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What Becomes a Legend Most: A Biography of Richard Avedon
by Philip GefterThe first definitive biography of Richard Avedon, a monumental photographer of the twentieth century, from award-winning photography critic Philip Gefter.In his acclaimed portraits, Richard Avedon captured the iconic figures of the twentieth century in his starkly bold, intimately minimal, and forensic visual style. Concurrently, his work for Harper's Bazaar and Vogue transformed the ideals of women's fashion, femininity, and culture to become the defining look of an era. Yet despite his driving ambition to gain respect in the art world, during his lifetime he was condescendingly dismissed as a "celebrity photographer."What Becomes a Legend Most is the first definitive biography of this luminary—an intensely driven man who endured personal and professional prejudice, struggled with deep insecurities, and mounted an existential lifelong battle to be recognized as an artist. Philip Gefter builds on archival research and exclusive interviews with those closest to Avedon to chronicle his story, beginning with Avedon’s coming-of-age in New York between the world wars, when cultural prejudices forced him to make decisions that shaped the course of his life.Compounding his private battles, Avedon fought to be taken seriously in a medium that itself struggled to be respected within the art world. Gefter reveals how the 1950s and 1960s informed Avedon’s life and work as much as he informed the period. He counted as close friends a profoundly influential group of artists—Leonard Bernstein, Truman Capote, James Baldwin, Harold Brodkey, Renata Adler, Sidney Lumet, and Mike Nichols—who shaped the cultural life of the American twentieth century. It wasn't until Avedon's fashion work was exhibited at the Metropolitan Museum of Art in the late 1970s that he became a household name.Balancing glamour with the gravitas of an artist's genuine reach for worldy achievement—and not a little gossip—plus sixteen pages of photographs, What Becomes a Legend Most is an intimate window into Avedon's fascinating world. Dramatic, visionary, and remarkable, it pays tribute to Avedon's role in the history of photography and fashion—and his legacy as one of the most consequential artists of his time.
What Can a Body Do?: How We Meet the Built World
by Sara HendrenA fascinating and provocative new way of looking at the things we use and the spaces we inhabit, and a call to imagine a better-designed world for us all.Furniture and tools, kitchens and campuses and city streets—nearly everything human beings make and use is assistive technology, meant to bridge the gap between body and world. Yet unless, or until, a misfit between our own body and the world is acute enough to be understood as disability, we may never stop to consider—or reconsider—the hidden assumptions on which our everyday environment is built. In a series of vivid stories drawn from the lived experience of disability and the ideas and innovations that have emerged from it—from cyborg arms to customizable cardboard chairs to deaf architecture —Sara Hendren invites us to rethink the things and settings we live with. What might assistance based on the body&’s stunning capacity for adaptation—rather than a rigid insistence on &“normalcy&”—look like? Can we foster interdependent, not just independent, living? How do we creatively engineer public spaces that allow us all to navigate our common terrain? By rendering familiar objects and environments newly strange and wondrous, What Can a Body Do? helps us imagine a future that will better meet the extraordinary range of our collective needs and desires.
What Can and Can't Be Said
by Dell UptonAn original study of monuments to the civil rights movement and African American history that have been erected in the U. S. South over the past three decades, this powerful work explores how commemorative structures have been used to assert the presence of black Americans in contemporary Southern society. The author cogently argues that these public memorials, ranging from the famous to the obscure, have emerged from, and speak directly to, the region's complex racial politics since monument builders have had to contend with widely varied interpretations of the African American past as well as a continuing presence of white supremacist attitudes and monuments.
What Can Colors Do?
by Liz Yohlin BaillThere's a rainbow of ways to think about colors. Colors pop and shine. Cool colors make us shiver, while warm colors heat us up. They can even express our moods, from feeling blue to being tickled pink. What Can Colors Do? introduces children to color through vibrant artworks that inspire curiosity, joy, and surprise in young learners.Colorful paintings, sculptures, and objects from the Philadelphia Museum of Art help children think about how artists use color. How can colors express feelings? Can a color be loud or soft? As children learn the basics of color theory, from mixing to contrast and color wheels, they answer engaging, thoughtful questions that bring the world of art and their own experiences together. A series of activities for kids to complete on their own—from a scavenger hunt to a color-inspired way to meditate—helps them to appreciate the beauty and complexity of the hues around us.
What Can You Do with an Old Red Shoe?: A Green Activity Book About Reuse
by Anna AlterWhat can Ruby do with her old red show? Use it as a planter for pansies! In this "green" craft book, children can appreciate that recycling is a part of everyday life, and with a little creativity, exciting projects are only a few steps away. Turn a worn flip-flop into an art stamp, a ripped shower curtain into an apron, and an old T-shirt into a pillow. These activities are just a few of the many crafts to be explored. With easy-to-follow instructions, this interactive book will challenge kids to come up with clever recycling ideas of their own in no time!
What Can You Do With Your Will Power
by Russell H. ConwellIn "What You Can Do With Your Will Power," Russell H. Conwell, the esteemed Baptist minister, lawyer, and founder of Temple University, explores the immense power of the human will and its critical role in achieving personal and professional success. This enlightening book offers practical insights and motivational wisdom that inspire readers to harness their inner strength and transform their lives.Conwell delves into the nature of willpower, illustrating how it can be developed and utilized to overcome obstacles, achieve goals, and realize one’s full potential. He shares inspiring stories and practical advice on how to cultivate a strong will, maintain focus, and persevere in the face of challenges.Key themes include:The Nature of Will Power: Conwell defines willpower as the inner strength and determination that drives individuals to pursue their goals relentlessly. He emphasizes that everyone possesses this power and can cultivate it through conscious effort and practice.Cultivating Will Power: The book provides practical strategies for strengthening willpower, such as setting clear goals, developing disciplined habits, and maintaining a positive mindset. Conwell encourages readers to practice self-control and stay committed to their objectives.Overcoming Obstacles: Conwell discusses the importance of resilience and perseverance in the face of adversity. He offers guidance on how to stay motivated and focused, even when confronted with setbacks and difficulties.The Role of Will Power in Success: Through compelling anecdotes and real-life examples, Conwell demonstrates how willpower has been a decisive factor in the achievements of successful individuals. He highlights the transformative impact of a determined and focused mind.Balancing Will Power and Flexibility: While emphasizing the importance of strong willpower, Conwell also advises on the need for flexibility and adaptability. "What You Can Do With Your Will Power" is an inspiring and practical guide for anyone looking to strengthen their resolve and achieve their ambitions. Russell H. Conwell’s timeless wisdom and motivational insights provide readers with the tools they need to unlock their inner strength and reach their fullest potential.
What Christians Believe
by C. S. LewisThe Essentials Explained Master storyteller and essayist C. S. Lewis here tackles the central questions of the Christian faith: Who was Jesus? What did he accomplish? What does it mean for me? In these classic essays, which began as talks on the BBC during World War II, Lewis creatively and simply explains the basic tenets of Christianity. Taken from the core section of Mere Christianity, the selection in this gift edition provides an accessible way for more people to discover these timeless truths. For those looking to remind themselves of the things they hold true, or those looking for a snapshot of Christianity, this book is a wonderful introduction to the faith.
What Cinema Is!: Bazin's Quest and its Charge (Wiley-Blackwell Manifestos #65)
by Dudley AndrewWhat Cinema Is! offers an engaging answer to Andre Bazin's famous question, exploring his 'idea of cinema' with a sweeping look back at the near century of Cinema's phenomenal ascendancy. Written by one of the foremost film scholars of our time Establishes cinema's distinction from the current enthusiasm over audio-visual entertainment, without relegating cinema to a single, older mode Examines cinema's institutions and its social force through the qualities of key films Traces the history of an idea that has made cinema supremely alive to (and in) our times
What Color Is a Kiss?
by Rocio BonillaA sweet and heartwarming story centered around one simple question. Sassy and intrepid Monica loves to paint with a rainbow of colors. One day she wonders, "What color is a kiss?" She paints items and animals she knows in every color she can think of, hoping to discover the answer. Monica sees her world in every color of the rainbow, but this question nags at her. She paints and paints, hoping to discover the answer. Charming text and vibrant illustrations help Monica and her mother demonstrate that love comes in any and every color.
What Colour is your Building?: Measuring and reducing the energy and carbon footprint of buildings
by David ClarkDefining and reducing the carbon footprint of a new or refurbished building can be a daunting task. There are lots of tools to measure the environmental impact of buildings, but they all measure energy and CO2 in different ways, and they do not measure the whole carbon footprint. What Colour is your Building? provides practical and pragmatic guidance on how to calculate and then compare the whole carbon footprint of buildings using one simple method looking at operating, embodied and transport energy. It will equip designers, building owners, occupiers, planners and policy makers with the tools and knowledge that they will need to make decisions early on about where the big impacts will be in terms of reducing the carbon footprint of the building, including: A new, simple approach to understanding the whole carbon impact of buildings Benchmarking data for operating energy performance A clear, transparent method of separating landlord energy performance from tenant energy performance Simple diagrams and numbers to put renewable energy into perspective.
What Comes After Farce?: Art and Criticism at a Time of Debacle
by Hal FosterSurveying the artistic and cultural scene in the era of Trump In a world where truth is cast in doubt and shame has gone missing, what are artists and critics on the left to do? How to demystify a political order that laughs away its own contradictions? How to mock leaders who thrive on the absurd? And why, in any event, offer more outrage to a media economy that feeds on the same? Such questions are grist to the mill of Hal Foster, who, in What Comes after Farce?, delves into recent developments in art, criticism, and fiction under the current regime of war, surveillance, extreme inequality, and media disruption. Concerned first with the cultural politics of emergency since 9/11, including the use and abuse of trauma, conspiracy, and kitsch, he moves on to consider the neoliberal makeover of aesthetic forms and art institutions during the same period. A final section surveys signal transformations in art, film, and writing. Among the phenomena explored are machine vision (images produced by machines for other machines without a human interface), operational images (images that do not represent the world so much as intervene in it), and the algorithmic scripting of information that pervades our everyday lives. If all this sounds dire, it is. In many respects we look out on a world that has moved, not only politically but also technologically, beyond our control. Yet Foster also sees possibility in the current debacle: the possibility to pressure the cracks in this order, to turn emergency into change.
What Designers Know
by Bryan LawsonEach chapter deals with a different technique from which we can best represent and make explicit the forms of knowledge used by designers. The book explores whether design knowledge is special, and attempts to get to the root of where design knowledge comes from. Crucially, it focuses on how designers use drawings in communicating their ideas and how they ‘converse’ with them as their designs develop. It also shows how experienced designers use knowledge differently to novices suggesting that design ‘expertise’ can be developed. Overall, this book builds a layout of the kinds of skill, knowledge and understanding that make up what we call designing.
What Do Animals Think and Feel?: An Investigation Into Emotion And Behavior
by Karsten BrensingA fascinating study of animal behavior that reveals them to be as sentient and self-aware as we humans are.In What Do Animals Think and Feel? biologist Karsten Brensing has something astonishing to tell us about the animal kingdom: namely that animals, by any reasonable assessment, have developed the sophisticated systems of social organization and behaviour that human beings call "culture." Dolphins call one another by name and orcas inhabit a culture that is over 700,000 years old. Chimpanzees wage strategic warfare, while bonobos delight in dirty talk. Ravens enjoy snowboarding on snow-covered roofs, and snails like to spin on hamster exercise wheels. Humpback whales follow the dictates of fashion and rats are dedicated party animals. Ants recognize themselves in mirrors and spruce themselves up before they return home. Ducklings can pass complicated tests in abstract thinking. Dogs punish disloyalty, though they are also capable of forgiveness if you apologize to them. Brensing draws on the latest scientific findings as well as his own experience working with animals, to reveal a world of behavioral and cognitive sophistication that is remarkable similar to our own.
What Do Artists Know? (The Stone Art Theory Institutes #3)
by James ElkinsEach of the five volumes in the Stone Art Theory Institutes series, and the seminars on which they are based, brings together a range of scholars who are not always directly familiar with one another’s work. The outcome of each of these convergences is an extensive and “unpredictable conversation” on knotty and provocative issues about art. This third volume in the series, What Do Artists Know?, is about the education of artists. The MFA degree is notoriously poorly conceptualized, and now it is giving way to the PhD in art practice. Meanwhile, conversations on freshman courses in studio art continue to be bogged down by conflicting agendas. This book is about the theories that underwrite art education at all levels, the pertinent history of art education, and the most promising current conceptualizations. The contributors are Areti Adamopoulou, Glenn Adamson, Rina Arya, Louisa Avgita, Jan Baetens, Su Baker, Ciarín Benson, Andrew Blackley, Jeroen Boomgaard, Brad Buckley, William Conger, John Conomos, Christopher Csikszentmihályi, Anders Dahlgren, Jonathan Dronsfield, Marta Edling, Laurie Fendrich, Michael Fotiadis, Christopher Frayling, Miguel González Virgen, R.E.H. Gordon, Charles Green, Vanalyne Green, Barbara Jaffee, Tom McGuirk, William Marotti, Robert Nelson, Håkan Nilsson, Saul Ostrow, Daniel Palmer, Peter Plagens, Stephan Schmidt-Wulffen, Howard Singerman, Henk Slager, George Smith, Martin Søberg, Ann Sobiech Munson, Roy Sorensen, Bert Taken, Hilde Van Gelder, Frank Vigneron, Janneke Wesseling, Frances Whitehead, Gary Willis, and Yeung Yang.
What Do Pictures Want?: The Lives and Loves of Images
by W. J. T. MitchellAccording to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own.
What Do We Know About the Winchester House? (What Do We Know About?)
by Emma Carlson Berne Who HQThe What Do We Know About? series explores the mysterious, the unknown, and the unexplained. Why was Sarah Winchester's puzzling mansion built with so many mysterious features? And is it truly haunted?In 1884, Sarah Winchester began building a large mansion in Santa Clara County, California. Under Sarah's direction, the house rose to be seven stories high and filled with mysterious features, including stairs that lead to nowhere and windows that look into other interior rooms. The house is more than just oddly designed, however: Many people believe that it is haunted. What made the heiress to the Winchester rifle fortune, an independent woman in many ways ahead of her time, create such an unusual house? Is it really filled with ghosts and spirit energy? Find out more in this nonfiction title about one of America's most famously unexplainable and possibly haunted houses.
What Do you Mean, Murder?: Clue And The Making Of A Cult Classic
by John HatchUnlock the mystery behind the making of the 1985 cult-classic Clue, with details on the beloved film from author John Hatch, who offers plenty to chew on for die-hard buffs and casual fans alike, plus new insights from writer-director Jonathan Lynn and actress Colleen Camp.When the film Clue came out in 1985, audiences were baffled. A movie based on a board game, with three different endings, and you had to pick which one to go see? Bad reviews compounded the problem, and instead of choosing one ending, most people stayed away entirely. Clue, outgrossed at the box office by films that had been released months earlier, quickly faded away. When it unceremoniously premiered on Showtime a year after its theatrical debut, there was no sign it was destined for anything other than obscurity, another flop bound to be forgotten. Instead, Gen Xers and millennials, raised on pop culture and cable TV in an era long before the streaming wars, discovered this zany farce about a group of six strangers locked in a remote house with a killer. The movie appealed to kids. The creepy mansion and eerie music contrasted with slapstick gags and double entendres, deflating the tension. Today, almost forty years later, Clue is the epitome of a cult classic, with midnight screenings, script readings for charity, cosplaying fans, and a stage play. "What Do You Mean, Murder?&” dives deep into the making of Clue and walks fans through the movie they know and love. From producer Debra Hill&’s original idea of Detective Parker bumbling around a mansion to Carrie Fisher&’s casting as Miss Scarlet, from Madeline Kahn&’s iconic &“flames&” ad-lib to the legendary deleted fourth ending, it&’s all here. With asides on fandom, Gen X nostalgia, and at how movies were made in the 1980s, the book offers plenty to chew on for die-hard buffs and casual fans alike.
What Does a Jew Want?: On Binationalism and Other Specters (Insurrections: Critical Studies in Religion, Politics, and Culture)
by Udi AloniIn the hopes of promoting justice, peace, and solidarity for and with the Palestinian people, Udi Aloni joins with Slavoj Zizek, Alain Badiou, and Judith Butler to confront the core issues of the Israeli-Palestinian conflict. Their bold question: Will a new generation of Israelis and Palestinians dare to walk together toward a joint Israel-Palestine? Through a collage of meditation, interview, diary, and essay, Aloni and his interlocutors present a personal, intellectual, and altogether provocative account rich with the insights of philosophy and critical theory. They ultimately foresee the emergence of a binational Israeli-Palestinian state, incorporating the work of Walter Benjamin, Edward Said, and Jewish theology to recast the conflict in secular theological terms.
What Does it Mean to be an Empiricist?: Empiricisms in Eighteenth Century Sciences (Boston Studies in the Philosophy and History of Science #331)
by Siegfried Bodenmann Anne-Lise ReyThis book begins with an observation: At the time when empiricism arose and slowly established itself, the word itself had not yet been coined. Hence the central question of this volume: What does it mean to conduct empirical science in early modern Europe? How can we catch the elusive figure of the empiricist?Our answer focuses on the practices established by representative scholars. This approach allows us to demonstrate two things. First, that empiricism is not a monolith but exists in a plurality of forms. Today’s understanding of the empirical sciences was gradually shaped by the exchanges among scholars combining different traditions, world views and experimental settings. Second, the long proclaimed antagonism between empiricism and rationalism is not the whole story. Our case studies show that a very fruitful exchange between both systems of thought occurred. It is a story of integration, appropriation and transformation more than one of mere opposition. We asked twelve authors to explore these fascinating new facets of empiricisms. The plurality of their voices mirrors the multiple faces of the concept itself. Every contribution can be understood as a piece of a much larger puzzle. Together, they help us better understand the emergence of empiricism and the inventiveness of the scientific enterprise.
What Does It Mean to Be Post-Soviet?: Decolonial Art from the Ruins of the Soviet Empire (On Decoloniality)
by Madina TlostanovaIn What Does It Mean to Be Post-Soviet? Madina Tlostanova traces how contemporary post-Soviet art mediates this human condition. Observing how the concept of the happy future—which was at the core of the project of Soviet modernity—has lapsed from the post-Soviet imagination, Tlostanova shows how the possible way out of such a sense of futurelessness lies in the engagement with activist art. She interviews artists, art collectives, and writers such as Estonian artist Liina Siib, Uzbek artist Vyacheslav Akhunov, and Azerbaijani writer Afanassy Mamedov who frame the post-Soviet condition through the experience and expression of community, space, temporality, gender, and negotiating the demands of the state and the market. In foregrounding the unfolding aesthesis and activism in the post-Soviet space, Tlostanova emphasizes the important role that decolonial art plays in providing the foundation upon which to build new modes of thought and a decolonial future.
What Drawing and Painting Really Mean: The Phenomenology of Image and Gesture (Routledge Advances in Art and Visual Studies)
by Paul CrowtherThere are as many meanings to drawing and painting as there are cultural contexts for them to exist in. But this is not the end of the story. Drawings and paintings are made, and in their making embody unique meanings that transform our perception of space-time and sense of finitude. These meanings have not been addressed by art history or visual studies hitherto, and have only been considered indirectly by philosophers (mainly in the phenomenological tradition). If these intrinsic meanings are explained and further developed, then the philosophy of art practice is significantly enhanced. The present work, accordingly, is a phenomenology of how the gestural and digital creation of visual imagery generates self-transformation through aesthetic space.
What Else Is in the Teaches of Peaches
by PeachesOne of the Huffington Post's Best Art Books of 2015"[Peaches] has teamed up with her longtime tour photographer Holger Talinski to look back at a brazen career that has captured the attention of outsider artists and massive pop stars alike, ranging from Michael Stipe to PJ Harvey to Iggy Pop...Along with Holger's uncompromising, often raw imagery, the book includes stories from artists who have championed Peaches's work over the years."--New York Times T Magazine"It takes a lot of grueling work to pull off what Peaches does so subversively night after night on tour and in theater productions. That's the takeaway from this revealing (and NSFW) photo book on the electro-pop provocateur, as seen through the lens of photographer Talinski and featuring essays by Michael Stipe, Yoko Ono, and [Elliot] Page."--Boston Globe"Electronic musician and performance artist Peaches has made a career out of pushing boundaries, and her new book is equally transgressive. Photographer Holger Talinski captures the artist onstage and off in the outrageous costumes that have been a performance signature for her, and in quieter moments away from the strobe lights."--San Francisco Chronicle"One flip through the glossy new monograph What Else Is In the Teaches of Peaches is all it takes to get absorbed into the post-punk wonderland of pop culture icon Peaches."--W Magazine"Peaches is an attitude and a sensibility....She's iconic, and her iconography is important."--The Globe and MailOne of Loud and Quiet Magazine's Best Books of 2015"The bare-all book shows Peaches on and off stage, focusing on her efforts to shatter gender stereotypes, promote sex positivity, and push the boundaries of art and performance."--Vice Magazine, The Creators Project"What Else Is in the Teaches of Peaches, a new book of photography, attempts to capture more: Peaches onstage, backstage, in her 30-boob breastplate, on the crapper, on a cross, passed out, convalescing, performing for Yoko Ono, curled up with family, recording with Iggy Pop. It's a groupie's delight."--SF Weekly"For Peaches fans, the collection offers glimpses into both the public and private life of the artist who put feminist electroclash on the map. Peaches led the way, not only for other underground electronic acts like Le Tigre, Ladytron, and Chicks on Speed, but also artists that went on to major mainstream success. Would M.I.A. exist without Peaches? Lady Gaga? In her current iteration, Miley Cyrus?...In the end, [What Else Is in the Teaches of Peaches] is a reminder that Peaches, the artist and the musician...forged a vibrant, genre-bending career that continues to throb with spirit, transgression, energy, and ambition."--KQED Arts"Perhaps what hits you most of all, maybe more than the striking costumes and occasional nudity, is how much fun Peaches' life appears to be. Less than halfway into the book, you start to trust the Peaches/Talinski collaborative union, and you somehow come to realise that it's all authentic, magic and reality. There's none of the staginess that you sometimes see in photo books of pop stars, particularly those who are led around by their egos."--PopMattersThis volume presents a mesmerizing collection of Holger Talinski's evocative and sometimes erotic photos of transgressive musical icon Peaches, on and off stage, with accompanying text by Peaches, Michael Stipe (R.E.M.), Yoko Ono, and the actor Elliot Page, best known for their lead role in the film Juno, which garnered them an Oscar nomination.
What Error Correction Can(not) Accomplish for Second Language Writers: DIspelling Myths, Discussing Options
by Dana R. Ferris"I took a powerful lesson away from that first classroom experience, one that has shaped my subsequent teaching of L2 composition, my teacher training, my research, and my writing: It is simply not possible to get a whole class of student writers from Point A (wherever they start out) to Point B (perfect, error-free papers) by the end of one writing course." ---Dana R. Ferris This content has been updated and expanded upon since originally appearing as Myth 5 in Writing Myths: Applying Second Language Research to Classroom Teaching, edited by Joy Reid, in 2008. This BEST OF MICHIGAN ELT ebook covers three aspects of L2 research that influence error correction: Second language acquisition takes time. Second language writers' texts are different from those written by native English speakers. Even diligent teacher correction and student editing does not lead to perfect, error-free texts. In clear and simple terms, Ferris makes six suggestions for things teachers can do in the classroom regarding error correction and provides samples. Three detailed appendixes complement this discussion. The book closes by addressing the basic principles of developing students' language skills in second language/ESL writing classes. Other issues regarding the expectations of students and others--such as in timed (high-stakes) situations--as it relates to "perfect" papers are examined.
What Ever Happened to Orson Welles?: A Portrait of an Independent Career
by Joseph McBrideAt twenty-five, Orson Welles (1915-1985) directed, co-wrote, and starred in Citizen Kane, widely considered the best film ever made. But Welles was such a revolutionary filmmaker that he found himself at odds with the Hollywood studio system. His work was so far ahead of its time that he never regained the wide popular following he had once enjoyed as a young actor-director on the radio. Frustrated by Hollywood and falling victim to the postwar blacklist, Welles departed for a long European exile. But he kept making films, functioning with the creative freedom of an independent filmmaker before that term became common and eventually preserving his independence by funding virtually all his own projects. Because he worked defiantly outside the system, Welles has often been maligned as an errant genius who squandered his early promise. Film critic Joseph McBride, who acted in Welles's legendary unfinished film The Other Side of the Wind, provocatively challenges conventional wisdom about Welles's supposed creative decline. McBride is the first author to provide a comprehensive examination of the films of Welles's artistically rich yet little-known later period. During the 1970s and '80s, Welles was breaking new aesthetic ground, experimenting as adventurously as he had throughout his career. McBride's friendship and collaboration with Welles and his interviews with those who knew and worked with the director make What Ever Happened to Orson Welles? a portrait of rare intimacy and insight. Reassessing Welles's final period in the context of his entire life and work, McBride's revealing portrait of this great film artist will change the terms of how Orson Welles is regarded.
What Film Is Good For: On the Values of Spectatorship
by Julian Hanich and Martin P. RossouwFor well over a century, going to the movies has been a favorite pastime for billions across the globe. But is film actually good for anything? This volume brings together thirty-six scholars, critics, and filmmakers in search of an answer. Their responses range from the most personal to the most theoretical—and, together, recast current debates about film ethics. Movie watching here emerges as a wellspring of value, able to sustain countless visions of "the good life." Films, these authors affirm, make us reflect, connect, adapt; they evoke wonder and beauty; they challenge and transform. In a word, its varieties of value make film invaluable.