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Broadcast Graphics On the Spot: Timesaving Techniques Using Photoshop and After Effects for Broadcast and Post Production
by Richard HarringtonPacked with more than 350 techniques, this book delivers what you need to know - on the spot. If you create graphics for television, this book is for you. 'Broadcast Graphics on the Spot' show you how to produce more compelling TV graphics. From gathering images for use in broadcast graphics to working with fonts, mastering keying and rotoscoping, or working with logo motion, this book includes step-by-step procedures for creating over-the-shoulder graphics for news anchors, lower thirds, titles, and full-screens that can be used in everyday news productions.
Broadcast Hysteria: Orson Welles's War of The Worlds and The Art of Fake News
by A. Brad SchwartzIn Broadcast Hysteria, A. Brad Schwartz examines the history behind the infamous radio play. Did it really spawn a wave of mass hysteria? Schwartz is the first to examine the hundreds of letters sent directly to Orson Welles after the broadcast. He draws upon them, and hundreds more sent to the FCC, to recapture the roiling emotions of a bygone era, and his findings challenge conventional wisdom. Relatively few listeners believed an actual attack was underway. But even so, Schwartz shows that Welles's broadcast prompted a different kind of "mass panic" as Americans debated the bewitching power of the radio and the country's vulnerabilities in a time of crisis. Schwartz's original research, storytelling, and thoughtful analysis make Broadcast Hysteria a groundbreaking work of media history.
Broadcast Indecency: F.C.C. Regulation and the First Amendment (Routledge Library Editions: Broadcasting #7)
by Jeremy H. LipschultzBroadcast Indecency (1997) treats broadcast indecency as more than a simple regulatory problem in American law. The author’s approach cuts across legal, social and economic concerns, taking the view that media law and regulation cannot be seen within a vacuum that ignores cultural realities. It treats broadcast as a phenomenon challenging the policy approach of government regulation, and is an exploration of the political and social processes involved in the government control of mass media content.
Broadcast Rites and Sites: I Saw it on the Radio with the Boston Red Sox
by Joe Castiglione Douglas LyonsVeteran broadcaster Joe Castiglione has seen his share of heartbreaking games, especially from his vantage point at Fenway Park where he has called the Red Sox games for the last 20 years. In his newest book, Castiglione not only recounts the drama from the booth in Boston, but also his travels and baseball adventures throughout the country in his previous stints with the Cleveland Indians and Milwaukee Brewers over his 30-year career.
Broadcast Sound Technology (Routledge Library Editions: Broadcasting #8)
by Michael Talbot-SmithBroadcast Sound Technology (1995) covers the basic principles of all the main aspects of the broadcast chain, including microphones and loudspeakers technology, mixing consoles, recording and replay (analogue and digital) and the principles of stereo.
Broadcast Transmission Engineering Practice (Routledge Library Editions: Broadcasting #9)
by William Wharton Shaun Metcalfe Geoff C. PlattsBroadcast Transmission Engineering Practice (1992) contains a wealth of technical knowledge and practical experience, as well as detailed guidance on how to initiate, supervise and bring transmission engineering projects to fruition.
Broadcast Voice Performance (Routledge Library Editions: Broadcasting #10)
by Michael C. KeithBroadcast Voice Performance (1989) incorporates the insights and experience of more than 100 successful practising voice performers to succinctly and realistically examine the techniques, equipment and criteria of announcing within the context of major types of radio and television productions and programming formats.
Broadcast Writing: Dramas, Comedies, and Documentaries (Routledge Library Editions: Broadcasting #11)
by Ken DancygerBroadcast Writing (1991) looks at the tools necessary for writers to find and develop stories for radio and television. Through the use of numerous original examples, the reader learns to shape ideas into well-developed scripts. It addresses the challenges of documentary and dramatic writing for TV and radio, and provides examples for most of the different writing genres.
Broadcasting and Society 1918–1939 (Routledge Library Editions: Broadcasting #12)
by Mark PeggBroadcasting and Society (1983) examines the power of radio broadcasting as a medium of instant communication and entertainment. It is a detailed and critical examination of the social changes brought about by radio broadcasting in the crucial and formative stages between 1918 and 1939 – whether broadcasting was successful in keeping people better informed, in introducing wider interests, and its influence on social behaviour.
Broadcasting Buildings: Architecture on the Wireless, 1927-1945 (The\mit Press Ser.)
by Shundana YusafHow the BBC shaped popular perceptions of architecture and placed them at the heart of debates over participatory democracy.In the years between the world wars, millions of people heard the world through a box on the dresser. In Britain, radio listeners relied on the British Broadcasting Corporation for information on everything from interior decoration to Hitler's rise to power. One subject covered regularly on the wireless was architecture and the built environment. Between 1927 and 1945, the BBC aired more than six hundred programs on this topic, published a similar number of articles in its magazine, The Listener, and sponsored several traveling exhibitions. In this book, Shundana Yusaf examines the ways that broadcasting placed architecture at the heart of debates on democracy.Undaunted by the challenge of talking about space and place in disembodied voices over a nonvisual medium, designers and critics turned the wireless into an arena for debates about the definitions of the architect and architecture, the difficulties of town and country planning after the breakup of large country estates, the financing of the luxury market, the expansion of local governing power, and tourism. Yusaf argues that while broadcast technology made a decisive break with the Victorian world, these broadcasts reflected the BBC's desire to continue the legacy of Victorian institutions dedicated to the production of a cultivated polity. Under the leadership of John Reith, the BBC introduced listeners to the higher pleasures of life hoping to deepen their respect for tradition, the authority of the state, and national interests. These ambitions influenced the way architecture was portrayed on the air. Yusaf finds that the wireless evoked historic architecture only in travelogues and contemporary design mainly in shopping advice. The BBC's architectural programming, she argues, offered a paradoxical interface between the placelessness of radio and the situatedness of architecture, between the mechanical or nonhumanistic impulses of technology and the humanist conception of architecture.
Broadcasting Hollywood: The Struggle Over Feature Films on Early TV
by Jennifer PorstBroadcasting Hollywood: The Struggle Over Feature Films on Early Television uses extensive archival research into the files of studios, networks, advertising agencies, unions and guilds, theatre associations, the FCC, and key legal cases to analyze the tensions and synergies between the film and television industries in the early years of television. This analysis of the case study of the struggle over Hollywood’s feature films appearing on television in the 1940s and 1950s illustrates that the notion of an industry misunderstands the complex array of stakeholders who work in and profit from a media sector, and models a variegated examination of the history of media industries. Ultimately, it draws a parallel to the contemporary period and the introduction of digital media to highlight the fact that history repeats itself and can therefore play a key role in helping media industry scholars and practitioners to understand and navigate contemporary industrial phenomena.
Broadcasting in Canada (Routledge Library Editions: Broadcasting #13)
by E.S. Hallman H. HindleyBroadcasting in Canada (1977) examines the unique challenges to broadcasting in the country: the size of the country, its small, dispersed population, and two official languages make radio and television coverage a difficult and costly enterprise. These conditions and pressures have led Canadians to construct a broadcasting system in which both public and private initiative have roles to play in bringing radio and television services to the community.
Broadcasting in Ireland (Routledge Library Editions: Broadcasting #14)
by Desmond FisherBroadcasting in Ireland (1978) outlines the historical and sociological background of Ireland to place the progress of its broadcasting service in the context of its post-independence development. It analyses the difficulties of running public service broadcasting financed by both licence fee and advertising, and competing in half its television reception area with two of the premier broadcasting systems in the world. With regular broadcasting beginning with Independence, its development was inevitably bound up with the process of building the political, economic and social framework of the new State, and this book closely examines how the Irish broadcasting system coped with the attending economic, cultural and political difficulties.
Broadcasting in Mexico (Routledge Library Editions: Broadcasting #15)
by Luis Antonio de Noriega Frances LeachBroadcasting in Mexico (1979) traces the birth and growth of Mexico’s broadcasting services against the background of its geographical, cultural, demographic, economic and political structure. The development of Mexican radio and television has been characterised by innovation and experiment by both government and private enterprise, and sometimes the country has been the beneficiary of these efforts and sometimes the victim. Up to a certain point, the cultural infrastructure of the country itself dictated the path taken by the media, although there have been temptations to imitate the established structure of other countries.
Broadcasting in the Netherlands (Routledge Library Editions: Broadcasting #16)
by Kees van der Haak Joanna SpicerBroadcasting in the Netherlands (1977) analyses Dutch broadcasting, describing the historical traditions of Dutch society, the ways in which radio and TV were set up, and shows how changes in Dutch politics, culture and economy – as well as technological innovation and liberalisation – have posed a set of challenges for the country.
Broadcasting Modernity: Cuban Commercial Television, 1950-1960
by Yeidy M. RiveroThe birth and development of commercial television in Cuba in the 1950s occurred alongside political and social turmoil. In this period of dramatic swings encompassing democracy, a coup, a dictatorship, and a revolution, television functioned as a beacon and promoter of Cuba's identity as a modern nation. In Broadcasting Modernity, television historian Yeidy M. Rivero shows how television owners, regulatory entities, critics, and the state produced Cuban modernity for television. The Cuban television industry enabled different institutions to convey the nation's progress, democracy, economic abundance, high culture, education, morality, and decency. After nationalizing Cuban television, the state used it to advance Fidel Castro's project of creating a modern socialist country. As Cuba changed, television changed with it. Rivero not only demonstrates television's importance to Cuban cultural identity formation, she explains how the medium functions in society during times of radical political and social transformation.
Broadmoor Village (Images of America)
by Dave CrimmenBroadmoor Village, the little community that embodies the American ethic of independence, survives despite neighboring annexations, budget crises, and even Mother Nature. This subdivision was built in San Mateo County by the Stoneson Company just after World War II, targeting returning veterans and their families. Established before Henry Doelger made neighboring Westlake, Westmoor, St. Francis, and other communities since annexed by Daly City, Broadmoor has repeatedly chosen to stay unincorporated and independent. This attitude has shaped Broadmoor through the years to assert its autonomous stature while surrounded by larger cities.
'Broadsword Calling Danny Boy': Watching 'Where Eagles Dare'
by Geoff DyerGeoff Dyer's earlier book on film, Zona, was about Andrei Tarkovsky's Stalker, so it was perhaps inevitable that he should next devote his unique critical and stylistic energies to Brian G. Hutton's Where Eagles Dare. A thrilling Alpine adventure starring a magnificent, bleary-eyed Richard Burton and a dynamically lethargic Clint Eastwood, Where Eagles Dare is the apex of 1960s war movies, by turns enjoyable and preposterous.'Broadsword Calling Danny Boy' is Geoff Dyer's hilarious tribute to a film he has loved since childhood: it's a scene-by-scene analysis—or should that be send-up?—taking us from it's snowy, Teutonic opening credits to its vertigo-inducing climax.
Broadview Heights (Images of America)
by Donald Faulhaber Jr.Located in southern Cuyahoga County at the crossroads of the Ohio Turnpike and Interstate 77 are the rolling hills and forested landscapes of Broadview Heights. "Highest of the Heights" is the phrase coined by disc jockey Ed Fisher when radio station WGAR's broadcast studio was located in Broadview Heights. Many radio personalities either lived here or in neighboring communities, and events in Broadview Heights were often mentioned on the radio. Part of the Cleveland Metro Parks surrounds the southern edge of town, including the highest point in Cuyahoga County. Among those who call Broadview Heights home are Radio Hall of Fame disc jockey Candy Lee, artist Shirley Aley Campbell, figure skater Tonia Kwiatkowski, and Cultural Olympiad gold medal-winning ice sculptor Aaron Costic of Elegant Ice Creations.
Broadway: An Encyclopedia
by Ken BloomThis volume is another example in the Routledge tradition of producing high-quality reference works on theater, music, and the arts. An A to Z encyclopedia of Broadway, this volume includes tons of information, including producers, writer, composers, lyricists, set designers, theaters, performers, and landmarks in its sweep.
Broadway: A History Of New York City In Thirteen Miles
by Fran LeadonAn eye-opening history of Manhattan told through its most celebrated street. In the early seventeenth century, in a backwater Dutch colony, there was a wide, muddy cow path that the settlers called the Brede Wegh. As the street grew longer, houses and taverns began to spring up alongside it. What was once New Amsterdam became New York, and farmlands gradually gave way to department stores, theaters, hotels, and, finally, the perpetual traffic of the twentieth century’s Great White Way. From Bowling Green all the way up to Marble Hill, Broadway takes us on a mile-by-mile journey up America’s most vibrant and complex thoroughfare, through the history at the heart of Manhattan. Today, Broadway almost feels inevitable, but over the past four hundred years there have been thousands who have tried to draw and erase its path. Following their footsteps, we learn why one side of the street was once considered more fashionable than the other; witness the construction of Trinity Church, the Flatiron Building, and the Ansonia Hotel; the burning of P. T. Barnum’s American Museum; and discover that Columbia University was built on the site of an insane asylum. Along the way we meet Alexander Hamilton, Emma Goldman, Edgar Allan Poe, John James Audubon, "Bill the Butcher" Poole, and the assorted real-estate speculators, impresarios, and politicians who helped turn Broadway into New York’s commercial and cultural spine. Broadway traces the physical and social transformation of an avenue that has been both the "Path of Progress" and a "street of broken dreams," home to both parades and riots, startling wealth and appalling destitution. Glamorous, complex, and sometimes troubling, the evolution of an oft-flooded dead end to a canyon of steel and glass is the story of American progress.
Broadway
by Michelle YoungFrom its origins as a Native American trail to its iconic status in global culture today, Broadway tells the story of New York as it grew from a Dutch colony into a world-class city. Broadway has been the site of many firsts and many superlatives: the first subway line in the city, the tallest buildings, and one of the longest streets in the world. Beginning along the winding streets of the original settlements amid the skyscrapers of the Financial District, Broadway heads north through the neighborhoods of SoHo and Greenwich Village. It then traverses some of the city's most famous plazas, including Flatiron, Herald Square, Times Square, and Columbus Circle, before entering Upper Manhattan and passing institutions like Lincoln Center, Columbia University, and City College. Today, Broadway continues to be at the forefront of New York City's urban developments.
Broadway Babies Say Goodnight: Musicals Then and Now
by Mark Steyn"The Black Crook opened in September 1866" Mark Tells us: Wheatley engineers an implausible marriage between a rotten play and too underdressed coryphees, and, to the delight of all except the usual outraged clergymen, turns in a smash. And, incidentally, winds up inventing the American musical." " [A] witty, anecdote-stuffed history of the past seventy years in musicals." "Steyn deserves a standing ovation.... his prose is as sharp as his stiletto." The book is funny and contains anecdotes, interviews, recollections, and a good snapshot of the music, people, and places that make up the musical. Dry historical facts though this isn't. Nor does every musical get mentioned. You'll look in vein for Paint Your Wagon for example. But for the general reader who would like to learn more about the musicals this is a wonderful book. Steyn traces the history from the musicals birth in 1866 to what he believes to be its death in the 1990s. As a reviewer writes "Mr. Steyn knows the history of Broadway (and West End) musicals, and he makes us care that the current crop lacks conviction and craft." He discusses the musical. Where it came from, Why it works, Why it doesn't work, and who's the best and the worst.
Broadway Babies Say Goodnight: Musicals Then and Now
by Mark SteynThe glorious tradition of the Broadway musical from Irving Berlin to Jerome Kern and Rodgers and Hammerstein to Stephen Sondheim. And then . . . Cats and Les Miz. Mark Steyn's Broadway Babies Say Goodnight is a sharp-eyed view of the whole span of Broadway musical history, seven decades of brilliant achievements the best of which are among the finest works American artists have made. Show Boat, Oklahoma!, Carousel, Gypsy, and more. In an energetic blend of musical history, analysis, and backstage chat, Mark Steyn shows us the genius behind the 'simple' musical, and asks hard questions about the British invasion of Broadway and the future of the form. In this delicious book he gives us geniuses and monsters, hits and atomic bombs, and the wonderful stories that prove show business is a business which -- as the song goes --there's no business like.
Broadway Babylon: Glamour, Glitz, and Gossip on the Great White Way
by Boze HadleighThe first book of theater celebrity gossip, can you believe it? Here's the book that airs Broadway's dirty laundry! Inspired by the classic Hollywood Babylon (in print for more than forty years, more than 100,000 copies sold), Broadway Babylon presents a hyper-entertaining look at the Great White Way's biggest scandals, best-kept secrets, and most over-the-top feuds. Author Boze Hadleigh, the preeminent disher of celebrity dish, serves up 400 pages of tasty, never-before-told stories about such show-biz icons as Ethel Merman, Tennessee Williams, Lucille Ball, Bette Davis, and many, many others. Get it while it's hot!