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Broadway, Balanchine, and Beyond: A Memoir

by Bettijane Sills

In this memoir of a roller-coaster career on the New York stage, former actor and dancer Bettijane Sills offers a highly personal look at the art and practice of George Balanchine, one of ballet’s greatest choreographers, and the inner workings of his world-renowned company during its golden years. Sills recounts her years as a child actor in television and on Broadway, a career choice largely driven by her mother, and describes her transition into pursuing her true passion: dance. She was a student in Balanchine’s School of American Ballet throughout her childhood and teen years, until her dream was achieved. She was invited to join New York City Ballet in 1961 as a member of the corps de ballet and worked her way up to the level of soloist. Winningly honest and intimate, Sills lets readers peek behind the curtains to see a world that most people have never experienced firsthand. She tells stories of taking classes with Balanchine, dancing in the original casts of some of his most iconic productions, working with a number of the company’s most famous dancers, and participating in the company’s first Soviet Union tour during the Cold War and Cuban Missile Crisis. She walks us through her years in New York City Ballet first as a member of the corps de ballet, then a soloist dancing some principal roles, finally as one of the “older” dancers teaching her roles to newcomers while being encouraged to retire. She reveals the unglamorous parts of tour life, jealousy among company members, and Balanchine’s complex relationships with women. She talks about Balanchine’s insistence on thinness in his dancers and her own struggles with dieting. Her fluctuations in weight influenced her roles and Balanchine’s support for her—a cycle that contributed to the end of her dancing career. Now a professor of dance who has educated hundreds of students on Balanchine’s style and legacy, Sills reflects on the highs and lows of a career indelibly influenced by fear of failure and fear of success—by the bright lights of theater and the man who shaped American ballet.

Broadway General Manager: Demystifying the Most Important and Least Understood Role in Show Business

by Peter Bogyo

“An absolutely indispensable theater lover’s guide to how Broadway works.” —Peter Marks, chief theater critic, Washington Post“Highly recommended for those considering theater as a career and for those who love theater and want to know more about what goes on before the curtain goes up and after.” —Library JournalBroadway General Manager is a fascinating, insightful, and entertaining glimpse into the normally closed world of theatrical general management. Penned by veteran Broadway insider Peter Bogyo, readers will gain an appreciation and understanding of what the business half of show business is all about. For the first time ever, gain backstage access to the fast-paced and glamorous world of Broadway. Broadway General Manager is an invaluable resource that examines actual production and operating budgets for a Broadway show and shares contracts for award-winning actors, directors, and designers, all of which are analyzed extensively. Also included are in-depth discussions on such topics as:How to get started as a general manager Negotiating contracts How the producing entity functions Programming the box office The issues related to hiring employees Binding insurance Financial overview Maintaining the run of a show What to do when sales start to slump Closing a show And much more Laced with humorous insights and personal anecdotes, Broadway General Manager will delight both the average theater lover as well as individuals with a serious interest in commercial arts management.

Broadway North: The Dream of a Canadian Musical Theatre

by Mel Atkey

Did you know that the idea behind the Radio City Music Hall Rockettes was first tried out in Toronto? That Canada produced the world’s longest-running annual revue? Few people realize the Canadian influences that are at the heart of American and British culture. Author Mel Atkey’s research for Broadway North included interviews with Norman and Elaine Campbell and Don Harron, creators of Anne of Green Gables-The Musical; Mavor Moore, founder of the Charlottetown Festival and of Spring Thaw; John Gray, author of Billy Bishop Goes to War; Ray Jessel and Marian Grudeff, Spring Thaw writers who had success on Broadway with Baker Street; Dolores Claman, composer of the Hockey Night In Canada theme, who also wrote the musicals Mr. Scrooge and Timber!!; and Galt MacDermot, the composer of Hair who started out writing songs for the McGill University revue My Fur Lady. Included is the phenomenal success of The Drowsy Chaperone. Atkey also draws on his own experience as a writer and composer of musicals, and tells the story of why a show that should have starred James Doohan (Star Trek’s Scotty) didn’t happen. Composer, lyricist and author, Mel Atkey is currently based in the U.K. Proud of his Canadian cultural roots, he has long been fascinated with the notion of a distinctive Canadian musical theatre.

Broadway Rhythm: Imaging the City in Song

by Dominic Symonds

Broadway Rhythm is a guide to Manhattan like nothing you've ever read. Author Dominic Symonds calls it a performance cartography, and argues that the city of New York maps its iconicity in the music of the Broadway songbook. A series of walking tours takes the reader through the landscape of Manhattan, clambering over rooftops, riding the subway, and flying over skyscrapers. Symonds argues that Broadway's songs can themselves be used as maps to better understand the city though identifiable patterns in the visual graphics of the score, the auditory experience of the music, and the embodied articulation of performance, recognizing in all of these patterns, corollaries inscribed in the terrain, geography, and architecture of the city. Through musicological analyses of works by Gershwin, Bernstein, Copland, Sondheim and others, the author proposes that performance cartography is a versatile methodology for urban theory, and establishes a methodological approach that uses the idea of the map in three ways: as an impetus, a metaphor, and a tool for exploring the city.

Broadway Theatre (Theatre Production Studies)

by Andrew Harris

'Broadway' has been the stuff of theatrical legends for generations. In this fascinating and affectionate account of a unique theatrical phenomenon, Andrew Harris takes an intriguing look at both the reality and the myth behind the heart and soul of American Drama Broadway Theatre explores: * the aims and achievements of such major figures as Tennessee Williams, Eugene O'Neill and David Mamet * the processes a play goes through from preliminary draft to opening night * the careful balancing between aesthetic ideals and commercial considerations * the place of producers, reviewers, agents and managers and their contribution to the process * the relationship between acting styles and writing syles for Broadway plays

Brockton: The 1941 Brockton Tragedy And The Fallen Thirteen (Images of Modern America)

by James E. Benson

Brockton, first settled in 1700, was originally a part of Old Bridgewater, known as North Parish and later as North Bridgewater. On April 9, 1881, it officially became the City of Brockton. During the Civil War, Brockton was the largest producer of shoes in the country, earning it the nickname "Shoe City." As a growing industrial center, Brockton had the proud honor of being first in the world and nation in many ways. On October 1, 1883, the city became the first in the world to have a three-wire underground electrical system, initially turned on by Thomas Edison. In 1884, the Central Fire Station became the first electrically operated fire station in the country. In 1894, the City Theater had the distinction of being the first in the world tied to a three-wire underground system. In 1890, Col. James Edgar, owner of Edgar's Department Store, donned a Santa Claus outfit, becoming the first department store likeness of the jolly old man. Brockton is also known as the "City of Champions," being the hometown of boxing greats Rocky Marciano and Marvelous Marvin Hagler.

The Brockton Tragedy at Moosehead Lake (Disaster)

by James E. Benson Nicole B. Casper Colonel Joel Wilkinson - Maine Warden Service

On May 13, 1928, ten prominent men of Brockton, Massachusetts, headed off on a fishing trip to Moosehead Lake in Maine. After traveling fourteen hours, the group met Maine guide Samuel Budden and boarded the Mac II for the final voyage to their destination. Approximately six miles from the Tomhegan sporting camp, the boat took on water in rough seas and sank, taking Budden and all but one of the adventurers to a watery grave. Jim Benson and Nicole Casper chronicle this horrific tragedy and its legacy in two New England communities.

Brockville: The River City

by Russ Disotell

Brockville’s origins reach back to the resettlement of Loyalists following the American Revolution and the threat of American encroachment. Following the War of 1812, Brockville, along the St. Lawrence River, benefitted greatly from the rapidly expanding colonization. A centre for the political activity of the day and a focal point for the Orange movement, Brockville was often immersed in controversy.The end of the 19th century was the golden age of patent medicine business and Brockville was home to two of the most successful, the W. H. Comstock Company and the G. T. Fulford Company. "Pink Pills for Pale People" were sold worldwide. Today, Brockville retains the charm of its heritage mansions and is home to a number of prominent industries.

Brockway and Little Toby Valley

by John Keith

Brockway, originally called Brockwayville until the name was shortened in 1925, is named after the Brockway family pioneers who settled near the southern bend of Little Toby Creek in 1822. The Brockways were followed by several other settlers, including the "Father of Brockway," Dr. Asaph M. Clarke, who laid out the town in 1836. Farming and lumbering were the original industries, but by 1883, coal mining had brought in the railroads. Railroads introduced more industry, the most famous being the Brockwayville Machine Bottle Company in 1907. Through images from the Brockway Area Historical Society, Brockway and Little Toby Valley chronicles the development of this industrious community.

The Brodsky Center at Rutgers University: Three Decades, 1986-2017

by Ferris Olin

The Brodsky Center at Rutgers: Three Decades, 1986-2017, chronicles the history and artists involved with an internationally acclaimed print and papermaking studio at Rutgers University. Judith K. Brodsky conceived, founded, and directed the atelier, which, from its onset, provided state-of-the-arts technology and expertise for under-represented contemporary artists — women, Indigenous, and from diasporas of the African, Eastern European, Latin and Asian communities — to make innovative works on paper. These artistic creations presented new narratives to American and global visual arts from voices previously not heard or seen. Some of the artists featured in the book include Faith Ringgold, Elizabeth Catlett, Jaune Quick-to-See Smith, Miriam Schapiro, Pepón Osorio, Kiki Smith, and Richard Tuttle, among many other talented and influential printmakers and artists. Published in partnership with the Zimmerli Museum.

The Broke-Ass Bride's Wedding Guide

by Dana Larue Astrid Mueller

For budget brides, including fans of TheBrokeAssBride.com, this is a definitive guide to saving money and making every dollar count during wedding planning, from the engagement party to the big day, without sacrificing style or personality.Brides-to-be, do you dream of rocking a wedding full of personality, pizzazz, and style, without compromising your dreams or kissing your budget goodbye? Well, bust out your happy dance because today is your lucky day...you're holding the key in your newly-betrothed hands! In the pages of this witty guide, Dana LaRue, creator of thebrokeassbride.com, shares hundreds of tips and anecdotes for getting the most bang for your buck, celebrating your personality as a couple, and making wedding planning fun. She includes: · The top 14 money-saving rules for choosing your location, dress, menu, and music--and most important of all, enjoying the day · Engagement party and rehearsal dinner ideas that won't break the bank · 4 tips for finding your dream theme · Sample budget breakdowns ($1,000; $5,000; $10,000; $15,000; and beyond) showing where couples saved and splurged · Her very own road-tested advice for becoming a negotiation ninja · 7 ways to keep your booze budget under control · DIY décor projects and recipes you can make without risking a bridezilla meltdown · Online planning shortcuts, tools to find savings, and helpful websites for organization and style inspiration From the Trade Paperback edition.

Broken Cities: A Historical Sociology of Ruins

by Martin Devecka

A comparative study of cities that fell into ruin through human involvement.We have been taught to think of ruins as historical artifacts, relegated to the past by a catastrophic event. Instead, Martin Devecka argues that we should see them as processes taking place over a long present. In Broken Cities, Devecka offers a wide-ranging comparative study of ruination, the process by which monuments, architectural sites, and urban centers decay into ruin over time. Weaving together four case studies—of classical Athens, late antique Rome, medieval Baghdad, and sixteenth-century Mexico City—Devecka shows that ruination is a complex social process largely contingent on changing imperial control rather than the result of immediate or natural events. Drawing on literature, legal texts, epigraphic evidence, and the narratives embodied in monuments and painting, Broken Cities is an expansive and nuanced study that holds great significance for the field of historiography.

Broken Crayons Still Color

by Toni Collier Whitney Bak

Help your kids process big feelings, build a social-emotional tool kit, and find beauty in life's challenges with this creative story that expresses the hope of the gospel from podcast host, speaker, and mom Toni Collier.Avery has big emotions and bubbling anxieties about changes in her life. When her crayons break as she scribbles furiously, she discovers that they have personalities and feelings too! And they can show her how to use her love of coloring to manage scary, overwhelming feelings and embrace curiosity and joy. As Avery follows the crayons' advice, gets creative, and chooses bravery and positive thinking, she discovers that God can use her to make beautiful things, even with broken crayons.In Broken Crayons Still Color, children 4 to 8 willsee that everyone feels frustrated and overwhelmed at timeslearn to express emotions and explore creativitypractice coping skills, such as drawing worries, affirmations, and breathingunderstand that God loves them just as they are and He can turn their mistakes and weaknesses into beautiful new thingsThis illustrated picture book includesan inventive illustration style that models to children how to draw their own feelingsan emotion color chart to guide children in identifying how they feelWith a fun story, silly crayon characters, and practical guidance for kids struggling with powerful emotions, insecurity, and perfectionism, Broken Crayons Still Color will entertain children as it assures them that God is making a beautiful masterpiece out of things they thought were broken. The presentation page and deluxe dust jacket make this encouraging book a beautiful gift for back-to-school, kids facing new experiences and tough situations, and any child with big feelings.

Broken Glass: Mies van der Rohe, Edith Farnsworth, and the Fight Over a Modernist Masterpiece

by Alex Beam

The true story of the intimate relationship that gave birth to the Farnsworth House, a masterpiece of twentieth-century architecture—and disintegrated into a bitter feud over love, money, gender, and the very nature of art.&“An amazing story, brilliantly told.&”—Sebastian Smee, Pulitzer Prize–winning art critic and author of The Art of Rivalry In 1945, Edith Farnsworth asked the German architect Mies van der Rohe, already renowned for his avant-garde buildings, to design a weekend home for her outside of Chicago. Edith was a woman ahead of her time—unmarried, she was a distinguished medical researcher, as well as an accomplished violinist, translator, and poet. The two quickly began spending weekends together, talking philosophy, Catholic mysticism, and, of course, architecture over wine-soaked picnic lunches. Their personal and professional collaboration would produce the Farnsworth House, one of the most important works of architecture of all time, a blindingly original structure made up almost entirely of glass and steel.But the minimalist marvel, built in 1951, was plagued by cost overruns and a sudden chilling of the two friends' mutual affection. Though the building became world famous, Edith found it impossible to live in, because of its constant leaks, flooding, and complete lack of privacy. Alienated and aggrieved, she lent her name to a public campaign against Mies, cheered on by Frank Lloyd Wright. Mies, in turn, sued her for unpaid monies. The ensuing lengthy trial heard evidence of purported incompetence by an acclaimed architect, and allegations of psychological cruelty and emotional trauma. A commercial dispute litigated in a rural Illinois courthouse became a trial of modernist art and architecture itself.Interweaving personal drama and cultural history, Alex Beam presents a stylish, enthralling narrative tapestry, illuminating the fascinating history behind one of the twentieth-century's most beautiful and significant architectural projects.

Broken Idols of the English Reformation

by Margaret Aston

Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.

Broken Tablets: The Cult of the Law in French Art from David to Delacroix

by Jonathan P. Ribner

In this first study of art, law, and the legislator, Jonathan Ribner provides a revealing look at French art from 1789 to 1848, the period in which constitutional law was established in France. Drawing on several disciplines, he discusses how each of the early constitutional regimes in France used imagery suggesting the divine origin and sacred character of its laws. Primarily a study of art and politics, Broken Tablets discusses painting, sculpture, prints, and medals (many reproduced here for the first time), as well as contemporary literature, including the poetry of Alfred de Vigny, Alphonse de Lamartine, and Victor Hugo. Ribner assesses the ways in which legislation imagery became an instrument of political propaganda, and he clearly illuminates the cult of the law as it became personalized under Napoleon, monarchist under the Restoration, and defensive under Louis-Phillipe.

Broken Time, Fragmented Space: A Cultural Map of Postwar Italy (The Royal Society of Canada Special Publications)

by Anna Maria Torriglia

Broken Time, Fragmented Space: A Cultural Map for Post-war Italy examines how the artists and intellectuals of post-war Italy dealt with the 'shameful' heritage of their fascist upbringing and education by trying to craft a new cultural identity for themselves and the country. The continuities between the culture of the fascist and post-fascist periods were, however, far greater than what intellectuals were ready to admit, creating an uncomfortable, sometimes schizophrenic relation to time, as a painful urge to erase the past.Drawing on a variety of critical approaches, Torriglia investigates the efforts to reconstruct a personal as well as a collective self by analyzing both canonical and lesser-known cinematic and literary texts. Organized around four main themes - the use of language, the interaction between personal and public spheres, the perceptual categories of history and memory, and the reconstruction of the female identity - the study also includes historical introductions and sociological commentary that provides an extensive and captivating picture of the cultural production in 1950s Italy, a period that has not yet been extensively studied.

Bromance: Male Friendship, Love and Sport

by Stefan Robinson Eric Anderson

Unraveling the stereotype that men’s friendships are unemotional and shallow, this book provides the first detailed account of the bromance that exists among young men. Drawing on one year of ethnography and 20 in-depth interviews among a university sport team, the authors show that these men reject traditional masculine boundaries, instead prioritizing an emotional and tactile form of friendship. Chapters detail the cultural shift in society’s views on bromances, showing that bromances exists as an elevated, more emotional and intimate form of friendship, existing as a further positive consequence of decreasing cultural homophobia. By focusing on sport—which has traditionally been seen as a homophobic environment with toxic constructions of manhood—the authors show that even in the most traditionally masculine of settings, young men are rethinking what male friendship looks like, what it means to be a man, and the positive impact this can have on their mental health. This book will be relevant to a number of audiences including scholars and students in masculinity studies, queer studies, and friendship studies; LGBTQ+ activists and allies with interest in straight men’s friendships and sports cultures; and men’s mental health advocates.

Bronx Tales

by Constance Rosenblum

In these vignettes of life along the Grand Concourse in the Bronx, the New York Times's Constance Rosenblum examines the place of art in this community-- its installation, its reception by local residents, and the debates that often surround it. From the growing popularity of European-style Art Deco in the 1930s and '40s, to the opinion of some Bronx residents that these modern additions were "ugly as hell," and from public art criticized for controversial content to buildings revered for their innovative design, the reception of art and architecture along the Concourse serves as a way to explore the role, function, and place of art in urban spaces.

Bronx, The

by Gary Hermalyn Kathleen A. Mcauley

With a population of more than one million and covering over 42 square miles, the Bronx is a vibrant part of New York. The Bronx was given its name in 1898 when the new borough was named after its single largest geographical feature: the Bronx River. The Bronx showcases the borough's rich history in a personal way through vintage and contemporary images. Kathleen A. McAuley is the director of museums and curator for the Bronx County Historical Society. Gary Hermalyn, coauthor of Yankee Stadium: 1923-2008, is the CEO of the Bronx County Historical Society.

Bronxshapes (Bronx Baby)

by Alex Rivera

A new bilingual board book that introduces the youngest of readers to the SHAPES of the Bronx!Take a walk through the Bronx and what do you see? CIRCLE wheels on a classic tricycle, a vast DIAMOND where the Yankees play baseball, colorful TRIANGLE flags above the bodega, and more! Bronxshapes, the second board book in a new series, teaches young readers about shapes through Bronx native Alex Rivera's eye-catching photographs and creative design. The small square trim (7" x 7") and sturdy pages are a perfect format for toddlers, and the content inside promotes language acquisition and concept learning in both English and Spanish. Curl up with your little one for a bilingual story time that helps them reach important developmental milestones.

Bronxtones (Bronx Baby)

by Alex Rivera

A new bilingual board book that introduces the youngest of readers to the COLORS of the Bronx!Where can you find your best friend playing with a RED balloon, tamales from your favorite GREEN cart, or YELLOW pineapple raspados? The Bronx! Bronxtones, the first board book in a new series, teaches young readers about colors through the vibrant palette of the Bronx, as captured by Bronx native Alex Rivera's eye-catching photographs and creative design. The small square trim (7" x 7") and sturdy pages are a perfect format for toddlers, and the content inside promotes language acquisition and concept learning in both English and Spanish. Curl up with your little one for a bilingual story time that helps them reach important developmental milestones.

Bronze Age Military Equipment

by Dan Howard

&“A very valuable piece of work, providing a splendid overview&” of the weapons, armor, shields and chariots used in warfare from 3000 BC to 1200 BC (HistoryOfWar.org). This book is a fascinating discussion of the development of the military equipment of the earliest organized armies. Dan Howard describes the development of weapons, armor and chariots, how they were made and their tactical use in battle. Spanning from the introduction of massed infantry by the Sumerians (c. 26th century BC) through to the collapse of the chariot civilizations (c. 12th century BC), this is the period of the epic struggles described in the Old Testament and Homer&’s Iliad, the clashes of mighty empires like those of the Babylonians, Egyptians and Hittites. In Bronze Age Military Equipment, Howard provides &“an able and readable review that is supported in the text by drawings and sketches, but there is also an excellent full color photographic section that shows replica weapons and armor created in bronze&” (Firetrench).

Bronze Me

by Liz Huyck

Have you ever wondered how bronze statues are made? Bronze is a type of metal, which can be made into different forms when heated at high temperatures. Bronze can be poured into a mold to create a statue. It takes years to master the art of making bronze statues; it includes a five-step process. Learn more about making bronze statues!

The Bronze Object in the Middle Ages

by Ittai Weinryb

This book presents the first full length study in English of monumental bronzes in the Middle Ages. Taking as its point of departure the common medieval reception of bronze sculpture as living or animated, the study closely analyzes the practice of lost wax casting (cire perdue) in western Europe and explores the cultural responses to large scale bronzes in the Middle Ages. Starting with mining, smelting, and the production of alloys, and ending with automata, water clocks and fountains, the book uncovers networks of meaning around which bronze sculptures were produced and consumed. The book is a path-breaking contribution to the study of metalwork in the Middle Ages and to the re-evaluation of medieval art more broadly, presenting an understudied body of work to reconsider what the materials and techniques embodied in public monuments meant to the medieval spectator.

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Showing 7,651 through 7,675 of 54,357 results