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Uncommon Sense: Aesthetics after Marcuse
by Craig LeonardAn examination of Herbert Marcuse&’s political claim for the aesthetic dimension, focusing on defamiliarization as a means of developing radical sensibility.In Uncommon Sense, Craig Leonard argues for the contemporary relevance of the aesthetic theory of Herbert Marcuse—an original member of the Frankfurt School and icon of the New Left—while also acknowledging his philosophical limits. His account reinvigorates Marcuse for contemporary readers, putting his aesthetic theory into dialogue with antiracist and anti-capitalist activism. Leonard emphasizes several key terms not previously analyzed within Marcuse&’s aesthetics, including defamiliarization, anti-art, and habit. In particular, he focuses on the centrality of defamiliarization—a subversion of common sense that can be a means to the development of what Marcuse refers to as &“radical sensibility.&” Leonard brings forward Marcuse&’s claim that the aesthetic dimension is political because of its refusal to operate according to the repressive common sense that establishes and maintains relationships dictated by advanced capitalism. For Marcuse, defamiliarization is at the center of the aesthetic dimension, offering the direct means of stimulating its political potential. Leonard expands upon Marcuse&’s aesthetics by drawing on the work of Sylvia Wynter, going beyond Marcuse&’s predominantly European and patrilineal intellectual framework—while still retaining his aesthetic theory&’s fundamental characteristics—toward a human dimension requiring decolonial, feminist, antiracist, and counterpoetic perspectives.
Unconsolable Contemporary: Observing Gerhard Richter
by Paul RabinowIn Unconsolable Contemporary Paul Rabinow continues his explorations of "a philosophic anthropology of the contemporary." Defining the contemporary as a moving ratio in which the modern becomes historical, Rabinow shows how an anthropological ethos of the contemporary can be realized by drawing on the work of art historians, cultural critics, social theorists, and others, thereby inventing a methodology he calls anthropological assemblage. He focuses on the work and persona of German painter Gerhard Richter, demonstrating how reflecting on Richter's work provides rich insights into the practices and stylization of what, following Aby Warburg, one might call "the afterlife of the modern." Rabinow opens with analyses of Richter's recent Birkenau exhibit: both the artwork and its critical framing. He then chronicles Richter's experiments in image-making as well as his subtle inclusion of art historical and critical discourses about the modern. This, Rabinow contends, enables Richter to signal his awareness of the stakes of such theorizing while refusing the positioning of his work by modernist critical theorists. In this innovative work, Rabinow elucidates the ways meaning is created within the contemporary.
Uncontrollable Beauty: Toward a New Aesthetics (Aesthetics Today Ser.)
by Bill BeckleyThe notion of beauty and its relationship to contemporary art is once again arousing passionate discussion and wide-spread debate among artists, writers, critics, and curators. Uncontrollable Beauty is the first anthology to capture this new wave of critical discourse, examining the role of beauty in twentieth-century art and culture in order to redefine it for a new generation of artists and writers. Encompassing three central themes: Theory, Ownership, and Practice, the thirty essays, writings, and poems explore how we define beauty, where we locate it in art, and its complex links to issues of gender, morality, and universalism. Included are works by John Ashbery, Agnes Martin, and Carter Ratcliff, as well as a conversation with Julia Kristeva and an exclusive interview with Louise Bourgeois. Anyone wanting to stay current with contemporary art criticism will find this book a stimulating selection of dialogue, debate, and philosophical insight. Contributors: John Ashbery; Louise Bourgeois; Hubert Damisch; Arthur Danto; Max Fierst; David Freedberg; Jeremy Gilbert-Rolfe; John Hejduk; Dave Hickey; James Hillman; Ariane Lopez-Huici; Kenneth Koch; Julia Kristeva; Donald Kuspit; Jaqueline Lichtenstein; Agnes Martin; Thomas McEvilley; Robert Morgan; Frank O'Hara; Carter Ratcliff; William Rubin; Meyer Schapiro; Peter Schjeldahl; David Shapiro; Robert Farris Thompson; Kirk Varnedoe; Marjorie Welish; John Yau. Uncontrollable Beauty is co-published with the School of Visual Arts as part of the Aesthetics Today series.
Uncovered: Revolutionary Magazine Covers – The inside stories told by the people who made them
by Ian BirchUncovered is an oral history of the stories behind the most ground-breaking and controversial magazine covers ever published, as told by the people who created them. Compiled by industry veteran Ian Birch, Uncovered gathers together the insights of the magazine world's most important figures, including high-profile editors, creative directors, photographers, artists and cover stars. Featuring compelling and shocking covers from Vogue, Life, Esquire, The New Yorker, i-D, The Face, Private Eye, Time, Rolling Stone and many more, covering issues as varied as the civil rights movement and Vietnam war to the Trump presidency and Brexit debate, this is a unique social document celebrating and chronicling the art of magazine design.
Uncovered: Revolutionary Magazine Covers The inside stories told by the people who made them
by Ian BirchUncovered is an oral history of the stories behind the most ground-breaking and controversial magazine covers ever published, as told by the people who created them. Compiled by industry veteran Ian Birch, Uncovered gathers together the insights of the magazine world's most important figures, including high-profile editors, creative directors, photographers, artists and cover stars. Featuring compelling and shocking covers from Vogue, Life, Esquire, The New Yorker, i-D, The Face, Private Eye, Time, Rolling Stone and many more, covering issues as varied as the civil rights movement and Vietnam war to the Trump presidency and Brexit debate, this is a unique social document celebrating and chronicling the art of magazine design.
Uncrossing the Borders: Performing Chinese in Gendered (Trans)Nationalism
by Daphne LeiOver many centuries, women on the Chinese stage committed suicide in beautiful and pathetic ways just before crossing the border for an interracial marriage. Uncrossing the Borders asks why this theatrical trope has remained so powerful and attractive. The book analyzes how national, cultural, and ethnic borders are inevitably gendered and incite violence against women in the name of the nation. The book surveys two millennia of historical, literary, dramatic texts, and sociopolitical references to reveal that this type of drama was especially popular when China was under foreign rule, such as in the Yuan (Mongol) and Qing (Manchu) dynasties, and when Chinese male literati felt desperate about their economic and political future, due to the dysfunctional imperial examination system. Daphne P. Lei covers border-crossing Chinese drama in major theatrical genres such as zaju and chuanqi, regional drama such as jingju (Beijing opera) and yueju (Cantonese opera), and modernized operatic and musical forms of such stories today.
Undaunted: The True Story Behind the Popular Shock-Jock
by Jon GauntMillions know him as a loudmouth radio shock-jock and Sun columnist. Yet, in his life Jon Gaunt has had to overcome unimaginable hardship, solitude, bankruptcy and despair. His mother died suddenly when he was just twelve, his hard-drinking, womanising father abandoned him to suffer appalling treatment in a children's home. At twenty-eight, his business had a million pound turnover, but a stroke of fate caused catastrophe. Undaunted, Jon Gaunt has always fought back. Behind the outspoken media personality, this is the very human story of self-preservation, personal growth and forgiveness, told in Jon's inimitable forthright style.
Undead: (Inter)(in)animation, Feminisms, and the Art of War (Feminist Media Histories)
by Karen RedrobeA free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.Undead examines the visual culture of war, broadly understood, through the lens of animation. Focusing on works in which relational, intermedial, and variably paced practices of "(inter)(in)animation" generate aesthetic tactics for thinking about, feeling, and reframing war, Karen Redrobe analyzes works by artists including Yael Bartana, Nancy Davenport, Kelly Dolak and Wazhmah Osman, Gesiye, David Hartt, Helen Hill, Onyeka Igwe, Maryam Mohajer, Ibrahim Nasrallah, and Mary Reid Kelley and Patrick Kelley. Deftly moving between cinema and media studies, peace and conflict studies, and art history, Undead is an interdisciplinary feminist meditation on the complex relationship between states of war and the discourses, infrastructures, and institutions through which memory, change, and understanding are made.
Undead Ends: Stories of Apocalypse
by S. TrimbleUndead Ends is about how we imagine humanness and survival in the aftermath of disaster. This book frames modern British and American apocalypse films as sites of interpretive struggle. It asks what, exactly, is ending? Whose dreams of starting over take center stage, and why? And how do these films, sometimes in spite of themselves, make room to dream of new beginnings that don’t just reboot the world we know? Trimble argues that contemporary apocalypse films aren’t so much envisioning The End of the world as the end of a particular world; not The End of humanness but, rather, the end of Man. Through readings of The Road, I Am Legend, 28 Days Later, 28 Weeks Later, Children of Men, and Beasts of the Southern Wild, this book demonstrates that popular stories of apocalypse can trouble, rather than reproduce, Man’s story of humanness. With some creative re-reading, they can even unfold towards unexpected futures. Mainstream apocalypse films are, in short, an occasion to imagine a world After Man.
Undead TV: Essays on Buffy the Vampire Slayer
by Lisa Ann Parks Susan Murray Elana Levine Mary Celeste KearneyWhen the final episode of Buffy the Vampire Slayer aired in 2003, fans mourned the death of the hit television series. Yet the show has lived on through syndication, global distribution, DVD release, and merchandising, as well as in the memories of its devoted viewers. Buffy stands out from much entertainment television by offering sharp, provocative commentaries on gender, sexuality, race, ethnicity, and youth. Yet it has also been central to changing trends in television production and reception. As a flagship show for two U.S. "netlets"--the WB and UPN--Buffy helped usher in the "post-network" era, and as the inspiration for an active fan base, it helped drive the proliferation of Web-based fan engagement.In Undead TV, media studies scholars tackle the Buffy phenomenon and its many afterlives in popular culture, the television industry, the Internet, and academic criticism. Contributors engage with critical issues such as stardom, gender identity, spectatorship, fandom, and intertextuality. Collectively, they reveal how a vampire television series set in a sunny California suburb managed to provide some of the most biting social commentaries on the air while exposing the darker side of American life. By offering detailed engagements with Sarah Michelle Gellar's celebrity image, science-fiction fanzines, international and "youth" audiences, Buffy tie-in books, and Angel's body, Undead TV shows how this prime-time drama became a prominent marker of industrial, social, and cultural change.Contributors. Ian Calcutt, Cynthia Fuchs, Amelie Hastie, Annette Hill, Mary Celeste Kearney, Elana Levine, Allison McCracken, Jason Middleton, Susan Murray, Lisa Parks
Under Construction: Because Living My Best Life Took a Little Work
by Chrishell StauseA heartfelt, humorous personal memoir and relatable guide to overcoming obstacles, wising up about romance, and getting ahead in your career from the star of Netflix's hit reality show Selling Sunset.In this engaging, witty, and inspirational memoir, Chrishell Stause shares her story of living an unconventional childhood in small-town Kentucky marked by periods of homelessness, family addiction struggles and dreams of one day being on a daytime soap, all while managing the local Dairy Queen. Through resilience and grit, she overcame obstacles and pushed past every barrier in her path to become one of the most envied luxury realtors in Los Angeles and buzzworthy cast members in reality TV.She takes us behind the scenes of Selling Sunset, reveals never-before-told stories from her life in soaps, and even pulls back the curtain on her highly publicised love life, offering insight not before shared. With her signature honesty and charm, Stause also gives tangible advice based on the lessons she's learned over the years and offers unique insight about how to stay resilient and positive no matter how many times life knocks you down. Under Construction is for anyone who wants to remember that no matter what happens or how, you have to get up, dress up and show up - and walk back into the room stronger than ever before.
Under Construction: Because Living My Best Life Took a Little Work
by Chrishell StauseA heartfelt, humorous personal memoir and relatable guide to overcoming obstacles, wising up about romance, and getting ahead in your career from the star of Netflix's hit reality show Selling Sunset.In this engaging, witty, and inspirational memoir, Chrishell Stause shares her story of living an unconventional childhood in small-town Kentucky marked by periods of homelessness, family addiction struggles and dreams of one day being on a daytime soap, all while managing the local Dairy Queen. Through resilience and grit, she overcame obstacles and pushed past every barrier in her path to become one of the most envied luxury realtors in Los Angeles and buzzworthy cast members in reality TV.She takes us behind the scenes of Selling Sunset, reveals never-before-told stories from her life in soaps, and even pulls back the curtain on her highly publicised love life, offering insight not before shared. With her signature honesty and charm, Stause also gives tangible advice based on the lessons she's learned over the years and offers unique insight about how to stay resilient and positive no matter how many times life knocks you down. Under Construction is for anyone who wants to remember that no matter what happens or how, you have to get up, dress up and show up - and walk back into the room stronger than ever before.
Under Construction: Logics Of Urbanism In The Gulf Region
by Steffen Wippel Katrin Bromber Birgit KrawietzInterdisciplinary in approach, this volume explores and deciphers the symbolic value and iconicity of the built environment in the Arab Gulf Region, its aesthetics, language and performative characteristics. Bringing together a range of studies by artists, curators and scholars, it demonstrates how Dubai appeared - at least until the financial crisis - to be leading the construction race and has already completed a large number of its landmark architecture and strategic facilities. In contrast, cities like the Qatari capital Doha still appear to be heavily ’under construction’ and in countries like the Sultanate of Oman, ultra-luxury tourism projects were started only recently. While the construction of artificial islands, theme parks and prestige sport facilities has attracted considerable attention, much less is known about the region’s widespread implementation of innovative infrastructure such as global container ports, free zones, inter-island causeways and metro lines. This volume argues that these endeavours are not simply part of a strategy to prepare for the post-oil era for future economic survival and prosperity in the Lower Gulf region, but that they are also aiming to strengthen identitarian patterns and specific national brands. In doing so, they exhibit similar, yet remarkably diverse modes of engaging with certain global trends and present - questionably - distinct ideas for putting themselves on the global map. Each country aims to grab attention with regard to the world-wide flow of goods and capital and thus provide its own citizens with a socially acceptable trajectory for the future. By doing that, the countries in the Gulf are articulating a new semiotic and paradigm of urban development. For the first time, this volume maps these trends in their relation to architecture and infrastructure, in particular by treating them as semiotics in their own right. It suggests that recent developments in this region of the world not only represen
Under Milk Wood: A Play for Voices
by Dylan Thomas'It is spring, moonless night in the small town, starless and bible-black...'Under Milk Wood tells the story of a Welsh village during one spring day. It is populated by some of the best-loved characters in British literature. Lyrical, funny, moving, it is rooted in place but with a universality that has spoken to generations of readers. A Welsh epic, a work of poetic genius, a modern classic.'A tour de force of oral poetry which oozes word pictures and onomatopoeic musicality' Guardian
Under My Skin: Stark International 3 (Stark International Series #3)
by J. KennerNew York Times bestselling author J. Kenner concludes her smoking hot, emotionally compelling erotic Stark International trilogy, which began with Say My Name and On My Knees, returning to the world of her beloved Stark novels, Release Me, Claim Me and Complete Me, with the explosive romance between Jackson Steele and Sylvia Brooks. For fans of Fifty Shades of Grey, Sylvia Day, Meredith Wild and Jodi Ellen Malpas.He's the only man I've ever loved. And the one man I can't bear to lose. Jackson Steele is my light in this world. Charismatic, bold, and always in control, he knows what he wants and how to get it. His hold on me is magnetic, his kiss my ultimate escape. We both harbour dark secrets that could tear our lives apart. Although we've tried to bury our pasts, there are certain people who won't let us forget. But the closer danger comes, the brighter the fire between us burns. No matter what lies ahead, Jackson won't give in without a fight. I'd do anything he wants to keep him safe. And now that we're in deep, nothing can make me run.Return to the smoking hot Stark world with the Stark International trilogy: Say My Name, On My Knees and Under My Skin is the explosively emotional story of Jackson Steele and Sylvia Brooks.Find out how it all began for Damien and Nikki in J. Kenner's hot and addictive bestselling Stark series: Release Me, Claim Me, Complete Me, Take Me, Have Me, Play My Game, Seduce Me and Unwrap Me.Don't miss J. Kenner's sizzling Most Wanted series of three enigmatic and powerful men, and the striking women who can bring them to their knees: Wanted, Heated and Ignited.
Under The Sign Of [sic]: Sturtevant's Volte-face (Semiotext(e) / Active Agents)
by Bruce HainleyThe first book-length monograph on Elaine Sturtevant, who has focused her career on the artistic copy. Asked to sum up her artistic pursuit, the American artist Elaine Sturtevant once replied: “I create vertigo.” Since the mid-1960s, Sturtevant has been using repetition to change the way art is understood. In 1965, what seemed to be a group show by then “hot” artists (Andy Warhol, Jasper Johns, Roy Lichtenstein, George Segal, and James Rosenquist, among others) was in fact Sturtevant's first solo exhibit, every work in it created by herself. Sturtevant would continue to make her work the work of others. The subject of major museum exhibitions throughout Europe and awarded the Golden Lion for lifetime achievement at the 54th Venice Biennale, she will have a major survey at the MoMA, New York, in 2014. In Under the Sign of [sic], Bruce Hainley unpacks the work of Sturtevant, providing the first book-length monographic study of the artist in English. Hainley draws on elusive archival materials to tackle not only Sturtevant's work but also the essential problem that it poses. Hainley examines all of Sturtevant's projects in a single year (1967); uses her Gonzalez-Torres Untitled (Go-Go Dancing Platform) from 1995 as a conceptual wedge to consider contemporary art's place in the world; and, finally, digs into the most occluded part of her career, from 1971 to 1973, when she created works by Michael Heizer and Walter de Maria, and had her first solo American museum exhibit.
Under Spring: Voices+Art+Los Angeles
by Jeremy RosenbergThe winner of the first CHS Book Award reimagines what a history book can be, and it tells a story all California needs to hear in order to understand itself. Beneath Los Angeles's North Spring Street bridge, a deteriorated concrete landscape was used for years as a homeless encampment and a buffer zone between gang territories. Between 2006 and 2013, artist Lauren Bon and her Metabolic Studio team transformed the underpass into a vibrantly creative space that served as a public square, ceremonial ground, art gallery, community garden, and musical instrument. Under Spring explores the unlikely history of this underpass, revealing the past of Los Angeles itself. <P><P>Sixty-six people from all walks of life—artists, scholars, laborers, graffiti artists, urban planners, activists, gang members—chronicle the underpass's many metamorphoses, and in doing so construct an energized account of change and development in LA. We come to understand how agriculture and transportation have shaped the city's growth; how abandoned places serve as refuges for people excluded from society; and how civic pride can arise from a city’s blighted core. Under Spring offers a new look at the story of Los Angeles and a new way of telling the story.
Under the Big Top
by Bruce FeilerBoth a great American adventure and a rare entry into asheltered world, Under the Big Top describes one man's pursuit of every child's fantasy: running away to join the circus. Bruce Feiler's unforgettable year as a clown will forever change your view of one of the world's oldest art forms and remind you of how dreams can go horribly wrong -- and then miraculously come true.
Under the Dark Sky: Life in the Thames River Basin
by Steve Grant Steven G. SmithPulitzer Prize-winning photographer Steven G. Smith showcases the picturesque Thames River basin, which extends from southern Massachusetts through Connecticut to the Long Island Sound. The river and its watershed help define the borders of a valley that is unique among its East Coast neighbors, considered to be the last place where dark night sky can be viewed between Washington, D.C. and the Boston metro area. Locals like to call the area the “Quiet Corner” or the “Last Green Valley.” In 1994, the U.S. Congress designated parts of the area as a Natural Heritage Corridor because it is one of the last remaining stretches of green in the area and boasts some of the largest unbroken forests in southern New England. This full-color documentary photo essay explores this Atlantic gem, through the faces of the people and the landscapes. An excellent gift and an educational resource, the book includes a foreword by noted outdoor writer Steve Grant.
Under the Dusty Moon
by Suzanne Sutherland2016 Junior Library Guild Selection 2016 VOYA Top Shelf Fiction Selection CCBC’s Best Books for Kids & Teens (Fall 2016) — Commended She’s with the band, whether she likes it or not. Victoria Mahler is the sixteen-year-old only daughter of rocker Micky Wayne, whose band, Dusty Moon, took the world by storm when Micky was just a teenager. The band broke up under mysterious circumstances, but, after years spent off the road being a mom, Micky’s solo career is finally starting to take off. When an offer to tour Japan falls into her mom’s lap, Vic is left to spend the summer under the care of her distant grandmother, and without her built-in best friend. Fortunately, a boy with a secret geek side and a group of feminist game-makers save the season, and Vic starts to see herself as her own person, out from under her mother’s shadow. But when Micky finally comes home — with a poorly chosen boyfriend in tow — all bets are off. Will Vic be able to maintain her newfound sense of self amidst the building thunder of Micky’s second chance at stardom? And through it all, will Micky still really be her best friend?
Under the Egg
by Laura Marx FitzgeraldFrom the Mixed-Up Files of Mrs. Basil E. Frankweiler meets Chasing Vermeer in this clever middle grade debutWhen Theodora Tenpenny spills a bottle of rubbing alcohol on her late grandfather's painting, she discovers what seems to be an old Renaissance masterpiece underneath. That's great news for Theo, who's struggling to hang onto her family's two-hundred-year-old townhouse and support her unstable mother on her grandfather's legacy of $463. There's just one problem: Theo's grandfather was a security guard at the Metropolitan Museum of Art, and she worries the painting may be stolen.With the help of some unusual new friends, Theo's search for answers takes her all around Manhattan, and introduces her to a side of the city--and her grandfather--that she never knew. To solve the mystery, she'll have to abandon her hard-won self-reliance and build a community, one serendipitous friendship at a time.
Under the Sea Quilt Pattern
by Barbara H. ClineStars, pinwheels, and diamonds. Oh my! Best-selling quilt designer Barbara Cline teaches you her fail-proof method for piecing diamond chains from strip sets. Alternate two triangle blocks in different colors to form attractive stars and pinwheels where the angles meet. Full-size template patterns and detailed instructions guide you in constructing this dynamic diamond-chain quilt. Learn how to piece diamond chains from strip sets 49" x 48" finished quilt with complete instructions and templates Wholesale minimum: 3 units.
Under the Sign of Saturn
by Susan SontagThis third essay collection by America's leading essayist brings together her most important critical writing from 1972 to 1980, in which she explores some of the most influential artists and thinkers of our time.
Under the Skin: Tattoos, Scalps, and the Contested Language of Bodies in Early America (Early American Studies)
by Mairin OdleUnder the Skin investigates the role of cross-cultural body modification in seventeenth-century and eighteenth-century North America, revealing that the practices of tattooing and scalping were crucial to interactions between Natives and newcomers. These permanent and painful marks could act as signs of alliance or signs of conflict, producing a complex bodily archive of cross-cultural entanglement.Indigenous body modification practices were adopted and transformed by colonial powers, making tattooing and scalping key forms of cultural and political contestation in early America. Although these bodily practices were quite distinct—one a painful but generally voluntary sign of accomplishment and affiliation, the other a violent assault on life and identity—they were linked by growing colonial perceptions that both were crucial elements of “Nativeness.” Tracing the transformation of concepts of bodily integrity, personal and collective identities, and the sources of human difference, Under the Skin investigates both the lived physical experience and the contested metaphorical power of early American bodies.Struggling for power on battlefields, in diplomatic gatherings, and in intellectual exchanges, Native Americans and Anglo-Americans found their physical appearances dramatically altered by their interactions with one another. Contested ideas about the nature of human and societal difference translated into altered appearances for many early Americans. In turn, scars and symbols on skin prompted an outpouring of stories as people debated the meaning of such marks. Perhaps paradoxically, individuals with culturally ambiguous or hybrid appearances prompted increasing efforts to insist on permanent bodily identity. By the late eighteenth century, ideas about the body, phenotype, and culture were increasingly articulated in concepts of race. Yet even as the interpretations assigned to inscribed flesh shifted, fascination with marked bodies remained.
Under A Wild Sky: John James Audubon and the Making of The Birds of America
by William SouderThe life and times of a complex genius and the masterpiece he created In the century and a half since Audubon's death, his name has become synonymous with wildlife conservation and natural history. But few people know what a complicated figure he was--or the dramatic story behind The Birds of America. Before Audubon, ornithological illustrations depicted scaled-down birds perched in static poses. Wheeling beneath storm-wracked skies or ripping flesh from freshly killed prey, Audubon's life-size birds looked as if they might fly screeching off the page. The wildness in the images matched the untamed spirit in Audubon--a self-taught painter and self-anointed aristocrat who, with his buckskins and long hair, wanted to be seen as both a hardened frontiersman and a cultured man of science. In truth, neither his friends nor his detractors ever knew exactly who Audubon was or where he came from. Tormented by a fog of ambiguities surrounding his birth, he reinvented himself ceaselessly, creating a life as dramatic as his fictionalizations of it. But when he came east at thirty-eight--broke and desperate to find a publisher for his Birds--he ran squarely into a scientific establishment still wedded to convention and suspicious of the brash newcomer and his grandiose claims. It took Audubon fifteen years to prevail in both his project and his vision. How he triumphed and what drove him is the subject of this gripping narrative.