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Unseduced and Unshaken: The Place of Dignity in a Woman's Choices
by Rosalie De RossetYou can&’t afford to live casually, haphazardly. No matter your age, you were born into a plethora of expectations of what it means to be a woman. How easily we assume impoverished views of womanhood as we hoist beauty and desirability above the more enduring traits of self-possession and dignity. We tend to live as divided and distracted selves, allowing our bodies and minds to drift to opposite poles while swapping our pursuit of God for tamer, lesser loves. This collection of essays is more than a call to modesty or chastity. It is a thoughtful provocation to speak well, read often, make choices that reflect the character of God, and even to establish a theology of play or leisure. Being intentional with your choices, cultivating your intellect, and taking seriously your voice determines not only what kind of person you are, but also what kind of woman you will be. &“[Unseduced and Unshaken] raises the bar for young Christian women...It&’s a call for all Christian women to examine their personal faith presuppositions, deliberately choose a life of Biblical &‘dignity,&’ and to not be frightened to allow &‘theology to inform our choices.&’&” Just Between Us, Summer 2013 issue
Unseduced and Unshaken: The Place of Dignity in a Woman's Choices
by Rosalie De RossetYou can&’t afford to live casually, haphazardly. No matter your age, you were born into a plethora of expectations of what it means to be a woman. How easily we assume impoverished views of womanhood as we hoist beauty and desirability above the more enduring traits of self-possession and dignity. We tend to live as divided and distracted selves, allowing our bodies and minds to drift to opposite poles while swapping our pursuit of God for tamer, lesser loves. This collection of essays is more than a call to modesty or chastity. It is a thoughtful provocation to speak well, read often, make choices that reflect the character of God, and even to establish a theology of play or leisure. Being intentional with your choices, cultivating your intellect, and taking seriously your voice determines not only what kind of person you are, but also what kind of woman you will be. &“[Unseduced and Unshaken] raises the bar for young Christian women...It&’s a call for all Christian women to examine their personal faith presuppositions, deliberately choose a life of Biblical &‘dignity,&’ and to not be frightened to allow &‘theology to inform our choices.&’&” Just Between Us, Summer 2013 issue
Unseeing Empire: Photography, Representation, South Asian America (a Camera Obscura book)
by Bakirathi ManiIn Unseeing Empire Bakirathi Mani examines how empire continues to haunt South Asian American visual cultures. Weaving close readings of fine art together with archival research and ethnographic fieldwork at museums and galleries across South Asia and North America, Mani outlines the visual and affective relationships between South Asian diasporic artists, their photographic work, and their viewers. She notes that the desire for South Asian Americans to see visual representations of themselves is rooted in the use of photography as a form of colonial documentation and surveillance. She examines fine art photography by South Asian diasporic artists who employ aesthetic strategies such as duplication and alteration that run counter to viewers' demands for greater visibility. These works fail to deliver on viewers' desires to see themselves, producing instead feelings of alienation, estrangement, and loss. These feelings, Mani contends, allow viewers to question their own visibility as South Asian Americans in U.S. public culture and to reflect on their desires to be represented.
Unseen: Unpublished Black History from the New York Times Photo Archives
by Dana Canedy Rachel L. Swarns Darcy Eveleigh Damien CaveHundreds of stunning images from black history have long been buried in The New York Times archives. None of them were published by The Times--until now. UNSEEN uncovers these never-before published photographs and tells the stories behind them.It all started with Times photo editor Darcy Eveleigh discovering dozens of these photographs. She and three colleagues, Dana Canedy, Damien Cave and Rachel L. Swarns, began exploring the history behind them, and subsequently chronicling them in a series entitled Unpublished Black History, that ran in print and online editions of The Times in February 2016. It garnered 1.7 million views on The Times website and thousands of comments from readers. This book includes those photographs and many more, among them: a 27-year-old Jesse Jackson leading an anti-discrimination rally of in Chicago, Rosa Parks arriving at a Montgomery Courthouse in Alabama a candid behind-the-scenes shot of Aretha Franklin backstage at the Apollo Theater, Ralph Ellison on the streets of his Manhattan neighborhood, the firebombed home of Malcolm X, Myrlie Evans and her children at the funeral of her slain husband , Medgar, a wheelchair-bound Roy Campanella at the razing of Ebbets Field.Were the photos--or the people in them--not deemed newsworthy enough? Did the images not arrive in time for publication? Were they pushed aside by words at an institution long known as the Gray Lady? Eveleigh, Canedy, Cave, and Swarms explore all these questions and more in this one-of-a-kind book. UNSEEN dives deep into The Times photo archives--known as the Morgue--to showcase this extraordinary collection of photographs and the stories behind them.
The Unseen Truth: When Race Changed Sight in America
by Sarah LewisThe award-winning art historian and founder of Vision & Justice uncovers a pivotal era in the story of race in the United States when Americans came to ignore the truth about the false foundations of the nation’s racial regime.In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation’s racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now.The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them.To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant, The Unseen Truth shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it.
Unsettled Scores: Politics, Hollywood, and the Film Music of Aaron Copland and Hanns Eisler (Music in American Life #489)
by Sally BickThe Hollywood careers of Aaron Copland and Hanns Eisler brought the composers and their high art sensibility into direct conflict with the premier producer of America's potent mass culture. Drawn by Hollywood's potential to reach—and edify—the public, Copland and Eisler expertly wove sophisticated musical ideas into Hollywood and, each in their own distinctive way, left an indelible mark on movie history. Sally Bick's dual study of Copland and Eisler pairs interpretations of their writings on film composing with a close examination of their first Hollywood projects: Copland's music for Of Mice and Men and Eisler's score for Hangmen Also Die! Bick illuminates the different ways the composers treated a film score as means of expressing their political ideas on society, capitalism, and the human condition. She also delves into Copland's and Eisler's often conflicted attempts to adapt their music to fit Hollywood's commercial demands, an enterprise that took place even as they wrote hostile critiques of the film industry.
Unsettled Urban Space: Routines, Temporalities and Contestations
by Tihomir Viderman Sabine Knierbein Elina Kränzle Sybille Frank Nikolai Roskamm Ed WallWhile urban life can be characterized by endeavors to settle stable and safe environments, for many people, urban space is rarely stable or safe; it is uncertain, troubled, imbued with challenges and perpetually under pressure. As the concept of unsettled appears to define the contemporary urban experience, this multidisciplinary book investigates the conflicts and possibilities of settling and unsettling through open and speculative analysis. The analytical prism of unsettled renders urban space an indeterminate ground unfolding through routines, temporalities and contestations in constant tension between settling and unsettling. Such contrasting experiences are contingent on how urban societies confront, undergo and overcome turbulence and difficulties in time and space. Contributions drawing on theoretical reflections and empirical accounts—from Argentina, Austria, Germany, Greece, Italy, the Netherlands, the UAE, the UK, the USA and Vietnam—give insights into plural occurrences of the unsettled, which might tie down or unleash transformative, liberatory and emancipatory potentials. This book is for students, professionals and researchers interested in the uncertainties, foundations, disturbances, inconsistencies, residuals and blind fields, which constitute the urban both as lived space and as social, cultural and political ideal.
Unsettled Visions: Contemporary Asian American Artists and the Social Imaginary
by Nicholas Thomas Margo MachidaIn Unsettled Visions, the activist, curator, and scholar Margo Machida presents a pioneering, in-depth exploration of contemporary Asian American visual art. Machida focuses on works produced during the watershed 1990s, when surging Asian immigration had significantly altered the demographic, cultural, and political contours of Asian America, and a renaissance in Asian American art and visual culture was well underway. Machida conducted extensive interviews with ten artists working during this transformative period: women and men of Chinese, Filipino, Indian, Vietnamese, Korean, and Japanese descent, most of whom migrated to the United States. In dialogue with the artists, Machida illuminates and contextualizes the origins of and intent behind bodies of their work. Unsettled Visions is an engrossing look at a vital art scene and a subtle account of the multiple, shifting meanings of "Asianness" in Asian American art.Analyses of the work of individual artists are grouped around three major themes that Asian American artists engaged with during the 1990s: representations of the Other; social memory and trauma; and migration, diaspora, and sense of place. Machida considers the work of the photographers Pipo Nguyen-duy and Hanh Thi Pham, the printmaker and sculptor Zarina Hashmi, and installations by the artists Tomie Arai, Ming Fay, and Yong Soon Min. She examines the work of Marlon Fuentes, whose films and photographs play with the stereotyping conventions of visual anthropology, and prints in which Allan deSouza addresses the persistence of Orientalism in American popular culture. Machida reflects on Kristine Aono's museum installations embodying the multigenerational effects of the internment of Japanese Americans during World War II and on Y. David Chung's representations of urban spaces transformed by migration in works ranging from large-scale charcoal drawings to multimedia installations and an "electronic rap opera."
Unsettling Scores: German Film, Music, and Ideology
by Roger Hillman"Hillman's groundbreaking study enables both serious and casual film students to approach these works with sharpened vision and improved hearing." --Klaus Phillips, Hollins UniversityUnsettling Scores: German Film, Music, and Ideology examines the use of classical music in film, particularly in the New German Cinema of the 1970s and early 80s. By integrating the music of Beethoven, Mahler, and others into their films, directors such as Fassbinder, Kluge, and Syberberg consciously called attention to its cultural significance. Through this music their films could reference and, in some cases, explore an embedded cultural tradition that included German nationalism and the rise of Nazism, especially during a period when German films were gaining international attention for the first time since the 1920s. Classical music conditioned the responses of German audiences and was, in turn, reinterpreted in new cinematic contexts. In this pioneering volume, Hillman enriches our understanding of the powerful effects of music in cinema and the aesthetic and dramatic concerns of postwar German filmmakers.
Unsettling the City: Urban Land and the Politics of Property
by Nicholas BlomleyShort and accessible, this book interweaves a discussion of the geography of property in one global city, Vancouver, with a more general analysis of property, politics, and the city.
Unsolved Murders & Disappearances in Northeast Ohio (Murder And Mayhem Ser.)
by Jane Ann TurzilloThe Agatha Award–nominated account of Northeast Ohio&’s most chilling unsolved crimes from the author of Wicked Women of Ohio. Cold case files litter the desks of authorities all across Northeast Ohio. Louise Wolf and Mabel Foote, Parma teachers, were on their way to school one winter morning when a maniac sprang from the bushes and bludgeoned them to death. When young Melvin Horst went missing on his way home from playing with friends in 1928, many thought he was kidnapped or accidentally killed by a bootlegger&’s car. Charles Collins&’s death looked like suicide but was proved otherwise by two preeminent surgeons and has remained a mystery for more than one hundred years. Author Jane Ann Turzillo recounts eight unsolved murders and two chilling disappearances in Northeast Ohio&’s history. Includes photos!
Unspeakable: Literature and Terrorism from the Gunpowder Plot to 9/11
by Peter C. HermanUnspeakable: Literature and Terrorism from the Gunpowder Plot to 9/11 explores the representation of terrorism in plays, novels, and films across the centuries. Time and time again, writers and filmmakers including William Shakespeare, Joseph Conrad, Henry James, Gillo Pontecorvo, Don DeLillo, John Updike, and Steven Spielberg refer to terrorist acts as beyond comprehension, “a deed without a name,” but they do not stop there. Instead of creating works that respond to terrorism by providing comforting narratives reassuring audiences and readers of their moral superiority and the perfidy of the terrorists, these writers and filmmakers confront the unspeakable by attempting to see the world from the terrorist’s perspective and by examining the roots of terrorist violence.
Unspeakable Histories: Film and the Experience of Catastrophe
by William GuynnIn Unspeakable Histories, William Guynn focuses on the sensation of encountering past events through film. Film is capable, he argues, of triggering moments of heightened awareness in which the barrier between the past and the present can fall and the reality of the past we thought lost can be momentarily rediscovered in its material being. In his readings of seven exceptional works depicting twentieth century atrocities, Guynn explores the emotional resonance that still adheres to traumatic historical events.Guynn considers dimensions of experience that historiography leaves untouched. Yaël Hersonski's A Film Unfinished (2010) deconstructs scenes from the Nazi propaganda film Das Ghetto through the testimony of ghetto survivors. Andrzej Wajda's Katyn (2007) revivifies the murder of the Polish officer corps (in which Wajda's father perished) by Stalin's security forces during the Second World War. Andrei Konchalovsky's Siberiade (1979) reimagines the turbulent history of the Soviet Union from the perspective of an isolated Siberian village. Larissa Shepitko's The Ascent (1977) evokes the existential drama Soviet partisans faced during the Nazi occupation. Patricio Guzmán's Nostalgia for the Light (2011) examines the vestiges of human experience, including the scattered remains of Pinochet's victims, alive in the aridity of the Atacama Desert. Rithy Panh's S-21 (2003) reawakens events of the Cambodian genocide through dramatic confrontation with some of its executioners, and Joshua Oppenheimer's The Act of Killing (2012) films the perpetrators of the Indonesian genocide as they restage scenes of killings and torture. Inspired by the work of Walter Benjamin, Frank Ankersmit, Joseph Mali, and Simon Schama, Guynn argues that the film medium, more immediate than language, is capable of restoring the affective dimension of historical experience, rooted in the deepest reaches of our minds.
Unspeakable Histories: Film and the Experience of Catastrophe (Film and Culture Series)
by William GuynnIn Unspeakable Histories, William Guynn focuses on the sensation of encountering past events through film. Film is capable, he argues, of triggering moments of heightened awareness in which the barrier between the past and the present can fall and the reality of the past we thought lost can be momentarily rediscovered in its material being. In his readings of seven exceptional works depicting twentieth century atrocities, Guynn explores the emotional resonance that still adheres to traumatic historical events. Guynn considers dimensions of experience that historiography leaves untouched. Yaël Hersonski's A Film Unfinished (2010) deconstructs scenes from the Nazi propaganda film Das Ghetto through the testimony of ghetto survivors. Andrzej Wajda's Katyn (2007) revivifies the murder of the Polish officer corps (in which Wajda's father perished) by Stalin's security forces during the Second World War. Andrei Konchalovsky's Siberiade (1979) reimagines the turbulent history of the Soviet Union from the perspective of an isolated Siberian village. Larissa Shepitko's The Ascent (1977) evokes the existential drama Soviet partisans faced during the Nazi occupation. Patricio Guzmán's Nostalgia for the Light (2011) examines the vestiges of human experience, including the scattered remains of Pinochet's victims, alive in the aridity of the Atacama Desert. Rithy Panh's S-21 (2003) reawakens events of the Cambodian genocide through dramatic confrontation with some of its executioners, and Joshua Oppenheimer's The Act of Killing (2012) films the perpetrators of the Indonesian genocide as they restage scenes of killings and torture. Inspired by the work of Walter Benjamin, Frank Ankersmit, Joseph Mali, and Simon Schama, Guynn argues that the film medium, more immediate than language, is capable of restoring the affective dimension of historical experience, rooted in the deepest reaches of our minds.
The Unstoppable Bridget Bloom
by Allison L. BitzA bright and fun fat-positive YA novel about learning how to express yourself when what has always defined you is no longer an option. Perfect for fans of Julie Murphy and Emma Lord.Bridget Bloom’s out-of-this-world voice is the perfect fit for center stage. When Bridget’s admitted to Richard James Academy, a college prep boarding school with a prestigious music program—where heartthrob Duke Ericson attends—all her dreams are on track to come true: leave the hometown where she’s never belonged, fall in love, and launch her Broadway career.But upon arriving at the academy, she learns that due to her low music theory scores, she’s not eligible to perform or earn the sponsorship she needs to afford the tuition. Worst of all, Dean of Students Octavia Lawless, the one person with the power to reverse the decision, challenges her to work on her humility . . . by not singing at all.Without her voice, Bridget will have to get out of her comfort zone and find a new way to shine. Good thing she is unstoppable!From debut author Allison L. Bitz comes a coming-of-age story of self-discovery, humility, friendship, and love. Includes sheet music for two original songs!
Unstrung Heroes: Fifty Guitar Greats You Should Know
by Pete BraidisInterviews with 50 guitar players you've no doubt heard but may not know by nameGuitar players from pop to jazz to heavy metal and folk, from the 1960s to the present dayAn insider's look behind the scenes of some of the greatest music ever recorded
Unsuccessful Thug: One Comedian's Journey from Naptown to Tinseltown
by Mike EppsFrom Naptown to Tinseltown—legendary stand-up comedian and actor Mike Epps finally tells all in this outrageous, hilarious, no-holds-barred memoir.Before starring in Def Comedy Jam and Showtime at the Apollo—before the sold-out comedy shows, Uncle Buck, and becoming his hero Richard Pryor in a biopic—there was Indianapolis. And not the good part. Mike Epps is one of America’s favorite and funniest people, but the path to fame was paved with opportunities to mess it up. And mess it up he did. Growing up in “Naptown”—what people who live there really call rough-around-the-edges Indianapolis—Epps found himself forced to hustle from an early age. Despite his mother’s best efforts, and the love of his well-behaved brother, “Chaney,” and his beloved sister, Julie, Epps was drawn to a life of crime, but as he quickly discovered, stealing and dealing didn’t really fit his sweet sensibilities. Not to mention he wasn’t very good at it—take, for example, the day he had to call the cops on himself when a dog wouldn’t let him leave a house he was burgling. After several arrests and more than a few months in jail, Epps finally realized that he was an unsuccessful thug, and instead turned to the next most obvious career path: stand-up comedy. Heading first to New York, then all over the country, and finally to Hollywood, Mike Epps carved out a unique place in American comedy, combining hysterical tales of his family and friends with a mordant take on life in the Naptowns of America. Comedy saved Mike Epps, and here he reveals exactly how he finally grew up and got out, barely. And when describing how he survived when so many of his friends didn’t, Epps makes clear what he’s thankful for and sorry about. Unsuccessful Thug is about growing up black in America, facing down racism in Hollywood, and ultimately how it feels to fail at thugdom, pull yourself up by the bootstraps, and end up selling out arenas and starring in movies across the country.
Unsupervised Learning in Space and Time: A Modern Approach for Computer Vision using Graph-based Techniques and Deep Neural Networks (Advances in Computer Vision and Pattern Recognition)
by Marius LeordeanuThis book addresses one of the most important unsolved problems in artificial intelligence: the task of learning, in an unsupervised manner, from massive quantities of spatiotemporal visual data that are available at low cost. The book covers important scientific discoveries and findings, with a focus on the latest advances in the field. Presenting a coherent structure, the book logically connects novel mathematical formulations and efficient computational solutions for a range of unsupervised learning tasks, including visual feature matching, learning and classification, object discovery, and semantic segmentation in video. The final part of the book proposes a general strategy for visual learning over several generations of student-teacher neural networks, along with a unique view on the future of unsupervised learning in real-world contexts. Offering a fresh approach to this difficult problem, several efficient, state-of-the-art unsupervised learning algorithms are reviewed in detail, complete with an analysis of their performance on various tasks, datasets, and experimental setups. By highlighting the interconnections between these methods, many seemingly diverse problems are elegantly brought together in a unified way. Serving as an invaluable guide to the computational tools and algorithms required to tackle the exciting challenges in the field, this book is a must-read for graduate students seeking a greater understanding of unsupervised learning, as well as researchers in computer vision, machine learning, robotics, and related disciplines.
Unsustainable Transport: City Transport in the New Century (Transport, Development and Sustainability Series)
by David BanisterThis book addresses the links between transport and sustainable urban development, from an analysis of the global picture to issues in transport and energy intensity, public policy and the institutional and organisational constraints on change. The central part of the book explores these links in more detail at city level, covering land use and development, economic measures, and the role that technology can play. The final part looks for inspiration from events in developing countries and the means by which we can move from the unsustainable present to a more sustainable future.
Untethering Educational Leadership: Cases and Contexts from Chinese Cinema
by Chenwei Ma Roger C. ShouseLingdao, the Chinese word for leadership, is rarely used to denote acts of social persuasion that occur outside of contexts of formal rank or status. However, the ubiquity of informal leadership in China raises a number of practical and theoretical questions. Based on an analysis of selected Chinese cinematic works depicting settings of educational practice and policy, the book explores how "Western" understandings of leadership emerge from these texts to form discursive media for social change. It also offers a new understanding of lingdao and leadership; how they represent a natural human desire, regardless of formal rank or position, to mobilize collective will, change minds, and achieve social change. The book will be of interest to professional scholars and graduate students of Chinese culture, educational leadership, mass media, and popular culture.
Untied: A Memoir of Family, Fame, and Floundering
by Meredith BaxterI remember Sarah asking me, when I'd just begun therapy with her, what I looked for in a man. After a few moments of silent, tense deliberation I had it. Hair, I blurted. He has to have hair. Meredith Baxter is a beloved and iconic television actress. Her warmth, humor, and brilliant smile made her one of the most popular women on television, with millions of viewers following her on the small screen each week. Yet her success masked a tumultuous personal story and a harrowing private life. For the first time, Baxter is ready to share her incredible highs, (working with Robert Redford, Doris Day, Lana Turner, and the cast of Family Ties), and lows (a thorny relationship with her mother, a difficult marriage to David Birney, a bout with breast cancer), finally revealing the woman behind the image. From her childhood in Hollywood, growing up the daughter of actress and co-creator of One Day at a Time Whitney Blake, Baxter became familiar with the ups and downs of show business from an early age. After wholeheartedly embracing the 60s counterculture lifestyle, she was forced to rely on her acting skills after her first divorce left her a 22-year-old single mother of two. Baxter began her professional career with supporting roles in the critically panned horror film Ben, and in the political thriller All the President's Men. More lucrative work soon followed on the small screen. Baxter starred with actor David Birney as the title characters in controversial sitcom Bridget Loves Bernie. While the series only lasted a year, her high-profile romance with Birney lasted 15 volatile and unhappy years. Hiding the worst of her situation from even those closest to her, Baxter's career flourished as her self-esteem and family crumbled. Her successful run as Nancy on Family was followed by her enormously popular role as hippie mom, Elyse Keaton, on Family Ties, and dozens of well-received television movies. After a bitter divorce and custody battle with Birney, Baxter increasingly relied on alcohol as a refuge, and here speaks candidly of her decision to take her last drink in 1990. And while another ruinous divorce to screenwriter Michael Blodgett taxed Baxter's strength and confidence, she has emerged from her experiences with the renewed self-assurance, poise, and understanding that have enabled her to find a loving, respectful relationship with Nancy Locke, and to speak about it openly. Told with insight, wit, and disarming frankness,Untied is the eye-opening and inspiring life of an actress, a woman, and a mother who has come into her own.
Until We Break
by Matthew DawkinsDance like everyone's watching. Because they are.As the only Black student at her ballet academy, Naomi Morgan knows her feelings of isolation and artistic sacrifice are the price she has to pay in order to win the Youth American Grand Prix, the country’s most prestigious dance competition. Winning means access to a spot in a top ballet school and, ultimately, a place with The New York City Ballet. Nothing else matters.But when Naomi’s dance instructor assigns her Odette’s variation from Swan Lake, Naomi’s world begins to fall apart. She doesn’t think she can dance the part—and her doubts become the loudest voice in her head. Her best friend, Jessica, used to be her sounding board, her support, her co-star—and even though Jessica died in a freak car accident, Naomi still sees and hears her everywhere.She’s been burying her grief by focusing on her dancing. But when an injury steals that refuge, Naomi’s mental health deteriorates and she starts to seek answers outside of her carefully constructed reality. Then one night, she meets Saint, a street artist, and he opens up an entirely new world for her. A world that’s not connected to dance.Saint spends his nights creating brilliant and beautiful messages of social change that the world needs to hear. In their sleepy California town, he wants to mix it up—to force the world to see him as he is—he’s got a voice and isn’t afraid to use it. Even if his family life is tough. Even if the same avenues that are open to Naomi are not open to him.Together they both learn that there’s no one right way to be in the world. For Naomi, this means that maybe dance isn’t the only choice for her. Maybe her voice can be louder off stage, and she can shine in a different kind of spotlight. Maybe she and Saint will shine together and everything will be different in the best possible way.
The Untimely Art of Scribble (Landscapes: the Arts, Aesthetics, and Education #34)
by Victoria de RijkeThis book offers new definitions, vocabularies and insights for “scribbling”, viewing it as a fascinating and revealing process shared by many different disciplines and practices. The book provides a fresh and timely perspective on the nature of mark making and the persistence of the gestural impulse from the earliest graphic marks to the most sophisticated artistic production. The typical treatment of scribbling in the literature of artistic development has cast the practice as a prelude to representation in drawing and writing, with only occasional acknowledgment of the continuing joy and experiment of making marks across many arts practices. The continuous line the author traces between the universal practice of scribbling in infancy and early childhood and the work of radical creativity for contemporary and historical artists is original and clarifying, expanding the range of drawing behaviors to that of avant-garde painters, performance and the digital.
Untimely Bollywood: Globalization and India's New Media Assemblage
by Amit S. RaiKnown for its elaborate spectacle of music, dance, costumes, and fantastical story lines, Bollywood cinema is a genre that foregrounds narrative rupture, indeterminacy, and bodily sensation. In Untimely Bollywood, Amit S. Rai argues that the fast-paced, multivalent qualities of contemporary Bollywood cinema are emblematic of the changing conditions of media consumption in a globalizing India. Through analyses of contemporary media practices, Rai shifts the emphasis from a representational and linear understanding of the effects of audiovisual media to the multiple, contradictory, and evolving aspects of media events. He uses the Deleuzian concept of assemblage as a model for understanding the complex clustering of technological, historical, and physical processes that give rise to contemporary media practices. Exploring the ramifications of globalized media, he sheds light on how cinema and other popular media organize bodies, populations, and spaces in order to manage the risky excesses of power and sensation and to reinforce a liberalized postcolonial economy. Rai recounts his experience of attending the first showing of a Bollywood film in a single-screen theater in Bhopal: the sensory experience of the exhibition space, the sound system, the visual style of the film, the crush of the crowd. From that event, he elicits an understanding of cinema as a historically contingent experience of pleasure, a place where the boundaries of identity and social spaces are dissolved and redrawn. He considers media as a form of contagion, endlessly mutating and spreading, connecting human bodies, organizational structures, and energies, thus creating an inextricable bond between affect and capital. Expanding on the notion of media contagion, Rai traces the emerging correlation between the postcolonial media assemblage and capitalist practices, such as viral marketing and the development of multiplexes and malls in India.
Untold Horror
by George. A Romero John Landis Dave Alexander Joe Dante Brian YuznaInsightful interviews of horror legends George Romero, John Landis, Joe Dante, Brian Yuzna, and more, by former editor-in-chief of Rue Morgue, Dave Alexander, about the scariest horror movies never made!Take a behind-the-scenes look into development hell to find the most frightening horror movies that never were, from unmade Re-Animator sequels to alternate takes on legendary franchises like Frankenstein and Dracula!Features art, scripts, and other production material from unmade films that still might make you scream--with insights from dozens of directors, screenwriters, and producers with decades of experience. Featured Interviews With: George A. RomeroJohn LandisJoe DanteVincenzo NataliBrian YuznaWilliam LustigWilliam MaloneBuddy GiovinazzoTim SullivanRichard RaaphorstRuggero DeodatoJim ShooterBob LaytonDavid J. Skal