- Table View
- List View
British Aircraft Carriers: Design, Development & Service Histories
by David Hobbs&“This superb book . . . will undoubtedly become the definitive volume on British Aircraft carriers and naval aviation . . . magnificent.&”—Marine News This book is a meticulously detailed history of British aircraft-carrying ships from the earliest experimental vessels to the Queen Elizabeth class, currently under construction and the largest ships ever built for the Royal Navy. Individual chapters cover the design and construction of each class, with full technical details, and there are extensive summaries of every ship&’s career. Apart from the obvious large-deck carriers, the book also includes seaplane carriers, escort carriers and MAC ships, the maintenance ships built on carrier hulls, unbuilt projects, and the modern LPH. It concludes with a look at the future of naval aviation, while numerous appendices summarize related subjects like naval aircraft, recognition markings and the circumstances surrounding the loss of every British carrier. As befits such an important reference work, it is heavily illustrated with a magnificent gallery of photos and plans, including the first publication of original plans in full color, one on a magnificent gatefold. Written by the leading historian of British carrier aviation, himself a retired Fleet Air Arm pilot, it displays the authority of a lifetime&’s research combined with a practical understanding of the issues surrounding the design and operation of aircraft carriers. As such British Aircraft Carriers is certain to become the standard work on the subject. &“An outstanding highly informative reference work. It is a masterpiece which should be on every naval person&’s bookshelf. It is a pleasure to read and a pleasure to own.&”—Australian Naval Institute
British Aircraft of World War II
by John Frayn TurnerThis unique book, now republished, was the first of its kind to be published on British aircraft of the Second World War. Aviation enthusiasts and aero-modellers can see British aircraft as they really were, through magnificently reproduced colour photographs. Each of the forty-nine types of aircraft is accompanied by a brief 'biography' together with tables of the most important marks and their specifications, engine, span, length, height, weight, crew number, maximum speed, service ceiling, normal range and armament. There is also a section on British aircraft in action, which includes accounts of outstanding exploits by the pilots of different types. John Frayn Turner, the well-known aviation author, has chosen the pictures and provided the text.
British and American Musical Theatre Exchanges in the West End: The “Americanization” of Drury Lane (Palgrave Studies in British Musical Theatre)
by Arianne Johnson QuinnThis monograph centres on the history of musical theatre in a space of cultural significance for British identity, namely the Theatre Royal, Drury Lane, which housed many prominent American productions from 1924-1970. It argues that during this period Drury Lane was the site of cultural exchanges between Britain and the United States that were a direct result of global engagement in two world wars and the evolution of both countries as imperial powers. The critical and public response to works of musical theatre during this period, particularly the American musical, demonstrates the shifting response by the public to global conflict, the rise of an American Empire in the eyes of the British government, and the ongoing cultural debates about the role of Americans in British public life. By considering the status of Drury Lane as a key site of cultural and political exchanges between the United States and Britain, this study allows us to gain a more complete portrait of the musical’s cultural significance in Britain.
British Architectural Theory 1540-1750: An Anthology of Texts
by Caroline Van Eck Christy AndersonThis title was published in 2003.Although it is often assumed that British writing on architectural theory really started in the 18th century, there is in fact a large corpus of writing on architecture pre-dating the introduction of Palladianism by Lord Burlington. Some of it, such as the English editions of Serlio and Palladio, belongs to the Vitruvian tradition. But many texts elude such easy classification, such as the prolonged (but hardly studied) discussions on church architecture, which are both in form and content very different from the way that theme was handled in Italian Renaissance treatises. This collection of English writing on architecture from 1540 to 1750 offers a large selection of fragments, some of them never published before. They discuss the nature of architecture, the practicalities of building, the sense of the past, religious architecture and classicism.
British Architecture 1760–1914: Volume I: 1760-1830
by Geoffrey TyackThis volume of primary sources examine British architectural history from 1760 to 1830. It contains a mixture of architectural treatises, biographical material on architects, works on different types of building, and contemporary descriptions of individual buildings and will be of great interest to students of Art History and Architecture.
British Architecture 1760–1914: Volume II: 1830-1914
by Geoffrey TyackThis volume of primary sources examine British architectural history from 1830-1914. The collection contains a mixture of architectural treatises, biographical material on architects, works on different types of building, and contemporary descriptions of individual buildings. This title will be of great interest to students of Art History and Architecture.
British Army, 2008–2009: A Pocket Guide (Military Reference Ser.)
by Charles HeymanThe British Army Pocket Guide 2008–2009 is a comprehensive guide to the organization, equipment and tactics of today's British Army. This latest edition incorporates details of all army reorganization and regimental amalgamations plus details of major systems and equipment introduced.
British Army Cap Badges of the Second World War
by Peter DoyleFor the British army, the cap badge is the most easily identifiable of insignia. It represents a distillation of the pride of the regiment, its various battle honours and symbols born proudly on the metallic emblem that was worn on all head-dress, even in the age of mechanised warfare. Identification of the cap badge on faded photographs is a first, important step in unravelling the military service of an individual; and for the soldiers of the Second World War, clad in dowdy and undistinguished battledress, its significance is enhanced still further. Cap badges have been collected avidly since they were first thought of in the nineteenth century. Cap badge collecting is as popular now as it has ever been; yet with a growing number of fakes and forgeries, there is a need for a book that illustrates clearly the main types, and allows the collector and family historian alike to understand their meaning. This book will illustrate, for the first time in high quality full colour, images of the main types of badges used by the British Army in the Second World War. With many amalgamations, war-raised units and special-forces, the insignia of the British soldier has a surprising range that differs materially from that worn by the soldier of the generation before. As with 'British Army Cap Badges of the First World War', this volume will contain contemporary illustrations of the soldiers themselves wearing the badges, a feature that has been widely applauded. Employing the skills of an established writer (and collector) and artist, it will provide a unique reference guide for all people interested in the British Army of the period.
British Army Uniform and the First World War: Men in Khaki
by J. TynanJane Tynan offers new perspectives on the cultural history of the First World War by examining the clothing worn by British combatants on the western front. Khaki emerges as a significant part of war experience, which embodied gender, social class and ethnicity, impacted the tailoring trade and became a touchstone for pacifist resistance.
British Army Uniforms from 1751 to 1783: Including the Seven Years' War and the American War of Independence
by Carl Franklin&“Of great use to anyone interested in the 18th century British Army as well as illustrators and others who need detailed information.&”—Classic Arms and Militaria Based on records and paintings of the time, this book identifies each cavalry and infantry regiment and illustrates changes in uniforms, their facing colors, and the nature and shape of lace worn by officers, NCOs and private soldiers from 1751 to 1783. Regiments that served in the American War of Independence are noted and the book includes more than 200 full-color plates of uniforms and distinctions. Divided into four sections, it not only details the cavalry and infantry uniforms of the period but also the tartans of the Highland regiments, some of which were short-lived, and the distinction of the Guards regiments. &“A superb reference work, full of clearly researched details…it will be of value to family and military historians, re-enactors, figure painters, and wargamers.&”—FGS Forum
British Art and the Environment: Changes, Challenges, and Responses Since the Industrial Revolution (British Art: Histories and Interpretations since 1700)
by Charlotte Gould; Sophie MesplèdeThis book explores the nature of Britain-based artists’ engagement with the transformations of their environment since the early days of the Industrial Revolution. At a time of pressing ecological concerns, the international group of contributors provide a series of case studies that reconsider the nature–culture divide and aim at identifying the contours of a national narrative that stretches from enclosed lands to rising seas. By adopting a longer historical view, this book hopes to enrich current debates concerning art’s engagement with recording and questioning the impact of human activity on the environment. The book will be of interest to scholars working in art history, contemporary art, environmental humanities, and British studies.
British Art for Australia, 1860-1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries (British Art: Histories and Interpretations since 1700)
by Matthew C. PotterTraditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.
British Artists and the Modernist Landscape (British Art And Visual Culture Since 1750: New Readings Ser.)
by Ysanne HoltTitle first published in 2003. In this detailed study of the landscapes and rural scenes of Britain and France made by artists like George Clausen, Philip Wilson Steer, Augustus John, Laura Knight, J. D. Fergusson and Spencer Gore, Ysanne Holt investigates the imaginary geographies behind the pictures and reconsiders the relationship between national identity, 'Englishness' and the native landscape. Combining close investigation of important works with a broader enquiry into the appeal of the Mediterranean for an age preoccupied with cultural degeneracy and bodily health, Ysanne Holt draws fascinating conclusions about the impact of modernism on the British tradition of landscape painting.
British Avant-Garde Theatre
by Claire WardenThis book explores an under-researched body of work from the early decades of the twentieth century, connecting plays, performances and practitioners together in dynamic dialogues. Moving across national, generational and social borders, the book reads experiments in Britain during this period alongside theatrical innovations overseas.
British Battlecruisers of the Second World War
by Steve BackerThe 'ShipCraft' series provides in-depth information about building and modifying model kits of famous warship types. Lavishly illustrated, each book takes the modeller through a brief history of the subject class, highlighting differences between sisterships and changes in their appearance over their careers. This includes paint schemes and camouflage, featuring colour profiles and highly-detailed line drawings and scale plans. The modelling section reviews the strengths and weaknesses of available kits, lists commercial accessory sets for super-detailing of the ships, and provides hints on modifying and improving the basic kit. This is followed by an extensive photographic survey of selected high-quality models in a variety of scales, and the book concludes with a section on research references—books, monographs, large-scale plans and relevant websites. The latest in this series covers the three ships of this First World War type, Hood, Repulse and Renown, which survived to fight in the Second. Still the fastest capital ships in the world in 1939, their protection was not up to contemporary standards and two were famously lost in action. Hood in an old-fashioned gunnery duel, but Repulse succumbed to the more modern threat of aerial attack. The one modernised ship, Renown, survived an adventurous wartime career.
British Battleships 1919-1945: WWII Evolution of the Big Guns
by R.A. BurtThe classic reference on the Royal Navy&’s battleships and battlecruisers, now expanded with dozens of additional photos. Offering an unprecedented range of descriptive and illustrative detail, this naval history reference describes the evolution of the British battleship classes through all their modifications and refits. As well as dealing with design features, armor, machinery and power plants and weaponry, the author examines the performance of the ships in battle and analyzes their successes and failures. In addition to covering all the Royal Navy&’s battleships and battlecruisers, he also looks in detail at the aircraft carrier conversions of the WWI battlecruisers Furious, Glorious and Courageous. British Battleships 1919-1945 is a masterpiece of research, and the comprehensive text is accompanied by tabular detail and the finest collection of photographs and line drawings ever offered in such a book. For this new edition, the author has added some 75 new photographs, many of them never before published. A delight for the historian, enthusiast, and ship modeler, it is a volume that is already regarded as an essential reference work for this most significant era in naval history and ship design.
The British Boxing Film
by Stephen GlynnThis book constitutes the first full volume dedicated to an academic analysis of the sport of boxing as depicted in British film. Through close textual analysis, production and reception histories and readings that establish social, cultural and political contexts, the book explores the ways in which prizefighters, amateur boxers, managers and supporters (from Regency gentry to East End gangsters) are represented on the British screen. Exploring a complex and controversial sport, it addresses not only the pain-versus-reward dilemma that boxing necessarily engenders, but also the frequently censorious attitude of those in authority, with boxing’s social development facilitating a wider study around issues of class, gender and race, latterly contesting the whole notion of ‘Britishness’. Varying in scope from Northern circuit comedies to London-based ‘ladsploitation’ films, from auteur entries by Alfred Hitchcock to programme fillers by E.J. Fancey, the boxing film also serves as a prism through which one can trace major historical shifts in the British film industry.
The British Building Industry since 1800: An economic history
by Christopher PowellThis scholarly and well-researched study of the building industry documents the interplay of new materials and technologies, costs and the changing social and economic forces that affected the decision-making about our built environment over the last two centuries. The author provides a succinct and readable survey of the growth and development of British building which will be of interest to all building specialists and those training for a career in the construction industry.
British Campaign Medals 1815-1914
by Peter DuckersAt a time of imperial expansion, British forces were almost constantly in action against major powers, in wars of conquest, or in expeditions on the fringes of Empire, such as the North West Frontier, southern Africa or Burma. This book outlines the medals issued to British soldiers and sailors for military service.
British Campaign Medals 1914-2005
by Peter DuckersSurveys the medals awarded to British personnel for military services from the First World War to operations of British forces in the opening years of the twenty-first century. The campaign medals awarded for the military actions have become a popular field for collectors, since the majority of British awards were officially named.
British Campaign Medals of the First World War
by Peter DuckersBritain has issued medals rewarding war service since at least the early nineteenth century, and increasingly through the period of its imperial expansion prior to 1914, but examples of many of the early types are now scarce. However, few families escaped some involvement with "the Great War" of 1914-18, and many still treasure the medals awarded to their ancestors for wartime service. Today, with a growing interest in British military history and particularly in family history and genealogy, more and more people want to trace their ancestors' past. This book looks in detail at the origin, types and varieties of the British medals awarded for general war service between 1914 and '18, and gives advice on researching the awards and their recipients.From the Trade Paperback edition.
The British Cavalry Sword From 1600
by Charles MartynA simplistic and informative guide to British Cavalry Swords that does not claim to be an academic treatise. The essential features are demonstrated by photographs and descriptions of swords from the author's own collection, supported by sketches of sword hilts that have not been generally publicised.
The British Cinema Boom, 1909–1914: A Commercial History
by Jon BurrowsThis book examines why thousands of cinemas opened in Britain in the space of a few years before the start of the First World War. It explains how they were the product of an investment boom which observers characterised as economically irrational and irresponsible. Burrows profiles the main groups of people who started cinema companies during this period, and those who bought shares in them, and considers whether the early cinema business might be seen as a bubble that burst. The book examines the impact of the Cinematograph Act 1909 upon the boom, and explains why British film production seemed to decline in inverse proportion to the mass expansion of the market for moving image entertainment. This account also takes a new look at the development of film distribution, the emergence of the feature film and the creation of the British Board of Film Censors. Making systematic and pioneering use of surviving business and local government records, this book will appeal to anyone interested in silent cinema, the history of film exhibition and the economics of popular culture.
British Cinema in Documents
by Sarah StreetBritish Cinema in Documents presents an introduction to the key concerns and debates in British cinema through documents, ranging from official papers to fan magazines. Sarah Street shows how such documentary material can enrich our understanding of cinema's place in national culture and shed new light on defining moments in British cinema history.Street draws together a wide range of material, discussing oral histories, film posters and stills and star memorabilia alongside audience surveys, censorship reports, fan magazines and web sites, providing a context for each extract she discusses. She uses a series of case studies, including film censorship during the Second World War, the fan cultures surrounding stars from Margaret Lockwood to Ewan McGregor, and surveys of the British cinema audience to illustrate how archival research can provide a new understanding of the relationship between a film and other kinds of texts, and between films, their audiences, and the state.
British Cinema in the Fifties: Gender, Genre and the 'New Look' (Communication And Society Ser.)
by Christine GeraghtyIn the fifties British cinema won large audiences with popular war films and comedies, creating stars such as Dirk Bogarde and Kay Kendall, and introducing the stereotypes of war hero, boffin and comic bureaucrat which still help to define images of British national identity. In British Cinema in the Fifties, Christine Geraghty examines some of the most popular films of this period, exploring the ways in which they approached contemporary social issues such as national identity, the end of empire, new gender roles and the care of children.Through a series of case studies on films as diverse as It Always Rains on Sunday and Genevieve, Simba and The Wrong Arm of the Law, Geraghty explores some of the key debates about British cinema and film theory, contesting current emphases on contradiction, subversion and excess and exploring the curious mix of rebellion and conformity which marked British cinema in the post-war era.