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We Are Not Users: Dialogues, Diversity, and Design
by Eswaran Subrahmanian Yoram Reich Sruthi KrishnanA call to reclaim and rethink the field of designing as a liberal art where diverse voices come together to shape the material world. We live in a material world of designed artifacts, both digital and analog. We think of ourselves as users; the platforms, devices, or objects provide a service that we can use. But is this really the case? We Are Not Users argues that people cannot be reduced to the entity called “user”; we are not homogenous but diverse. That buzz of dissonance that we hear reflects the difficulty of condensing our diversity into “one size fits all.” This book proposes that a new understanding of design could resolve that dissonance, and issues a call to reclaim and rethink the field of designing as a liberal art where diverse voices come together to shape the material world. The authors envision designing as a dialogue, simultaneously about the individual and the social—an act enriched by diversity of both disciplines and perspectives.The book presents the building blocks of a language that can conceive designing in all its richness, with relevance for both theory and practice. It introduces a theoretical model, terminology, examples, and a framework for bringing together the social, cultural, and political aspects of designing. It will be essential reading for design theorists and for designers in areas ranging from architecture to software design and policymaking.
We Are the Mutants: The Battle for Hollywood from Rosemary's Baby to Lethal Weapon
by Kelly Roberts, Michael Grasso and Richard McKennaAn offbeat odyssey through the most daring and disruptive phase of American cinema since the advent of sound — during the most transformative and tumultuous period of American history since the Civil War.We Are the Mutants is a critical reassessment of what is arguably the most discussed and beloved stretch of movies in Hollywood history.Documenting the period between the arrival of US combat troops in Vietnam and the end of President Ronald Reagan&’s second term, it forgoes the usual and restrictive exemplars of &“auteur cinema,&” and instead focuses on an eclectic selection of films and genres — horror, documentary, disaster, vigilante action, neo-noir, post-apocalyptic sci-fi — to track this period's tumultuous transformation in American life, culture, and politics.Covering everything from Rosemary&’s Baby and Enter the Dragon to Escape from New York and Fatal Attraction, and from manufactured blockbusters and studio sleepers to forgotten Bs and cult classics, We Are the Mutants re-writes the history of modern American cinema, and in doing so, the history of America itself.
We Can: Portraits of Power
by Tyler Gordon"When I was born, the doctors told my mom that if I did survive I would have lots of health problems and be blind, deaf and severely mentally delayed . . . Boy were they wrong!" —Tyler GordonFifteen-year-old Tyler Gordon's journey from a regular kid growing up in San Jose, California, to a nationally recognized artist wasn’t without its challenges. For the first six years of his life he was fully deaf, which led to a stutter and bullying. Art gave him a creative outlet for his pain. Then, after painting a portrait of Kamala Harris and posting it on social media, he received a call from the vice president herself! Soon his art was everywhere. He had an interview with the The Today Show. He was the youngest artist featured in the Beverly Center. His portrait of LeBron James graced the cover of TIME Magazine. And that was only the beginning!Here is a debut picture book by partially deaf prodigy Tyler Gordon, featuring his bold paintings of over 30 icons—musicians, artists, writers, civils rights leaders, sports legends, change-makers, record-setters, and more—alongside short explanations of how these people inspire him.If Tyler can make art and follow his dreams, you can, too. We all can.
We Can't Keep Meeting Like This
by Rachel Lynn SolomonA wedding harpist disillusioned with love and a hopeless romantic cater-waiter flirt and fight their way through a summer of weddings in this effervescent romantic comedy from the acclaimed author of Today Tonight Tomorrow.Quinn Berkowitz and Tarek Mansour&’s families have been in business together for years: Quinn&’s parents are wedding planners, and Tarek&’s own a catering company. At the end of last summer, Quinn confessed her crush on him in the form of a rambling email—and then he left for college without a response. Quinn has been dreading seeing him again almost as much as she dreads another summer playing the harp for her parents&’ weddings. When he shows up at the first wedding of the summer, looking cuter than ever after a year apart, they clash immediately. Tarek&’s always loved the grand gestures in weddings—the flashier, the better—while Quinn can&’t see them as anything but fake. Even as they can&’t seem to have one civil conversation, Quinn&’s thrown together with Tarek wedding after wedding, from performing a daring cake rescue to filling in for a missing bridesmaid and groomsman. Quinn can&’t deny her feelings for him are still there, especially after she learns the truth about his silence, opens up about her own fears, and begins learning the art of harp-making from an enigmatic teacher. Maybe love isn&’t the enemy after all—and maybe allowing herself to fall is the most honest thing Quinn&’s ever done.
We Did Porn: Memoir and Drawings
by Zak SmithBlending memoir with Smith's own drawings and paintings, We Did Porn will do for alt porn what Hunter S. Thompson did for motorcycle gangs and Tom Wolfe for psychedelica. Blending memoir with Smith's own drawings and paintings, We Did Porn will do for alt porn what Hunter S. Thompson did for motorcycle gangs and Tom Wolfe for psychedelica. Punk artist and icon Zak Smith made a name for himself by visually interpreting Thomas Pynchon's Gravity's Rainbow and drawing pictures of girls in the "naked girl business." His artistic pedigree and acute observation landed him in high-profile shows from the Whitney to the San Francisco Museum of Modern Art. Somewhere along the line, Smith went from the observer to the observed, from the guy in the corner with a sketchpad to the guy on-screen doing the unnamable for anyone eighteen or older to see. We Did Porn follows Zak Smith (or Zak Sabbath) from the New York art scene to Los Angeles's seedy, yet colorful, underbelly--the world of alt porn. Smith narrates his own foray into pornography and gives his readers a new understanding of the industry, its players, and its audience.
We Did Porn: Memoir and Drawings
by Zak SmithBlending memoir with Smith's own drawings and paintings, We Did Porn will do for alt porn what Hunter S. Thompson did for motorcycle gangs and Tom Wolfe for psychedelica. Blending memoir with Smith's own drawings and paintings, We Did Porn will do for alt porn what Hunter S. Thompson did for motorcycle gangs and Tom Wolfe for psychedelica. Punk artist and icon Zak Smith made a name for himself by visually interpreting Thomas Pynchon's Gravity's Rainbow and drawing pictures of girls in the "naked girl business." His artistic pedigree and acute observation landed him in high-profile shows from the Whitney to the San Francisco Museum of Modern Art. Somewhere along the line, Smith went from the observer to the observed, from the guy in the corner with a sketchpad to the guy on-screen doing the unnamable for anyone eighteen or older to see. We Did Porn follows Zak Smith (or Zak Sabbath) from the New York art scene to Los Angeles's seedy, yet colorful, underbelly--the world of alt porn. Smith narrates his own foray into pornography and gives his readers a new understanding of the industry, its players, and its audience.
We Did Porn
by Zak SmithBlending memoir with Smith's own drawings and paintings, We Did Porn will do for alt porn what Hunter S. Thompson did for motorcycle gangs and Tom Wolfe for psychedelica.Punk artist and icon Zak Smith made a name for himself by visually re-creating Thomas Pynchon's Gravity's Rainbow and drawing pictures of girls in the "naked girl business." His artistic pedigree and acute observation landed him in high-profile shows from the Whitney to the San Francisco Museum of Modern Art. Somewhere along the line, Smith went from the observer to the observed, from the guy in the corner with a sketchpad to the guy on-screen doing the unnamable for anyone eighteen or older to see. We Did Porn follows Zak Smith (or Zak Sabbath) from the New York art scene to Los Angeles's seedy, yet colorful, underbelly-the world of alt porn. Smith narrates his own foray into pornography and gives his readers a new understanding of the industry, its players, and its audience.
We Don't Need Roads
by Caseen GainesA behind-the-scenes look at the making of the wildly successful and beloved Back to the Future trilogy, just in time for the 30th anniversary Long before Marty McFly and Doc Brown traveled through time in a flying DeLorean, director Robert Zemeckis, and his friend and writing partner Bob Gale, worked tirelessly to break into the industry with a hit. During their journey to realize their dream, they encountered unprecedented challenges and regularly took the difficult way out.For the first time ever, the story of how these two young filmmakers struck lightning is being told by those who witnessed it. We Don't Need Roads includes original interviews with Zemeckis, Gale, Christopher Lloyd, Lea Thompson, Huey Lewis, and over fifty others who contributed to one of the most popular and profitable film trilogies of all time.With a focus not only on the movies, but also the lasting impact of the franchise and its fandom, We Don't Need Roads is the ultimate read for anyone who has ever wanted to ride a Hoverboard, hang from the top of a clock tower, travel through the space-time continuum, or find out what really happened to Eric Stoltz after the first six weeks of filming. So, why don't you make like a tree and get outta here - and start reading! We Don't Need Roads is your density.
We Eat Our Own: A Novel
by Kea WilsonAn ambitious debut novel by an original young writer, We Eat Our Own blurs the lines between life and art with the story of a film director's unthinkable experiment in the Amazon.When a nameless, struggling actor in 1970s New York gets the call that an enigmatic director wants him for an art film set in the Amazon, he doesn't hesitate: he flies to South America, no questions asked. He quickly realizes he's made a mistake. He's replacing another actor who quit after seeing the script--a script the director now claims doesn't exist. The movie is over budget. The production team seems headed for a breakdown. The air is so wet that the celluloid film disintegrates. But what the actor doesn't realize is that the greatest threat might be the town itself, and the mysterious shadow economy that powers this remote jungle outpost. Entrepreneurial Americans, international drug traffickers, and M-19 guerillas are all fighting for South America's future--and the groups aren't as distinct as you might think. The actor thought this would be a role that would change his life. Now he's worried if he'll survive it. Inspired by a true story from the annals of 1970s Italian horror film, and told in dazzlingly precise prose, We Eat Our Own is a resounding literary debut, a thrilling journey behind the scenes of a shocking film and a thoughtful commentary on violence and its repercussions.
We Flew over the Bridge: The Memoirs of Faith Ringgold
by Faith RinggoldIn We Flew over the Bridge, one of the country’s preeminent African American artists—and award-winning children’s book authors—shares the fascinating story of her life. Faith Ringgold’s artworks—startling “story quilts,” politically charged paintings, and more—hang in the Studio Museum in Harlem, the Metropolitan Museum of Art, the Guggenheim Museum, the Museum of Modern Art, and other major museums around the world, as well as in the private collections of Maya Angelou, Bill Cosby, and Oprah Winfrey. Her children’s books, including the Caldecott Honor Book Tar Beach, have sold hundreds of thousands of copies. But Ringgold’s path to success has not been easy. In this gorgeously illustrated memoir, she looks back and shares the story of her struggles, growth, and triumphs. Ringgold recollects how she had to surmount a wall of prejudices as she worked to refine her artistic vision and raise a family. At the same time, the story she tells is one of warm family memories and sustaining friendships, community involvement, and hope for the future.
We Go Pogo: Walt Kelly, Politics, and American Satire (Tom Inge Series on Comics Artists)
by Kerry D. SoperWalt Kelly (1913–1973) is one of the most respected and innovative American cartoonists of the twentieth century. His long-running Pogo newspaper strip has been cited by modern comics artists and scholars as one of the best ever. Cartoonists Bill Watterson (Calvin and Hobbes), Jeff Smith (Bone), and Frank Cho (Liberty Meadows) have all cited Kelly as a major influence on their work. Alongside Uncle Scrooge's Carl Barks and Krazy Kat's George Herriman, Kelly is recognized as a genius of “funny animal” comics. We Go Pogo is the first comprehensive study of Kelly's cartoon art and his larger career in the comics business. Author Kerry D. Soper examines all aspects of Kelly's career—from his high school drawings; his work on such animated Disney movies as Dumbo, Pinocchio, and Fantasia; and his 1930s editorial cartoons for Life and the New York Herald Tribune. Soper taps Kelly's extensive personal and professional correspondence and interviews with family members, friends, and cartoonists to create a complex portrait of one of the art form's true geniuses. From Pogo's inception in 1948 until Kelly's death, the artist combined remarkable draftsmanship, slapstick humor, fierce social satire, and inventive dialogue and dialects. He used the adventures of his animals—all denizens of the Okefenokee Swamp—as a means to comment on American and international politics and cultural mores. The strip lampooned Senator Joseph McCarthy during the height of McCarthyism, the John Birch Society during the 1960s, Fidel Castro during the Bay of Pigs fiasco, and many others.
We Gotta Get Out of This Place: Popular Conservatism and Postmodern Culture
by Lawrence GrossbergFirst Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
We Inspire Me: Cultivate Your Creative Crew to Work, Play, and Make
by Andrea PippinsThe best thing a creative person can have is a crew of friends, allies, and mentors to support them. Packed with inspiration and ideas from author-illustrator Andrea Pippins, this is a one-of-a-kind handbook for doers and makers looking to expand and nourish their creative community. Drawing on her own network of talented artists, designers, and friends, Pippins offers tips on how to: reach out to your heroes; use your art or work to empower your community; learn about a new culture and shake up your perspective; take a class, join a team, plan brunch—have fun! And she delivers her advice in style. Colorful pages feature patterns, portraits, and hand-lettered quotes alongside tips for fostering genuine connections and supportive relationships.
We Love Ballet! (Pictureback(R))
by Jane FeldmanIT'S SEPTEMBER, AND it's time for school--ballet school! Join a class of the youngest ballet students as they learn about music, balance, teamwork, and even have a recital. A perfect first ballet book.
We Love to Craft Christmas: Fun Stuff for Kids—17 Handmade Fabric & Paper Projects
by Annabel WrigleyMake this Christmas extra special with the homemade decorations and one-of-a-kind gifts featured in this kid-friendly crafting guide.It’s beginning to look a lot like Christmas—and that means it’s time to get crafty. This book will teach you how to make 17 of the cutest things you’ve ever seen. Decorate your home with fun and festive handmade Christmas stockings, wreaths, ornaments, advent calendars and more. Plus, give your family and besties something they can't find at the mall. All you need is paper or fabric!
We Love to Sew Bedrooms: Cool Stuff for Your Space
by Annabel WrigleyHave your kids crafting up a storm to personalize their bedrooms with these 23 easy-to-sew and no-sew projects.Whip the child in your life into a bedroom decorating frenzy with We Love to Sew—Bedrooms by Annabel Wrigley of Little Pincushion Studio. With 23 easy-to-sew and no-sew projects that range from simple to moderately difficult, this inspiring book encourages kids to mix and match a variety of styles, from modern to boho to whimsical. Also included are detailed instructions on creating mood boards to capture their very own unique vision, as well as basic information about sewing, supplies, and sewing machine basics that will lay the foundation for a lifelong love of all things handmade
We Make Each Other Beautiful: Art, Activism, and the Law (Publicly Engaged Scholars: Identities, Purposes, Practices)
by Yxta Maya MurrayWe Make Each Other Beautiful focuses on woman of color and queer of color artists and artist collectives who engage in direct political action as a part of their art practice. Defined by public protest, rule-breaking, rebellion, and resistance to governmental and institutional abuse, direct-action "artivism" draws on the aims, radical spirit, and tactics of the civil rights and feminist movements and on the struggles for disability rights, queer rights, and immigrant rights to seek legal and social change. Yxta Maya Murray traces the development of artivism as a practice from the Harlem Renaissance to Yoko Ono, Judy Baca, and Marsha P. Johnson. She also studies its role in transforming law and society. We Make Each Other Beautiful profiles the work and lives of four contemporary artivists —Carrie Mae Weems, Young Joon Kwak, Tanya Aguiñiga, and Imani Jacqueline Brown—and the artivist collective Drawn Together, combining new oral histories with sharp analyses of how their diverse and expansive artistic practices bear important aesthetic and politicolegal meanings that address a wide range of injustices.
We Need to Talk About . . . Kevin Bridges
by Kevin BridgesThe comic autobiography of 2014 A comedian's autobiography? I wonder if he's ever used humour to deflect from his insecurities? To avoid being bullied? Is there heartache behind the humour? I wonder if he's a manic-depressive? Tears of a clown? Yes, all of that. Discover the hilarious life-story of one of Britain's best-loved comedians in Kevin Bridges' brilliant memoir. 'First of all, I have never written a book before, you probably haven't either, so there we have it; a connection is established between reader and writer . . .' Aged just 17, Kevin Bridges walked on stage for the first time in a Glasgow comedy club and brought the house down. He only had a five-minute set but in that short time he discovered that he really could earn a living from making people laugh. Kevin began life as a shy, nerve-ridden school-boy, whose weekly highlights included a cake-bombing attack by the local youths. Reaching his teens, he followed his true calling as the class clown, and was soon after arrested for kidnapping Hugh Grant from his local cinema on a quiet Saturday night. This was a guy going somewhere - off the rails seeming most likely. Kevin's trademark social commentary, sharp one-liners and laugh-out-loud humour blend with his reflections on his Glaswegian childhood and the journey he's taken to become one of the most-loved comedians of our time.'. . . Hopefully now you'll take this over to the till and I can accompany you for the next wee while. That's the benefit of book shops, reading the little bit and then deciding if the author deserves to be part of your carefully selected 3 for 2 deal, or part of your plane journey, train journey, your next bath, your next shite.' Praise for Kevin Bridges:'The Best Scottish Stand up of his Generation.' The Scotsman 'A wonderfully dry and deadpan Glaswegian comic . . . one the most exciting talents to have emerged from Scotland since Billy Connolly' Guardian 'Kevin Bridges might just become the best stand-up in the land . . . he will go and deliver a one-liner that you want to jot down and frame' The Times 'Wonderfully sharp, assured stand-up from the preternaturally gifted young comic' Independent
We Piano Teachers and Our Demons: Socio-psychological Obstacles on the Road to Inspired and Secure Performance (Landscapes: the Arts, Aesthetics, and Education #32)
by Zecharia PlavinThis book focuses on piano teachers and the many pains they encounter in their careers. These pains play an essential role in blocking the musical inspiration of their students. The author identifies with the sensitivities of the teachers, aiming at the inspiration permeated and safer playing of their students.The book penetrates the protective mechanisms of the teachers that, on the one hand, maintain their professional functioning, while on the other hand, block refreshing ideas. It combines exploration of secure and culturally informed inspired playing, coping with exaggerated anxiety and understanding the interaction of piano actions with pianist’s physiology.This book helps to open teachers’ perceptions of the ways to enable more secure and more inspired performances while remembering the inner feelings of the piano teachers.
We Promised You a Great Main Event: An Unauthorized WWE History
by Bill Hanstock“A fascinating dive into the physical art of modern-day wrestling entertainment and the unbelievable characters who make it work in the ring and the back.” —Chris KluweIn We Promised You a Great Main Event, longtime sports journalist Bill Hanstock pulls back the curtain to give a smart fan’s account of WWE and Vince McMahon’s journey to the top. Untangling the truth behind the official WWE storyline, Hanstock does a deep dive into key moments of the company’s history, from the behind-the-scenes drama at the Montreal Screwjob, to the company’s handling of the Jimmy Snuka scandal, to the real story of the Monday Night Wars.WWE is an extraordinary business success and an underappreciated pop cultural phenomenon. While WWE soared to prominence during the Hulk Hogan years, as the stakes grew more and more extreme, wrestlers faced steroid scandals and assault allegations. The whole story is here, good, bad, and ugly, from the heights of iconic cultural moments like Wrestlemania III to the arrival of global superstars like The Rock and John Cena.We Promised You a Great Main Event is an exhaustive, fun account of the McMahon family and WWE’s unprecedented rise. Drawing on a decade of covering wrestling, Bill Hanstock synthesizes insights from historians, journalists, and industry insiders with his own deep research to produce the most up-to-date, entertaining history of WWE available. Full of amazing characters and astonishing stories from the ring to corporate boardrooms, it is a story as audacious as any WWE spectacle.
We Return Fighting: World War I and the Shaping of Modern Black Identity
by Nat'l Mus Afr Am Hist CultureA richly illustrated commemoration of African Americans' roles in World War I highlighting how the wartime experience reshaped their lives and their communities after they returned home.This stunning book presents artifacts, medals, and photographs alongside powerful essays that together highlight the efforts of African Americans during World War I. As in many previous wars, black soldiers served the United States during the war, but they were assigned to segregated units and often relegated to labor and support duties rather than direct combat. Indeed this was the central paradox of the war: these men and women fought abroad to secure rights they did not yet have at home in the States. Black veterans' work during the conflict--and the respect they received from French allies but not their own US military--empowered them to return home and continue the fight for those rights. The book also presents the work of black citizens on the home front. Together their efforts laid the groundwork for later advances in the civil rights movement.We Return Fighting reminds readers not only of the central role of African American soldiers in the war that first made their country a world power. It also reveals the way the conflict shaped African American identity and lent fuel to their longstanding efforts to demand full civil rights and to stake their place in the country's cultural and political landscape.
We Shall Overcome: The Story of a Song
by Debbie Levy Vanessa Brantley NewtonIt only takes a few words to create change. It only takes a few people to believe that change is possible. And when those people sing out, they can change the world. "We Shall Overcome" is one of their songs. From the song's roots in America's era of slavery through to the civil rights movement of the 1960s and today, "We Shall Overcome" has come to represent the fight for equality and freedom around the world. This important book, lyrically written by Debbie Levy and paired with elegant, collage-style art by Vanessa Brantley-Newton, pays tribute to the heroic spirit of the famous song that encompasses American history.
We Shot the War: Overseas Weekly in Vietnam
by Lisa NguyenWe Shot the War: Overseas Weekly in Vietnam examines the legacy of one of the most popular and eccentric newspapers to cover the Vietnam War. With its mix of hard-hitting military exposÉs, pinups, and comic strips, Overseas Weekly earned a reputation as a muckraking truth teller. Time magazine called it "the least popular publication at the Pentagon." From 1966 to 1972, the paper's reporters and photographers tackled controversial topics, including courts-martial, racial discrimination, drug use, and opposition to command. And they published some of the most intimate portraits of American GIs and Vietnamese civilians, taken with the specific purpose of documenting the daily life of individuals caught in the world's most grueling and disputed conflict. Through striking photographs and personal essays, We Shot the War brings viewers behind the viewfinders of photojournalists who covered the conflict and introduces readers to two extraordinary women: founder Marion von Rospach and Saigon office bureau chief Ann Bryan. Together, they fought for the right of women to report in combat zones and argued against media censorship. Foreword by Eric Wakin Contributors: Cynthia Copple, Art Greenspon, Don Hirst, Brent Procter
We Should All Be Mirandas: Life Lessons from Sex and the City's Most Underrated Character
by Chelsea Fairless Lauren GarroniWhen Sex and the City premiered, many were hesitant to identify as the Miranda of their social circle - after all, sarcasm, workaholism, and dubious fashion choices are rarely considered aspirational. However, in the two-plus decades since her television debut, our culture has finally caught up with this forward-thinking icon and all she represents. The truth is, Miranda Hobbes is the feminist hero that we deserve - we were all just too busy obsessing over Carrie's corset tops to notice it at first.WE SHOULD ALL BE MIRANDAS is a celebration of a certain redheaded lawyer and the legions of fans who relate to her pragmatic, no-bullshit approach to work, love, and sex. Written by two self-proclaimed Mirandas, this humorous manifesto distils Ms. Hobbes' core principles into a strategic guide for navigating life's inevitable ups and downs. In it, you'll learn to:Overcome your internalised MirandaphobiaCope with humiliating sexual encountersMake Google Docs your bitchDump that Skipper that you've been datingEmbrace your bad hair days ...and so much more!With sharp, sardonic humor and nods to the series' most iconic moments, We Should All Be Mirandas is the perfect gift for fashionistas, pop culture mavens, and every woman who has dared to eat cake out of the garbage.
We Skate Hardcore: Photographs from Brooklyn's Southside
by Vincent CianniView Photos. Published by New York University Press and Lyndhurst Books of the Center for Documentary Studies. The stunning photographs of We Skate Hardcore reveal the determination, the dreams, and the rough and tumble story of urban Latino youth coming of age in New York City. Vincent Cianni spent eight years photographing and documenting a group of Latino in-line skaters in the Southside of Williamsburg, Brooklyn. Cianni weaves together images of the skaters with their own words, showing the skaters' struggles to find a place to skate and build skate parks, and just to survive in the city. In the evacuated industrial spaces of their neighborhood, the skaters carve out places for enjoying their sport and showing off their skills-often thwarting established rules and authority figures in the process. Their stories are both personal and resonant; they reflect the trials and tenacity of a young urban culture, as well as life in Southside's Latino community. In addition to black and white and color photos, We Skate Hardcore includes a DVD with footage of the skaters featured in the book, as well as additional photographs and an essay. We Skate Hardcore, with its verve and youthful energy, will especially appeal to photographers, those interested in urban studies and adolescence, New Yorkers, and in-line skaters and extreme sports enthusiasts everywhere.