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Wetlands
by Ben A. LepageThe science of wetlands and our understanding of these complex ecosystems have improved considerably. The emergence of multidisciplinary strategies is providing new opportunities and innovative approaches to address issues such as climate change and coastal protection. This book, with contributions from 19 specialists from academia, government, and industry, provides a trans-disciplinary approach to the understanding wetlands science, drawing together a wide range of expertise. Topics covered include the physical aspects that shape different wetlands around the world, as well as wetlands ecology, regulation, policy, and related social and economic issues. Featuring contributions from some of the world's leading wetlands researchers and practitioners, this book provides an invaluable resource for undergraduate and post-graduate training in all aspects of wetlands management, conservation, and construction. It is also a useful auxiliary text for researchers working across disciplines in fields such as wetlands science, law, landscape architecture, environmental engineering, conservation ecology, and related disciplines.
Wewahitchka
by Beverly Mount-DoudsWhen pioneers first came to the territory now known as Wewahitchka, they were welcomed by Native Americans, but the natives' resistance grew when their land and hunting grounds were threatened. As a result of this turmoil, many lives were lost. Gen. Andrew Jackson made three trips to the Florida Territory. One such visit brought him to the Wewa-Iola area, where he took advantage of the interpretation skills of the pioneering George Richards and his family. Thomas Richards later served as an Indian Agent, and along with his brother Andrew and several others, they built a fort on the banks of the Dead Lakes. In 1872, Dr. John Keyes moved to the Wewa area and planted pecan, pear, and orange trees. Dr. Keyes referred to the two lakes as "Alice" and "Julia" after his two daughters. Around 1875, residents decided to call the town Wewahitchka, meaning "water eyes," in honor of the lakes in the center of the settlement.
Weymouth
by Elaine A. Pepe William J. PepeWeymouth offers a glimpse into the history of the Bay State's second-oldest town through one of the most nostalgic media of the early twentieth century: postcards. Between 1902 and 1965, almost anyone or anything of significance in Weymouth was captured by local postcard publishers, such as Hunt's News Room. The cards showed nearly every aspect of life in Weymouth, from maritime commerce and railroads to town fairs and harness racing. With images of local churches, elaborate homes of the early twentieth century, trolley cars, sailboats, and Weymouth war heroes, this compilation, created from the authors' collection of more than eight hundred Weymouth postcards, offers something for collectors and residents alike.
Weymouth (Then and Now)
by Debbie Sargent Sullivan Erica Jill DumontBeginning as an agricultural community, Weymouth evolved into a bustling shipping port and a manufacturing town with numerous shoe factories and an iron works. Later, it became a seaside vacation community, a postwar suburb, and finally a modern town with public transportation, a respected hospital, and a great school system.
Whaling on Long Island (Images of America)
by Nomi DayanThe story of whales and the whalers who followed them is inextricably tied with Long Island's rich maritime history. Before the Long Island Expressway, strip malls, golf clubs, and suburban sprawl, calls of "Thar she blows!" rang out from Long Island harbors and ships. This book chronicles the rise and fall of whaling on the island and describes local whaleship fleets that traveled to the far corners of the world, the personalities behind local enterprises, and the villages whose cultures and economies grew from the industry. Be transported to a time when whalers roamed the streets between journeys, shipbuilders worked in the harbors, captains charted their expeditions, and whaleship masts seemed to pierce the clouds in Long Island's pursuit of the largest creatures in the world.
Whaling on Martha's Vineyard
by Thomas DresserMartha's Vineyard became an integral part of the whaling industry at the beginning of the eighteenth century and inspired a lasting romantic enthusiasm for life on the open ocean. From shorewhaling to daring voyages into the Atlantic, Pacific and Arctic Oceans, the insular whaling community offered a tempting path for many young Vineyarders to rise from cabin boy to captain. Local businesses were enticed by the potential profit from whaling voyages, and many reaped generous rewards from successful whale oil harvests. Through memoirs, music and memorabilia, author Thomas Dresser recounts this dramatic history of the bygone era of whaling on Martha's Vineyard.
Wharfie Animator: Harry Reade, The Sydney Waterfront, and the Cuban Revolution
by Max BannahThis book examines the life of the Australian artist Harry Reade (1927–1998) and his largely overlooked contribution to animation. It constitutes a biography of Reade, tracing his life from his birth to his period of involvement with animation between 1956 and 1969. It explores the forces that shaped Reade and chronicles his experiences as a child, his early working life, the influence of left-wing ideology on his creative development, his introduction to animation through the small but radical Waterside Workers’ Federation Film Unit (WWFFU), and the influence he had on the development of Cuban animation as an educational tool of the Revolution. Key Features The text offers an alternative framework for considering the political, social, and cultural themes that characterised 1950s Australia and 1960s Cuba. A rare look into the cultural heritage of labor organizations and the populist power of animation to stimulate radical social consciousness. The book also crosses a range of intellectual disciplines, including Animation Studies, Art History, Cinema Studies, and the Social and Political Histories of Australia and Cuba. Max Bannah lives on Queensland’s Sunshine Coast. Between 1976 and 2010, he worked in Brisbane as an animator producing television commercials, short films, and cartoon graphics. He also lectured in Animation History and Practice and Drawing for Animation at the Queensland University of Technology where, in 2007, he completed his Masters by Research thesis, "A Cause for Animation: Harry Reade and the Cuban Revolution."
Wharton
by Alan Rowe Kelly Charlotte KellyWharton traces the vivid history of New Jersey's hub of industry during the eighteenth and early nineteenth centuries. Known as Port Oram until 1901, the town was the site of the richest mineral deposits in the state and of the famed Picatinny Arsenal, still active today. The Morris Canal and northern New Jersey railways were built specifically to accommodate the area's mining and iron-manufacturing industries. Wharton attracted immigrant workers who settled and stayed in the community alongside the original families, many of whose descendants still reside here.
Wharton
by Paul N. SpellmanOn a bend in the Colorado River where it meanders through the Bay Prairie lies the town of Wharton. Caney and Peach Creeks spill into the river nearby and mark the boundaries of this small community. Stephen F. Austin first brought settlers here in the early 1820s, and the town of Wharton was organized in 1846. Named in memory of two brothers who fought in the Texas Revolution, the town sits astride trade routes that connect larger cities like Houston and San Antonio. Steamboats made their way up the Colorado River, and the railroad bustled through in the 1880s. The town began to grow quickly by 1900, and now, a century later, Wharton honors a diverse cultural heritage passed down for six generations. Today Wharton has more than 9,000 residents who make up a diverse and thriving community, and who still appreciate their special place along the mighty Colorado River.
What a Body Can Do
by Ben SpatzIn What a Body Can Do, Ben Spatz develops, for the first time, a rigorous theory of embodied technique as knowledge. He argues that viewing technique as both training and research has much to offer current debates over the role of practice in the university, including the debates around "practice as research." Drawing on critical perspectives from the sociology of knowledge, phenomenology, dance studies, enactive cognition, and other areas, Spatz argues that technique is a major area of historical and ongoing research in physical culture, performing arts, and everyday life.
What a Girl Wants?: Fantasizing the Reclamation of Self in Postfeminism
by Diane NegraFrom domestic goddess to desperate housewife, What a Girl Wants? explores the importance and centrality of postfeminism in contemporary popular culture. Focusing on a diverse range of media forms, including film, TV, advertising and journalism, Diane Negra holds up a mirror to the contemporary female subject who finds herself centralized in commodity culture to a largely unprecedented degree at a time when Hollywood romantic comedies, chick-lit, and female-centred primetime TV dramas all compete for her attention and spending power. The models and anti-role models analyzed in the book include the chick flick heroines of princess films, makeover movies and time travel dramas, celebrity brides and bravura mothers, ‘Runaway Bride’ sensation Jennifer Wilbanks, the sex workers, flight attendants and nannies who maintain such a high profile in postfeminist popular culture, the authors of postfeminist panic literature on dating, marriage and motherhood and the domestic gurus who propound luxury lifestyling as a showcase for the ‘achieved’ female self.
What a Masterpiece!
by Riccardo GuascoIn this wordless picture book, the Western world&’s greatest art is closer than you expect. A boy&’s daily routines bring him face-to-face with Escher&’s winding stairs, Banksy&’s balloon girl, Picasso&’s dancing fauns, and many more familiar sights. Maybe the boy&’s bedroom looks a little like Van Gogh&’s. Maybe that apple looks a bit like Magritte&’s. And maybe another masterpiece is on its way… A celebration of creativity across the centuries, What a Masterpiece! will inspire young artists to find wonder in their everyday lives. An art index after the story helps readers identify the cultural treasures behind the illustrations.
What About the Words?: Creative Journaling for Scrapbookers
by Memory MakersWhat About the Words? Creative Journaling for Scrapbookers provides the advice, examples and inspiration scrapbookers need to help them record their memories and experiences in the most engaging and expressive way possible. Inside, readers will find:Borrowed words: Create pages that use words directly from other sources such as ads, quotes and song lyrics.Simple starts: Draft your journaling in the form of single words or simple phrases.Just the facts: Generate a series of questions and answers to express your sentiments or make lists that tell it just like it is.Get creative: Use innovative formats such as letters, narratives, turning points, milestones, dialogue and other creative forms to compose unique and original journaling.With over 30 unique journaling formats, What About the Words? packages all the essentials for creative journaling in one comprehensive source.
What About Yarn: 20 Creative, Fashionable Patterns for Beginner to Intermediate Crocheters
by Kath BaenaA Simon & Schuster eBook. Simon & Schuster has a great book for every reader.
What Am I Bid?: How one of television's favourite auctioneers went from counting sheep to selling silver
by Philip SerrellDAILY MAIL BOOK OF THE WEEK'A sparkling memoir... My hope is that Philip Serrell will do for the antiques trade what James Herriot did for cow's bottoms, as his memoir contains every ingredient for similar popular success... Serrell is laugh-out-loud funny.' Roger Lewis, Daily Mail***When Philip Serrell gave up teaching to become a professional auctioneer, he thought he was embarking on a sensible and safe career... a quiet life in the country with no surprises. How wrong he was. In What Am I Bid? he tells of life after the events he described in his previous memoirs, An Auctioneer's Lot and Sold to the Man with the Tin Leg, to bring his story up to date. From dodgy cars to fakes in the saleroom; angry livestock, mangled silverware and tortuous - not to mention muddy - experiences in local markets and farm sales, Philip has been there, done that and got the hoofprints on his suit to prove it.
What Am I Bid?: How one of television's favourite auctioneers went from counting sheep to selling silver
by Philip SerrellThe well-known TV auctioneer's entertaining and informative memoir of a life under the hammer.When Philip Serrell - now well known for his television appearances - gave up teaching to become a professional auctioneer, he thought he was embarking on a sensible and safe career . . . a quiet life in the country with no surprises. How wrong he was. In WHAT AM I BID? he tells of life after the events he described in AN AUCTIONEER'S LOT (2006) and SOLD TO THE MAN WITH THE TIN LEG (2007), to bring his story up to date. From dodgy cars to fakes in the saleroom; angry livestock, mangled silverware and tortuous - not to mention muddy - experiences in local markets and farm sales, Philip has been there, done that and got the hoofprints on his suit to prove it.(P) 2021 Hodder & Stoughton Ltd
What an Architecture Student Should Know
by Jadwiga KrupinskaIt's not just you. Every architecture student is initially confused by architecture school - an education so different that it doesn't compare to anything else. A student’s joy at being chosen in stiff competition with many other applicants can turn to doubt when he or she struggles to understand the logic of the specific teaching method. Testimony from several schools of design and architecture in different countries indicates that many students feel disoriented and uncertain. This book will help you understand and be aware of: Specific working methods at architecture schools and in the critique process, so you'll feel oriented and confident. How to cope with uncertainty in the design process. How to develop the ability to synthesize the complexity of architecture in terms of function, durability, and beauty. This book is about how architects learn to cope with uncertainty and strive to master complexity. Special attention is given to criticism, which is an essential part of the design process. The author, a recipient of several educational awards, has written this book for architecture students and teachers, to describe how each student can adopt the architect's working method. Key concepts are defined throughout and references at the end of each chapter will point you to further reading so you can delve into topics you find particularly interesting. Jadwiga Krupinska is professor emerita at the School of Architecture of the Royal Institute of Technology (KTH) in Stockholm, Sweden.
What Architecture Means: Connecting Ideas and Design
by Denise CostanzoWhat Architecture Means introduces you to architecture and allows you to explore the connections between design ideas and values across time, space, and culture. It equips you to play an active and informed role in architecture either as a professional or as a consumer, client, and citizen. By analyzing famous and everyday buildings while presenting and questioning the positions of important architects and theorists, this book will help you to evaluate and decide what qualities, ideas, and values you believe are important in architecture. You'll learn: -How various definitions of "architecture" establish different relationships with all buildings, and even non-buildings;-How buildings express and accommodate ideas of the sacred, the family, and the community;-What an architect is, and what priorities they bring to design and construction;-How an architect’s expertise relates to that of the engineer, and why these are distinct disciplines;-About values like beauty, originality, structural expression, and cultural memory and their purpose in architectural design;-About the interests and ethical values that architects, and architecture, serves and promotes. Topics include sacred spaces, the house, the city, architects and engineers, aesthetics and design, originality and method, technology and form, memory and identity, and power and politics.
What Are Museums For? (What Is It For?)
by Jon SleighThe days when museums were dusty, stuffy institutions displaying their wealth and wisdom to a reverential public are over. Museums today are a cultural battleground. Who should decide what is put on display and how it is presented? Who gets to set the narrative? In this passionately argued book, Jon Sleigh maintains that museums must be for all people and inclusion must be at the heart of everything they do. But what does good inclusion look like in practice? Cleverly structured like a museum tour, Sleigh uses seven illustrative museum objects from seven very different museums to explore such wide-ranging issues as trust-building, representation, digital access, conflicting narratives, removal from display and restitution.
What Are You Laughing At?: How to Write Humor for Screenplays, Stories, and More
by Brad Schreiber Chris Vogler“People have forgotten how to be funny,” says Chris Vogler in his foreword to What Are You Laughing at? Luckily, experienced and award-winning humor writer Brad Schreiber is here to remind us all how it’s done. If laughter is the best medicine, be prepared to feel fit as a fiddle after perusing these pages. Brad’s clever wit and well-timed punch lines are sure to leave you grasping your sides, while his wise advice will ensure that you’re able to follow in his comedic footsteps.With more than seventy excerpts from such expert prose and screenwriters as Woody Allen, Steve Martin, and Kurt Vonnegut Jr., as well as unique writing exercises for all situations, this comprehensive tutorial will teach you how to write humor prose for any literary form, including screenwriting, story writing, theater, television, and audio/radio. Additionally, readers are given sage advice on different tactics for writing comedic fiction versus comedic nonfiction. Some of the topics discussed include:Life experience versus imaginationHow to use humor to develop theme/setting, character, and dialogueRhythm and sound of wordsVulgarity and bad tasteHow to market your humor prose in the digital marketThoroughly revised and updated, and with new information on writing short, humorous films, What Are You Laughing at? is your endless source to learning the art of comedy.
What Are You Looking At?
by Will GompertzWhat Are You Looking At? by Will Gompertz - a wonderfully lively and accessible history of Modern Art by the BBC Arts Editor 'An essential primer not only for art lovers but for art loathers too' **** ExpressWhat is modern art? Why do we either love it or loathe it? And why is it worth so much damn money? Join Will Gompertz on a dazzling tour that will change the way you look at modern art forever. From Monet's water lilies to Van Gogh's sunflowers, from Warhol's soup cans to Hirst's pickled shark, hear the stories behind the masterpieces, meet the artists as they really were, and discover the real point of modern art. You will learn: not all conceptual art is bollocks; Picasso is king (but Cézanne is better); Pollock is no drip; Dali painted with his moustache; a urinal changed the course of art, why your 5-year-old really couldn't do it. Refreshing, irreverent and always straightforward, What Are You Looking At? cuts through the pretentious art speak and asks all the basic questions that you were too afraid to ask. Your next gallery trip is going to be a little less intimidating and a lot more interesting. 'Robert Hughes's The Shock of the New redone à la Bill Bryson' ****TelegraphThis book is essential reading for sceptics, art lovers, and the millions of us who visit art galleries every year - and are confused. It will also be enjoyed by readers of The Story of Art by E. H. Gombrich and is a perfect primer to the subject for the student or beginner. Will Gompertz is the BBC Arts Editor and probably the world's first art history stand-up comedian. He was a Director at the Tate Gallery for 7 years. He has a particular interest in modern art and has written about the arts for The Times and the Guardian for over 20 years. In 2009, he wrote and performed a sell-out one-man comedy show about modern art at the Edinburgh Festival. He was recently voted one of the world's top 50 creative thinkers by New York's Creativity Magazine.
What Art Is
by Arthur C. DantoWhat is it to be a work of art? Renowned author and critic Arthur C. Danto addresses this fundamental, complex question. Part philosophical monograph and part memoiristic meditation, What Art Is challenges the popular interpretation that art is an indefinable concept, instead bringing to light the properties that constitute universal meaning. Danto argues that despite varied approaches, a work of art is always defined by two essential criteria: meaning and embodiment, as well as one additional criterion contributed by the viewer: interpretation. Danto crafts his argument in an accessible manner that engages with both philosophy and art across genres and eras, beginning with Plato's definition of art in The Republic, and continuing through the progress of art as a series of discoveries, including such innovations as perspective, chiaroscuro, and physiognomy. Danto concludes with a fascinating discussion of Andy Warhol's famous shipping cartons, which are visually indistinguishable from the everyday objects they represent.Throughout, Danto considers the contributions of philosophers including Descartes, Kant, and Hegel, and artists from Michelangelo and Poussin to Duchamp and Warhol, in this far-reaching examination of the interconnectivity and universality of aesthetic production.
What Art Is Like, in Constant Reference to the Alice Books
by Miguel TamenThis comic, serious inquiry into the nature of art takes its technical vocabulary from Alice’s Adventures in Wonderland and Through the Looking-Glass. It is ridiculous to think of poems, paintings, or films as distinct from other things in the world, including people. Talking about art should be contiguous with talking about other relevant matters.
What Art Teaches Us: Reexamining the Pillars of Visual Arts Curricula
by Timothy BabulskiThis book critically examines four areas common to visual arts curricula: the elements of art and principles of design, the canons of human proportions, linear perspective, and RYB color theory. For each, the author presents a compelling case detailing how current art teaching fails students, explores the history of how it came to be part of the discourse, and then proffers cognitivist and holistic alternatives. This book provides a framework for teachers and teacher-candidates to shape how they advocate for intellectual rigor and embodied learning and, importantly, how they can subvert an existing curriculum to better meet the educational needs of their students.
What Artists Wear
by Charlie PorterAn eye-opening and richly illustrated journey through the clothes worn by artists, and what they reveal to us. From Yves Klein’s spotless tailoring to the kaleidoscopic costumes of Yayoi Kusama and Cindy Sherman, from Andy Warhol’s denim to Martine Syms’s joy in dressing, the clothes worn by artists are tools of expression, storytelling, resistance, and creativity. In What Artists Wear, fashion critic and art curator Charlie Porter guides us through the wardrobes of modern artists: in the studio, in performance, at work or at play. For Porter, clothing is a way in: the wild paint-splatters on Jean-Michel Basquiat’s designer clothing, Joseph Beuys’s shamanistic felt hat, or the functional workwear that defined Agnes Martin’s life of spiritua labor. As Porter roams widely from Georgia O’Keeffe’s tailoring to David Hockney’s bold color blocking to Sondra Perry’s intentional casual wear, he weaves his own perceptive analyses with original interviews and contributions from artists and their families and friends. Part love letter, part guide to chic, with more than 300 images, What Artists Wear offers a new way of understanding art, combined with a dynamic approach to the clothes we all wear. The result is a radical, gleeful inspiration to see each outfit as a canvas on which to convey an identity or challenge the status quo.