content.
Vision-Based Human Activity Recognition (SpringerBriefs in Intelligent Systems)
by Zhongxu Hu Chen LvThis book offers a systematic, comprehensive, and timely review on V-HAR, and it covers the related tasks, cutting-edge technologies, and applications of V-HAR, especially the deep learning-based approaches. The field of Human Activity Recognition (HAR) has become one of the trendiest research topics due to the availability of various sensors, live streaming of data and the advancement in computer vision, machine learning, etc. HAR can be extensively used in many scenarios, for example, medical diagnosis, video surveillance, public governance, also in human–machine interaction applications. In HAR, various human activities such as walking, running, sitting, sleeping, standing, showering, cooking, driving, abnormal activities, etc., are recognized. The data can be collected from wearable sensors or accelerometer or through video frames or images; among all the sensors, vision-based sensors are now the most widely used sensors due to their low-cost, high-quality, and unintrusive characteristics. Therefore, vision-based human activity recognition (V-HAR) is the most important and commonly used category among all HAR technologies.The addressed topics include hand gestures, head pose, body activity, eye gaze, attention modeling, etc. The latest advancements and the commonly used benchmark are given. Furthermore, this book also discusses the future directions and recommendations for the new researchers.
Vision Based Identification and Force Control of Industrial Robots (Studies in Systems, Decision and Control #404)
by Abdullah Aamir Hayat Shraddha Chaudhary Riby Abraham Boby Arun Dayal Udai Sumantra Dutta Roy Subir Kumar Saha Santanu ChaudhuryThis book focuses on end-to-end robotic applications using vision and control algorithms, exposing its readers to design innovative solutions towards sensors-guided robotic bin-picking and assembly in an unstructured environment. The use of sensor fusion is demonstrated through a bin-picking task of texture-less cylindrical objects. The system identification techniques are also discussed for obtaining precise kinematic and dynamic parameters of an industrial robot which facilitates the control schemes to perform pick-and-place tasks autonomously without any interference from the user. The uniqueness of this book lies in a judicious balance between theory and technology within the context of industrial application. Therefore, it will be valuable to researchers working in the area of vision- and force control- based robotics, as well as beginners in this inter-disciplinary area, as it deals with the basics and technologically advanced research strategies.
The Vision of a Nation
by Gavin SchafferTelling the stories behind television's approaches to race relations, multiculturalism and immigration in the 'Golden Age' of British television, the book focuses on the 1960s and 1970s and argues that the makers of television worked tirelessly to shape multiculturalism and undermine racist extremism.
The Vision of the Soul: Truth, Beauty, and Goodness in the Western Tradition
by James Matthew WilsonStory-telling is foundational to the forms of the fine arts, but it is no less foundational to human reason. Human life in turn constitutes a specific kind of form―a story form. The ancient conception of human life as a pilgrimage to beauty itself is one that we can fully embrace only if we see the essential correlation between reason and story and the essential convertibility of truth, goodness and beauty in beauty. By turns a study in fundamental ontology, aesthetics, and political philosophy, Wilson's book invites its readers to a renewal of the West's intellectual tradition.
Vision, Sensing and Analytics: Integrative Approaches (Intelligent Systems Reference Library #207)
by Md Atiqur Rahman Ahad Atsushi InoueThis book serves as the first guideline of the integrative approach, optimal for our new and young generations. Recent technology advancements in computer vision, IoT sensors, and analytics open the door to highly impactful innovations and applications as a result of effective and efficient integration of those. Such integration has brought to scientists and engineers a new approach —the integrative approach. This offers far more rapid development and scalable architecting when comparing to the traditional hardcore developmental approach. Featuring biomedical and healthcare challenges including COVID-19, we present a collection of carefully selective cases with significant added- values as a result of integrations, e.g., sensing with AI, analytics with different data sources, and comprehensive monitoring with many different sensors, while sustaining its readability.
Vision, Technology, and Subjectivity in Mexican Cyberpunk Literature (Studies in Global Science Fiction)
by Stephen C. TobinVision, Technology and Subjectivity in Mexican Cyberpunk Literature interrogates an array of cyberpunk and post-cyberpunk science fiction novels and short stories from Mexico whose themes engage directly with visual technologies and the subjectivities they help produce – all published during and influenced by the country’s neoliberal era. This book argues that television, computers, and smartphones and the literary narratives that treat them all correspond to separate-yet-overlapping scopic regimes within the country today. Amidst the shifts occurring in the country’s field of vision during this period, the authors of these cyberpunk and post-cyberpunk narratives imagine how these devices contribute to producing specular subjects—or subjects who are constituted in large measure by their use and interaction with visual technologies. In doing so, they repeatedly recur to the posthuman figure of the cyborg in order to articulate these changes; Stephen C. Tobin therefore contends that the literary cyborg becomes a discursive site for working through the problematics of sight in Mexico during the globalized era. In all, these “specular fictions” represent an exceptional tendency within literary expression—especially within the cyberpunk genre—that grapples with themes and issues regarding the nature of vision being increasingly mediated by technology.
Visionary and Dreamer: Two Poetic Painters: Samuel Palmer and Edward Burne-Jones (The A. W. Mellon Lectures in the Fine Arts #15)
by David CecilAn eminent literary biographer and critic shows how poetry enriched the art of two representative English Romantic paintersIn Visionary and Dreamer, David Cecil evokes the century of the poet-painter, when painting drew much of its inspiration from imaginative literature. Samuel Palmer (1805–1881), an unworldly visionary, obscure in his lifetime but now a recognized master, and Edward Burne-Jones (1833–1898), the Pre-Raphaelite daydreamer, once revered as a great painter but later admired chiefly for his work in applied art, emerge as artists who turned to their own inner lives to interpret Shakespeare, Milton, and Keats.
The Visionary Art of Nicholas Roerich: A Messenger of Beauty
by Jacqueline DecterA fully illustrated biography of mystic, artist, and explorer Nicholas Roerich• Includes 88 color plates showcasing the variety of Roerich&’s artistic talent, from breathtaking Himalayan landscapes to set and costume designs, most notably for Stravinsky&’s The Rite of Spring• Examines Roerich&’s profound love for folk traditions of Russia, India, and Tibet and his spiritual quests across the Himalayan Mountains in search of beauty and the lost paradise of Shambala• Reveals how Roerich&’s life and work significantly influenced the development of modern art and cultureNicholas Roerich (1874–1947) was a Russian artist, writer, archaeologist, explorer, mystic, theosophist, and peacemaker who left a rich legacy of nearly 7,000 visionary paintings and 30 books on the mystic East. Twice nominated for the Nobel Peace Prize due to the Roerich Peace Pact—a remarkable treaty signed by President Roosevelt that sought to preserve cultural monuments during times of war—Roerich had a profound love for folk traditions of Russia, India, and Tibet, especially legends of lost cities and paradise. Together with his wife and two sons, from the 1890s into the 1930s, Roerich embarked on a number of spiritual quests through India, the Gobi Desert, the Altai and Kunlun Mountains, Mongolia, and Tibet, crisscrossing the Himalayan Mountains many times before settling in Kulu, India, in the shadows of the great mountain range. Through his explorations throughout the world and the immersive art he created during those travels, he was seeking the grains of spiritual truth behind the legends of paradise lost, including during his pilgrimages in search of Shambala. Revealing the mystical world of Nicholas Roerich in stunning full color, Jacqueline Decter invites us to witness Roerich&’s far-reaching vision and dedication to beauty across the full scope of his inspiring life and artistic career. This new hardcover edition features Decter&’s translations of many Russian texts into English as well as 88 color plates showcasing the variety of Roerich&’s artistic talent, from breathtaking Himalayan landscapes and spiritual themes to set and costume designs, most notably for Stravinsky&’s The Rite of Spring. A celebration of Roerich as both visionary artist and visionary explorer, this fully illustrated biography illuminates a man whose life and work significantly influenced the development of modern art and culture.
The Visionary Eye: Essays in the Arts, Literature, and Science
by Jacob BronowskiA collection of essays which discuss about examples taken from across the spectrum of the arts, past and present--music, poetry, painting and sculpture, architecture, industrial design, and engineering artifacts.
Visionary Film: The American Avant-Garde, 1943-2000
by P. Adams SitneyCritics hailed previous editions of Visionary Film as the most complete work written on the exciting, often puzzling, and always controversial genre of American avant-garde film. This book has remained the standard text on American avant-garde film since the publication of its first edition in 1974. <p><p>Now P. Adams Sitney has once again revised and updated this classic work, restoring a chapter on the films of Gregory J. Markopoulos and bringing his discussion of the principal genres and major filmmakers up to the year 2000.
Visioning Technologies: The Architectures of Sight
by Graham CairnsVisioning Technologies brings together a collection of texts from leading theorists to examine how architecture has been, and is, reframed and restructured by the visual and theoretical frameworks introduced by different ‘technologies of sight’ – understood to include orthographic projection, perspective drawing, telescopic devices, photography, film and computer visualization, amongst others. Each chapter deals with its own area and historical period of expertise, organized sequentially to mark out and analyse the historical evolution of how architecture has been transformed by technologically induced shifts in human perception from the 15th century until today. This book underlines the way in which architectural forms and design processes have developed historically in conjunction with the systems of sight we manufacture technologically and suggests this continues today. Paradoxically, it is premised on the argument that these technological systems tend, in their initial formulations, to obtain ever greater realism in our visualizations of the physical world.
Visions for Intercultural Music Teacher Education (Landscapes: the Arts, Aesthetics, and Education #26)
by Heidi Westerlund Sidsel Karlsen Heidi ParttiThis open access book highlights the importance of visions of alternative futures in music teacher education in a time of increasing societal complexity due to increased diversity. There are policies at every level to counter prejudice, increase opportunities, reduce inequalities, stimulate change in educational systems, and prevent and counter polarization. Foregrounding the intimate connections between music, society and education, this book suggests ways that music teacher education might be an arena for the reflexive contestation of traditions, hierarchies, practices and structures. The visions for intercultural music teacher education offered in this book arise from a variety of practical projects, intercultural collaborations, and cross-national work conducted in music teacher education. The chapters open up new horizons for understanding the tension-fields and possible discomfort that music teacher educators face when becoming change agents. They highlight the importance of collaborations, resilience and perseverance when enacting visions on the program level of higher education institutions, and the need for change in re-imagining music teacher education programs.
Visions from the Upside Down: Stranger Things Artbook (Stranger Things)
by NetflixOver 200 artists present their own unique visions of Stranger Things in a stunning celebration of the runaway hit Netflix series. In honor of Stranger Things, the innovative pop culture enthusiasts at Printed In Bloodare proud to present the latest release in their ongoing series of artbooks. More than two hundred artists, drawn from the earthly dimensions of comics, illustration, fine art, videogames, and animation, have come together to bring us a unique vision of the world of Hawkins, Indiana. Come dig into this collection of more than two hundred brand-new images and see what new worlds you might discover lurking just beneath the surface. Includes art by: ORLANDO AROCENA • MATT BUSCH • BUTCHER BILLY • RIAN HUGHES • JOHN McCREA • MATT NEEDLE • GARY PULLIN • BILL SIENKIEWICZ • EILEEN STEINBACH & MORE!This ebook is best viewed on a color device with a larger screen.
Visions of a New Land
by Emma WiddisIn 1917 the Bolsheviks proclaimed a world remade. The task of the new regime, and of the media that served it, was to reshape the old world in revolutionary form, to transform the vast, "ungraspable" space of the Russian Empire into the mapped territory of the Soviet Union. This book shows how Soviet cinema encouraged popular support for state initiatives in the years between the revolution and the Second World War, helping to create a new Russian identity and territory--an "imaginary geography" of Sovietness. Drawing on a vast range of little-known texts, Emma Widdis offers a unique cultural history of the early Soviet period. In particular, she shows how films projected the new Soviet map onto the great shared screen of the popular imagination.
Visions of Avant-Garde Film: Polish Cinematic Experiments from Expressionism to Constructivism
by Kamila KucWarsaw- and London-based filmmakers Franciszka and Stefan Themerson are often recognized internationally as pioneers of the 1930s Polish avant-garde. Yet, from the turn of the century to the end of the 1920s, Poland’s literary and art scenes were also producing a rich array of criticism and early experiments with the moving image that set the stage for later developments in the avant-garde. In this comprehensive and accessible study, Kamila Kuc draws on myriad undiscovered archival sources to tell the history of early Polish avant-garde movements—Symbolism, Expressionism, Futurism, and Constructivism—and to reveal their impact on later practices in art cinema.
Visions of Camelot: Great Illustrations of King Arthur and His Court
by Jeff A. MengesEvery generation has a chance to rediscover the ageless tales from Arthurian myth. But who was King Arthur? Was he a great and noble king, a strong warrior chieftain, a Celtic deity, or a compelling character of myth and legend? The lack of solid evidence has fueled fierce debate among scholars and historians. But whether or not we can verify his existence -- or guess at his appearance -- a gallery of important artists have used their prodigious talents to depict King Arthur and his compatriots in a range of creative styles. This stunning array of 148 color and black-and-white illustrations compiles the best of this artwork. This unique collection presents interpretations of medieval times and the chivalric code -- from simply elegant to lavishly ornate -- by legends N. C. Wyeth, Aubrey Beardsley, William Russell Flint, Howard Pyle, and others. Accompanied by an introduction to each artist and his work, this visual feast is a triumph of creativity and a tempting invitation to return to the spellbinding world of Camelot.
Visions of Dystopia in China's New Historical Novels
by Jeffrey C. KinkleyThe epic narratives of modern Chinese fiction feature graphic depictions of sex and violence and dark, raunchy comedy, and these novels deeply reflect China's turbulent recent history
Visions of Invasion: Alien Affects, Cinema, and Citizenship in Settler Colonies (Race, Rhetoric, and Media Series)
by Michael LechugaVisions of Invasion: Alien Affects, Cinema, and Citizenship in Settler Colonies explores how the US government mobilizes media and surveillance technologies to operate a highly networked, multidimensional system for controlling migrants. Author Michael Lechuga focuses on three arenas where a citizenship control assemblage manufactures alienhood: Hollywood extraterrestrial invasion film, federal antimigration and border security legislation, and various immigration enforcement protocols implemented along the Mexico–United States border. Building on rhetorical studies, settler colonial studies, and media studies, Visions of Invasion offers a glimpse at how the processes of alien-making contribute to an ongoing settler colonial project in the US. Lechuga demonstrates that popular films—The War of the Worlds, Predator, Men in Black, and more—participate in the production of migrants as subjective terrorists, felons, and other noncitizen personae vilified in public discourse. Beyond just tracing how alien invasion narratives circulate in popular media, Lechuga describes how the logics motivating early US colonists materialize in both the US’s citizenship control policy and in some of the country’s most popular texts. Beneath each of the film franchises and antimigrant political expressions described in Visions of Invasion lies an anxious colonial logic in which the settler way of life is seemingly threated by false narratives of imminent invasion from abroad. The volume offers a deep dive into how the rhetorical figure of the alien has been manufactured as a political subjectivity, one that plays out the anxieties, guilts, and fears of colonialism in today’s science fiction landscape.
Visions of Japanese Modernity: Articulations of Cinema, Nation, and Spectatorship, 1895-1925
by Aaron GerowGerow explores the processes by which film was defined, transformed, and adapted during its first three decades in Japan. He focuses in particular on how one trend in criticism, the Pure Film Movement, changed not only the way films were made, but also how they were conceived.
Visions of Japanese Modernity: Articulations of Cinema, Nation, and Spectatorship, 1895-1925
by Aaron GerowJapan has done marvelous things with cinema, giving the world the likes of Kurosawa, Mizoguchi, and Ozu. But cinema did not arrive in Japan fully formed at the end of the nineteenth century, nor was it simply adopted into an ages-old culture. Aaron Gerow explores the processes by which film was defined, transformed, and adapted during its first three decades in Japan. He focuses in particular on how one trend in criticism, the Pure Film Movement, changed not only the way films were made, but also how they were conceived. Looking closely at the work of critics, theorists, intellectuals, benshi artists, educators, police, and censors, Gerow finds that this trend established a way of thinking about cinema that would reign in Japan for much of the twentieth century.
Visions of Lost Worlds: The Paleoart of Jay Matternes
by Matthew T. Carrano Kirk R. JohnsonA lavish showcase of paleoartist Jay Matternes's spectacular murals and sketchesFor half a century, the artwork of Jay Matternes adorned the fossil halls of the Smithsonian National Museum of Natural History. These treasured Matternes murals documenting mammal evolution over the past 56 million years and dioramas showing dinosaurs from the Mesozoic Era are significant works of one of the most influential paleoartists in history. Simultaneously epic in size and scope and minutely detailed, they also provide a window into the study and interpretation of vertebrate paleontology and paleoecology. Visions of Lost Worlds presents these unparalleled works of art, and also includes the sketches and drawings Matternes prepared as he planned the murals. Known for his technical genius and eye for detail, Matternes sketched from skeletons in museum collections and added muscle, skin, and fur to bring mammals and dinosaurs from prehistory to vivid life. This book offers a close look at these works of art, a peek inside the artist's process, and an examination of the works' impact and legacy.
Visions of Nature: How Landscape Photography Shaped Settler Colonialism
by Dr. Jarrod HoreVisions of Nature revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. They rode a wave of interest in wilderness imagery and made pictures that were hung in settler drawing rooms, perused in albums, projected in theaters, and re-created on vacations. In both the American West and the Tasman World, landscape photography fed into settler belonging and produced new ways of thinking about territory and history. During this key period of settler revolution, a generation of photographers came to associate "nature" with remoteness, antiquity, and emptiness, a perspective that disguised the realities of Indigenous presence and reinforced colonial fantasies of environmental abundance. This book lifts the work of these photographers out of their provincial contexts and repositions it within a new comparative frame.