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Authenticity in Architectural Heritage Conservation: Discourses, Opinions, Experiences in Europe, South and East Asia (Transcultural Research – Heidelberg Studies on Asia and Europe in a Global Context)

by Niels Gutschow Katharina Weiler

The book contributes to a recontextualizationof authenticity by investigating how this value is created, reenacted, andassigned. Over the course of the last century, authenticity figured as themajor parameter for the evaluation of cultural heritage. It was adopted inlocal and international charters and guidelines on architectural conservationin Europe, South and East Asia. Throughout this period, the concept of authenticity was constantlyredefined andtransformed to suit new cultural contexts and local concerns. This volumepresents colonial and postcolonial discourses, opinions, and experiences in thefield of architectural heritage conservation and the use of site-specificpractices based on representative case studies presented by art historians,architects, anthropologists, and conservationists from Germany, Nepal, India,China, and Japan. With more than 180 illustrations and a collection ofterminologies in German, English, Sanskrit, Hindi, Nevari and Nepali, classicalChinese and standard Mandarin, and Japanese, these cross-culturalinvestigations document the processual re-configuration of the notion ofauthenticity. They also show that approaches to authenticity can be specifiedwith key analytical categories from transcultural studies: appropriation,transformation, and, in some cases, refusal.

Authenticity is a Feeling: My Life in PMR-ART

by Jacob Wren

Authenticity is a Feeling: My Life in PME-ART is a compelling hybrid of history, memoir, and performance theory. It tells the story of the interdisciplinary performance group PME-ART and their ongoing endeavour to make a new kind of highly collaborative theatre dedicated to the fragile but essential act of "being yourself in a performance situation."Written, among other things, to celebrate PME-ART's twentieth anniversary, the book begins when Jacob Wren meets Sylvie Lachance and Richard Ducharme, moves from Toronto to Montreal to make just one project, but instead ends up spending the next twenty years creating an eccentric, often bilingual, art. It is a book about being unable to learn French yet nonetheless remaining Co-Artistic Director of a French-speaking performance group, about the Spinal Tap-like adventures of being continuously on tour, about the rewards and difficulties of intensive collaborations, about making performances that break the mold and confronting the repercussions of doing so. A book that aims to change the rules for how interdisciplinary performance can be written about today.When Jacob finished a first draft of the book he sent it to many of those who had co-created or worked on PME-ART projects asking for their comments. Therefore, the book also features contributions from: Caroline Dubois, Richard Ducharme, Claudia Fancello, Marie Claire Forté, Adam Kinner, Sylvie Lachance, Nadia Ross, Yves Sheriff, Kathrin Tiedemann and Ashlea Watkin.

Authentische Markenkommunikation von umweltschutzbezogenen CSR-Aktivitäten durch Transparenz anhand von zweiseitigen Botschaften (Innovatives Markenmanagement)

by Jonas Müller

Viele Marken legen hauptsächlich positive Informationen über umweltschutzbezogene CSR-Aktivitäten offen. Diese einseitigen Botschaften können das Markenvertrauen bei nicht eingehaltenen Versprechen negativ beeinflussen. Die authentische Markenkommunikation ist eine Möglichkeit, um Vertrauen zu fördern. Ein Ansatz zur Steigerung der Authentizität könnte transparente Kommunikation sein. Markenmanager stehen dabei vor der Frage, ob sie auch bezüglich negativer Aspekte transparent sein sollten (zweiseitige Botschaften). Die Wirkung von zweiseitigen Botschaften auf wichtige Zielgrößen kann mit der existierenden Literatur nicht erklärt werden. Jonas Müller widmet sich in dem vorliegenden Buch diesem Defizit und untersucht empirisch die Wirkung von zweiseitigen Botschaften zu umweltschutzbezogenen CSR-Aktivitäten auf die Markenauthentizität und Kaufintention. Hierzu führt er insgesamt vier empirische Hauptstudien in zwei Ländern durch. Aus den empirischen Erkenntnissen ergeben sich vielseitige Handlungsempfehlungen für die Praxis.

Author and Audience in Latin Literature

by Tony Woodman Jonathan Powell

The relationship between the author and his audience has received much critical attention from scholars in non-classical disciplines yet the nature of much ancient literature and of its 'publication' meant that audiences in ancient times were more immediate to their authors than in the modern world. This book contains essays by distinguished scholars on the various means by which Latin authors communicated effectively with their audiences. The authors and works covered are Cicero, Catullus, Lucretius, Propertius, Horace's Odes, Virgil's Aeneid, Ovid's Metamorphoses, Senecan tragedy, Persius, Pliny's letters, Tacitus' Annals and medieval love lyric. Contributors have provided detailed analyses of particular passages in order to throw light on the many different ways in which authors catered for their audiences by fulfilling, manipulating and thwarting their expectations; and in an epilogue the editors have drawn together the issues raised by these contributions and have attempted to place them in an appropriate critical context.

Author: The Portraits of Beowulf Sheehan

by Salman Rushdie Beowulf Sheehan

A beautiful and moving collection of photographs by Beowulf Sheehan, whose work captures the essence of 200 of our most prominent writers, historians, journalists, playwrights, and poets. Beowulf Sheehan is considered to be his generation's foremost literary portrait photographer, having made portraits of the literary luminaries of our time across the globe, from Roxane Gay to Masha Gessen, Patti Smith to Zadie Smith, Karl Ove Knausgaard to J.K. Rowling, and Jonathan Franzen to Toni Morrison. In AUTHOR Sheehan presents the most insightful, intimate, and revealing portraits of these artists made in his studio, in their homes, in shopping malls and concert halls, on rooftops and in parking lots, on the beach and among trees, surrounded by flowers and in clock towers. Following an enlightening foreword by Salman Rushdie, Beowulf Sheehan shares an essay offering insights in the poignant and memorable moments he experienced while making these portraits. A treasure gift for readers and lovers of portrait photography, AUTHOR is the only book of its kind to appear in more than a decade.

Authoring Female Identities in Spanish and Latin American Art and Media

by Fiona Noble Nadia Albaladejo García

This edited volume places the work of Spanish and Latin American female artists in, between, and across genres, media, spaces, identities, disciplines, and worlds. Its aim is to curate a series of interconnected studies on women artists across diverse media, and to position and redefine our understanding of female authorship. This is a timely intervention both in and beyond the fields of Hispanic Studies and Film and Cultural Studies, given the continued lack of visibility and persistent inequities experienced by individuals who identify as women.

Authoring Performance

by Avra Sidiropoulou

A historical, theoretical, and comparative study of the emergence of the director-as-author phenomenon, posing questions of authorship and redefining the relationship between 'playwright' and the director-playwright.

Authority and Freedom: A Defense of the Arts

by Jed Perl

From one of our most widely admired art critics comes a bold and timely manifesto reaffirming the independence of all the arts—musical, literary, and visual—and their unique and unparalleled power to excite, disturb, and inspire us.As people look to the arts to promote a particular ideology, whether radical, liberal, or conservative, Jed Perl argues that the arts have their own laws and logic, which transcend the controversies of any one moment. &“Art&’s relevance,&” he writes, &“has everything to do with what many regard as its irrelevance.&” Authority and Freedom will find readers from college classrooms to foundation board meetings—wherever the arts are confronting social, political, and economic ferment and heated debates about political correctness and cancel culture. Perl embraces the work of creative spirits as varied as Mozart, Michelangelo, Jane Austen, Henry James, Picasso, and Aretha Franklin. He contends that the essence of the arts is their ability to free us from fixed definitions and categories. Art is inherently uncategorizable—that&’s the key to its importance. Taking his stand with artists and thinkers ranging from W. H. Auden to Hannah Arendt, Perl defends works of art as adventuresome dialogues, simultaneously dispassionate and impassioned. He describes the fundamental sense of vocation—the engagement with the tools and traditions of a medium—that gives artists their purpose and focus. Whether we&’re experiencing a poem, a painting, or an opera, it&’s the interplay between authority and freedom—what Perl calls &“the lifeblood of the arts&”—that fuels the imaginative experience. This book will be essential reading for everybody who cares about the future of the arts in a democratic society.

Authority: Construction and Corrosion

by Bruce Lincoln

What is authority? How is it constituted? How ought one understand the subtle (and sometimes not-so-subtle) relations between authority and coercion? Between authorized and subversive speech? In this fascinating and intricate analysis, Bruce Lincoln argues that authority is not an entity but an effect. More precisely, it is an effect that depends for its power on the combination of the right speaker, the right speech, the right staging and props, the right time and place, and an audience historically and culturally conditioned to judge what is right in all these instances and to respond with trust, respect, and even reverence. Employing a vast array of examples drawn from classical antiquity, Scandinavian law, Cold War scholarship, and American presidential politics, Lincoln offers a telling analysis of the performance of authority, and subversions of it, from ancient times to the present. Using a small set of case studies that highlight critical moments in the construction of authority, he goes on to offer a general examination of "corrosive" discourses such as gossip, rumor, and curses; the problematic situation of women, who often are barred from the authorizing sphere; the role of religion in the construction of authority; the question of whether authority in the modern and postmodern world differs from its premodern counterpart; and a critique of Hannah Arendt's claims that authority has disappeared from political life in the modern world. He does not find a diminution of authority or a fundamental change in the conditions that produce it. Rather, Lincoln finds modern authority splintered, expanded, and, in fact, multiplied as the mechanisms for its construction become more complex—and more expensive.

Authors and Adaptation: Writing Across Media in the Nineteenth and Early Twentieth Centuries (Palgrave Studies in Adaptation and Visual Culture)

by Annie Nissen

This book studies British literary writers’ engagement with adaptations of their work across literary, theatrical, and film media in the nineteenth and early twentieth centuries. It considers their critical, reflective, and autobiographical writings about the process of adaptation, and traces how their work was shaped, as well as delimited, by their involvement with adaptations to different media and intermedial writing. Linking canonical and non-canonical writers both chronologically and contemporaneously, and bridging studies of prose fiction adaptation from nineteenth-century theatre to early twentieth-century film, this book offers an interdisciplinary, transhistorical, cultural, and analytical study of adaptation and the variable positions of writers within and across media.

Authors and Art Movements of the Twentieth Century: Painterly Poetics (Routledge Studies in Twentieth-Century Literature)

by Declan Lloyd

This book explores the great influence of twentieth-century artists and art movements on many major writers of the twentieth century. It focuses in particular on four seminal writers who were strongly influenced by very different movements: they are Gertrude Stein and Cubism, William S. Burroughs and Dada, J. G. Ballard and Surrealism, and Douglas Coupland and Pop Art. For these authors the presence and influence of these art movements is not limited to a small cluster of texts, but can be felt much more expansively across their work, infiltrating all manner of multifarious and complex dimensions. These authors are all keen to explore new methods of shifting the signature styles and forms of visual art into the literary world. Alongside these more overt methods of artistic transposition, the authors also often demonstrate a deep philosophical affinity with their chosen movements. This book uproots and examines these kinds of artistic engagements, and also explores the authors’ own personal connections with the world of art. For these are all authors not only interested in visual art, but also intimately connected to the art world. Indeed, some went on to become renowned artists in their own right, while others were closely associated with major historical art figures. Above all however, they are unified by a kindred interest in exploring how the methods and philosophies of art can be transposed into, and even challenge the constraints of traditional forms of literature.

Authorship In Film Adaptation

by Jack Boozer

Authoring a film adaptation of a literary source not only requires a media conversion but also a transformation as a result of the differing dramatic demands of cinema. The most critical central step in this transformation of a literary source to the screen is the writing of the screenplay. The screenplay usually serves to recruit producers, director, and actors; to attract capital investment; and to give focus to the conception and production of the film project. Often undergoing multiple revisions prior to production, the screenplay represents the crucial decisions of writer and director that will determine how and to what end the film will imitate or depart from its original source. Authorship in Film Adaptation is an accessible, provocative text that opens up new areas of discussion on the central process of adaptation surrounding the screenplay and screenwriter-director collaboration. In contrast to narrow binary comparisons of literary source text and film, the twelve essays in this collection also give attention to the underappreciated role of the screenplay and film pre-production that can signal the primary intention for a film. Divided into four parts, this collection looks first at the role of Hollywood's activist producers and major auteurs such as Hitchcock and Kubrick as they worked with screenwriters to formulate their audio-visual goals. The second part offers case studies of Devil in a Blue Dress and The Sweet Hereafter, for which the directors wrote their own adapted screenplays. Considering the variety of writer-director working relationships that are possible, Part III focuses on adaptations that alter genre, time, and place, and Part IV investigates adaptations that alter stories of romance, sexuality, and ethnicity.

Authorship and Film (AFI Film Readers)

by David A. Gerstner Janet Staiger

First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

Autistic Disturbances: Theorizing Autism Poetics from the DSM to Robinson Crusoe (Corporealities: Discourses Of Disability)

by Julia M Rodas

While research on autism has sometimes focused on special talents or abilities, autism is typically characterized as impoverished or defective when it comes to language. Autistic Disturbances reveals the ways interpreters have failed to register the real creative valence of autistic language and offers a theoretical framework for understanding the distinctive aesthetics of autistic rhetoric and semiotics. Reinterpreting characteristic autistic verbal practices such as repetition in the context of a more widely respected literary canon, Julia Miele Rodas argues that autistic language is actually an essential part of mainstream literary aesthetics, visible in poetry by Walt Whitman and Gertrude Stein, in novels by Charlotte Brontë and Daniel Defoe, in life writing by Andy Warhol, and even in writing by figures from popular culture. Autistic Disturbances pursues these resonances and explores the tensions of language and culture that lead to the classification of some verbal expression as disordered while other, similar expression enjoys prized status as literature. It identifies the most characteristic patterns of autistic expression-repetition, monologue, ejaculation, verbal ordering or list-making, and neologism-and adopts new language to describe and reimagine these categories in aesthetically productive terms. In so doing, the book seeks to redress the place of verbal autistic language, to argue for the value and complexity of autistic ways of speaking, and to invite recognition of an obscured tradition of literary autism at the very center of Anglo-American text culture.

AutoCAD 2023 Tutorial First Level 2D Fundamentals

by Randy H. Shih Luke Jumper

The primary goal of AutoCAD 2023 Tutorial First Level 2D Fundamentals is to introduce the aspects of Computer Aided Design and Drafting (CADD). This text is intended to be used as a training guide for students and professionals. This text covers AutoCAD 2023 and the lessons proceed in a pedagogical fashion to guide you from constructing basic shapes to making multiview drawings. This textbook contains a series of twelve tutorial style lessons designed to introduce beginning CAD users to AutoCAD 2023. It takes a hands-on, exercise-intensive approach to all the important 2D CAD techniques and concepts. This text is also helpful to AutoCAD users upgrading from a previous release of the software. The new improvements and key enhancements of the software are incorporated into the lessons. The 2D-CAD techniques and concepts discussed in this text are also designed to serve as the foundation to the more advanced parametric feature-based CAD packages such as Autodesk Inventor. The basic premise of this book is that the more designs you create using AutoCAD 2023, the better you learn the software. With this in mind, each lesson introduces a new set of commands and concepts, building on previous lessons. This book is intended to help readers establish a good basis for exploring and growing in the exciting field of Computer Aided Engineering. Video Training Included with every new copy of AutoCAD 2023 Tutorial First Level 2D Fundamentals is access to extensive video training. There are forty-six videos with more than five hours of training in total. This video training parallels the exercises found in the text and is designed to be watched first before following the instructions in the book. However, the videos do more than just provide you with click by click instructions. Author Luke Jumper also includes a brief discussion of each tool, as well as rich insight into why and how the tools are used. Luke isn’t just telling you what to do, he’s showing and explaining to you how to go through the exercises while providing clear descriptions of the entire process. It’s like having him there guiding you through the book. These videos will provide you with a wealth of information and bring the text to life. They are also an invaluable resource for people who learn best through a visual experience. These videos deliver a comprehensive overview of the 2D tools found in AutoCAD and perfectly complement and reinforce the exercises in the book.

AutoCAD For Dummies

by Ralph Grabowski

You’re one step away from creating crystal-clear computer-aided drafts in AutoCAD Ever started an AutoCAD project, only to give up when you couldn’t quite get the hang of it? Or do you have a project coming up that would really benefit from a few meticulously created drawings? Then you need the latest edition of AutoCAD For Dummies, the world’s bestselling retail book about the wildly popular program. With coverage of all the important updates to AutoCAD released since 2019, this book walks you through the very basics of pixels, vectors, lines, text, and more, before moving on to more advanced step-by-step tutorials on three-dimensional drawings and models. Already know the fundamentals? Then skip right to the part you need! From blocks to parametrics, it’s all right here at your fingertips. You’ll also find: In-depth explanations of how to create and store your drawings on the web Stepwise instructions on creating your very first AutoCAD drawing, from product installation and project creation to the final touches An exploration of system variables you can tweak to get the best performance from AutoCAD Perfect for the AutoCAD newbie just trying to find their way around the interface for the first time, AutoCAD For Dummies is also a must-read reference for the experienced user looking to get acquainted with the program’s latest features and essential drawing tips. Grab a copy today!

AutoCAD for Theatrical Drafting: A Resource for Designers and Technical Directors

by John Keisling

AutoCAD for Theatrical Drafting provides an introduction to the software AutoCAD, specifically focusing on how to navigate the commands most commonly used when creating design, construction and installation drafting plates for theatrical use. Beginning with a step-by-step tutorial of how to download the program and a review of theatrical drafting standards, the text details commands used in 2D drafting and 3D modeling and how to create theatrical drafting plates using AutoCAD that meet those drafting standards. It also provides guidance on how to transition from 2D drafting to 3D modeling, how to use 3D models to create camera views and animations and how to use 3D models for production and engineering purposes. Intended as a resource for the beginning and intermediate AutoCAD user, AutoCAD for Theatrical Drafting provides easy-to-follow instructions that readers can refer to while using the AutoCAD software.

Autobiographical Lectures of Leaders in Art Education, 2001–2021: A Selection of Self-Reflections and Living Histories

by Stephanie Autumn Baer Katherine Coy Smith Stephanie Harvey Danker

This scholarly collection is a continuation of a lecture series highlighting the essential nature of biography in the history of art education. The editors feature 16 prominent art educators, organized into one of three chronological sections spanning the past two decades. The contributing art educators explore influences that shaped their beliefs about art education and the arts, describe their career paths, explain their philosophy of art education and its development, and advise, predict, or speculate about the future. Every chapter concludes with essential questions and instructional resources to guide readers in their reflection. In reading these lectures, art education faculty, students, and any adjacent professional to the arts and art history can learn the importance of biographical and autobiographical study to research. Beyond research, readers can use the lectures to consider and question teaching and mentoring relationships, the power of influence, and what qualities may contribute to the recognition of exemplary success for art educators.

Autobiography of Benvenuto Cellini

by Benvenuto Cellini

Benvenuto Cellini was a celebrated Renaissance sculptor and goldsmith; a passionate craftsman who was admired and resented by the most powerful political and artistic personalities in sixteenth-century Florence, Rome and Paris. He was also a murderer and a braggart, a shameless adventurer who at different times experienced both papal persecution and imprisonment, and the adulation of the royal court. Inn-keepers and prostitutes, kings and cardinals, artists and soldiers rub shoulders in the pages of his notorious autobiography: a vivid portrait of the manners and morals of both the rulers of the day and of their subjects. Written with supreme powers of invective and an irrepressible sense of humour, this is an unrivalled glimpse into the palaces and prisons of the Italy of Michelangelo and the Medici.

Autocad And Its Applications Basics 2015

by David Madsen Terence Shumaker

AutoCAD and Its Applications: Basics 2015 provides instruction for mastering AutoCAD commands and drawing and dimensioning techniques. The text provides complete coverage of 2D AutoCAD drafting and design. Topics are presented in an easy-to-understand sequence, building upon prior chapter knowledge. ASME standards are referenced throughout the text and examples and illustrations focus on industry practices.

Autocad and Its Applications 2012: Comprehensive

by David A. Madsen David P. Madsen Terence M. Shumaker Craig P. Black Adam M. Ferris Jeffrey A. Laurich J. C. Malitzke

The Comprehensive edition of AutoCAD and Its Applications combines the complete contents of the Basics and Advanced editions to provide flexibility in course design and teaching approaches. This package provides a complete program for teaching introductory and second-tier AutoCAD courses.

Autoclaved Aerated Concrete - Properties, Testing and Design

by S. Aroni

This is a comprehensive guide to autoclaved aerated concrete (AAC) for designers, specifiers, users and manufacturers. It provides a model code of practice for the structural use of AAC and provides designers with a complete guide to the structural use of AAC in structural applications in building.

Autodesk 3ds Max 2012 Essentials

by Dariush Derakhshani Randi L. Derakhshani

Get a jump-start on Autodesk 3ds Max 2012 essentials--with the Essentials! The new Essentials books from Sybex are beautiful, task-based, full-color Autodesk Official Training Guides that help you get up to speed on Autodesk topics quickly and easily. Autodesk 3ds Max 2012 Essentials thoroughly covers the fundamentals of this popular 3D animation effects, and visualization software, teaching you what you need to become quickly productive. By following the book's clear explanations, practical tutorials, and step-by-step exercises, you'll cover all the bases. Topics include modeling, animation, rendering, rigging, compositing, and much more. Whether you're an aspiring 3D designer or a professional brushing up on the basics, here is the essential grounding you need in 3ds Max 2012. Covers Autodesk 3ds Max 2012 fundamentals, so you become quickly productive with the software Uses straightforward explanations and real-world, hands-on exercises and tutorials to teach the software's core features and functions Helps you develop the skills you'll need throughout an animation production pipeline, whether you're a beginner or a more experienced user brushing up on the basics Uses a task-based approach and covers topics such as polygon modeling, materials and mapping, lighting, using mental ray, HDRI images, and more This book is an Autodesk Official Training Guide If you want to get quickly up to speed on 3ds Max, Autodesk 3ds Max 2012 Essentials is the place to start.

Autodesk 3ds Max 2014 Essentials: Autodesk Official Press

by Dariush Derakhshani Randi L. Derakhshani

Great guide to the fundamentals of Autodesk 3ds Max 2014 This Autodesk Official Press guide is just what you need to learn the basics of Autodesk 3ds Max 2014 quickly and easily. Through a series of cool projects like designing an alarm clock, animating a thrown knife, or lighting a scene, you'll learn the essentials of modeling, rigging, animating, and rendering using the popular Autodesk 3ds Max 3D animation and effects software. It's a practical, hands-on approach allowing you to constantly reinforcing skills as you learn them. Downloadable before-and-after project files let you to compare your work to that of 3ds Max professionals. Even if you already have experience with 3ds Max, this book is a great reference for renewing your skills. And, it will help all users review and prepare for the Autodesk 3ds Max 2014 certification exams. Helps beginners and those migrating from other 3D animation and effects programs get up and running on Autodesk 3ds Max 2014 Features a realistic, task-based approach, so readers learn via a series of hands-on projects using downloadable files, all backed with ample instruction, explanation, and illustration Covers modeling, rigging, animating, rendering, skinning, architectural visualization, and more Written by Autodesk Authorized Authors and is an Autodesk Official Press book Get firsthand experience with 3ds Max, as well as a good start on preparing for the Autodesk 3ds Max 2014 Certified Professional exam, with Autodesk 3ds Max 2014 Essentials.

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