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British National Cinema (National Cinemas)
by Sarah StreetThe first substantial overview of the British film industry with emphasis on its genres, stars, and socioeconomic context, British National Cinema by Sarah Street is an important title in Routledge's new National Cinemas series. British National Cinema synthesizes years of scholarship on British film while incorporating the author' fresh perspective and research. Street divides the study of British cinema into four sections: the relation between the film industry and government; specific film genres; movie stars; and experimental cinema. In addition, this beautifully illustrated volume includes over thirty stills from every sphere of British cinema. British National Cinema will be of great interest to film students and theorists as well as the general reader interested in the fascinating scope of British film.
British Naval Weapons of World War Two, Volume I: Destroyer Weapons (The John Lambert Collection)
by Norman Friedman&“For anyone wishing to super-detail any British destroyer of this era, this book looks to be a real must-have.&” —Nautical Research Guild's Model Ship World John Lambert was a renowned naval draftsman, whose plans were highly valued for their accuracy and detail by modelmakers and enthusiasts. By the time of his death in 2016 he&’d produced over 850 sheets of drawings, many of which have never been published—until now. Lambert&’s interest was always focused on smaller warships and his weapons drawings tend to be of open mountings—the kind that present a real challenge to modelmakers—rather than enclosed turret guns, but he also produced drawings of torpedo tubes, underwater weapons, fire-control directors, and even some specific armament-related deck fittings. This first volume in a series covers all such weapons carried by British destroyers of this era, with additional appendices devoted to earlier guns still in service, and destroyer-caliber weapons only mounted in larger ships. The drawings are backed by introductory essays by Norman Friedman, an acknowledged authority on naval ordnance, while a selection of photographs add to the value of the book as visual reference.
British Naval Weapons of World War Two, Volume III: Coastal Forces Weapons (The John Lambert Collection #3)
by Norman Friedman“Lambert was a drafter of no mean skill . . . his drawings are concise, clear, and invaluable to scratchbuilders and super-detailers. Very highly recommended!” —Nautical Research JournalJohn Lambert was a renowned naval draftsman whose plans were highly valued for their accuracy and detail by modelmakers and enthusiasts. By the time of his death in 2016 he had produced over 850 sheets of drawings, many of which had never been published. Now they have become available in these remarkable collections, with expert commentary and captioning included. The initial volumes concentrate on British naval weaponry used in the Second World War, thus completing the project Lambert was working on when he died. His interest was always focused on smaller warships and his weapons drawings tend to be of open mountings—the kind that present a real challenge to modelmakers—rather than enclosed turret guns, but he also produced drawings of torpedo tubes, underwater weapons, fire-control directors, and even some specific armament-related deck fittings. Following the earlier volumes on destroyer and escort armament, this one covers the multitude of weapons carried by Coastal Forces, many of which were improvised, ad hoc, or obsolescent, but eventually led to powerful purpose-designed weaponry. An appendix covering the main deck guns carried by British submarines of this era is included, along with an introductory essay by naval ordnance authority Norman Friedman and a selection of photos.
British Pirates in Print and Performance
by Frederick BurwickFictional or real, pirates haunted the imagination of the 18th and 19th century-British public during this great period of maritime commerce, exploration, and naval conflict. British Pirates in Print and Performanc e explores representations of pirates through dozens of stage performances, including adaptations by Byron, Scott, and Cooper.
British Planning Policy: Planning In The Major Years
by Mark Tewdwr-JonesFirst Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
British Postcards of the First World War
by Peter DoylePostcards sent by men on the front, and to them by their families, are among the most numerous, and most telling, surviving artifacts of World War I. They tell us much about attitudes towards the war, and provide a great insight into men's lives, and into the thoughts and emotions of those left behind. Very different in their illustration, and in their writing, between the beginning of the war and the end, the postcard provides a social history of the war in microcosm. Illustrated with a wide range of postcards, this book is a perfect introduction to the subject for the collector, and will help any family or social historian to gain a better understanding of the postcards in his possession.From the Trade Paperback edition.
British Railway Tickets
by Jan DobrzynskiIn 1838 Thomas Edmondson, an employee of the fledgling Newcastle & Carlisle Railway, revolutionized the ticket issuing process in Britain and left an enduring legacy: the Edmondson ticket. Purchased as proof of the contract between passenger and railway company, the ticket was a receipt, travel pass and an ephemeral record of almost every train journey ever taken in the British Isles, reflecting the nostalgia of the railways and a period of history when the movement of millions of people brought together England, Ireland, Scotland and Wales. The railways printed millions of tickets for every conceivable journey and category of passenger. Most were destroyed after use, but remarkably many survive, in the care of libraries, museums and collectors, and form the basis of a fascinating hobby.
British Railways in the 1960s: London Midland Region (Geoff Plumb Collection)
by Geoff PlumbA &“profusely illustrated&” and &“impressively informative&” look at the end of the steam locomotive era on one of UK&’s Big Four railway lines (Midwest Book Review). After the Second War, Britain&’s railways were rundown and worn out, requiring massive investment and modernization. The Big Four railway companies were nationalized from 1948, and the newly formed British Railways embarked on a program of building new Standard steam locomotives to replace older types. These started to come on stream from 1951. This program was superseded by the 1955 scheme to dieselize and electrify many lines and so the last loco of the Standard types was built in 1960 and the steam locomotives had been swept entirely from the BR network by 1968. This series of books, The Geoff Plumb Collection, is a photographic account of those last few years of the steam locomotives, their decline and replacement during the transition years. Each book covers one of the former Big Four, the Southern Railway, London Midland & Scottish Railway, Great Western Railway and London & North Eastern Railway, including some pictures of the Scottish lines of the LMS and LNER. Though not a complete history of the railways, the books bring a sense of occasion to the last run of a locomotive type or a stretch of line about to be closed down. Pictures are of the highest quality that could be produced with the equipment then available, but they do reflect real life and real times. In simple terms, a look at a period not so long ago but now gone forever. &“An evocative collection of views of the twilight of BR steam.&” —Railway Modeller
British Railways in the 1960s: London Midland Region (Geoff Plumb Collection)
by Geoff PlumbA &“profusely illustrated&” and &“impressively informative&” look at the end of the steam locomotive era on one of UK&’s Big Four railway lines (Midwest Book Review). After the Second War, Britain&’s railways were rundown and worn out, requiring massive investment and modernization. The Big Four railway companies were nationalized from 1948, and the newly formed British Railways embarked on a program of building new Standard steam locomotives to replace older types. These started to come on stream from 1951. This program was superseded by the 1955 scheme to dieselize and electrify many lines and so the last loco of the Standard types was built in 1960 and the steam locomotives had been swept entirely from the BR network by 1968. This series of books, The Geoff Plumb Collection, is a photographic account of those last few years of the steam locomotives, their decline and replacement during the transition years. Each book covers one of the former Big Four, the Southern Railway, London Midland & Scottish Railway, Great Western Railway and London & North Eastern Railway, including some pictures of the Scottish lines of the LMS and LNER. Though not a complete history of the railways, the books bring a sense of occasion to the last run of a locomotive type or a stretch of line about to be closed down. Pictures are of the highest quality that could be produced with the equipment then available, but they do reflect real life and real times. In simple terms, a look at a period not so long ago but now gone forever. &“An evocative collection of views of the twilight of BR steam.&” —Railway Modeller
British Railways in the 1960s: Western Region (The Geoff Plum Collection)
by Geoff PlumbAn evocative collection of photographs covering the Western Region during a decade of great change. After the Second World War, Britain&’s railways were rundown and worn out, requiring massive investment and modernization. The &“Big Four&” railway companies were nationalized from 1948, and the newly formed British Railways embarked on a program of building new &“Standard&” steam locomotives to replace older types. These started to come on stream from 1951. This program was superseded by the 1955 scheme to dieselize and electrify many lines, and so the last loco of the &“Standard&” types was built in 1960—and the steam locomotives had been swept entirely from the BR network by 1968. This series of books is a photographic account of those last few years of the steam locomotives, their decline and replacement during the transition years. This volume covers much of the Western Region, as photographed by the author in his youth, often with limited time or disposable income but always with a passion for his project. While not a complete history, it offers a vivid illustration of how things were in the relatively recent past and imparts information through comprehensive captions, which give a sense of occasion—often a &“last run&” of a locomotive type or over a stretch of line about to be closed down. In simple terms, it&’s a look at a period not so long ago but now gone forever. Praise for the series &“Profusely illustrated . . . impressively informative.&” —Midwest Book Review &“An evocative collection of views of the twilight of BR steam.&” —Railway Modeller
British Railways in the 1970s and '80s
by Greg MorseFor British Rail, the 1970s was a time of contrasts, when bad jokes about sandwiches and pork pies often belied real achievements, like increasing computerisation and the arrival of the high-speed Inter-City 125s. But while television advertisements told of an 'Age of the Train', Monday morning misery continued for many, the commuter experience steadily worsening as rolling stock aged and grew ever more uncomfortable. Even when BR launched new electrification schemes and new suburban trains in the 1980s, focus still fell on the problems that beset the Advanced Passenger Train, whose ignominious end came under full media glare. In British Railways in the 1970s and '80s, Greg Morse guides us through a world of Traveller's Fare, concrete concourses and peak-capped porters, a difficult period that began with the aftershock of Beeching but ended with BR becoming the first nationalised passenger network in the world to make a profit.
British Realist Theatre: The New Wave in its Context 1956 - 1965
by Stephen LaceyThe British `New Wave' of dramatists, actors and directors in the late 1950s and 1960s created a defining moment in post-war theatre. British Realist Theatre is an accessible introduction to the New Wave, providing the historical and cultural background which is essential for a true understanding of this influential and dynamic era. Drawing upon contemporary sources as well as the plays themselves, Stephen Lacey considers the plays' influences, their impact and their critical receptions. The playwrights discussed include: * Edward Bond * John Osborne * Shelagh Delaney * Harold Pinter
British Regionalism and Devolution: The Challenges of State Reform and European Integration (Regions and Cities #Vol. 12)
by John Mawson Jonathan BradburyThis contributors provide a range of perspectives on the increasingly central issues of state reform, European integration and British regionalism in the 1990s. Using case material, the contributors examine: the effects of state reform and European integration on British regionalism and the devolution debate; and the nature of recent central responses to the re-emergence of regional and devolution issues, with a particular focus on the recent policies of the Major governments and the policies of the Opposition parties.They also present some evidence which suggests that state reform and EC/EU developments have determined and accentuated important new trends in British regionalism, and underpin the plausibility of far-reaching regional and devolution reforms.
British Romanticism and the Reception of Italian Old Master Art, 1793-1840 (Studies in Art Historiography)
by Maureen McCueAs a result of Napoleon’s campaigns in Italy, Old Master art flooded into Britain and its acquisition became an index of national prestige. Maureen McCue argues that their responses to these works informed the writing of Romantic period authors, enabling them to forge often surprising connections between Italian art, the imagination and the period’s political, social and commercial realities. Dr McCue examines poetry, plays, novels, travel writing, exhibition catalogues, early guidebooks and private experiences recorded in letters and diaries by canonical and noncanonical authors, including Felicia Hemans, William Buchanan, Henry Sass, Pierce Egan, William Hazlitt, Percy Shelley, Lord Byron, Anna Jameson, Maria Graham Callcott and Samuel Rogers. Her exploration of the idea of connoisseurship shows the ways in which a knowledge of Italian art became a key marker of cultural standing that was no longer limited to artists and aristocrats, while her chapter on the literary production of post-Waterloo Britain traces the development of a critical vocabulary equally applicable to the visual arts and literature. In offering cultural, historical and literary readings of the responses to Italian art by early nineteenth-century writers, Dr McCue illuminates the important role they played in shaping the themes that are central to our understanding of Romanticism.
British Seashells: A Guide for Collectors and Beachcombers
by Paul ChambersUsing original Victorian prints, by collectable artist George Sowerby, marine biologist and author Paul Chambers has produced the first comprehensive guide to shells for over a century. The original prints are intricately detailed (much better than photographs which lack the exact detail of these drawings) and are a selling point in themselves but will be complemented by informative but accessible text, including families and to show what's edible, dangerous or belongs to mollusc families and in what part of the country they can be discovered. A delightful study by the leading expert and a must for anyone interested in learning more about shells - or who just enjoys beachcombing with the family.
British Silent Cinema and the Great War
by Michael Williams Michael HammondThis book presents a unique insight into an extraordinary period of European history that had far-reaching significance for British cinema andfor the way history itselfis represented. The work collected in this volume draws from the best knowledge, enthusiasm and critical insight of leading scholars, archivists and historians specialising in British cinema. The editors are experts in the field of British silent cinema; in particular, its complex relationship to the Great War and its afterimage in popular culture. As the Great Warcontinues tofade from living memory, it is a significant task to look back at how the cinema industry responded to that conflict as it unfolded, and how it shaped the war's memory through the 1910s and 1920s. "
British Sloops and Frigates of the Second World War (ShipCraft #27)
by Les BrownThe ‘ShipCraft’ series provides in-depth information about building and modifying model kits of famous warship types. Lavishly illustrated, each book takes the modeler through a brief history of the subject, highlighting differences between ships and changes in their appearance over their careers. This includes paint schemes and camouflage, featuring color profiles and highly detailed line drawings and scale plans. The modeling section reviews the strengths and weaknesses of available kits, lists commercial accessory sets for super-detailing of the subjects, and provides hints on modifying and improving the basic kit. This is followed by an extensive photographic gallery of selected high-quality models in a variety of scales, and the book concludes with a section on research references – books, monographs, large-scale plans and relevant websites. This volume covers the majority of British wartime escort classes, from the inter-war ASW and minesweeping sloops that culminated in the superb Black Swan class, to the wartime designs that were originally known as ‘twin-screw corvettes’ but were eventually classed as frigates – the ‘River’ class, and their derivatives of the ‘Loch/Bay’ classes that were modified for prefabricated construction. Also included are the American-built destroyer escorts which became RN ‘Captains’ class frigates and the earlier ex-US Coast Guard cutters that were listed as sloops. With its unparalleled level of visual information – paint schemes, models, line drawings and photographs – this book is simply the best reference for any model-maker setting out to build any of these numerous escort types.
British Social Realism in the Arts since 1940
by David TuckerThis is the first book of its kind to look across disciplines at this vital aspect of British art, literature and culture. It brings the various intertwined histories of social realism into historical perspective, and argues that this sometimes marginalized genre is still an important reference point for creativity in Britain.
British Social Realism: From Documentary to Brit Grit (Short Cuts)
by Samantha LayBritish Social Realism details and explores the rich tradition of social realism in British cinema from its beginnings in the documentary movement of the 1930s to its more stylistically eclectic and generically hybrid contemporary forms. Samantha Lay examines the movements, moments and cycles of British social realist texts through a detailed consideration of practice, politics, form, style and content, using case studies of key texts including Listen to Britain, Saturday Night and Sunday Morning, Letter to Brezhnev, and Nil by Mouth. In discussing the work of many prominent realist filmmakers, the book considers the challenges for social realist film practice and production in Britain, now and in the future.
British Socialist and Workers Theatre: Red Stages
by Robert LeachThis book provides an overview of the inception, development and achievements of British socialist and workers theatre – a feat which has not been attempted before. It explores the connections between politics and culture (specifically theatre) and between political theory and cultural (theatrical) expression. The book is organized chronologically and uncovers much in labour and theatre history which is in danger of being lost. It can also be seen as a way into different moments in its subject’s story (e.g. post-Ibsen naturalism; agitprop theatre; ‘fringe’ theatre of the 1970s) and the relationship of such forms to specific political events and ideas at specific points in history.
British Stuff: 101 Objects That Make Britain Great
by Geoff Hall Kamila KasperowiczThis fascinating, full-colour, photographic compendium invites you to discover contemporary Britain through its everyday objects. Showcasing a wealth of iconic British design staples – from the Mini and the Anglepoise lamp to wellies and Worcestershire sauce – this must-have guide will help you to understand British culture from the inside out.
British Stuff: 101 Objects That Make Britain Great
by Geoff Hall Kamila KasperowiczThis fascinating, full-colour, photographic compendium invites you to discover contemporary Britain through its everyday objects. Showcasing a wealth of iconic British design staples – from the Mini and the Anglepoise lamp to wellies and Worcestershire sauce – this must-have guide will help you to understand British culture from the inside out.
British TV Comedies: Cultural Concepts, Contexts And Controversies
by Jürgen Kamm Birgit NeumannThis collection offers an overview of British TV comedies, ranging from the beginnings of sitcoms in the 1950s to the current boom of 'Britcoms'. It provides in-depth analyses of major comedies, systematically addressing their generic properties, filmic history, humour politics and cultural impact.
British Tanks: 1945 To The Present Day (Images of War)
by Pat WareIn this companion volume to British Tanks: The Second World War, Pat Ware provides an expert introduction to the design, production and operation of British tanks since 1945. Fewer types of tank were built than during the wartime period, but the complexity of design and manufacture increased, and a level of technical sophistication in the key areas of armor, firepower and mobility was beyond the imaginings of the tank pioneers of the First World War.Using a selection of contemporary photographs supported by some modern photographs of preserved vehicles Pat Ware sets the modern tank in a historical context. He describes its origins in Britain and its development and deployment in the Second World War and in the post-war period. All the British tanks that have seen service since the war are depicted, among them the Conqueror, Chieftain, Centurion and Challenger. The engineers tanks the flails, recovery vehicles, bridge-layers are featured, as are the less-well-known British tanks made for export.This highly illustrated survey gives a fascinating insight into the recent evolution of the British tank and its role in the postwar world.Pat Ware is a leading expert on the history of military vehicles and a prolific writer of books and articles on every aspect of the subject. His most recent publications include a study of the military Jeep and encyclopaedias of military vehicles and motorcycles. He was the founding editor of Classic Military Vehicle magazine in 2001 and continues to contribute to the magazine as well as writing a military column for Land Rover World.
British Television Animation 1997–2010
by Van NorrisBritish Television Animation 1997-2010 charts a moment in TV history where UK comic animation graduated from the margins as part of a post-Simpsons broadcast landscape. Shows like Monkey Dust, Modern Toss and Stressed Eric not only reflected the times but they ushered in an era of ambition and belief in British adult animation.