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Who What Wear: Celebrity and Runway Style for Real Life
by Hillary Kerr Katherine PowerA smart and stylish fashion and beauty guide from the creators of the popular website WhoWhatWear.com. The founders of WhoWhatWear.com share their tricks of the trade, translating high fashion in a low-fuss, accessible way. Hillary Kerr and Katherine Power, two former Elle magazine editors, are the fashionable duo behind the booming website. In Who What Wear they&’ve compiled the best of their tips and advice into one stylish compendium. Trends come and go at a dizzying pace and it can be challenging to just get dressed in the morning! Kerr and Power banish those fashion faux-pas fears and give readers the tools necessary to update their own personal styles and recognize and incorporate the latest runway and Hollywood looks. Celebrity contributors such as Rachel Zoe, Nicole Richie, and Rachel Bilson also dish their insider-style secrets alongside images from the runway and beyond. &“Who What Wear is a dream for every aspiring fashionista . . . it helps make fashion accessible to everyone.&” —Rachel Zoe &“WhoWhatWear.com is one of my favorite fashion sites . . . you can spend hours on the site—I do.&” —Nicole Richie
Who Will Pay Reparations on My Soul?: Essays
by Jesse McCarthy"This is a very smart and soulful book. Jesse McCarthy is a terrific essayist." —Zadie Smith New York Times • "New Books to Watch For in March" A supremely talented young critic’s essays on race and culture, from Toni Morrison to trap, herald the arrival of a major new voice in American letters. Ranging from Ta-Nehisi Coates’s case for reparations to Toni Morrison’s revolutionary humanism to D’Angelo’s simmering blend of R&B and racial justice, Jesse McCarthy’s bracing essays investigate with virtuosic intensity the art, music, literature, and political stances that have defined the twenty-first century. Even as our world has suffered through successive upheavals, McCarthy contends, “something was happening in the world of culture: a surging and unprecedented visibility at every level of black art making.” Who Will Pay Reparations on My Soul? reckons with this resurgence, arguing for the central role of art and intellectual culture in an age of widening inequality and moral crisis. McCarthy reinvigorates the essay form as a space not only for argument but for experimental writing that mixes and chops the old ways into new ones. In “Notes on Trap,” he borrows a conceit from Susan Sontag to reveal the social and political significance of trap music, the drug-soaked strain of Southern hip-hop that, as he puts it, is “the funeral music that the Reagan Revolution deserves.” In “Back in the Day,” McCarthy, a black American raised in France, evokes his childhood in Paris through an elegiac account of French rap in the 1990s. In “The Master’s Tools,” the relationship between Spanish painter Diego Velázquez and his acolyte-slave, Juan de Pareja, becomes the lens through which Kehinde Wiley’s paintings are viewed, while “To Make a Poet Black” explores the hidden blackness of Sappho and the erotic power of Phillis Wheatley. Essays on John Edgar Wideman, Claudia Rankine, and Colson Whitehead survey the state of black letters. In his title essay, McCarthy takes on the question of reparations, arguing that true progress will not come until Americans remake their institutions in the service of true equality. As he asks, “What can reparations mean when the damage cannot be accounted for in the only system of accounting that a society recognizes?” For readers of Teju Cole’s Known and Strange Things and Mark Greif’s Against Everything, McCarthy’s essays portray a brilliant young critic at work, making sense of our disjointed times while seeking to transform our understanding of race and art, identity and representation.
Who Wrote Citizen Kane?: Statistical Analysis of Disputed Co-Authorship (Quantitative Methods in the Humanities and Social Sciences)
by Warren BucklandThis book offers a solution to one of film history’s major controversies: the long-running dispute over Orson Welles’ and Herman J. Mankiewicz’s contributions to the Citizen Kane screenplay. It establishes the vital importance of computing and statistics to solving previously intractable puzzles in the arts and humanities. Citizen Kane (1941) is one of the most acclaimed films in the history of cinema. For 50 years it topped the Sight & Sound film critics’ poll. Orson Welles directed the film and is credited with co-writing the screenplay with Herman J. Mankiewicz. But the co-writer credit generates furious disputes between those who argue Mankiewicz is the sole author of Citizen Kane and those who claim that Welles collaborated fully with its writing. The author employs computing and statistics to answer two questions: What are the distinguishing features of Welles’ and of Mankiewicz’s writing? And What did each contribute to the writing of the Citizen Kane screenplay? To answer these questions, the author bypasses opinions and impressions, and instead subjects the language of the Citizen Kane screenplay to a ‘forensic’ examination. Employing linguistics, basic statistical tests, plus computer technology and software, the author identifies the stylistic signature of each author – the combination of consistent and regular linguistic habits that make each author’s writing distinctive. This book replaces impressionistic discussions of Mankiewicz’s and Welles’ contributions to the Citizen Kane screenplay with a rigorous, experiment-driven statistical analysis. Earlier statistical studies of authorship have discovered that small, unassuming language features (such as punctuation, pronouns, and prepositions) in statistically significant quantities, constitute a screenwriter’s distinctive writing habits. Only with the extensive experimentation carried out in this volume, did the author decide Mankiewicz’s and Welles’ specific habits and their contributions to Citizen Kane.
Who the Devil Made It: Conversations with Legendary Film Directors
by Peter BogdanovichIn this fascinating chronicle of Hollywood and the grand art of making movies, Peter Bogdanovich--director, screenwriter, actor, and critic--interviews sixteen legendary directors of the first hundred years of film: Robert Aldrich George Cukor Allan Dwan Howard Hawks Alfred Hitchcock Chuck Jones Fritz Lang Joseph H. Lewis Sidney Lumet Leo McCartey Otto Preminger Don Siegel Josef von Sternberg Frank Tashlin Edgar G. Ulmer Raoul Walsh
Who the Hell's in It: Conversations with Hollywood's Legendary Actors
by Peter BogdanovichPeter Bogdanovich, known primarily as a director, film historian and critic, has been working with professional actors all his life. He started out as an actor (he debuted on the stage in his sixth-grade production of Finian's Rainbow); he watched actors work (he went to the theater every week from the age of thirteen and saw every important show on, or off, Broadway for the next decade); he studied acting, starting at sixteen, with Stella Adler (his work with her became the foundation for all he would ever do as an actor and a director).Now, in his new book, Who the Hell's in It, Bogdanovich draws upon a lifetime of experience, observation and understanding of the art to write about the actors he came to know along the way; actors he admired from afar; actors he worked with, directed, befriended. Among them: Lauren Bacall, Humphrey Bogart, James Cagney, John Cassavetes, Charlie Chaplin, Montgomery Clift, Marlene Dietrich, Henry Fonda, Ben Gazzara, Audrey Hepburn, Boris Karloff, Dean Martin, Marilyn Monroe, River Phoenix, Sidney Poitier, Frank Sinatra, and James Stewart.Bogdanovich captures--in their words and his--their work, their individual styles, what made them who they were, what gave them their appeal and why they've continued to be America's iconic actors.On Lillian Gish: "the first virgin hearth goddess of the screen . . . a valiant and courageous symbol of fortitude and love through all distress." On Marlon Brando: "He challenged himself never to be the same from picture to picture, refusing to become the kind of film star the studio system had invented and thrived upon--the recognizable human commodity each new film was built around . . . The funny thing is that Brando's charismatic screen persona was vividly apparent despite the multiplicity of his guises . . . Brando always remains recognizable, a star-actor in spite of himself. " Jerry Lewis to Bogdanovich on the first laugh Lewis ever got onstage: "I was five years old. My mom and dad had a tux made--I worked in the borscht circuit with them--and I came out and I sang, 'Brother, Can You Spare a Dime?' the big hit at the time . . . It was 1931, and I stopped the show--naturally--a five-year-old in a tuxedo is not going to stop the show? And I took a bow and my foot slipped and hit one of the floodlights and it exploded and the smoke and the sound scared me so I started to cry. The audience laughed--they were hysterical . . . So I knew I had to get the rest of my laughs the rest of my life, breaking, sitting, falling, spinning."John Wayne to Bogdanovich, on the early years of Wayne's career when he was working as a prop man: "Well, I've naturally studied John Ford professionally as well as loving the man. Ever since the first time I walked down his set as a goose-herder in 1927. They needed somebody from the prop department to keep the geese from getting under a fake hill they had for Mother Machree at Fox. I'd been hired because Tom Mix wanted a box seat for the USC football games, and so they promised jobs to Don Williams and myself and a couple of the players. They buried us over in the properties department, and Mr. Ford's need for a goose-herder just seemed to fit my pistol."These twenty-six portraits and conversations are unsurpassed in their evocation of a certain kind of great movie star that has vanished. Bogdanovich's book is a celebration and a farewell.From the Hardcover edition.
Who's 50: The 50 Doctor Who Stories to Watch Before You Die
by Robert Smith Graeme Burk&“Like being thrown the keys to the TARDIS with a temporal map to visit all those not-to-be-missed adventures in time and space&” (Phil Ford, Doctor Who writer). Ever since its premiere on November 23, 1963, Doctor Who has been a television phenomenon. This companion guide presents the top fifty stories from the show&’s first fifty years—examining every corner of the imaginative, humorous, and sometimes scary universe that has made Doctor Who an iconic part of popular culture. This must-have reference also includes behind the scenes details, goofs, trivia, connections to Doctor Who lore, and much more.
Who's Afraid of Conceptual Art?
by Peter Goldie Elisabeth SchellekensWhat is conceptual art? Is it really a kind of art in its own right? Is it clever – or too clever? Of all the different art forms it is perhaps conceptual art which at once fascinates and infuriates the most. In this much-needed book Peter Goldie and Elisabeth Schellekens demystify conceptual art using the sharp tools of philosophy. They explain how conceptual art is driven by ideas rather than the manipulation of paint and physical materials; how it challenges the very basis of what we can know about art, as well as our received ideas of beauty; and why conceptual art requires us to rethink concepts fundamental to art and aesthetics, such as artistic interpretation and appreciation. Including helpful illustrations of the work of celebrated conceptual artists from Marcel Duchamp, Joseph Kosuth and Piero Manzoni to Dan Perjovschi and Martin Creed, Who’s Afraid of Conceptual Art? is a superb starting point for anyone intrigued but perplexed by conceptual art - and by art in general. It will be particularly helpful to students of philosophy, art and visual studies seeking an introduction not only to conceptual art but fundamental topics in art and aesthetics.
Who's Afraid of Contemporary Art?
by Jessica Cerasi Kyung AnA smart and playful introduction to the often-mystifying world of contemporary art What is contemporary art? What makes it contemporary? What is it for? And why is it so expensive? From museums and the art market to biennales and the next big thing, Who’s Afraid of Contemporary Art? offers concise and pointed insights into today’s art scene, decoding “Artspeak," explaining what curators do, demystifying conceptual art, exploring emerging art markets, and more. In this easy-to-navigate A to Z guide, the authors’ playful explanations draw on key artworks, artists, and events from around the globe, including how the lights going on and off won the Turner Prize, what makes the likes of Marina Abramovic and Ai Weiwei such great artists, and why Kanye West would trade his Grammys to be one. Packed with behind-the-scenes information and completely free of jargon, Who’s Afraid of Contemporary Art? is the perfect gallery companion and the go to guide for when the next big thing leaves you stumped.
Who's Who In Oz
by Jack SnowJack Snow’s Who’s Who in Oz is the ultimate companion to the magical land of Oz, offering readers a comprehensive and enchanting guide to the characters, places, and lore of L. Frank Baum’s beloved fantasy world. Perfect for longtime fans and newcomers alike, this reference book delves deep into the rich tapestry of Oz, providing detailed profiles and fascinating insights into its vibrant and imaginative universe.Organized alphabetically, the book introduces readers to an array of characters—from Dorothy, the Scarecrow, and the Tin Woodman to lesser-known yet equally intriguing figures like Kabumpo the Elegant Elephant and the Patchwork Girl. Each entry includes vivid descriptions, backstories, and connections to the larger narrative, making it easy to explore the magical land in all its glory.In addition to character profiles, Snow expands on the geography and history of Oz, highlighting its fantastical locations, unique customs, and the stories that have made it a timeless realm of wonder. With Snow’s expertise and dedication to Baum’s original vision, Who’s Who in Oz is both a loving tribute and an essential resource for anyone captivated by the world over the rainbow.Illustrated and meticulously researched, this book is a must-have for Oz enthusiasts, collectors, and anyone seeking to deepen their appreciation for one of the most iconic fantasy settings in literature. Who’s Who in Oz is not just a guide—it’s a magical journey back to the heart of a world that continues to inspire generations.
Who's Who in Contemporary World Theatre (Who's Who)
by Daniel Meyer-DinkgräfeWho's Who in Contemporary World Theatre is a lively and accessible biographical guide to the key figures in contemporary drama. All who enjoy the theatre will find their pleasure enhanced and their knowledge extended by this fascinating work of reference. Its distinctive blend of information, analysis and anecdote makes for entertaining and enlightening reading. Hugely influential innovators, household names, and a whole host of less familiar, international figures - all have their lives and careers illuminated by the clear and succinct entries. All professions associated with the theatre are represented here - actors and directors, playwrights and designers. By virtue of the broad range of its coverage, Who's Who in Contemporary World Theatre offers a unique insight into the rich diversity of international drama today.
Who's Who in The Archers 2011: An A-Z of Britain's Most Popular Radio Drama
by Graham HarveyNow fully updated, Who's Who in The Archers has become the indispensable companion to life in Britain's best-known village. Whether you need a quick run-down on a new character or a reminder about an on-going relationship, this handy guide is your first reference point. It'll tell you all you need to know about: Harry, the new milkman, who has wasted no time in getting himself noticed. The team running the new community shop. The unofficial "social club" founded by Eddie Grundy. Who lives at Grange Spinney.Each week five million listeners tune into the world's longest running drama series. Who's Who in The Archers will help keep you fully up-to-date on life in this ever-changing rural community. Whether you're a long-standing listener or a new-comer to Ambridge, this pocket guide is certain to add to your enjoyment.
Who's Who in The Archers 2012: An A-Z of Britain's Most Popular Radio Drama
by Graham HarveyThe insider's guide to Ambridge life is back for a special 60th Anniversary edition, fully-updated and packed with indispensable facts about the nation's favourite village. Whether it's information about an on-going relationship you're looking for - or a background briefing on a new character - Who's Who in The Archers is for you. Within these pages you'll find a wealth of essential detail about:The young entrepreneur whose business is "forging ahead"Members of the thriving Ambridge Book ClubThe threat to Pat's organic dairy businessThe wild food menu item that's causing ructions at The BullNow in its 60th glorious year, the world's longest running drama series is a part of national life. Whether you're a new-comer to the village or you've been visiting for years, you'll want to keep this handy-sized reference guide close by. Who's Who in The Archers is certain to help you enjoy Ambridge life to the full.
Who's Who in the Archers 2009
by Keri DaviesNow in its tenth edition, Who's Who in the Archers has become a perennial favourite among the show's listeners. It's the first point of reference when those niggling questions arise, such as:How old is David Archer?What does Jessica do at Lower Loxley?Where does Derek Fletcher live?Who works at Jaxx Caff?This essential pocket guide provides an A-Z listing of the key characters and places from Britain's best loved, and most enduring, radio drama. It will help you master the intricate and tangled web of relations in Ambridge, uncover the secrets behind the most recent feuds and scandals, and gain insight into the most up-to-date happenings on the show.Complete with full Archer family tree and an index of character forenames, Who's Who in the Archers is an indispensable guide for long-standing fans and newcomers alike
Who's Your TV Alter Ego?
by Noah LuskyARE YOU A JERRY OR AN ELAINE? Or maybe you've been living life as a compulsive Monica, when all along there's a carefree Phoebe just waiting to get out? Now's your chance to learn the truth, without having to step foot inside a single comedy club or coffeehouse. Who's Your TV Alter Ego? will help you unearth your Simpsons soul mate, inner desperate housewife, OC BFF, and much, much more. This is no trivia book: Who's Your TV Alter Ego? is like Mad Libs, the Cosmo Quiz, and a Rorschach blot all rolled into one, and can be played alone or with a live studio audience. More than fifty classic and contemporary hit TV shows are featured, each with a list of ten questions designed to playfully probe your innermost thoughts. Each quiz will match you -- or someone you know -- with a TV character and reveal the personality traits you share: the good, the bad, and the hilariously ugly. So put down the remote and pick up a pencil. This may well be the most important test you ever take. 52 tests in all, including the characters from: 52 TESTS IN ALL, INCLUDING THE CHARACTERS FROM: Grey's Anatomy Friends Heroes Project Runway Sex and the City 24 The Cosby Show The Brady Bunch The Sopranos Star Trek Gilligan's Island Lost Seinfeld ...AND ALL THE REST OF YOUR FAVORITES!
Who's Your TV Alter Ego?
by Noah LuskyARE YOU A JERRY OR AN ELAINE?Or maybe you've been living life as a compulsive Monica, when all along there's a carefree Phoebe just waiting to get out? Now's your chance to learn the truth, without having to step foot inside a single comedy club or coffeehouse. Who's Your TV Alter Ego?will help you unearth your Simpsonssoul mate, inner desperate housewife, OCBFF, and much, much more. This is no trivia book: Who's Your TV Alter Ego?is like Mad Libs, the Cosmo Quiz, and a Rorschach blot all rolled into one, and can be played alone or with a live studio audience. More than fifty classic and contemporary hit TV shows are featured, each with a list of ten questions designed to playfully probe your innermost thoughts. Each quiz will match you -- or someone you know -- with a TV character and reveal the personality traits you share: the good, the bad, and the hilariously ugly. So put down the remote and pick up a pencil. This may well be the most important test you ever take. 52 tests in all, including the characters from: 52 TESTS IN ALL, INCLUDING THE CHARACTERS FROM:*Grey's Anatomy *Friends *Heroes *Project Runway *Sex and the City *24 *The Cosby Show *The Brady Bunch *The Sopranos *Star Trek *Gilligan's Island *Lost *Seinfeld ...AND ALL THE REST OF YOUR FAVORITES!
Whole Body Interaction
by David EnglandWhole Body Interaction is "The integrated capture and processing of human signals from physical, physiological, cognitive and emotional sources to generate feedback to those sources for interaction in a digital environment" (England 2009). Whole Body Interaction looks at the challenges of Whole Body Interaction from the perspectives of design, engineering and research methods. How do we take physical motion, cognition, physiology, emotion and social context to push boundaries of Human Computer Interaction to involve the complete set of human capabilities? Through the use of various applications the authors attempt to answer this question and set a research agenda for future work. Aimed at students and researchers who are looking for new project ideas or to extend their existing work with new dimensions of interaction.
Whole Life Costing: A New Approach
by Peter CaplehornWhole life costing has been a subject waiting to come of age for many years. What was previously of mainly academic interest is now becoming a key business tool in the procurement and construction of significant projects. With the advent of PPP and in particular of PFI, details of the project life need to be assessed and tied in to funding and operation plans. Many of these projects run to millions of pounds and are of high political or social importance, so the implications of the life of materials is crucial. A fundamental requirement of these procurement routes has been that the whole enterprise should be included within the bid, so that a company takes on not only the construction but also the running and maintenance of any building. Additionally as sustainability has emerged and grown in importance, so has the need for a whole life time costing approach, partly driven by governmental insistence. At the heart of sustainability is an understanding of what the specification means for the future of the building and how it will affect the environment. Whole life costing considers part of this and provides an understanding of how materials may perform and what allowances are needed at the end of their life. This book sets out the practical issues involved in the selection of materials, their performance, and the issues that need to be taken into account. The emphasis, unlike in other publications, is not to formularise or to package the issues but to leave the reader with a clear understanding and a sensible practical way of arriving at conclusions in the future.
Whole World of Music: A Henry Cowell Symposium (Contemporary Music Studies)
by David NichollsFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Whom God Wishes to Destroy…: Francis Coppola and the New Hollywood
by Jon LewisIn March 1980 Francis Coppola purchased the dilapidated Hollywood General Studios facility with the hope and dream of creating a radically new kind of studio, one that would revolutionize filmmaking, challenge the established studio machinery, and, most importantly, allow him to make movies as he wished. With this event at the center of Whom God Wishes to Destroy, Jon Lewis offers a behind-the-scenes view of Coppola's struggle--that of the industry's best-known auteur--against the changing realities of the New Hollywood of the 1980s. Presenting a Hollywood history steeped in the trade news, rumor, and gossip that propel the industry, Lewis unfolds a lesson about power, ownership, and the role of the auteur in the American cinema. From before the success of The Godfather to the eventual triumph of Apocalypse Now, through the critical upheaval of the 1980s with movies like Rumble Fish, Hammett, Peggy Sue Got Married, to the 1990s and the making of Bram Stoker's Dracula and Kenneth Branagh's Frankenstein, Francis Coppola's career becomes the lens through which Lewis examines the nature of making movies and doing business in Hollywood today.
Whorephobia: Strippers on Art, Work, and Life
by Lizzie BordenIlluminating accounts of how stripping and sex work informs writers&’ experiences of friendship, motherhood, teaching, working, creating art, and activism.No one knows more than strippers about being looked at: as objects of desire, objects of curiosity, as angels or Jezebels or hookers with hearts of gold. In this anthology, twenty-three dancers whose careers span decades, geographies, and identities demand to be seen. Through stories from first nights on the job to the day they hung up their sky-high heels—or decided they never will—these writers offer glimpses into lives of camaraderie and celebration, joy, pride, despair, frustration, self-doubt, and fear. Their unfiltered perspectives on their lives, onstage and off, are a powerful counternarrative to the whorephobia that shrouds the conventional portrayals of strippers in crime movies, TV shows, music videos, newspaper articles, and legislative debates. Each of these illuminating essays and interviews peels away tired myths and salacious speculation and presents the naked truth: that sex work is real work and strippers are real people. Contributors:Cookie Mueller • Kathy Acker • Jo Weldon • Susan McMullen • Maggie Estep • Chris Kraus • Jodi Sh. Doff • Terese Pampellonne • Jill Morley • Susan Walsh • Debi Kelly Van Cleave • Elissa Wald • Essence Revealed • Sassy Penny • Jacq Frances • Reese Piper • Lindsay Byron • The Incredible, Edible Akynos • Antonia Crane • Lily Burana • A M Davies • Kayla Tange • Selena the Stripper
Whores and Other Feminists
by Jill NagleWhores and Other Feminists fleshes out feminist politics from the perspective of sex workers--strippers, prostitutes, porn writers, producers and performers, dominatrices--and their allies. Comprising a range of voices from both within and outside the academy, this collection draws from traditional feminisms, postmodern feminism, queer theory, and sex radicalism. It stretches the boundaries of contemporary feminism, holding accountable both traditional feminism for stigmatizing sex workers, and also the sex industry for its sexist practices.
Whose Art Is It?
by Jane KramerWhose Art Is It? is the story of sculptor John Ahearn, a white artist in a black and Hispanic neighborhood of the South Bronx, and of the people he cast for a series of public sculptures commissioned for an intersection outside a police station. Jane Kramer, telling this story, raises one of the most urgent questions of our time: How do we live in a society we share with people who are, often by their own definitions, "different?" Ahearn's subjects were "not the best of the neighborhood." They were a junkie, a hustler, and a street kid. Their images sparked a controversy throughout the community--and New York itself--over issues of white representations of people of color and the appropriateness of particular images as civic art. The sculptures, cast in bronze and painted, were up for only five days before Ahearn removed them.This compelling narrative raises questions about community and public art policies, about stereotypes and multiculturalism. With wit, drama, sympathy, and circumspection, Kramer draws the reader into the multicultural debate, challenging our assumptions about art, image, and their relation to community. Her portrait of the South Bronx takes the argument to its grass roots--provocative, surprising in its contradictions and complexities and not at all easy to resolve.Accompanied by an introduction by Catharine R. Stimpson exploring the issues of artistic freedom, "political correctness," and multiculturalism, Whose Art Is It? is a lively and accessible introduction to the ongoing debate on representation and private expression in the public sphere.
Whose Culture?: The Promise of Museums and the Debate over Antiquities
by James CunoThe international controversy over who "owns" antiquities has pitted museums against archaeologists and source countries where ancient artifacts are found. In his book Who Owns Antiquity?, James Cuno argued that antiquities are the cultural property of humankind, not of the countries that lay exclusive claim to them. Now in Whose Culture?, Cuno assembles preeminent museum directors, curators, and scholars to explain for themselves what's at stake in this struggle--and why the museums' critics couldn't be more wrong. Source countries and archaeologists favor tough cultural property laws restricting the export of antiquities, have fought for the return of artifacts from museums worldwide, and claim the acquisition of undocumented antiquities encourages looting of archaeological sites. In Whose Culture?, leading figures from universities and museums in the United States and Britain argue that modern nation-states have at best a dubious connection with the ancient cultures they claim to represent, and that archaeology has been misused by nationalistic identity politics. They explain why exhibition is essential to responsible acquisitions, why our shared art heritage trumps nationalist agendas, why restrictive cultural property laws put antiquities at risk from unstable governments--and more. Defending the principles of art as the legacy of all humankind and museums as instruments of inquiry and tolerance, Whose Culture? brings reasoned argument to an issue that for too long has been distorted by politics and emotionalism. In addition to the editor, the contributors are Kwame Anthony Appiah, Sir John Boardman, Michael F. Brown, Derek Gillman, Neil MacGregor, John Henry Merryman, Philippe de Montebello, David I. Owen, and James C. Y. Watt.
Whose Green City?: Contested Urban Green Spaces and Environmental Justice in Northern Europe (Sustainable Development Goals Series)
by Helen Sooväli-Sepping Bianka Plüschke-AltofAgainst the backdrop of an accelerating global urbanization and related ecological, climatic or social challenges to urban sustainability, this book focuses on the access to “safe, inclusive and accessible green and public space” as outlined in United Nations’ Sustainable Development Goal No. 11. Looking through the lens of environmental justice and contested urban spaces, it raises the question who ultimately benefits from a green city development, and – even more importantly – who does not. While green space benefits are well-documented, green space provision is faced by multiple challenges in an era of urban neoliberalism. With their interdisciplinary and multi-method approach, the chapters in this book carefully study the different dimensions of green space access with particular focus on vulnerable groups, critically evaluate cases of procedural injustice and, in the case of Northern Europe that is often seen as forerunner of urban sustainability, provide in-depth studies on the contexts of injustices in urban greening. Chapters 1, 5, and 6 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Whose Heritage?: Challenging Race and Identity in Stuart Hall’s Post-nation Britain
by Degna Stone Ashley, Susan L.TThis edited collection challenges and re-imagines what is ‘heritage’ in Britain as a globalised, vernacular, cosmopolitan ‘post-nation’. It takes its inspiration from the foundational work of public intellectual Stuart Hall (1932–2014). Hall was instrumental in calling out embedded elitist conceptions of ‘The Heritage’ of Britain. The book’s authors challenge us to reconsider what is valued about Britain’s past, its culture and its citizens. Populist discourses around the world, including Brexit and ‘culture war’ declarations in the UK, demonstrate how heritage and ideas of the past are mobilised in racist politics. The multidisciplinary chapters of this book offer critical inspections of these politics and dig deeply into the problems of theory, policy and practice in today’s academia, society and heritage sector. The volume challenges the lack of action since Hall rebuked ‘The Heritage’ twenty years ago. The authors featured here are predominantly Black Britons, academics and practitioners engaged in culture and heritage, spurred by the killing of George Floyd and the rise of the Black Lives Matter movement to contest racist practices and structures that support them. This fact alone makes the volume a unique addition to the Routledge Museum & Heritage Studies repertoire. The primary audience will be academics, but it will also attract culture sector practitioners and heritage institutions. However, the book is particularly aimed at scholars and community members who identify as Black and are centrally concerned with questions of identity and race in British society. Its Open Access status will facilitate access to the book by all groups in society.