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British Railways in the 1970s and '80s
by Greg MorseFor British Rail, the 1970s was a time of contrasts, when bad jokes about sandwiches and pork pies often belied real achievements, like increasing computerisation and the arrival of the high-speed Inter-City 125s. But while television advertisements told of an 'Age of the Train', Monday morning misery continued for many, the commuter experience steadily worsening as rolling stock aged and grew ever more uncomfortable. Even when BR launched new electrification schemes and new suburban trains in the 1980s, focus still fell on the problems that beset the Advanced Passenger Train, whose ignominious end came under full media glare. In British Railways in the 1970s and '80s, Greg Morse guides us through a world of Traveller's Fare, concrete concourses and peak-capped porters, a difficult period that began with the aftershock of Beeching but ended with BR becoming the first nationalised passenger network in the world to make a profit.
British Realist Theatre: The New Wave in its Context 1956 - 1965
by Stephen LaceyThe British `New Wave' of dramatists, actors and directors in the late 1950s and 1960s created a defining moment in post-war theatre. British Realist Theatre is an accessible introduction to the New Wave, providing the historical and cultural background which is essential for a true understanding of this influential and dynamic era. Drawing upon contemporary sources as well as the plays themselves, Stephen Lacey considers the plays' influences, their impact and their critical receptions. The playwrights discussed include: * Edward Bond * John Osborne * Shelagh Delaney * Harold Pinter
British Regionalism and Devolution: The Challenges of State Reform and European Integration (Regions and Cities #Vol. 12)
by Jonathan Bradbury John MawsonThis contributors provide a range of perspectives on the increasingly central issues of state reform, European integration and British regionalism in the 1990s. Using case material, the contributors examine: the effects of state reform and European integration on British regionalism and the devolution debate; and the nature of recent central responses to the re-emergence of regional and devolution issues, with a particular focus on the recent policies of the Major governments and the policies of the Opposition parties.They also present some evidence which suggests that state reform and EC/EU developments have determined and accentuated important new trends in British regionalism, and underpin the plausibility of far-reaching regional and devolution reforms.
British Romanticism and the Reception of Italian Old Master Art, 1793-1840 (Studies in Art Historiography)
by Maureen McCueAs a result of Napoleon’s campaigns in Italy, Old Master art flooded into Britain and its acquisition became an index of national prestige. Maureen McCue argues that their responses to these works informed the writing of Romantic period authors, enabling them to forge often surprising connections between Italian art, the imagination and the period’s political, social and commercial realities. Dr McCue examines poetry, plays, novels, travel writing, exhibition catalogues, early guidebooks and private experiences recorded in letters and diaries by canonical and noncanonical authors, including Felicia Hemans, William Buchanan, Henry Sass, Pierce Egan, William Hazlitt, Percy Shelley, Lord Byron, Anna Jameson, Maria Graham Callcott and Samuel Rogers. Her exploration of the idea of connoisseurship shows the ways in which a knowledge of Italian art became a key marker of cultural standing that was no longer limited to artists and aristocrats, while her chapter on the literary production of post-Waterloo Britain traces the development of a critical vocabulary equally applicable to the visual arts and literature. In offering cultural, historical and literary readings of the responses to Italian art by early nineteenth-century writers, Dr McCue illuminates the important role they played in shaping the themes that are central to our understanding of Romanticism.
British Seashells: A Guide for Collectors and Beachcombers
by Paul ChambersUsing original Victorian prints, by collectable artist George Sowerby, marine biologist and author Paul Chambers has produced the first comprehensive guide to shells for over a century. The original prints are intricately detailed (much better than photographs which lack the exact detail of these drawings) and are a selling point in themselves but will be complemented by informative but accessible text, including families and to show what's edible, dangerous or belongs to mollusc families and in what part of the country they can be discovered. A delightful study by the leading expert and a must for anyone interested in learning more about shells - or who just enjoys beachcombing with the family.
British Silent Cinema and the Great War
by Michael Hammond Michael WilliamsThis book presents a unique insight into an extraordinary period of European history that had far-reaching significance for British cinema andfor the way history itselfis represented. The work collected in this volume draws from the best knowledge, enthusiasm and critical insight of leading scholars, archivists and historians specialising in British cinema. The editors are experts in the field of British silent cinema; in particular, its complex relationship to the Great War and its afterimage in popular culture. As the Great Warcontinues tofade from living memory, it is a significant task to look back at how the cinema industry responded to that conflict as it unfolded, and how it shaped the war's memory through the 1910s and 1920s. "
The British Sitcom Spinoff Film
by Stephen GlynnThis book constitutes the first full volume dedicated to an academic analysis of theatrically-released spinoff films derived from British radio and television sitcoms. Regularly maligned as the nadir of British film production and marginalised as a last resort for the financially-bereft industry during the 1970s, this study demonstrates that the sitcom spinoff film has instead been a persistent and important presence in British cinema from the 1940s to the present day, and includes (occasional) works with distinct artistic merit. Alongside an investigation of the economic imperative underpinning these productions, i.e. the exploitation of proven product with a ready-made audience, it is argued that, with a longevity stretching from Arthur Askey and his wartime Band Waggon (1940) to the crew of Kurupt FM and their recent People Just Do Nothing: Big in Japan (2021), the British sitcom spinoff can be interpreted as following a full generic ‘life cycle’. Starting with the ‘formative’ stage where works from Hi Gang! (1941) to I Only Arsked! (1958) establish the genre’s characteristics, the spinoff genre moves to its ‘classic’ stage where, secure for form and content, it enjoys considerable popular success with films like Till Death Us Do Part (1969), On the Buses (1971), The Likely Lads (1976) and Rising Damp (1980); the genre’s revival since the late-1990s reveals a more ‘parodic’ final stage, with films like The League of Gentlemen’s Apocalypse (2005) adopting a consciously self-reflective mode. It is also posited that the sitcom spinoff film is a viable source for social history, with the often-stereotypical re-presentations of characters and events an (often blatant) ideological metonym for the concerns of wider British society, notably in issues of class, race, gender and sexuality.
British Sloops and Frigates of the Second World War (ShipCraft #27)
by Les BrownThe ‘ShipCraft’ series provides in-depth information about building and modifying model kits of famous warship types. Lavishly illustrated, each book takes the modeler through a brief history of the subject, highlighting differences between ships and changes in their appearance over their careers. This includes paint schemes and camouflage, featuring color profiles and highly detailed line drawings and scale plans. The modeling section reviews the strengths and weaknesses of available kits, lists commercial accessory sets for super-detailing of the subjects, and provides hints on modifying and improving the basic kit. This is followed by an extensive photographic gallery of selected high-quality models in a variety of scales, and the book concludes with a section on research references – books, monographs, large-scale plans and relevant websites. This volume covers the majority of British wartime escort classes, from the inter-war ASW and minesweeping sloops that culminated in the superb Black Swan class, to the wartime designs that were originally known as ‘twin-screw corvettes’ but were eventually classed as frigates – the ‘River’ class, and their derivatives of the ‘Loch/Bay’ classes that were modified for prefabricated construction. Also included are the American-built destroyer escorts which became RN ‘Captains’ class frigates and the earlier ex-US Coast Guard cutters that were listed as sloops. With its unparalleled level of visual information – paint schemes, models, line drawings and photographs – this book is simply the best reference for any model-maker setting out to build any of these numerous escort types.
British Social Realism: From Documentary to Brit Grit (Short Cuts)
by Samantha LayBritish Social Realism details and explores the rich tradition of social realism in British cinema from its beginnings in the documentary movement of the 1930s to its more stylistically eclectic and generically hybrid contemporary forms. Samantha Lay examines the movements, moments and cycles of British social realist texts through a detailed consideration of practice, politics, form, style and content, using case studies of key texts including Listen to Britain, Saturday Night and Sunday Morning, Letter to Brezhnev, and Nil by Mouth. In discussing the work of many prominent realist filmmakers, the book considers the challenges for social realist film practice and production in Britain, now and in the future.
British Social Realism in the Arts since 1940
by David TuckerThis is the first book of its kind to look across disciplines at this vital aspect of British art, literature and culture. It brings the various intertwined histories of social realism into historical perspective, and argues that this sometimes marginalized genre is still an important reference point for creativity in Britain.
British Socialist and Workers Theatre: Red Stages
by Robert LeachThis book provides an overview of the inception, development and achievements of British socialist and workers theatre – a feat which has not been attempted before. It explores the connections between politics and culture (specifically theatre) and between political theory and cultural (theatrical) expression. The book is organized chronologically and uncovers much in labour and theatre history which is in danger of being lost. It can also be seen as a way into different moments in its subject’s story (e.g. post-Ibsen naturalism; agitprop theatre; ‘fringe’ theatre of the 1970s) and the relationship of such forms to specific political events and ideas at specific points in history.
British Stuff: 101 Objects That Make Britain Great
by Geoff Hall Kamila KasperowiczThis fascinating, full-colour, photographic compendium invites you to discover contemporary Britain through its everyday objects. Showcasing a wealth of iconic British design staples – from the Mini and the Anglepoise lamp to wellies and Worcestershire sauce – this must-have guide will help you to understand British culture from the inside out.
British Stuff: 101 Objects That Make Britain Great
by Geoff Hall Kamila KasperowiczThis fascinating, full-colour, photographic compendium invites you to discover contemporary Britain through its everyday objects. Showcasing a wealth of iconic British design staples – from the Mini and the Anglepoise lamp to wellies and Worcestershire sauce – this must-have guide will help you to understand British culture from the inside out.
British Tanks: 1945 To The Present Day (Images of War)
by Pat WareIn this companion volume to British Tanks: The Second World War, Pat Ware provides an expert introduction to the design, production and operation of British tanks since 1945. Fewer types of tank were built than during the wartime period, but the complexity of design and manufacture increased, and a level of technical sophistication in the key areas of armor, firepower and mobility was beyond the imaginings of the tank pioneers of the First World War.Using a selection of contemporary photographs supported by some modern photographs of preserved vehicles Pat Ware sets the modern tank in a historical context. He describes its origins in Britain and its development and deployment in the Second World War and in the post-war period. All the British tanks that have seen service since the war are depicted, among them the Conqueror, Chieftain, Centurion and Challenger. The engineers tanks the flails, recovery vehicles, bridge-layers are featured, as are the less-well-known British tanks made for export.This highly illustrated survey gives a fascinating insight into the recent evolution of the British tank and its role in the postwar world.Pat Ware is a leading expert on the history of military vehicles and a prolific writer of books and articles on every aspect of the subject. His most recent publications include a study of the military Jeep and encyclopaedias of military vehicles and motorcycles. He was the founding editor of Classic Military Vehicle magazine in 2001 and continues to contribute to the magazine as well as writing a military column for Land Rover World.
British Television Animation 1997–2010
by Van NorrisBritish Television Animation 1997-2010 charts a moment in TV history where UK comic animation graduated from the margins as part of a post-Simpsons broadcast landscape. Shows like Monkey Dust, Modern Toss and Stressed Eric not only reflected the times but they ushered in an era of ambition and belief in British adult animation.
British Television Drama: Past, Present And Future
by Jonathan Bignell Stephen LaceyFeaturing leading scholars of British television drama and noted writers and producers from the television industry, this new edition of British Television Drama evaluates past and present TV fiction since the 1960s, and considers its likely future.
British Theatre and the Great War, 1914 - 1919: New Perspectives
by Andrew MaunderBritish Theatre and the Great War examines how theatre in its various forms adapted itself to the new conditions of 1914-1918. Contributors discuss the roles played by the theatre industry. They draw on a range of source materials to show the different kinds of theatrical provision and performance cultures in operation not only in London but across parts of Britain and also in Australia and at the Front. As well as recovering lost works and highlighting new areas for investigation (regional theatre, prison camp theatre, troop entertainment, the threat from film, suburban theatre) the book offers revisionist analysis of how the conflict and its challenges were represented on stage at the time and the controversies it provoked. The volume offers new models for exploring the topic in an accessible, jargon-free way, and it shows how theatrical entertainment of the time can be seen as the `missing link’ in the study of First World War writing.
British TV Comedies: Cultural Concepts, Contexts And Controversies
by Jürgen Kamm Birgit NeumannThis collection offers an overview of British TV comedies, ranging from the beginnings of sitcoms in the 1950s to the current boom of 'Britcoms'. It provides in-depth analyses of major comedies, systematically addressing their generic properties, filmic history, humour politics and cultural impact.
British Women's Cinema (British Popular Cinema)
by Melanie Bell Melanie WilliamsBritish Women’s Cinema examines the place of female-centred films throughout British film history, from silent melodrama and 1940s costume dramas right up to the contemporary British ‘chick flick’.
British Woodland: How to explore the secret world of our forests
by Ray MearsNobody sees and understands woodland better than Ray Mears.With deep natural history knowledge and practical woodcraft skills, gained over a lifetime of learning from the world's last remaining indigenous peoples, Ray offers a different way to experience our wooded landscapes. He challenges the old concepts. He looks to our ancestors and shows how man's hand in shaping woodland is critical. We are not separate from nature, we just need to ensure that our interactions have a positive impact.With the emphasis on interaction, British Woodland is structured by usage. We learn that sycamore and clematis are among the best woods for burning, pine and oak help us navigate, and hawthorn and beech have edible leaves. Rope can be made from willow, utensils and tools from hazel, and historically, weapons were made from yew and wych elm.With Ray as our guide, encouraging this sense of connection to individual trees, our appreciation of wooded landscapes will change. We can learn how to live inclusively in nature, for our own wellbeing and enjoyment, and also for the future of our planet.
British Youth Television: Transnational Teens, Industry, Genre
by Faye WoodsIn this book, Faye Woods explores the raucous, cheeky, intimate voice of British youth television. This is the first study of a complete television system targeting teens and twenty somethings, chronicling a period of significant industrial change in the early 21st century. British Youth Television offers a snapshot of the complexities of contemporary television from a British standpoint -- youth-focused programming that blossomed in the commercial expansion of the digital era, yet indelibly shaped by public service broadcasting, and now finding its feet on proliferating platforms. Considering BBC Three, My Mad Fat Diary, The Inbetweeners, Our War and Made in Chelsea, amongst others; Woods identifies a television that is defiantly British, yet also has a complex transatlantic relationship with US teen TV. This book creates a space for British voices in an academic and cultural landscape dominated by the American teenager.
Britton on Film: The Complete Film Criticism of Andrew Britton
by Andrew Britton Barry Keith Grant Robin WoodFor fifteen years before his untimely death, Andrew Britton produced a body of undeniably brilliant film criticism that has been largely ignored within academic circles. Though Britton's writings are extraordinary in their depth and range and are closely attuned to the nuances of the texts they examine, his humanistic approach was at odds with typical theory-based film scholarship. Britton on Film demonstrates that Britton's humanism is also his strength, as it presents all of his published writings together for the first time, including Britton's persuasive readings of such important Hollywood films as Meet Me in St. Louis, Spellbound, and Now, Voyager and of key European filmmakers such as Sergei Eisenstein, Jean-Luc Godard, and Bernardo Bertolucci. Renowned film scholar and editor Barry Keith Grant has assembled all of Britton's published essays of film criticism and theory for this volume, spanning the late 1970s to the early 1990s. The essays are arranged by theme: Hollywood cinema, Hollywood movies, European cinema, and film and cultural theory. In all, twenty-eight essays consider such varied films as Hitchcock's Spellbound, Jaws, The Exorcist, and Mandingo and topics as diverse as formalism, camp, psychoanalysis, imperialism, and feminism. Included are such well-known and important pieces as "Blissing Out: The Politics of Reaganite Entertainment" and "Sideshows: Hollywood in Vietnam," among the most perceptive discussions of these two periods of Hollywood history yet published. In addition, Britton's critiques of the ideology of Screen and Wisconsin formalism display his uncommon grasp of theory even when arguing against prevailing critical trends. An introduction by influential film critic Robin Wood, who was also Britton's teacher and friend, begins this landmark collection. Students and teachers of film studies as well as general readers interested in film and American popular culture will enjoy Britton on Film.
Broad Channel (Images of America)
by Dan Guarino Liz Guarino Broad Channel Historical SocietyBroad Channel is considered a small town in the big city. From its houses perched on stilts over the waters of Jamaica Bay to pairs of mute swans swimming across the waters of a popular beach of yesteryear, it is hard to believe Broad Channel lies within the boundaries of New York City. The only inhabited island in Jamaica Bay, it arose from the area known as Big Egg Marsh on navigational charts. It began as a fishermen's haven and grew into a summer vacation playground with fine hotels. During Prohibition, with bootleg liquor easily smuggled by boat, the isolated island became known as a rumrunner's paradise and became home to several speakeasies. Through vintage images, Broad Channel explores the area's boardwalks and unpaved roads to celebrate the community's rich history.
Broad Strokes (in That Order): 15 Women Who Made Art and Made History (in That Order)
by Lisa Congdon Bridget QuinnHistorically, major women artists have been excluded from the mainstream art canon. Aligned with the resurgence of feminism in pop culture, Broad Strokes offers an entertaining corrective to that omission. Art historian Bridget Quinn delves into the lives and careers of 15 female artists from around the globe in text that's smart, feisty, educational, and an enjoyable read. Replete with beautiful reproductions of the artists' works and contemporary portraits of each artist by renowned illustrator Lisa Congdon, this is art history from the Renaissance to Abstract Expressionism for the modern art lover, reader, and feminist.
Broadcast Data Systems: Teletext and RDS (Routledge Library Editions: Broadcasting #6)
by Peter L. Mothersole Norman W. WhiteBroadcast Data Systems (1990) looks at the broadcasting technology of data transmission over TV and radio channels – commonly known as teletext and RDS. It describes the development of the technology, together with the data signal format and coding methods used, the networking of teletext data signals and regional services requirements, and the transmission of the data itself.