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British Art and the Environment: Changes, Challenges, and Responses Since the Industrial Revolution (British Art: Histories and Interpretations since 1700)
by Charlotte Gould; Sophie MesplèdeThis book explores the nature of Britain-based artists’ engagement with the transformations of their environment since the early days of the Industrial Revolution. At a time of pressing ecological concerns, the international group of contributors provide a series of case studies that reconsider the nature–culture divide and aim at identifying the contours of a national narrative that stretches from enclosed lands to rising seas. By adopting a longer historical view, this book hopes to enrich current debates concerning art’s engagement with recording and questioning the impact of human activity on the environment. The book will be of interest to scholars working in art history, contemporary art, environmental humanities, and British studies.
British Art for Australia, 1860-1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries (British Art: Histories and Interpretations since 1700)
by Matthew C. PotterTraditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.
British Artists and the Modernist Landscape (British Art And Visual Culture Since 1750: New Readings Ser.)
by Ysanne HoltTitle first published in 2003. In this detailed study of the landscapes and rural scenes of Britain and France made by artists like George Clausen, Philip Wilson Steer, Augustus John, Laura Knight, J. D. Fergusson and Spencer Gore, Ysanne Holt investigates the imaginary geographies behind the pictures and reconsiders the relationship between national identity, 'Englishness' and the native landscape. Combining close investigation of important works with a broader enquiry into the appeal of the Mediterranean for an age preoccupied with cultural degeneracy and bodily health, Ysanne Holt draws fascinating conclusions about the impact of modernism on the British tradition of landscape painting.
British Avant-Garde Theatre
by Claire WardenThis book explores an under-researched body of work from the early decades of the twentieth century, connecting plays, performances and practitioners together in dynamic dialogues. Moving across national, generational and social borders, the book reads experiments in Britain during this period alongside theatrical innovations overseas.
British Battlecruisers of the Second World War
by Steve BackerThe 'ShipCraft' series provides in-depth information about building and modifying model kits of famous warship types. Lavishly illustrated, each book takes the modeller through a brief history of the subject class, highlighting differences between sisterships and changes in their appearance over their careers. This includes paint schemes and camouflage, featuring colour profiles and highly-detailed line drawings and scale plans. The modelling section reviews the strengths and weaknesses of available kits, lists commercial accessory sets for super-detailing of the ships, and provides hints on modifying and improving the basic kit. This is followed by an extensive photographic survey of selected high-quality models in a variety of scales, and the book concludes with a section on research references—books, monographs, large-scale plans and relevant websites. The latest in this series covers the three ships of this First World War type, Hood, Repulse and Renown, which survived to fight in the Second. Still the fastest capital ships in the world in 1939, their protection was not up to contemporary standards and two were famously lost in action. Hood in an old-fashioned gunnery duel, but Repulse succumbed to the more modern threat of aerial attack. The one modernised ship, Renown, survived an adventurous wartime career.
British Battleships 1919-1945: WWII Evolution of the Big Guns
by R.A. BurtThe classic reference on the Royal Navy&’s battleships and battlecruisers, now expanded with dozens of additional photos. Offering an unprecedented range of descriptive and illustrative detail, this naval history reference describes the evolution of the British battleship classes through all their modifications and refits. As well as dealing with design features, armor, machinery and power plants and weaponry, the author examines the performance of the ships in battle and analyzes their successes and failures. In addition to covering all the Royal Navy&’s battleships and battlecruisers, he also looks in detail at the aircraft carrier conversions of the WWI battlecruisers Furious, Glorious and Courageous. British Battleships 1919-1945 is a masterpiece of research, and the comprehensive text is accompanied by tabular detail and the finest collection of photographs and line drawings ever offered in such a book. For this new edition, the author has added some 75 new photographs, many of them never before published. A delight for the historian, enthusiast, and ship modeler, it is a volume that is already regarded as an essential reference work for this most significant era in naval history and ship design.
The British Boxing Film
by Stephen GlynnThis book constitutes the first full volume dedicated to an academic analysis of the sport of boxing as depicted in British film. Through close textual analysis, production and reception histories and readings that establish social, cultural and political contexts, the book explores the ways in which prizefighters, amateur boxers, managers and supporters (from Regency gentry to East End gangsters) are represented on the British screen. Exploring a complex and controversial sport, it addresses not only the pain-versus-reward dilemma that boxing necessarily engenders, but also the frequently censorious attitude of those in authority, with boxing’s social development facilitating a wider study around issues of class, gender and race, latterly contesting the whole notion of ‘Britishness’. Varying in scope from Northern circuit comedies to London-based ‘ladsploitation’ films, from auteur entries by Alfred Hitchcock to programme fillers by E.J. Fancey, the boxing film also serves as a prism through which one can trace major historical shifts in the British film industry.
The British Building Industry since 1800: An economic history
by Christopher PowellThis scholarly and well-researched study of the building industry documents the interplay of new materials and technologies, costs and the changing social and economic forces that affected the decision-making about our built environment over the last two centuries. The author provides a succinct and readable survey of the growth and development of British building which will be of interest to all building specialists and those training for a career in the construction industry.
British Campaign Medals 1815-1914
by Peter DuckersAt a time of imperial expansion, British forces were almost constantly in action against major powers, in wars of conquest, or in expeditions on the fringes of Empire, such as the North West Frontier, southern Africa or Burma. This book outlines the medals issued to British soldiers and sailors for military service.
British Campaign Medals 1914-2005
by Peter DuckersSurveys the medals awarded to British personnel for military services from the First World War to operations of British forces in the opening years of the twenty-first century. The campaign medals awarded for the military actions have become a popular field for collectors, since the majority of British awards were officially named.
British Campaign Medals of the First World War
by Peter DuckersBritain has issued medals rewarding war service since at least the early nineteenth century, and increasingly through the period of its imperial expansion prior to 1914, but examples of many of the early types are now scarce. However, few families escaped some involvement with "the Great War" of 1914-18, and many still treasure the medals awarded to their ancestors for wartime service. Today, with a growing interest in British military history and particularly in family history and genealogy, more and more people want to trace their ancestors' past. This book looks in detail at the origin, types and varieties of the British medals awarded for general war service between 1914 and '18, and gives advice on researching the awards and their recipients.From the Trade Paperback edition.
The British Cavalry Sword From 1600
by Charles MartynA simplistic and informative guide to British Cavalry Swords that does not claim to be an academic treatise. The essential features are demonstrated by photographs and descriptions of swords from the author's own collection, supported by sketches of sword hilts that have not been generally publicised.
The British Cinema Boom, 1909–1914: A Commercial History
by Jon BurrowsThis book examines why thousands of cinemas opened in Britain in the space of a few years before the start of the First World War. It explains how they were the product of an investment boom which observers characterised as economically irrational and irresponsible. Burrows profiles the main groups of people who started cinema companies during this period, and those who bought shares in them, and considers whether the early cinema business might be seen as a bubble that burst. The book examines the impact of the Cinematograph Act 1909 upon the boom, and explains why British film production seemed to decline in inverse proportion to the mass expansion of the market for moving image entertainment. This account also takes a new look at the development of film distribution, the emergence of the feature film and the creation of the British Board of Film Censors. Making systematic and pioneering use of surviving business and local government records, this book will appeal to anyone interested in silent cinema, the history of film exhibition and the economics of popular culture.
British Cinema in Documents
by Sarah StreetBritish Cinema in Documents presents an introduction to the key concerns and debates in British cinema through documents, ranging from official papers to fan magazines. Sarah Street shows how such documentary material can enrich our understanding of cinema's place in national culture and shed new light on defining moments in British cinema history.Street draws together a wide range of material, discussing oral histories, film posters and stills and star memorabilia alongside audience surveys, censorship reports, fan magazines and web sites, providing a context for each extract she discusses. She uses a series of case studies, including film censorship during the Second World War, the fan cultures surrounding stars from Margaret Lockwood to Ewan McGregor, and surveys of the British cinema audience to illustrate how archival research can provide a new understanding of the relationship between a film and other kinds of texts, and between films, their audiences, and the state.
British Cinema in the Fifties: Gender, Genre and the 'New Look' (Communication And Society Ser.)
by Christine GeraghtyIn the fifties British cinema won large audiences with popular war films and comedies, creating stars such as Dirk Bogarde and Kay Kendall, and introducing the stereotypes of war hero, boffin and comic bureaucrat which still help to define images of British national identity. In British Cinema in the Fifties, Christine Geraghty examines some of the most popular films of this period, exploring the ways in which they approached contemporary social issues such as national identity, the end of empire, new gender roles and the care of children.Through a series of case studies on films as diverse as It Always Rains on Sunday and Genevieve, Simba and The Wrong Arm of the Law, Geraghty explores some of the key debates about British cinema and film theory, contesting current emphases on contradiction, subversion and excess and exploring the curious mix of rebellion and conformity which marked British cinema in the post-war era.
British Cinema, Past and Present
by Justine Ashby Andrew HigsonBritish Cinema: Past and Present responds to the commercial and critical success of British film in the 1990s. Providing a historical perspective to the contemporary resurgence of British cinema, this unique anthology brings together leading international scholars to investigate the rich diversity of British film production, from the early sound period of the 1930s to the present day.The contributors address:* British Cinema Studies and the concept of national cinema* the distribution and reception of British films in the US and Europe* key genres, movements and cycles of British cinema in the 1940s, 50s and 60s* questions of authorship and agency, with case studies of individual studios, stars, producers and directors* trends in British cinema, from propaganda films of the Second World War to the New Wave and the 'Swinging London' films of the Sixties* the representation of marginalised communities in films such as Trainspotting and The Full Monty* the evolution of social realism from Saturday Night, Sunday Morning to Nil By Mouth* changing approaches to Northern Ireland and the Troubles in films like The Long Good Friday and Alan Clarke's Elephant* contemporary 'art' and 'quality' cinema, from heritage drama to the work of Peter Greenaway, Derek Jarman, Terence Davies and Patrick Keiller.
British Comedy Cinema (British Popular Cinema)
by Laraine Porter I. Q. HunterBritish comedy cinema has been a mainstay of domestic production since the beginning of the last Century and arguably the most popular and important genre in British film history. This edited volume will offer the first comprehensive account of the rich and popular history of British comedy cinema from silent slapstick and satire to contemporary romantic comedy. Using a loosely chronological approach, essays cover successive decades of the 20th and 21st Century with a combination of case studies on key personalities, production cycles and studio output along with fresh approaches to issues of class and gender representation. It will present new research on familiar comedy cycles such as the Ealing Comedies and Carry On films as well as the largely undocumented silent period along with the rise of television spin offs from the 1970s and the development of animated comedy from 1915 to the present. Films covered include: St Trinians, A Fish Called Wanda, Brassed Off, Local Hero, The Full Monty, Four Lions and In the Loop. Contributors: Melanie Bell, Alan Burton, James Chapman, Richard Dacre, Ian Hunter, James Leggott, Sharon Lockyer, Andy Medhurst, Lawrence Napper, Tim O’Sullivan, Laraine Porter, Justin Smith, Sarah Street, Peter Waymark, Paul Wells
British Costume from Earliest Times to 1820
by Charles AshdownHard-to-find classic drew on primary sources — actual costumes, illuminated manuscripts, effigies, etc. — to provide authentic detailed coverage of what people wore in Britain from the early Saxon period (ca. A.D. 460) to the reign of King George III (1820). Clothing of commoners, royalty, and ecclesiastics. Indispensable for fashion historians.
British Crime Cinema (British Popular Cinema)
by Robert Murphy Steve ChibnallThis is the first substantial study of British cinema's most neglected genre. Bringing together original work from some of the leading writers on British popular film, this book includes interviews with key directors Mike Hodges (Get Carter) and Donald Cammel (Performance). It discusses an abundance of films including:* acclaimed recent crime films such as Shallow Grave, Shopping, and Face.* early classics like They Made Me A Fugitive* acknowledged classics such as Brighton Rock and The Long Good Friday* 50s seminal works including The Lavender Hill Mob and The Ladykillers.
British Cruisers: Two World Wars and After
by Norman Friedman&“An extraordinarily detailed account of the development of Royal Navy cruisers . . . a towering work&” from the author of Fighting the Great War at Sea (Warship 2012). For most of the twentieth century, Britain possessed both the world&’s largest merchant fleet and its most extensive overseas territories. It is not surprising, therefore, that the Royal Navy always showed a particular interest in the cruiser—a multipurpose warship needed in large numbers to defend trade routes and police the empire. Above all other types, the cruiser&’s competing demands of quality and quantity placed a heavy burden on designers, and for most of the interwar period, Britain sought to square this circle through international treaties restricting both size and numbers. In the process, she virtually invented the heavy cruiser and inspired the large 6in-armed cruiser, neither of which, ironically, served her best interests. This book seeks to comprehend, for the first time, the full policy background—from which a different and entirely original picture of British cruiser development emerges. After the war, the cruiser&’s role was reconsidered, and the final chapters of the book cover modernizations, the plans for missile-armed ships, and the convoluted process that turned the &“through-deck cruiser&” into the Invincible class light carriers. With detailed appendices of ship data, and illustrated in depth with photos and A.D. Baker&’s specially commissioned plans, British Cruisers truly matches the lofty standards set by Friedman&’s previous books on British destroyers. &“Wow! . . . Lavishly illustrated with a photograph or line plan on almost every page. The text is packed with technical information, detail, and description of design, construction and application of these important ships.&” —Clash of Steel
British Cultural Studies (Media And Popular Culture Ser. #Vol. 7)
by Graeme Turneris a comprehensive introduction to the British tradition of cultural studies. Turner offers an accessible overview of the central themes that have informed British cultural studies: language, semiotics, Marxism and ideology, individualism, subjectivity and discourse. Beginning with a history of cultural studies, Turner discusses the work of such pioneers as Raymond Williams, Richard Hoggart, E. P.Thompson, Stuart Hall and the Birmingham Centre for Contemporary Cultural Studies. He then explores the central theorists and categories of British cultural studies: texts and contexts; audience; everyday life; ideology; politics, gender and race.The third edition of this successful text has been fully revised and updated to include:* How to apply the principles of cultural studies and how to read a text* An overview of recent ethnographic studies* Discussion of anthropological theories of consumption* Questions of identity and new ethnicities* How to do cultural studies, and an evaluation of recent research methodologies* A fully updated and comprehensive bibliography
British Dance: Black Routes
by Christy Adair Ramsay BurtBritish Dance, Black Routes is an outstanding collection of writings which re-reads the achievements of Black British dance artists, and places them within a broad historical, cultural and artistic context. Until now discussion of choreography by Black dance practitioners has been dominated by the work of African-American artists, facilitated by the civil rights movement. But the work produced by Black British artists has in part been within the context of Britain’s colonial legacy. Ramsay Burt and Christy Adair bring together an array of leading scholars and practitioners to review the singularity and distinctiveness of the work of British-based dancers who are Black and its relation to the specificity of Black British experiences. From sub-Saharan West African and Caribbean dance forms to jazz and hip-hop, British Dance, Black Routes looks afresh at over five decades of artistic production to provide an unparalleled resource for dance students and scholars. Appendix 2 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
British Destroyers: J-c And Battle Classes (Shipcraft Ser. #21)
by Les Brown&“A terrific author . . . invaluable to the modeler wishing to reproduce these classes of destroyers, and also to those interested in naval history.&”—IPMS Magazine The ShipCraft series provides in-depth information about building and modifying model kits of famous warship types. Lavishly illustrated, each book takes the modeler through a brief history of the subject class, highlighting differences between sisterships and changes in their appearance over their careers. This includes paint schemes and camouflage, featuring color profiles and highly detailed line drawings and scale plans. The modeling section reviews the strengths and weaknesses of available kits, lists commercial accessory sets for super-detailing of the ships, and provides hints on modifying and improving the basic kit. This is followed by an extensive photographic survey of selected high-quality models in a variety of scales, and the book concludes with a section on research references—books, monographs, large-scale plans and relevant websites. A follow-up to ShipCraft 11 on inter-war destroyers, this new volume deals with the later classes which were the most modern British destroyers of the Second World War. Marked by a common single-funneled silhouette, they were actually very varied, ranging from the large and powerful J to N flotillas, via the austere &“War Emergency&” classes that were built in large numbers, to the radically different &“Battle&” class, designed with a powerful AA armament for service in the Pacific. &“This book will be of interest to those who want an easy reference book that covers the British and Australian destroyers of this period, especially with regard to camouflage and overall appearance in service.&”—Australian Naval Institute
British Destroyers A-I and Tribal Classes: A-i And Tribal Classes (Shipcraft Ser. #Vol. 11)
by Les BrownThe 'ShipCraft' series provides in-depth information about building and modifying model kits of famous warship types. Lavishly illustrated, each book takes the modeller through a brief history of the subject class, then moves to an extensive photographic survey of either a high-quality model or a surviving example of the ship. Hints on building the model, and on modifying and improving the basic kit, are followed by a section on paint schemes and camouflage, featuring numerous colour profiles and highly-detailed line drawings. The strengths and weaknesses of available kits of the ships are reviewed, and the book concludes with a section on research references—books, monographs, large-scale plans and relevant websites.This new volume deals with the classes which represent the whole inter-war development of British destroyers, from the prototypes Amazon and Ambuscade of 1926—the first new post World War I design—to the powerful and radically different 'Tribal' class a decade later. These ships formed the backbone of Royal Navy destroyer flotillas in the Second World War.
British Dolls of the 1950s
by Susan BrewerPhotos, descriptions, and fascinating history for dedicated doll collectors. In the 1950s, a new material—plastic—revolutionized the doll trade and made dolls affordable for people of all classes. This book focuses specifically on British dolls of that decade, offering not only useful information for collectors but a glimpse into the history and culture that surrounded these cherished toys. Along with photos and descriptions, this unique guide covers: doll manufacturersmust-buy dollswhat to spot when buying dollshow to avoid buying fakesa where-to-buy directorydoll hospitalsspecialist museums