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Why Wakanda Matters: What Black Panther Reveals About Psychology, Identity, and Communication

by Sheena C. Howard

In 2018, the Marvel Cinematic Universe finally delivered on something fans had long been waiting for: a feature film with a solo Black superhero. Black Panther introduced viewers to the stunning world of Wakanda, a fictional African country with incredible technological advancements, and to T'Challa, a young man stepping into his role as king and taking up the mantle of the Black Panther title from his late father. The unforgettable story, coupled with the film's mega-success, has undoubtedly shaped the future of superhero cinema, in addition to genuinely changing viewers' lives. Why Wakanda Matters gives this iconic film the in-depth analysis it deserves under the lens of the latest psychological concepts-as well as delving into the lasting cultural impact of this unforgettable story. Edited by Sheena C. Howard, an award-winning author, filmmaker, and scholar, Why Wakanda Matters: What Black Panther Reveals About Psychology, Identity, and Communication features a collection of essays from leading experts in a variety of fields who offer insightful perspectives on topics such as: • Cognitive dissonance: The important messages within T'Challa's nuanced identity and eventual shift from nationalism to globalism. • Intergenerational trauma and resistance: How N'Jadaka (aka Erik/Killmonger) identifies with the trauma that his ancestors have suffered. • Social identity: How Nakia, Shuri, Okoye, and Ramonda—all empowered, intelligent, and assertive women of color—can make a lasting impression on women and girls. • Collective identity: How Black Panther has created a shared fantasy for Black audience members—and why this is groundbreaking. • Cultural and racial identity: What we can learn from Black Panther's portrayal of a culture virtually untouched by white supremacy. Fans of the movie and those interested in deeper discussions about the film will revel in this thought-provoking examination of all aspects of Black Panther and the power of psychology.

Why We Build: Power and Desire in Architecture

by Rowan Moore

In an era of brash, expensive, provocative new buildings, a prominent critic argues that emotions—such as hope, power, sex, and our changing relationship to the idea of home—are the most powerful force behind architecture, yesterday and (especially) today.We are living in the most dramatic period in architectural history in more than half a century: a time when cityscapes are being redrawn on a yearly basis, architects are testing the very idea of what a building is, and whole cities are being invented overnight in exotic locales or here in the United States.Now, in a bold and wide-ranging new work, Rowan Moore—former director of the Architecture Foundation, now the architecture critic for The Observer—explores the reasons behind these changes in our built environment, and how they in turn are changing the way we live in the world. Taking as his starting point dramatic examples such as the High Line in New York City and the outrageous island experiment of Dubai, Moore then reaches far and wide: back in time to explore the Covent Garden brothels of eighteenth-century London and the fetishistic minimalism of Adolf Loos; across the world to assess a software magnate’s grandiose mansion in Atlanta and Daniel Libeskind’s failed design for the World Trade Center site; and finally to the deeply naturalistic work of Lina Bo Bardi, whom he celebrates as the most underrated architect of the modern era.

Why We Can't Have Nice Things: Social Media’s Influence on Fashion, Ethics, and Property

by Minh-Ha T. Pham

In 2016, social media users in Thailand called out the Paris-based luxury fashion house Balenciaga for copying the popular Thai “rainbow bag,” using Balenciaga’s hashtags to circulate memes revealing the source of the bags’ design. In Why We Can’t Have Nice Things Minh-Ha T. Pham examines the way social media users monitor the fashion market for the appearance of knockoff fashion, design theft, and plagiarism. Tracing the history of fashion antipiracy efforts back to the 1930s, she foregrounds the work of policing that has been tacitly outsourced to social media. Despite the social media concern for ethical fashion and consumption and the good intentions behind design policing, Pham shows that it has ironically deepened forms of social and market inequality, as it relies on and reinforces racist and colonial norms and ideas about what constitutes copying and what counts as creativity. These struggles over ethical fashion and intellectual property, Pham demonstrates, constitute deeper struggles over the colonial legacies of cultural property in digital and global economies.

Why We Dance: A Philosophy of Bodily Becoming

by Kimerer LaMothe

Within intellectual paradigms that privilege mind over matter, dance has long appeared as a marginal, derivative, or primitive art. Drawing support from theorists and artists who embrace matter as dynamic and agential, this book offers a visionary definition of dance that illuminates its constitutive work in the ongoing evolution of human persons. Why We Dance introduces a philosophy of bodily becoming that posits bodily movement as the source and telos of human life. Within this philosophy, dance appears as an activity that humans evolved to do as the enabling condition of their best bodily becoming. Weaving theoretical reflection with accounts of lived experience, this book positions dance as a catalyst in the development of human consciousness, compassion, ritual proclivity, and ecological adaptability. Aligning with trends in new materialism, affect theory, and feminist philosophy, as well as advances in dance and religious studies, this work reveals the vital role dance can play in reversing the trajectory of ecological self-destruction along which human civilization is racing.

Why We Fought: America's Wars in Film and History (Film and History #Fmhi)

by Peter C. Rollins John E. O'Connor

This book makes a powerful case that film can be as valuable a tool as primary documents for improving our understanding of the causes and consequences of war. Why We Fought: America's Wars in Film and History is a comprehensive look at war films, from depictions of the American Revolution to portrayals of September 11 and its aftermath. The volume contrasts recognized history and historical fiction with the versions appearing on the big screen. The text considers a selection of the pivotal war films of all time, including All Quiet on the Western Front (1930), Sands of Iwo Jima (1949), Apocalypse Now (1979), Platoon (1986), and Saving Private Ryan (1998). Why We Fought reveals how film depictions of the country's wars have shaped our values, politics, and culture, and it offers a unique understanding of American history.

Why We Love Die Hard

by Kim Taylor-Foster

Rediscover all the reasons you love Die Hard with this essential illustrated guide to the making of and impact of this quintessential action (and Christmas) flick!Fully loaded with John McClane sarcasm, Alan Rickman as a German terrorist, and Nakatomi Plaza blowing up on Christmas Eve, Die Hard is often cited as the film that took action blockbusters to the next level, but what has earned the film its fiercely devoted fan base? That's the question that Why We Love Die Hard seeks to answer. This is the first and only guide that combines entertaining information about the history and making of the film with a celebratory look at all the different aspects that have helped solidify Die Hard as a must-see film. A Die Hard lover's dream, this guide includes punchy illustrations paired alongside essays exploring the film's history, characters, unique film techniques, and the thematic elements that have helped this film become the beloved classic it is today.

Why We Love The Matrix

by Kim Taylor-Foster

Rediscover all the reasons you love The Matrix with this unique guide to the cult 90s sci-fi classic, filled with trivia, essays, and behind the scenes looks at characters, production, and so much more. Whether you saw the movie in theaters in 1999 or watched it for the first time at home, there is no denying that The Matrix has had an immense impact on pop culture. A "must-see" of the science fiction genre and Why We Love The Matrix is the first and only guide that combines entertaining information about the history and making of the film with a celebratory look at all the different aspects that have helped solidify this as a beloved favorite of sci-fi fans.Offering entertaining essays about the key features that have helped the film become the classic it is today—like the origins of the plot and characters, film techniques, and the philosophy behind the story—plus quotes, sidebars, and eye-catching two-color illustrations throughout, Why We Love The Matrix is a great gift for both casual and more serious fans of the movie and, let's face it, Keanu Reeves.

Why We Love Star Wars: The Great Moments That Built a Galaxy Far, Far Away

by Ken Napzok

Celebrate the greatest saga ever told with this “intergalactically awesome book” (Tiffany “Smithlord” Smith).The first shots of the ragtag Rebels running from the monstrous Galactic Empire. Young Anakin winning the podrace. The first time we saw the crackle of Luke Skywalker’s lightsaber. All of us who are deeply influenced by the epic saga of Star Wars have our favorite moments, and each time the screen goes black and we see those words—A Long Time Ago, In A Galaxy Far, Far Away—the music blasts through us and we feel like kids again.In this book, Star Wars aficionado Ken Napzok counts down one hundred of those special moments that makes this series not just the best movies of all time, but the Greatest Saga Ever Told. What began as one movie about good people, evil oppressors, and the space wizards that stood between them has exploded into so much more. The moments that continue to inspire are on screen and in the pages of novels. They are found in the panels of comic books and among animated sequences on television. And they all continue to grow in stature, importance, and myth through discussions, debates, and daydreams. Why We Love Star Wars is a joyful journey through the universe we love to inhabit, again and again.

Why We Make Movies: Black Filmmakers Talk About the Magic of Cinema

by George Alexander

A sparkling collection of interviews with African American directors and producers. Bringing together more than thirty candid conversations with filmmakers and producers such as Spike Lee, Gordon Parks, Julie Dash, Charles Burnett, and Robert Townsend, Why We Make Movies delivers a cultural celebration with the tips of a film-school master class. With journalist George Alexander, these revolutionary men and women discuss not only how they got their big breaks, but more importantly, they explore the creative process and what making movies means to them. Why We Make Movies also addresses the business of Hollywood and its turning tide, in a nation where African Americans comprise a sizable portion of the film-going public and go to the movies more frequently than whites. In addition, Alexander's cast of directors and producers considers the lead roles they now play in everything from documentaries and films for television to broad-based blockbusters (in fact, the highest-grossing film in Miramax history was Scary Movie, directed by Keenen Ivory Wayans). For film buffs and aspiring filmmakers alike,Why We Make Movies puts a long-overdue spotlight on one of the most exciting and cutting-edge segments of today's silver screen. INTERVIEWS INCLUDE: MELVIN VAN PEEBLES * MICHAEL SCHULTZ * CHARLES BURNETT * SPIKE LEE * ROBERT TOWNSEND * FRED WILLIAMSON * ERNEST DICKERSON * KEENEN IVORY WAYANS * ANTOINE FUQUA * BILL DUKE * FORREST WHITAKER * JULIE DASH * KASI LEMMONS * GINA PRINC-BLYTHEWOOD * JOHN SINGLETON * GEORGE TILLMAN Jr. * REGINALD HUDLIN * WARRINGTON HUDLIN * MALCOLM LEE * EUZHAN PALCY * DOUG McHENRY * DEBRA MARTIN CHASE * St. CLAIR BOURNE * STANLEY NELSON * WILLIAM GREAVES * KATHE SANDLER * CAMILLE BILLOPS * HAILE GERIMA * GORDON PARKS.

Why We Make Things and Why It Matters: The Education of a Craftsman

by Peter Korn

In this moving account, Peter Korn explores the nature and rewards of creative practice. We follow his search for meaning as an Ivy-educated child of the middle class who finds employment as a novice carpenter on Nantucket, transitions to self-employment as a designer/maker of fine furniture, takes a turn at teaching and administration at Colorado's Anderson Ranch Arts Center, and finally founds a school in Maine: the Center for Furniture Craftsmanship, an internationally respected, non-profit institution. Furniture making, practiced as a craft in the twenty-first century, is a decidedly marginal occupation. Yet the view from the periphery can be illuminating. For Korn, the challenging work of bringing something new and meaningful into the world through one's own volition – whether in the arts, the kitchen, or the marketplace – is exactly what generates the authenticity, meaning, and fulfillment for which many of us yearn. This is not a "how-to" book in any sense. Korn wants to get at the why of craft in particular, and the satisfactions of creative work in general, to under¬stand their essential nature. How does the making of objects shape our identities? How do the prod¬ucts of creative work inform society? In short, what does the process of making things reveal to us about ourselves? Korn draws on four decades of hands-on experience to answer these questions eloquently, and often poignantly, in this personal, introspective, and revealing book.

Why We March: Signs of Protest and Hope--Voices from the Women's March

by Artisan

National Bestseller On January 21, 2017, millions of people gathered worldwide for the Women’s March, one of the largest demonstrations in political history. Together they raised their voices in hope, protest, and solidarity. This inspiring collection features 500 of the most eloquent, provocative, uplifting, clever, and creative signs from across the United States and around the world. Each is a powerful reminder of why we march. As with the recent battle cry of “Nevertheless, she persisted,” these messages continue to reverberate daily and fortify a movement that will not be silenced. All royalties from the sale of this book will be donated to Planned Parenthood.

Why We Quilt: Contemporary Makers Speak Out about the Power of Art, Activism, Community, and Creativity

by Thomas Knauer

In this tribute to today’s vibrant quilting community, prize-winning quilter and teacher Thomas Knauer showcases a stunning collection of quilts from a wide range of contemporary makers, accompanied by their testimonials about what inspires and imbues their craft with meaning. From temperance quilts to the AIDS quilt, there’s a rich history of individuals and communities using fabric and thread to connect with others and express themselves, both personally and politically. Why We Quilt blends bits of this history with the stories and work of today’s leading quilters, highlighting themes of tradition, community, consumerism, change, and creativity. With a unique die-cut cover and a richly layered design, this book will enthrall designers, quilters, and all types of handcraft enthusiasts. This publication conforms to the EPUB Accessibility specification at WCAG 2.0 Level AA.

Why We Read: Quotations for Book Lovers

by Ellen Surrey

A beautiful keepsake extolling the magic of books.A collection of illustrated quotations—astute, profound, witty, and sweet—on the magic of books. Whether you were devoted to reading as a child or have discovered a new love for books as an adult, Why We Read reminds us what a power and privilege it is to read. Seventy-five quotations from writers and thinkers, such as Jane Austen, Carl Sagan, Margaret Atwood, Roald Dahl, Jorge Luis Borges, and Annie Dillard, celebrate this noble pursuit. Colorful illustrations by Ellen Surrey brightly interpret their words and create a lovely keepsake.

Why We Serve: Native Americans in the United States Armed Forces

by NMAI

Rare stories from more than 250 years of Native Americans' service in the militaryWhy We Serve commemorates the 2020 opening of the National Native American Veterans Memorial at the Smithsonian National Museum of the American Indian, the first landmark in Washington, DC, to recognize the bravery and sacrifice of Native veterans. American Indians' history of military service dates to colonial times, and today, they serve at one of the highest rates of any ethnic group. Why We Serve explores the range of reasons why, from love of their home to an expression of their warrior traditions. The book brings fascinating history to life with historical photographs, sketches, paintings, and maps. Incredible contributions from important voices in the field offer a complex examination of the history of Native American service. Why We Serve celebrates the unsung legacy of Native military service and what it means to their community and country.

Why You Like This Photo: The science of perception

by Brian Dilg

What you see is very different from what you think you see... There's a lot going on behind the scenes when you like a photograph. Maybe something is tricking your brain into believing a static image is alive with motion. But how? Or maybe you're being drawn in by a rich, high-contrast subject. But what's so great about really black blacks and really white whites? And if the composition is subverting your expectations, where did those expectations come from in the first place?To answer these questions, international award-winning cinematographer Brian Dilg blends photographic fundamentals like exposure, focus, and composition with the latest developments in psychology, cognitive neuroscience, and evolutionary biology, in a thrilling exploration of how a photo works, how your brain perceives it, and why you like the result.

Why You Like This Photo: The science of perception

by Brian Dilg

Combining science and photography, Brian Dilg explores the reasons behind Why You Like This Photo.

Why You Like This Photo: The science of perception

by Brian Dilg

Combining science and photography, Brian Dilg explores the reasons behind Why You Like This Photo.

Why You Should Never Beam Down in a Red Shirt and 749 More Answers to Questions About Star Trek

by Robert W. Bly

With new movies, TV shows and books appearing all the time, the popularity of Star Trek is at an all-time high. Now, following his bestselling "The Ultimate Unauthorized Star Trek Quiz Book", Robert W. Bly provides 750 more multiple choice, fill-in-the-blank and mix-and-match questions covering the entire spectrum of Star Trek lore. Including information on the new series, Star Trek: Voyager, and film, Star Trek: Generations. Why You Should Never Beam Down in a Red Shirt also provides complete coverage of the final season of The Next Generation, more from the current season of Deep Space Nine and questions and answers from a variety of new sources-- including several recently published autobiographies by stars of the original series. In addition, the book contains a host of new features-- a listing of companies selling Star Trek collectibles, an appendix listing Star Trek fan publications, a Star Trek bibliography and more. "Why You Should Never Beam Down in a Red Shirt" is one book no Star Trek fan should be without.

Why'd They Wear That?: From Hair Shirts To Hoop Skirts, Platform Shoes To Tattoos, A Fashion History Of Of The World

by Sarah Albee Timothy E. Gunn National Geographic Kids Staff

Move over Project Runway. Get ready to chuckle your way through centuries of fashion dos and don'ts! In this humorous and approachable narrative, kids will learn about outrageous, politically-perilous, funky, disgusting, regrettable, and life-threatening creations people have worn throughout the course of human history, all the way up to the present day. From spats and togas to hoop skirts and hair shirts, why people wore what they did is an illuminating way to look at the social, economic, political, and moral climates throughout history.

Wichita Falls

by Kenneth E. Hendrickson Jr.

North Texas was the traditional home of several tribes of Plains Indians, notably the Kiowa and Comanche. The first white settlers arrived in 1879, Wichita County was organized in 1882, and the railroad arrived the same year. Agriculture dominated the economy until early in the 20th century when oil was discovered in the area. This discovery led to an oil boom that peaked during World War I. For the next several years, Wichita Falls flourished as a refinery town while continuing to support the agricultural economy that was based largely on cattle and wheat. During World War II, Sheppard Air Force Base was established in Wichita Falls and is still an important contributor to the economy. The refineries have long since disappeared, but oil production and farming remain. Also important is Midwestern State University with a student body numbering approximately 6,000.

Wichita's Riverside Parks

by James E. Mason

Wichita was founded in 1870 at the junction of the Little and Big Arkansas Rivers in south central Kansas. From the very beginning, the rivers have been a focus for social and recreational activity. Parks, both public and private, were established along these waterways near downtown to capitalize on this natural asset and have gone through many changes. Some of these parks are now over 100 years old, but one no longer exists, having literally been dug up and hauled away in wheelbarrows in 1933. This book chronicles many of the colorful activities and events that have occurred in these parks over the years, and shows how vital they are in the Wichita of today.

Wicked: The Grimmerie

by David Cote

So much happened before Dorothy dropped in. Two girls quite accidentally crossed paths: one, pretty and popular; the other smart and ... green. The story of how these two unlikely friends became Glinda the Good and the Wicked Witch of the West has made for the most spellbinding new musical in years: Wicked.

Wicked Albuquerque (Wicked)

by Cody Polston

Albuquerque�s early lawless reputation rivaled that of Dodge City and Tombstone. Its red-light district was known as Hell�s Half Acre. Brothel owner Lizzy McGrath once had a local church demolished to build her new bordello. Milt Yarberry, the town�s first marshal, was hanged for murder. And the controversial Elfego Baca, who had the gall to face Pancho Villa, survived a thirty-six-hour gunfight unscathed. Author Cody Polston presents the tales of those who slipped through the cracks of morality.

Wicked Asheville (Wicked)

by Joshua P. Warren Marla Hardee Milling

Asheville is a wonderfully strange city, but it has a few shadows in its past. Teenager Helen Clevenger was brutally murdered at the luxurious Battery Park Hotel in 1936. William Dudley Pelley called himself "America's Hitler" and founded his Silver Legion in Asheville. He stirred up enough antiwar propaganda to go to prison. A desperado named Will Harris came into town on a cold night in November 1906 and left a trail of dead bodies and panic among Asheville citizens. Mayor Gallatin Roberts killed himself in the wake of collapsing banks. Asheville native Marla Hardee Milling delves into wicked stories of murder, sedition, corruption, arson and disease.

Wicked Bay City, Michigan (Wicked)

by Tim Younkman

From unscrupulous lumber barons to Hell's Half Mile, Bay City history casts a sinister shadow. Pope Leo XIII was forced to intervene when rioting Catholic immigrants seized St. Stanislaus Catholic Church and battled one another in the city's streets. The police discovered prostitute Lou Hall nearly beaten to death in the Block of Blazes. And respected publishing mogul Edwin T. Bennett's secret life led to the death of a young woman in a Bay City hotel room. Join author Tim Younkman for a wild ride into the city's wicked side.

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