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Warning! Journey to Forever #5 (The Fantastic Frame #5)
by Lin OliverFrom the bestselling coauthor of Hank Zipzer, fast-paced adventure meets art history in the final book of this thrilling series!The adventure reaches its climax as Tiger and Luna enter a famous painting by Diego Rivera. Only this time, they're not alone. The kids are accompanied by Viola, the owner of the fantastic frame and mother of the boy who went missing inside it over fifty years ago. As the trio traverses the world of The Flower Vendor (Girl with Lilies), can they end Viola's search once and for all?Praise for Danger! Tiger Crossing:"Ten-year-old Tiger Brooks and his neighbor, Luna Lopez, get up-close and personal with Henri Rousseau's 'Tiger in a Tropical Storm' in this action-driven first book in the Fantastic Frame series." -Publishers Weekly"Oliver keeps the plot itself snappy and peppy." -Kirkus
Warning Shadows: Home Alone with Classic Cinema
by Gary GiddinsA brilliantly insightful and witty examination of beloved and little-known films, directors, and stars by one of America's most esteemed critics. In his illuminating new work, Gary Giddins explores the evolution of film, from the first moving pictures and peepshows to the digital era of DVDs and online video-streaming. New technologies have changed our experience of cinema forever; we have peeled away from the crowded theater to be home alone with classic cinema. Recounting the technological developments that films have undergone, Warning Shadows travels through time and across genres to explore the impact of the industry's most famous classics and forgotten gems. Essays such as "Houdini Escapes! From the Vaults! Of the Past!," "Edward G. Robinson, See," and "Prestige and Pretension (Pride and Prejudice)" capture the wit and magic of classic cinema. Each chapter--ranging from the horror films of Hitchcock to the fantastical frames of Disney--provides readers with engaging analyses of influential films and the directors and actors who made them possible.
Warped Factors: A Neurotic's Guide to the Universe
by Walter Koenig"Beneath the tinsel of Hollywood," Oscar Levant once said, "is the real tinsel." Beneath that lies a cornucopia of absurd behavior and bizarre experiences that rival the most creative silver screen fiction. As a young transplant from New York in the 1950s and '60s Walter Koenig quickly came to know Hollywood as a place of energy and opportunity where life's uncertainties loomed large. Launching an acting career in this unpredictable cultural cauldron, he wound his way through various misadventures before finding he had attained a degree of success that surprised even him. This is Koenig's story--from growing up as the neurotic child of Russian immigrants in 1940s Manhattan through his rise to Star Trek fame as Pavel Chekov, Russian navigator of the U.S.S. Enterprise, and beyond. Not a typical Hollywood memoir, Warped Factors is anything but aloof. Koenig's very human narrative is full of the kind of insecurities and quirks anyone can relate to. With wry wit, striking candor, and a true gift for storytelling, Koenig takes us on a sometimes bumpy but often hilarious trip through his galaxy. Blind faith and a healthy sense of irony seem to sustain him as he relates a steady stream of anecdotes, including: *** * Pitching a story to an NBC producer who is in the midst of an out-of-body experience; * Having a loaded gun placed in his ear by a jealous manager; * Performing a controversial play that was interrupted by someone believed to be a member of the American Nazi party dressed in the uniform of a Chicken Delight delivery boy; * Getting fired from a CBS movie of the week for staring at the director; * Being mistaken for a bellhop during a public appearance in his Star Trek uniform; * Declining a Star Trek convention attendee's invitation to help sacrifice a chicken in her hotel room. Of course, this amusing memoir also takes us behind the scenes of Star Trek, with fresh perspectives not only on the cast members themselves but also on the development and evolution of the megalithic sci-fi legend. In fact, Koenig includes a number of the script ideas he himself pitched over the years, including a proposed outline for Star Trek VI (one that saw the deaths of several main crew members, including Kirk) and several for The Next Generation series. Also included are Koenig's notes to producer Harve Bennett on Star Trek IT. The Wrath of Khan, as well as his commentary on several other projects. Finally, Koenig offers candid reflections not only on the Star Trek years but on his life and career since. Most notable are his well-received stints on stage and his current role as the insidious Alfred Bester on television's Babylon S. Enjoying both critical and popular success, Koenig has once again confirmed his enduring position in science fiction's acting pantheon.
Warren
by Martha Ruth BurczykKnown as Beebe's Corners in the early 1800s, the city of Warren has grown tobecome the third-largest city in Michigan, surrounding Center Line--the citywithin the city. Warren's history has something for everyone. A pioneer burial groundwas discovered on school property in the 1970s, and an old Norway spruce still pointsthe way for a vanished tribe. In the 1920s, the Warren cooperative supplied goodsto a growing community, and the first African American cemetery in the state wasestablished as well. Warren's General Motors Tech Center was dubbed "the Versailles ofIndustry" in the mid-20th century; in addition to a worldwide radio broadcast, a crowdof 5,000 attended the dedication ceremony, including Pres. Dwight D. Eisenhower. TheChrysler tank arsenal helped to end World War II. World-renowned architects EeroSaarinen and Albert Kahn designed commercial and residential structures in Warrenand Center Line. Places of worship represent all faiths, and a top-notch school systemserves Warren--testaments to the culture of this community.
Warren Ballpark (Images of Sports)
by Mike AndersonIf there is a place where the ghosts of baseball players come at night to relive their glory days, it is Warren Ballpark in the old copper-mining town of Bisbee, Arizona. Warren Ballpark has been in use as a sports facility since 1909--longer than any other ballpark in the United States. Some of the most colorful and notable figures in baseball history have stepped onto its field as barnstorming big leaguers or as minor-league players hoping to make their way up to the "Big Show." Several players implicated in the infamous 1919 "Black Sox" scandal played in an "outlaw" league at Warren Ballpark during the 1920s. In 1917, it was the holding facility for 1,500 striking copper miners rounded up during the Bisbee Deportation. It is also the site of one of the longest-running and most bitterly contested high school football rivalries in America, between the Bisbee Pumas and the Douglas Bulldogs.
Warren County
by Monty Wanamaker Chris KeathleyThe fertile agricultural lands and majestic Cumberland Mountain wilderness that constitute Warren County belonged to the Cherokee Indians until the signing of the Third Treaty of Tellico on October 25, 1805, which officially opened up the region to pioneer settlers. Records show that a hunting party of white explorers made its way into the area from North Carolina and Virginia in 1769, and there is evidence that some families had settled in the territory as early as 1800. One of the earliest land grants is dated 1785 and was issued to Samson Collins in the vicinity of Rock Island. Warren County was officially established on November 26, 1807, by an act of the Tennessee General Assembly when the recently established county of White was divided. Within a decade, the population numbered almost 20,000. The authors present this book in celebration of Warren County's bicentennial in 2007, with its population currently numbering well over 40,000.
Warren County
by Warren County Historical SocietyWarren County's townships, nestled in the northwest corner of Pennsylvania, were originally formed from the land grants awarded by William Penn and his descendants to many individuals and families. Warren County was established March 12, 1800, and grew in prosperity from agriculture, lumber, oil, rafting, railroads, and tanning. The Allegheny National Forest and Allegheny River both provide magnificent arenas for many local recreational and business opportunities. In 1965, Warren County became home to the Kinzua Dam as the flooding of Corydon and parts of Kinzua Township created the reservoir. While most of the eastern and southern parts of the county are broken and hilly, the northeastern section is mostly glacial territory. Hearts Content in Watson Township is one of the few virgin timber tracts remaining in the Allegheny National Forest.
Warrensburg, Missouri
by Lisa IrleWarrensburg, Missouri, was destined to be more than a one-horse town. When Martin Warren set up his blacksmith shop in 1833, the farmers who gathered there to have their horses shod became the community's first citizens. The town was later named in honor of Warren. During the Civil War, Warrensburg hosted both Union and Confederate troops, who reportedly drilled on the same parade grounds. When the railroad reached Warrensburg on July 4, 1864, the frontier town began to thrive, eventually achieving success in agriculture and, since 1871, in higher education.Warrensburg, Missouri illustrates the history of the city in more than 200 vintage images, detailing the faces, places, and events that have colored the town. The "healing waters" of Pertle Springs drew visitors from all around, and in 1870, Warrensburg would be made famous by a trial concerning a slain hunting dog, Old Drum.
Warrenton (Images of America)
by Kate BrennerWhen Warrenton was founded in the 18th century, it was nothing more than a dusty road and watering hole. It served as a tavern and courthouse for weary travelers on the Falmouth-Winchester and Alexandria-Culpeper roads. As it grew and became the seat of Fauquier County, it was transformed into a magnet for judges and lawyers--many of whom shaped the country's government after the Revolutionary War. Almost a century later, Warrenton changed hands more than 60 times during the Civil War; it experienced Reconstruction and rose from the ashes after a great fire that wiped out almost half the town. Today, it has become an epicenter for equestrians, serving as home to foxhunters, the Virginia Gold Cup Steeplechase, and the Warrenton Horse Show. With vintage photographs, Warrenton beckons readers back in time, along the backdrop of beautiful 18th- and 19th-century architecture and estates, to remember the spirit of a bygone era that still paints the streets and colors the culture of the people who live there.
Warrenton-Hammond (Images of America)
by Warrenton-Hammond Historical Society Susan L. GlenLocated near the mouth of the Columbia River, Warrenton, incorporated in February 1899, is a city comprised of many earlier towns and villages. Hammond, although still having a separate post office and zip code, was merged with Warrenton in 1991. Fort Stevens, now an Oregon State Park, is located near Hammond. Lexington was the first county seat for Clatsop County until the county seat was vacated on December 4, 1879, and moved to Astoria. Skipanon, located near the same site as Lexington, was also annexed by Warrenton. Flavel, along the Columbia River between Warrenton and Hammond, was an active port for the Great Northern Steamship Company. It was annexed by Warrenton in 1918. Warrenton-Hammond documents each of these towns as they grew and became the present city of Warrenton.
Warring Visions: Photography and Vietnam
by Thy PhuIn Warring Visions, Thy Phu explores photography from dispersed communities throughout Vietnam and the Vietnamese diaspora, both during and after the Vietnam War, to complicate narratives of conflict and memory. While the visual history of the Vietnam War has been dominated by American documentaries and war photography, Phu turns to photographs circulated by the Vietnamese themselves, capturing a range of subjects, occasions, and perspectives. Phu's concept of warring visions refers to contrasts in the use of war photos in North Vietnam, which highlighted national liberation and aligned themselves with an international audience, and those in South Vietnam, which focused on family and everyday survival. Phu also uses warring visions to enlarge the category of war photography, a genre that usually consists of images illustrating the immediacy of combat and the spectacle of violence, pain, and wounded bodies. She pushes this genre beyond such definitions by analyzing pictures of family life, weddings, and other quotidian scenes of life during the war. Phu thus expands our understanding of how war is waged, experienced, and resolved.
Warrington Revisited (Images of America)
by Kenneth Samen Mary Doyle Roth Warrington Historical SocietyAt the time of Warrington Township's founding in 1734, few landowners lived on Bucks County's fertile soil. The history of the township is one of gradual growth and development. From unbroken wilderness grew small clusters of families forming villages. Warrington consisted of four villages: Warrington, Neshaminy, Pleasantville, and Tradesville. In the mid-1800s, the township's landscape was made up of family farms, with agriculture as the main industry. In the late 1920s, the first small housing developments were built. By the early 1960s, larger housing developments and shopping centers had replaced many farms. Once lined with lush fields of crops and trees, the Doylestown-Willow Grove Turnpike/Easton Road/Route 611 has seen the most change throughout time. Historically significant families, including the Barnesses, Coggiolas, Cornells, Craigs, Holberts, Leventhals, Mayers, Pauls, Penroses, Wileys, and Worthingtons, created well-known businesses along this road on which they lived. Today, this thoroughfare has little historic substance to offer its current residents.
Warrior Genius
by Michael Dante DiMartinoIn Warrior Genius, author Michael Dante DiMartino delivers rich settings, memorable characters, and edge-of-your-seat action, just as he did in his hit animated show Avatar: The Last Airbender. Fans will be thrilled with this new adventure!For years, Supreme Creator Nerezza has used fear and violence to rule her empire, seeking to eradicate anyone with a Genius. Then, twelve-year-old Giacomo emerged from hiding and joined a young generation of fellow artists paired with Geniuses. Together, they began a rebellion against her.Now, Giacomo has something Nerezza desperately wants—the Compass, one of three powerful objects known as the Sacred Tools. Possessing all three would allow Nerezza to spread her tyranny worldwide.After a near-fatal showdown, Giacomo and his friends escape to the empire of Rachana, a society long feared for its mighty warriors and their horse-Geniuses. But a dark and ancient force threatens the horse-Geniuses with extinction, and Giacomo discovers he is the only one who can stop it.With the help of his Genius and great friends, Giacomo struggles to keep the Sacred Tools from falling into the wrong hands and find a way to protect the Rachanan people—before Nerezza finds him.
The Warrior Image: Soldiers in American Culture from the Second World War to the Vietnam Era
by Andrew J. HuebnerImages of war saturated American culture between the 1940s and the 1970s, as U.S. troops marched off to battle in World War II, the Korean War, and the Vietnam War. Exploring representations of servicemen in the popular press, government propaganda, museum exhibits, literature, film, and television, Andrew Huebner traces the evolution of a storied American icon--the combat soldier. Huebner challenges the pervasive assumption that Vietnam brought drastic changes in portrayals of the American warrior, with the jaded serviceman of the 1960s and 1970s shown in stark contrast to the patriotic citizen-soldier of World War II. In fact, Huebner shows, cracks began to appear in sentimental images of the military late in World War II and were particularly apparent during the Korean conflict. Journalists, filmmakers, novelists, and poets increasingly portrayed the steep costs of combat, depicting soldiers who were harmed rather than hardened by war, isolated from rather than supported by their military leadership and American society. Across all three wars, Huebner argues, the warrior image conveyed a growing cynicism about armed conflict, the federal government, and Cold War militarization.
The Warrior, the Voyager, and the Artist: Three Lives in an Age of Empire (The Lewis Walpole Series in Eighteenth-Century Culture and History)
by Kate FullagarA portrait of empire through the biographies of a Native American, a Pacific Islander, and the British artist who painted them both Three interconnected eighteenth-century lives offer a fresh account of the British Empire and its intrusion into Indigenous societies. This engaging history brings together the stories of Joshua Reynolds and two Indigenous men, the Cherokee Ostenaco and the Raiatean Mai. Fullagar uncovers the life of Ostenaco, tracing his emergence as a warrior, his engagement with colonists through war and peace, and his eventual rejection of imperial politics during the American Revolution. She delves into the story of Mai, his confrontation with conquest and displacement, his voyage to London on Cook’s imperial expedition, and his return home with a burning ambition to right past wrongs. Woven throughout is a new history of Reynolds, growing up in Devon near a key port in England, becoming a portraitist of empire, rising to the top of Britain’s art world and yet remaining ambivalent about his nation’s expansionist trajectory.
Warrior Women: Gender, Race, and the Transnational Chinese Action Star
by Lisa FunnellFinalist for the 2014 ForeWord IndieFab Book of the Year Award in the Women's Studies CategoryBronze Medalist, 2015 Independent Publisher Book Awards in the Women Issues CategoryWinnerof the 2015 Emily Toth Award presented by the Popular Culture Association & American Culture AssociationWarrior Women considers the significance of Chinese female action stars in martial arts films produced across a range of national and transnational contexts. Lisa Funnell examines the impact of the 1997 transfer of Hong Kong from British to Chinese rule on the representation of Chinese identities—Hong Kong Chinese, mainland Chinese, Chinese American, Chinese Canadian—in action films produced domestically in Hong Kong and, increasingly, in cooperation with mainland China and Hollywood. Hong Kong cinema has offered space for the development of transnational Chinese screen identities that challenge the racial stereotypes historically associated with the Asian female body in the West. The ethnic/national differentiation of transnational Chinese female stars—such as Pei Pei Cheng, Charlene Choi, Gong Li, Lucy Liu, Shu Qi, Michelle Yeoh, and Zhang Ziyi—is considered part of the ongoing negotiation of social, cultural, and geopolitical identities in the Chinese-speaking world.
Warrior Zone (Reality Show)
by Kristen SaBerreWhen Fiona enters a physical feats TV competition, she is excited to see how she matches up against other athletes from around the country. She works hard and beats out many of her competitors. But when she reaches the final round, she finds that the show has been rigged all along. The producers take her off-screen to tell her that one of the other contestants has been chosen to win and that she needs to pretend to lose—or she won't win any money. Fiona must choose between competing fairly or playing by the producers' rules.
The Warrior's Camera: The Cinema of Akira Kurosawa - Revised and Expanded Edition
by Stephen PrinceThe Japanese film director Akira Kurosawa, who died at the age of 88, has been internationally acclaimed as a giant of world cinema. Rashomon, which won both the Venice Film Festival's grand prize and an Academy Award for best foreign-language film, helped ignite Western interest in the Japanese cinema. Seven Samurai and Yojimbo remain enormously popular both in Japan and abroad. In this newly revised and expanded edition of his study of Kurosawa's films, Stephen Prince provides two new chapters that examine Kurosawa's remaining films, placing him in the context of cinema history. Prince also discusses how Kurosawa furnished a template for some well-known Hollywood directors, including Martin Scorsese, Steven Spielberg, and George Lucas. Providing a new and comprehensive look at this master filmmaker, The Warrior's Camera probes the complex visual structure of Kurosawa's work. The book shows how Kurosawa attempted to symbolize on film a course of national development for post-war Japan, and it traces the ways that he tied his social visions to a dynamic system of visual and narrative forms. The author analyzes Kurosawa's entire career and places the films in context by drawing on the director's autobiography--a fascinating work that presents Kurosawa as a Kurosawa character and the story of his life as the kind of spiritual odyssey witnessed so often in his films. After examining the development of Kurosawa's visual style in his early work, The Warrior's Camera explains how he used this style in subsequent films to forge a politically committed model of filmmaking. It then demonstrates how the collapse of Kurosawa's efforts to participate as a filmmaker in the tasks of social reconstruction led to the very different cinematic style evident in his most recent films, works of pessimism that view the world as resistant to change.
Warriors, Witches, Whores: Women in Israeli Cinema
by Rachel S. HarrisWarriors, Witches, Whores: Women in Israeli Cinema is a feminist study of Israel’s film industry and the changes that have occurred since the 1990s. Working in feminist film theory, the book adopts a cultural studies approach, considering the creation of a female-centered and thematically feminist film culture in light of structural and ideological shifts in Israeli society. Author Rachel S. Harris situates these changes in dialogue with the cinematic history that preceded them and the ongoing social inequalities that perpetuate women’s marginalization within Israeli society. While no one can deny Israel’s Western women’s advancements, feminist filmmakers frequently turn to Israel’s less impressive underbelly as sources for their inspiration. Their films have focused on sexism, the negative impact of militarism on women’s experience, rape culture, prostitution, and sexual abuse. These films also tend to include subjects from society’s geographical periphery and social margins, such as female foreign workers, women, and refugees. Warriors, Witches, Whoresis divided into three major sections and each considers a different form of feminist engagement. The first part explores films that situate women in traditionally male spheres of militarism, considering the impact of interjecting women within hegemonic spaces or reconceptualizing them in feminist ways. The second part recovers the narratives of women’s experience that were previously marginalized or silenced, thereby creating a distinct female space that offers new kinds of storytelling and cinematic aesthetics that reflect feminist expressions of identity. The third part offers examples of feminist activism that reach beyond the boundaries of the film to comment on social issues, particularly those which affect women. This section demonstrates how feminists use film (and work within the film industry) in order to women’s position in society. While there are thematic overlaps between the chapters, each section marks structural differences in the modes of feminist response. Warriors, Witches, Whores considers the ways social and political power have impacted the representation of women and looks to how feminist filmmakers have fought against these inequities behind the camera, in the stories they tell, and in the ways women are depicted on screen. Students and scholars of film, gender, or cultural studies will appreciate this approachable monograph.
The Wars We Took to Vietnam: Cultural Conflict and Storytelling
by Milton J. BatesWhat Americans refer to as the Vietnam War embraces much more than the conflict with North Vietnam. Milton J. Bates considers the other conflicts that Americans brought to that war: the divisions stemming from differences in race, class, sex, generation, and frontier ideology. In exploring the rich vein of writing and film that emerged from the Vietnam War era, he strikingly illuminates how these stories reflect American social crises of the period.Some material examined here is familiar, including the work of Michael Herr, Tim O'Brien, Philip Caputo, Susan Sontag, Francis Ford Coppola, and Oliver Stone. Other material is less well known—Neverlight by Donald Pfarrer and De Mojo Blues by A. R. Flowers, for example. Bates also draws upon an impressive range of secondary readings, from Freud and Marx to Geertz and Jameson.As the products of a culture in conflict, Vietnam memoirs, novels, films, plays, and poems embody a range of political perspectives, not only in their content but also in their structure and rhetoric. In his final chapter Bates outlines a "politico-poetics" of the war story as a genre. Here he gives special attention to our motives—from the deeply personal to the broadly cultural—for telling war stories.
The Warsaw Ghetto in American Art and Culture
by Samantha BaskindOn the eve of Passover, April 19, 1943, Jews in the Warsaw Ghetto staged a now legendary revolt against their Nazi oppressors. Since that day, the deprivation and despair of life in the ghetto and the dramatic uprising of its inhabitants have captured the American cultural imagination. The Warsaw Ghetto in American Art and Culture looks at how this place and its story have been remembered in fine art, film, television, radio, theater, fiction, poetry, and comics.Samantha Baskind explores seventy years’ worth of artistic representations of the ghetto and revolt to understand why they became and remain touchstones in the American mind. Her study includes iconic works such as Leon Uris’s best-selling novel Mila 18, Roman Polanski’s Academy Award–winning film The Pianist, and Rod Serling’s teleplay In the Presence of Mine Enemies, as well as accounts in the American Jewish Yearbook and the New York Times, the art of Samuel Bak and Arthur Szyk, and the poetry of Yala Korwin and Charles Reznikoff. In probing these works, Baskind pursues key questions of Jewish identity: What links artistic representations of the ghetto to the Jewish diaspora? How is art politicized or depoliticized? Why have Americans made such a strong cultural claim on the uprising? Vibrantly illustrated and vividly told, The Warsaw Ghetto in American Art and Culture shows the importance of the ghetto as a site of memory and creative struggle and reveals how this seminal event and locale served as a staging ground for the forging of Jewish American identity.
The Warsaw Ghetto in American Art and Culture
by Samantha BaskindOn the eve of Passover, April 19, 1943, Jews in the Warsaw Ghetto staged a now legendary revolt against their Nazi oppressors. Since that day, the deprivation and despair of life in the ghetto and the dramatic uprising of its inhabitants have captured the American cultural imagination. The Warsaw Ghetto in American Art and Culture looks at how this place and its story have been remembered in fine art, film, television, radio, theater, fiction, poetry, and comics.Samantha Baskind explores seventy years’ worth of artistic representations of the ghetto and revolt to understand why they became and remain touchstones in the American mind. Her study includes iconic works such as Leon Uris’s best-selling novel Mila 18, Roman Polanski’s Academy Award–winning film The Pianist, and Rod Serling’s teleplay In the Presence of Mine Enemies, as well as accounts in the American Jewish Yearbook and the New York Times, the art of Samuel Bak and Arthur Szyk, and the poetry of Yala Korwin and Charles Reznikoff. In probing these works, Baskind pursues key questions of Jewish identity: What links artistic representations of the ghetto to the Jewish diaspora? How is art politicized or depoliticized? Why have Americans made such a strong cultural claim on the uprising?Vibrantly illustrated and vividly told, The Warsaw Ghetto in American Art and Culture shows the importance of the ghetto as a site of memory and creative struggle and reveals how this seminal event and locale served as a staging ground for the forging of Jewish American identity.
Wartime Decatur: 1832-1945 (Images of America)
by Dan GuilloryDecatur has a long history of patriotic service, both on and off the field of battle. Decatur volunteers participated in six major campaigns including the Black Hawk War (1832), the Mexican War (1846-1848), the Civil War (1861-1865), the Spanish-American War (1898), World War I (1917-1918), and World War II (1941-1945). Their record of distinguished service includes the presence of five generals and six Congressional Medal of Honor winners in the Civil War. The Grand Army of the Republic (GAR), the first national veterans' organization, was founded in Decatur immediately after the Civil War. In World War II, soldiers from Decatur served in North Africa, Italy, the Philippines, and Germany. Equally impressive, however, is the tradition of the Decatur Canteen, which served food to transient soldiers from the time of the Civil War onward. Local volunteers rolled bandages, collected food, and recycled bales of paper and heaps of scrap metal. Citizens planted victory gardens and bought war bonds and savings stamps. Wartime Decatur: 1832-1945 documents the vigorous wartime culture based on community involvement and a strong sense of patriotism.
Wartime Kiss: Visions of the Moment in the 1940s (Essays in the Arts)
by Alexander NemerovA deeply personal meditation on the haunting power of American photos and films of the 1940sWartime Kiss is a personal meditation on the haunting power of American photographs and films from World War II and the later 1940s. Starting with a stunning reinterpretation of one of the most famous photos of all time, Alfred Eisenstaedt's image of a sailor kissing a nurse in Times Square on V-J Day, Alexander Nemerov goes on to examine an array of mostly forgotten images and movie episodes—from a photo of Jimmy Stewart and Olivia de Havilland lying on a picnic blanket in the Santa Barbara hills to scenes from such films as Twelve O'Clock High and Hold Back the Dawn. Erotically charged and bearing traces of trauma even when they seem far removed from the war, these photos and scenes seem to hold out the promise of a palpable and emotional connection to those years.Through a series of fascinating stories, Nemerov reveals the surprising background of these bits of film and discovers unexpected connections between the war and Hollywood, from an obsession with aviation to Anne Frank's love of the movies. Beautifully written and illustrated, Wartime Kiss vividly evokes a world in which Margaret Bourke-White could follow a heroic assignment photographing a B-17 bombing mission over Tunis with a job in Hollywood documenting the filming of a war movie. Ultimately this is a book about history as a sensuous experience, a work as mysterious, indescribable, and affecting as a novel by W. G. Sebald.
Warwick
by Donald A. D’amatoIncorporated in 1931, the city of Warwick has nevertheless supported and influenced the economy and culture of Rhode Island in many important ways for far longer. Home to prosperous and dynamic mills since the nineteenth century, Warwick provided employment to locals and attracted a diverse community of newcomers. Developments in transportation led to the rise of seaside recreation at Oakland Beach and Rocky Point, creating memories cherished even today.