- Table View
- List View
Visions of Nature: How Landscape Photography Shaped Settler Colonialism
by Dr. Jarrod HoreVisions of Nature revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. They rode a wave of interest in wilderness imagery and made pictures that were hung in settler drawing rooms, perused in albums, projected in theaters, and re-created on vacations. In both the American West and the Tasman World, landscape photography fed into settler belonging and produced new ways of thinking about territory and history. During this key period of settler revolution, a generation of photographers came to associate "nature" with remoteness, antiquity, and emptiness, a perspective that disguised the realities of Indigenous presence and reinforced colonial fantasies of environmental abundance. This book lifts the work of these photographers out of their provincial contexts and repositions it within a new comparative frame.
Visions of Suburbia
by Roger SilverstoneSuburbia. Tupperware, television, bungalows and respectable front lawns. Always instantly recognisable though never entirely familiar. The tight semi-detached estates of thirties Britain and the infenced and functional tract housing of middle America. The elegant villas of Victorian London and the clapboard and brick of fifties Sydney. Architecture and landscapes may vary from one suburban scene to another, but the suburb is the embodiment of the same desire; to create for middle class middle cultures, middle spaces in middle America, Britain and Australia. Visions of Suburbia considers this emergent architectural space, this set of values and this way of life. The contributors address suburbia and the suburban from the point of view of its production, its consumption and its representation. Placing suburbia centre stage, each essay examines what it is that makes suburbia so distinctive and what it is that has made suburbia so central to contemporary culture. _
Visions of Sustainability: Cities and Regions
by Hildebrand Frey Paul YaneskeThis book examines the sustainability of cities and regions and concludes that currently sustainability is not achievable. By identifying how cities and regions in the past have maintained or lost sustainability and how cities and regions of today might achieve sustainability in the future, it gives a clear definition, and an understanding of the true meaning, of sustainability provides a new conceptual framework for the assessment of the sustainability of cities and regions reveals what options are available for humankind to achieve or loose sustainability identifies research that will allow the systematic establishment of the appropriate indicators for sustainable development in cities and regions. Presenting a framework to guide and direct research in the measures needed to achieve and maintain sustainability, the book will be of considerable help to local authorities and political and government bodies responsible for establishing guidelines for the planning and monitoring of sustainable urban development. It will be of fundamental interest to ecologists, environmentalists, geographers, regional planners and urban designers, both in private practice and academia.
Visions of Sustainability for Arts Education: Value, Challenge and Potential (Yearbook of Arts Education Research for Cultural Diversity and Sustainable Development #3)
by Benjamin Bolden Neryl JeanneretThis book stems from the 2019 meeting of the UNESCO UNITWIN international network for Arts Education Research for Cultural Diversity and Sustainable Development. It presents scholarly, international perspectives on issues surrounding arts education and sustainability that addresses the following questions: What value can the arts add to the education of citizens of the 21st century?; What are the challenges and ways forward to realize the potential of arts education in diverse contexts? The book discusses empirical research and exemplary practices in the arts and arts education around the world, presenting sound theoretical and methodological frames and approaches. It identifies policy implications at national, regional and global levels that cut across social, economic, environmental and cultural dimensions of sustainable development.
Visions of the Apocalypse: Spectacles of Destruction in American Cinema (Film Studies)
by Wheeler Winston DixonVisions of the Apocalypse examines the cinema's fascination with the prospect of nuclear and/or natural annihilation, as seen in such films as Saving Private Ryan, Bowling for Columbine, We Were Soldiers, Invasion U.S.A., The Last War, Tidal Wave, The Bed Sitting Room, The Last Days of Man on Earth and numerous others. It also considers the ways in which contemporary cinema has become increasingly hyper-conglomerised, leading to films with ever-higher budgets and fewer creative risks. Along the way, the author discusses such topics as the death of film itself, to be replaced by digital video; the political and social tensions that have made these visions of infinite destruction so appealing to the public; and the new wave of Hollywood war films, coupled with escapist comedies, in the post-9/11 era. Encompassing both questions of physical and filmic mortality Visions of the Apocalypse is a meditation on the questions of time, memory and the cinema's seemingly unending appetite for spectacles of destruction.
Visions of the Apocalypse: Spectacles of Destruction in American Cinema
by Dixon Wheeler WinstonVisions of the Apocalypse examines the cinema's fascination with the prospect of nuclear and/or natural annihilation, as seen in such films as Saving Private Ryan, Bowling for Columbine, We Were Soldiers, Invasion U.S.A., The Last War, Tidal Wave, The Bed Sitting Room, The Last Days of Man on Earth and numerous others. It also considers the ways in which contemporary cinema has become increasingly hyper-conglomerised, leading to films with ever-higher budgets and fewer creative risks. Along the way, the author discusses such topics as the death of film itself, to be replaced by digital video; the political and social tensions that have made these visions of infinite destruction so appealing to the public; and the new wave of Hollywood war films, coupled with escapist comedies, in the post-9/11 era. Encompassing both questions of physical and filmic mortality Visions of the Apocalypse is a meditation on the questions of time, memory and the cinema's seemingly unending appetite for spectacles of destruction.
Visions of the Apocalypse: Spectacles of Destruction in American Cinema
by Dixon Wheeler WinstonVisions of the Apocalypse examines the cinema's fascination with the prospect of nuclear and/or natural annihilation, as seen in such films as Saving Private Ryan, Bowling for Columbine, We Were Soldiers, Invasion U.S.A., The Last War, Tidal Wave, The Bed Sitting Room, The Last Days of Man on Earth and numerous others. It also considers the ways in which contemporary cinema has become increasingly hyper-conglomerised, leading to films with ever-higher budgets and fewer creative risks. Along the way, the author discusses such topics as the death of film itself, to be replaced by digital video; the political and social tensions that have made these visions of infinite destruction so appealing to the public; and the new wave of Hollywood war films, coupled with escapist comedies, in the post-9/11 era. Encompassing both questions of physical and filmic mortality Visions of the Apocalypse is a meditation on the questions of time, memory and the cinema's seemingly unending appetite for spectacles of destruction.
Visions of the Future in Roman Frontier Kingdoms 100 BCE–100 CE (Routledge Monographs in Classical Studies)
by Richard TeversonThis is the first book-length exploration of the ways art from the edges of the Roman Empire represented the future, examining visual representations of time and the role of artwork in Roman imperial systems.This book focuses on four kingdoms from across the empire: Cottius’s Alpine kingdom in the north, King Juba II’s Mauretania in the south-west, Herodian Judea in the east, and Kommagene to the north-east. Art from the imperial frontier is rarely considered through the lens of the aesthetics of time, and Roman provincial art and the monuments of allied rulers are typically interpreted as evidence of the interaction between Roman and local identities. In this interdisciplinary study, which explores statues, wall paintings, coins, monuments, and inscriptions, readers learn that these artworks served as something more: they were created to represent the futures that allied rulers and their people foresaw. The pressure of Roman imperialism drove patrons and artists on the empire’s borders to imbue their creations with increasingly sophisticated ideas about the future, as they wrestled with consequential decisions made under periods of intense political pressure.Comprehensively illustrated and providing an important new approach to Roman material culture at the edge of empire, Visions of the Future in Roman Frontier Kingdoms 100 BCE–100 CE is suitable for students and scholars working on Rome and its frontiers, as well as Roman material culture more broadly, and those studying the aesthetics of time in art and art history.
Visions of the Past: The Challenge of Film to Our Idea of History
by Robert A. RosenstoneCan filmed history measure up to written history? What happens to history when it is recorded in images, rather than words? Can images convey ideas and information that lie beyond words? Taking on these timely questions, Robert Rosenstone pioneers a new direction in the relationship between history and film. Rosenstone moves beyond traditional approaches, which examine the history of film as art and industry, or view films as texts reflecting their specific cultural contexts. This essay collection makes a radical venture into the investigation of a new concern: how a visual medium, subject to the conventions of drama and fiction, might be used as a serious vehicle for thinking about our relationship with the past. Rosenstone looks at history films in a way that forces us to reconceptualize what we mean by "history." He explores the innovative strategies of films made in Africa, Latin America, Germany, and other parts of the world. He journeys into the history of film in a wide range of cultures, and expertly traces the contours of the postmodern historical film. In essays on specific films, including Reds, JFK, and Sans Soleil, he considers such issues as the relationship between fact and film and the documentary as visionary truth. Theorists have for some time been calling our attention to the epistemological and literary limitations of traditional history. The first sustained defense of film as a way of thinking historically, this book takes us beyond those limitations.
Visions of Yesterday (Routledge Library Editions: Cinema)
by Jeffrey RichardsFilm is an important source of social history, as well as having been a popular art form from the early twentieth century. This study shows how a society, consciously or unconsciously, is mirrored in its cinema. It considers the role of the cinema in dramatizing popular beliefs and myths, and takes three case studies – American populism, British imperialism, German Nazism – to explain how a nation’s pressures, tensions and hopes come through in its films. Examining the American cinema is accomplished by analysing the careers of three great directors, John Ford, Frank Capra and Leo McCarey, while the British and German cinemas are studied by theme. The analysis of the British Empire as seen in film broke exciting new ground with a pioneering account of ‘the cinema of Empire’ when it was first published in 1973. With full filmographies and a carefully selected bibliography it is an outstanding work of reference and its lively approach makes it a delight to read. Reviews of the original edition: ‘A work of considerable force and considerable wit.’ – Clive James, Observer ‘…a work that is original, mentally stimulating and most pleasurable to read.’ – Focus on Film
Visitation: The Conjure Work of Black Feminist Avant-Garde Cinema
by Jennifer DeClueIn Visitation, Jennifer DeClue shows how Black feminist avant-garde filmmakers draw from historical archives in order to visualize and reckon with violence suffered by Black women in the United States. DeClue argues that these filmmakers—including Kara Walker, Kara Lynch, Tourmaline, and Ja’Tovia Gary—create spaces of mourning and reckoning rather than voyeurism and pornotropy. Through their use of editing, performance, and cinematic experimentation, these filmmakers intervene in the production of Blackness and activate new ways of seeing Black women and telling their stories. Theorizing these films as a form of conjure work, DeClue shows how these filmmakers raise the specters of Black women from the past and invite them to reveal history from their point of view. In so doing, Black feminist avant-garde filmmakers channel spirits that haunt archives and create cinematic arenas for witnessing Black women battling for survival during pivotal and exceedingly violent moments in US history.Duke University Press Scholars of Color First Book Award recipient
Visiting the Art Museum: A Journey Toward Participation (Sociology of the Arts)
by Eleonora RedaelliVisiting the Art Museum: A Journey Toward Participation is a book about the visitor experience. It is written as a companion for visitors to and inside the art museum. The volume engages readers in transforming a common experience, the museum visit, into a sophisticated epistemological inquiry. The study of the visitor experience through an epistemological approach consists of the untangling of the academic disciplines that study and inform each step of this experience: urban studies, architecture, design, art history, art education, and nonprofit management. This journey follows a transformative bottom-up trajectory from experiential to epistemological, and, finally, reveals itself as empowering. The book unfolds as an edited volume, with chapters by different authors who are enthusiastic scholars in each discipline and addresses undergraduate students as citizens, master’s students as professionals, and scholars as teachers and researchers. Each reader will discover a kaleidoscopic world made of ideas, values, and possibilities for participation.
Visiting the Grand Canyon: Early Views of Tourism
by Linda L. StampoulosThe Colorado River began carving a course to create the Grand Canyon some four to six million years ago, but organized tourism to the natural wonder is fairly young, geologically speaking. Getting to the view along and below the rim has not always been as convenient as packing up the family car and hitting the road. The El Tovar Hotel, celebrating its centennial in 2005, had just opened to lodgers when the Canyon was declared a National Monument in 1908. Between the 1890s and the 1920s, horses, mules, river rafts, stagecoaches, and later railroads and automobiles permitted increasing access to the area. Recreation areas, businesses catering to tourists, and federal preservation programs would eventually mark the Grand Canyon as the ultimate American travel destination.
Visiting the Past: A Guide to Britain's Archaeology
by Gillian HovellArchaeology isn’t just for academics and television presenters – it’s for everyone. And it is all around us. Get your boots on and explore Britain’s national and local archaeology sites for yourself with this revised and updated, easy-to-read, fully illustrated guide.Follow our islands’ history in this step-by-step introduction. Discover what life was like from the earliest days of human habitation right through to the world wars. Then get out to visit the best sites and see what features each era left behind for us to find – and find out how to spot archaeology for yourself in the most surprising places.Be warned: you may never look at an empty field, a stone monument or an old building in the same way again!
Visiting Turn-of-the-Century Philadelphia
by Thomas Reilly Lynn M. HomanFrom the 1890s through the 1920s, the postcard was an extraordinarily popular means of communication, and many of the postcards produced during this "golden age" can today be considered works of art. Postcard photographers traveled the length and breadth of the nation snapping photographs of busy street scenes, documenting local landmarks, and assembling crowds of local children only too happy to pose for a picture. These images, printed as postcards and sold in general stores across the country, survive as telling reminders of an important era in America's history. This fascinating new history of Philadelphia at the turn of the century showcases more than two hundred of the best postcards available.
Visiting With the Ancestors: Blackfoot Shirts in Museum Spaces
by Alison K. Brown Laura PeersIn 2010, five magnificent Blackfoot shirts, now owned by the University of Oxford’s Pitt Rivers Museum, were brought to Alberta to be exhibited at the Glenbow Museum, in Calgary, and the Galt Museum, in Lethbridge. The shirts had not returned to Blackfoot territory since 1841, when officers of the Hudson’s Bay Company acquired them. The shirts were later transported to England, where they had remained ever since. Exhibiting the shirts at the museums was, however, only one part of the project undertaken by Laura Peers and Alison Brown. Prior to the installation of the exhibits, groups of Blackfoot people—hundreds altogether—participated in special “handling sessions,” in which they were able to touch the shirts and examine them up close. The shirts, some painted with mineral pigments and adorned with porcupine quillwork, others decorated with locks of human and horse hair, took the breath away of those who saw, smelled, and touched them. Long-dormant memories were awakened, and many of the participants described a powerful sense of connection and familiarity with the shirts, which still house the spirit of the ancestors who wore them. In the pages of this beautifully illustrated volume is the story of an effort to build a bridge between museums and source communities, in hopes of establishing stronger, more sustaining relationships between the two and spurring change in prevailing museum policies. Negotiating the tension between a museum’s institutional protocol and Blackfoot cultural protocol was challenging, but the experience described both by the authors and by Blackfoot contributors to the volume was transformative. Museums seek to preserve objects for posterity. Visiting With the Ancestorsdemonstrates that the emotional and spiritual power of objects does not vanish with the death of those who created them. For Blackfoot people today, these shirts are a living presence, one that evokes a sense of continuity and inspires pride in Blackfoot cultural heritage.
Visitor Experience at Holocaust Memorials and Museums
by Diana I. PopescuVisitor Experience at Holocaust Memorials and Museums is the first volume to offer comprehensive insights into visitor reactions to a wide range of museum exhibitions, memorials, and memory sites. Drawing exclusively upon empirical research, chapters within the book offer critical insights about visitor experience at museums and memory sites in the United States, Poland, Austria, Germany, France, the UK, Norway, Hungary, Australia, and Israel. The contributions to the volume explore visitor experience in all its complexity and argue that visitors are more than just "learners". Approaching visitor experience as a multidimensional phenomenon, the book positions visitor experience within a diverse national, ethnic, cultural, social, and generational context. It also considers the impact of museums’ curatorial and design choices, visitor motivations and expectations, and the crucial role emotions play in shaping understanding of historical events and subjects. By approaching visitors as active interpreters of memory spaces and museum exhibitions, Popescu and the contributing authors provide a much-needed insight into the different ways in which members of the public act as "agents of memory", endowing this history with personal and collective meaning and relevance. Visitor Experience at Holocaust Memorials and Museums offers significant insights into audience motivation, expectation, and behaviour. It is essential reading for academics, postgraduate students and practitioners with an interest in museums and heritage, visitor studies, Holocaust and genocide studies, and tourism.
The Visitors
by Caroline ScottFrom the highly acclaimed author of The Photographer of the Lost, a BBC Radio 2 Book Club Pick, comes a tale of a young war widow and one life-changing, sun-drenched visit to Cornwall in the summer of 1923... Esme Nicholls is to spend the summer in Cornwall. Her late husband Alec, who died fighting in the war, grew up in Penzance, and she&’s hoping to learn more about the man she loved and lost. While there, she will stay with Gilbert, in his rambling seaside house, where he lives with his former brothers in arms. Esme is fascinated by this community of eccentric artists and former soldiers, and as she gets to know the men and their stories, she begins to feel this summer might be exactly what she needs. But everything is not as idyllic as it seems – a mysterious new arrival later in the summer will turn Esme&’s world upside down, and make her question everything she thought she knew about her life, and the people in it.Full of light, laughter and larger-than-life characters, The Visitors is a novel of one woman finally finding her voice and choosing her own path forwards. Praise for Caroline Scott: &‘A page-turning literary gem&’ The Times, Best Books of 2020 'A touching novel of love and loss' Sunday Times 'A beautifully written must-read' heat 'A gripping, devastating novel' Sarra Manning, RED &‘A powerful novel&’ Good Housekeeping &‘A heartbreaking read&’ Anita Frank 'Breathtaking exploration of loss, love and precious memories&’ My Weekly, Pick of the Month &‘Achingly moving and most beautifully written&’ Rachel Hore &‘This beautiful book packs a huge emotional punch&’ Fabulous &‘Drew me in from the first line and held me enthralled until the very end' Fiona Valpy &‘Quietly devastating' Daily Mail 'A compulsive, heart-wrenching read' Liz Trenow &‘Powerful&’ Woman & Home 'Page turning, mysterious, engrossing and compelling' Lorna Cook &‘A carefully nuanced, complex story&’ Woman&’s Weekly &‘Caroline Scott evokes the damage and desolation of the Great War with aching authenticity' Iona Grey &‘Poignant&’ Best 'Momentous, revelatory and astonishing historical fiction!' Historical Novel Society &‘Wonderful and evocative&’ Suzanne Goldring &‘Based on true events, this is a powerful story&’ Bella &‘Immersive, poignant, intricately woven&’ Judith Kinghorn &‘An evocative read&’ heat &‘The story left me breathless&’ Kate Furnivall &‘A poignant hymn to those who gave up their lives for their country and to those who were left behind&’ Fanny Blake 'I was utterly captivated by this novel' Isabelle Broom
The Visitors' Book: In Francis Bacon's Shadow: The Lives of Richard Chopping and Denis Wirth-Miller
by Jon Lys TurnerDenis Wirth-Miller and Dicky Chopping were a couple at the heart of the mid-twentieth century art world, with the visitors' book of the Essex townhouse they shared from 1945 until 2008 painting them as Zeligs of British society. The names recorded inside make up an astonishing supporting cast - from Francis Bacon to Lucian Freud to Randolph Churchill to John Minton. Successful artists, although not household names themselves, writing Dicky and Denis off as just footnotes in history would be a mistake. After Denis's death in 2010, Jon Lys-Turner, one of two executors of the couple's estate, came into possession of an extraordinary archive of letters, works of art and symbolically loaded ephemera the two had collected since they met in the 1930s. It is no exaggeration to state that this archive represents a missing link in British art history - the wealth of new biographical information disclosed about Francis Bacon, for example, is truly staggering. The Visitors' Book is both an extraordinary insight into the minutiae of Dicky and Denis's life together and what it meant to be gay in pre-Wolfenden Britain, as well as a pocket social history of the era and a unique perspective into mid-twentieth century art. With reams of previously unseen material, this is a fascinating and unique opportunity to delve into post-war Britain.
A Visitor's Guide to Mystic Falls: Your Favorite Authors on The Vampire Diaries
by Red VeeVampires are hot right now, especially among teens, and The Vampire Diaries in a few short episodes became the CW's most-watched show.The Vampire Diaries brings together today's best YA writers of the supernatural to talk about the show's first season: the characters, the storyline, the magic, the town. From a history of the Salem's witches from whom Bonnie is descended to family therapy for brothers Stefan and Damon, the anthology is guaranteed to keep Vampire Diaries viewers entertained--and make them see Mystic Falls, and the rest of the show, in a whole new way.And the webmasters of Vampire-Diaries.net, a popular fansite for both the books and show, also provide a primer on what viewers should know before picking up the books.
Visitors to the House of Memory: Identity and Political Education at the Jewish Museum Berlin (Museums and Collections #9)
by Victoria Bishop KendziaAs one of the most visited museums in Germany's capital city, the Jewish Museum Berlin is a key site for understanding not only German-Jewish history, but also German identity in an era of unprecedented ethnic and religious diversity. Visitors to the House of Memory is an intimate exploration of how young Berliners experience the Museum. How do modern students relate to the museum's evocative architecture, its cultural-political context, and its narrative of Jewish history? By accompanying a range of high school history students before, during, and after their visits to the museum, this book offers an illuminating exploration of political education, affect, remembrance, and belonging.
Vista
by Lois Vaughan CavalierThe vast California land grants of the mid-1800s have long since been divided, yet Vista remains "The Home of the Ranchos." Two imposing adobe ranch houses that served as the earliest centers of northern San Diego County social and business life now stand fully restored as focal points for educational and cultural events. Until 1926, Vista's rich soil and near-perfect climate lacked one critical element: an adequate, reliable water supply. The formation of Vista Irrigation District resulted in the celebrated arrival of an ample supply of water and marked the commencement of an agricultural empire. Vista was soon the avocado capital of the world, with citrus, field, and flower crops flourishing as well. The home-building surge following World War II led to its incorporation as a city in 1963, which enhanced Vista's ongoing reputation as a thriving, family-oriented community that excels today in commercial, recreational, and cultural endeavors.
Visual Aggression: Images of Martyrdom in Late Medieval Germany
by Assaf PinkusWhy does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context of what he calls galleries of violence, the torment imagery that flourished in German-speaking regions during the fourteenth and fifteenth centuries. Exploring these images and the visceral bodily responses that they produced in their viewers, Pinkus argues that the new visual discourse on violence was a watershed in premodern conceptualizations of selfhood.Images of martyrdom in late medieval Germany reveal a strikingly brutal parade of passion: severed heads, split skulls, mutilated organs, extracted fingernails and teeth, and myriad other torments. Stripped from their devotional context and presented simply as brutal acts, these portrayals assailed viewers’ bodies and minds so violently that they amounted to what Pinkus describes as "visual aggressions." Addressing contemporary discourses on violence and cruelty, the aesthetics of violence, and the eroticism of the tortured body, Pinkus ties these galleries of violence to larger cultural concerns about the ethics of violence and bodily integrity in the conceptualization of early modern personhood.Innovative and convincing, this study heralds a fundamental shift in the scholarly conversation about premodern violence, moving from a focus on the imitatio Christi and the liturgy of punishment to the notion of violence as a moral problem in an ethical system. Scholars of medieval and early modern art, history, and literature will welcome and engage with Pinkus’s research for years to come.
Visual Aggression: Images of Martyrdom in Late Medieval Germany
by Assaf PinkusWhy does a society seek out images of violence? What can the consumption of violent imagery teach us about the history of violence and the ways in which it has been represented and understood? Assaf Pinkus considers these questions within the context of what he calls galleries of violence, the torment imagery that flourished in German-speaking regions during the fourteenth and fifteenth centuries. Exploring these images and the visceral bodily responses that they produced in their viewers, Pinkus argues that the new visual discourse on violence was a watershed in premodern conceptualizations of selfhood.Images of martyrdom in late medieval Germany reveal a strikingly brutal parade of passion: severed heads, split skulls, mutilated organs, extracted fingernails and teeth, and myriad other torments. Stripped from their devotional context and presented simply as brutal acts, these portrayals assailed viewers’ bodies and minds so violently that they amounted to what Pinkus describes as “visual aggressions.” Addressing contemporary discourses on violence and cruelty, the aesthetics of violence, and the eroticism of the tortured body, Pinkus ties these galleries of violence to larger cultural concerns about the ethics of violence and bodily integrity in the conceptualization of early modern personhood.Innovative and convincing, this study heralds a fundamental shift in the scholarly conversation about premodern violence, moving from a focus on the imitatio Christi and the liturgy of punishment to the notion of violence as a moral problem in an ethical system. Scholars of medieval and early modern art, history, and literature will welcome and engage with Pinkus’s research for years to come.
Visual Alchemy: The Fine Art Of Digital Montage
by Catherine McIntyreCatherine McIntyre, like many fine artists, created traditional art for decades before encountering the versatility of digital imaging technology. Free of her Rotring pens and scalpel, she now uses Photoshop to create her montages. Visual Alchemy explores McIntyre’s sources of inspiration as well as her methods, offering an aesthetic guide to composition, color, texture and all of the other means of communication that artists have at their disposal. While these concepts and techniques make use of Photoshop, they will apply to any digital imaging program and indeed to any medium, whether traditional or digital. Featuring McIntyre’s own art as well as that of artists around the globe, Visual Alchemy is an invitation to discover the artistic possibilities of picture making through digital montage.