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Collected Memoirs: Ahead of Time, Haven, and Inside of Time
by Ruth GruberThree poignant and powerful memoirs from the award-winning journalist, human rights advocate, and &“fearless chronicler of the Jewish struggle&” (The New York Times). Winner of the National Jewish Book Award for her biography of the pioneering Israeli nurse, Raquela Prywes, Ruth Gruber lived an extraordinary life as a foreign correspondent, photographer, humanitarian, and author. This collection is comprised of three of her most gripping memoirs, covering many of the most significant historical events in the first half of the twentieth century. Ahead of Time: At the tender age of eighty, the trailblazing journalist looked back on her remarkable first twenty-five years: growing up in a Brooklyn shtetl; entering New York University at fifteen; becoming the world&’s youngest person to earn a PhD at nineteen in Cologne, Germany; being exposed to Hitler&’s rise to power; and becoming the first American to travel to Siberia at the age of twenty-four, reporting on Gulag conditions for the New York Herald Tribune, in this &“beautifully crafted&” memoir (Publishers Weekly). &“Ruth Gruber&’s singular autobiography is both informative and poignant. Read it and your own memory will be enriched.&” —Elie Wiesel Haven: In 1943, nearly one thousand European Jewish refugees were chosen by President Roosevelt to receive asylum in the United States. Working for the secretary of the interior, Gruber volunteered to shepherd them on their secret route across the Atlantic from Italy. She recorded the refugees&’ dangerous passage, along with the aftermath of their arrival, which involved a fight to stay in the US after the war ended. The &“remarkable story&” was made into a TV miniseries starring Natasha Richardson as Gruber (Booklist). &“[A] touching story . . . [Ruth Gruber] has put us into the full picture and humanized it.&” —The New York Times Inside of Time: Unstoppable at ninety-one, Gruber, &“with clarity, insight and humor,&” revisited the years 1941 to 1952, recounting her eighteen months spent surveying Alaska on behalf of the US government, her role assisting Holocaust refugees&’ emigration from war-torn Europe to Israel, and her relationships with some of the most important figures of the era, including Eleanor Roosevelt and Golda Meir (Publishers Weekly). &“Gruber bore witness, spoke bluntly, galvanized public opinion, inspired people to action.&” —Blanche Wiesen Cook, Los Angeles Times
The Collected Memoirs Volume One: Fifty Days of Solitude, The Pleasure of Their Company, and Extra Innings
by Doris GrumbachThree memoirs about isolation, aging, and death from an author whose “private self is as intelligent and generous as her public persona” (Publishers Weekly).Fifty Days of Solitude: Faced with a rare opportunity to experiment with true solitude, Doris Grumbach decided to live in her coastal Maine home without speaking to anyone for fifty days. A New York Times Notable Book, the result is a “quiet, elegantly written” recollection about what it means to write, to be alone, and to come to terms with mortality (Publishers Weekly). The Pleasure of Their Company: As her eightieth birthday approaches, Doris Grumbach uses the event as an opportunity both to look backward and to grow. She weaves a delightful tapestry of “surprising and meaningful observations,” allowing readers a glimpse into her life and the characters that have peopled her nearly eight decades on Earth (Library Journal). Extra Innings: This New York Times Notable Book follows a year in Doris Grumbach’s life, beginning with the release of her memoir Coming into the End Zone, and revealing that she possesses as keen an eye in her seventies as she did when she wrote The Spoil of Flowers thirty years earlier. In this “clear, honest picture of her own old age,” Grumbach details each passing month with their trials and triumphs (Library Journal).
Collected Nonfiction: How the Good Guys Finally Won, The World According to Breslin, and The World of Jimmy Breslin
by Jimmy BreslinColorful, riveting reportage from a one-of-a-kind Pulitzer Prize–winning journalist and New York Times–bestselling author. In his career as a legendary New York City newspaper columnist, Jimmy Breslin “leveled the powerful and elevated the powerless for more than fifty years with brick-hard words and a jagged-glass wit” (The New York Times). How the Good Guys Finally Won: Following the burglary of the Democratic National Committee headquarters at the Watergate Hotel, as evidence increasingly mounted against President Richard Nixon, Thomas “Tip” O’Neill, the Majority Leader in the House of Representatives, led the charge calling for impeachment. In this New York Times bestseller, Breslin’s blow-by-blow, conviction-by-conviction account is a gripping reminder of how O’Neill and his colleagues brought justice to those who abused their power, and revived America after the greatest political scandal in its history. “Breslin’s reporting is superb and so is his prose, his insights keen and often startling, his wit unceasing.” —Chicago Tribune The World According to Breslin: In an illustrious career that spanned decades, the seven years that Breslin spent at the New YorkDaily News sparked some of his finest work. When New York City tumbled into economic and social chaos at the end of the 1970s, Breslin was there. In this collection of classic columns, he looks at the city not from the top down but from the bottom up, heralding the heroism of average New Yorkers. “Superb . . . a master of the tough-talking, thoroughly researched, contentious, street-wise vignette.” —San Francisco Chronicle The World of Jimmy Breslin: In the 1960s, as the once-proud New York Herald Tribune spiraled into bankruptcy, the brightest light in its pages was an ebullient young columnist named Jimmy Breslin. While ordinary columnists wrote about politics, culture, or the economy, Breslin’s chief topics were the city and himself. He was chummy with cops, arsonists, and thieves, and told their stories with grace, wit, and lightning-quick prose. Whether covering the five boroughs, Vietnam, or the death of John F. Kennedy, Breslin managed to find great characters wherever he went. “Breslin’s touch is absolutely sure.” —The Washington Post Book World
The Collected Novels Volume One: Chamber Music and The Ladies
by Doris GrumbachTwo compelling works of fiction from a feminist literary icon hailed as “Virginia Woolf without the evasive prettifying” (The New York Times).Chamber Music: Caroline Maclaren, the widow of a prominent composer, is finally going to tell her own life story. Taking pen to paper, she relives her sheltered youth, her chilly marriage to a brilliant man, and the melancholy solitude she experienced until she found loving companionship with her ill husband’s caretaker, Anna. This masterful tale of passion late in life is widely considered Grumbach’s finest work. The Ladies: In 1778, Eleanor Butler and Sarah Ponsonby left Ireland to live together in Wales as a married couple. Well-born and highly educated, the Ladies of Llangollen—as they came to be known—defied social convention, spending half a century in a devoted relationship. In this fictionalized account, Grumbach breathes vivid life into this fascinating story that is “a true classic on that rarest of relationships, companions of the heart” (San Francisco Examiner & Chronicle). A truly groundbreaking talent whose writing “depicts lesbianism as a positive, life-giving force in women’s lives,” Doris Grumbach’s words continue to move the hearts and minds of a new generation of readers (Ann Cothran).
The Collected Papers of Otto Fenichel (Vol #1)
by David Rapaport Hanna Fenichel Otto Fenichel<P> In the world of psychoanalysis, the late Otto Fenichel was pre-eminently distinguished for brilliant observation, tireless energy, and skill. Otto Fenichel's highly significant essays explore many subjects that were only touched on in his books. Many of these discussions, present-day classics in their fields, are comprehensive monographs in themselves. Often so much is brought to bear on the central topic from so many sources, and then related so clearly to the context, that these essays become works of reference for a much larger field. It is a contribution of the greatest value to preserve and make conveniently available so much that is intensely useful from the life work of this remarkable man.
The Collected Schizophrenias: Essays
by Esmé Weijun WangPowerful, affecting essays on mental illness, winner of the Graywolf Press Nonfiction Prize and a Whiting AwardAn intimate, moving book written with the immediacy and directness of one who still struggles with the effects of mental and chronic illness, The Collected Schizophrenias cuts right to the core. Schizophrenia is not a single unifying diagnosis, and Esmé Weijun Wang writes not just to her fellow members of the “collected schizophrenias” but to those who wish to understand it as well. Opening with the journey toward her diagnosis of schizoaffective disorder, Wang discusses the medical community’s own disagreement about labels and procedures for diagnosing those with mental illness, and then follows an arc that examines the manifestations of schizophrenia in her life. In essays that range from using fashion to present as high-functioning to the depths of a rare form of psychosis, and from the failures of the higher education system and the dangers of institutionalization to the complexity of compounding factors such as PTSD and Lyme disease, Wang’s analytical eye, honed as a former lab researcher at Stanford, allows her to balance research with personal narrative. An essay collection of undeniable power, The Collected Schizophrenias dispels misconceptions and provides insight into a condition long misunderstood.
The Collected Works of G. K. Chesterton XXXIV The Illustrated London News 1926-1928
by G. K. Chesterton Lawrence J. ClipperThis 34th Volume is a collection of articles written by G.K. Chesterton in The Illustrated London News during 1926-1928.
The Collected Works of Jim Morrison: Poetry, Journals, Transcripts, and Lyrics
by Jim MorrisonNEW YORK TIMES BESTSELLERThe definitive anthology of Jim Morrison's writings with rare photographs and numerous handwritten excerpts of unpublished and published poetry and lyrics from his 28 privately held notebooks.You can also hear Jim Morrison’s final poetry recording, now available for the first time, on the CD or digital audio edition of this book, at the Village Recorder in West Los Angeles on his twenty-seventh birthday, December 8, 1970. The audio book also includes performances by Patti Smith, Oliver Ray, Liz Phair, Tom Robbins, and others reading Morrison’s work. Created in collaboration with Jim Morrison’s estate and inspired by a posthumously discovered list entitled “Plan for Book,” The Collected Works of Jim Morrison is an almost 600-page anthology of the writings of the late poet and iconic Doors’ front man. This landmark publication is the definitive opus of Morrison’s creative output—and the book he intended to publish. Throughout, a compelling mix of 160 visual components accompanies the text, which includes numerous excerpts from his 28 privately held notebooks—all written in his own hand and published here for the first time—as well as an array of personal images and commentary on the work by Morrison himself. This oversized, beautifully produced collectible volume contains a wealth of new material—poetry, writings, lyrics, and audio transcripts of Morrison reading his work. Not only the most comprehensive book of Morrison’s work ever published, it is immersive, giving readers insight to the creative process of and offering access to the musings and observations of an artist whom the poet Michael McClure called “one of the finest, clearest spirits of our times.” This remarkable collector’s item includes: Foreword by Tom Robbins; introduction and notes by editor Frank Lisciandro that provide insight to the work; prologue by Anne Morrison ChewningPublished and unpublished work and a vast selection of notebook writings The transcript, the only photographs in existence, and production notes of Morrison’s last poetry recording on his twenty-seventh birthday The Paris notebook, possibly Morrison’s final journal, reproduced at full reading sizeExcerpts from notebooks kept during his 1970 Miami trialThe shooting script and gorgeous color stills from the never-released film HWYComplete published and unpublished song lyrics accompanied by numerous drafts in Morrison’s handEpilogue: “As I Look Back”: a compelling autobiography in poem form Family photographs as well as images of Morrison during his years as a performer
The Collected Works of W. B. Yeats Volume III: Autobiographies
by Douglas Archibald William Butler Yeats William O'DonnellAutobiographies consists of six autobiographical works that William Butler Yeats published together in the mid-1930s to form a single, extraordinary memoir of the first fifty-eight years of his life, from his earliest memories of childhood to winning the Nobel Prize for Literature. This volume provides a vivid series of personal accounts of a wide range of figures, and it describes Yeats's work as poet and playwright, as a founder of Dublin's famed Abbey Theatre, his involvement with Irish nationalism, and his fascination with occultism and visions. This book is most compelling as Yeats's own account of the growth of his poetic imagination. Yeats thought that a poet leads a life of allegory, and that his works are comments upon it. Autobiographies enacts his ruling belief in the connections and coherence between the life that he led and the works that he wrote. It is a vision of personal history as art, and so it is the one truly essential companion to his poems and plays. Edited by William H. O'Donnell and Douglas N. Archibald, this volume is available for the first time with invaluable explanatory notes and includes previously unpublished passages from candidly explicit first drafts.
The Collected Works of W. B. Yeats Volume III: Autobiographies
by William H. O'Donnell Douglas N. Archibald William Butler YeatsThe Collected Works of W. B. Yeats, Volume III: Autobiographies is part of the fourteen-volume series overseen by eminent Yeats scholars Richard J. Finnerah and George Mills Harper. The series includes virtually all of the Nobel laureate's published work, with authoritative and explanatory notes. Autobiographies consists of six autobiographical works --Reveries Over Childhood and Youth, The Trembling of the Veil, Dramatis Personae, Estrangement, The Death of Synge, and The Bounty of Sweden-- that William Butler Yeats published together in the mid-1930s to form a single, extraordinary memoir of the first fifty-eight years of his life, from his earliest memories of childhood to winning the Nobel Prize for Literature. This volume provides a vivid series of personal accounts of a wide range of figures, and it describes Yeats's work as poet and playwright, as a founder of Dublin's famed Abbey Theatre, his involvement with Irish nationalism, and his fascination with occultism and visions. This book is most compelling as Yeats's own account of the growth of his poetic imagination. Yeats thought that a poet leads a life of allegory, and that his works are comments upon it. Autobiographies enacts his ruling belief in the connections and coherence between the life that he led and the works that he wrote. It is a vision of personal history as art, and so it is the one truly essential companion to his poems and plays. Edited by William H. O'Donnell and Douglas N. Archibald, this volume is available for the first time with invaluable explanatory notes and includes previously unpublished passages from candidly explicit first drafts.
The Collected Works Volume Two: Cuts, All Dressed Up and Nowhere to Go, and Doctor Criminale
by Malcolm BradburySharp-witted novels and social commentary by the beloved British critic, teacher, and author of the &“outstanding&” comic masterpiece, The History Man (The Guardian). &“A satirist of great assurance and accomplishment,&” Malcolm Bradbury remains one of the sharpest comic minds of the twentieth century (The Observer). Cuts and Doctor Criminale—like &“all Bradbury&’s novels, for all their surface wit and comedy, have serious moral and philosophical subtexts&” (The Guardian), as do his barbed and brilliant observations on 1950s culture shock in Great Britain in All Dressed Up and Nowhere to Go. Taken together, these three volumes illustrate the myriad ways &“Bradbury dazzles&” (Kirkus Reviews). Cuts: In Bradbury&’s &“outrageously funny&” satire set in Thatcher-era Great Britain, a media tycoon, looking to strike it rich with television gold, recruits an unassuming novelist and academic to script his small-screen epic, with disastrous—and hilarious—consequences (Publishers Weekly). &“It is funny, exact—and pretty bloody serious.&” —The Observer All Dressed Up and Nowhere to Go: In this nonfiction social commentary, Bradbury confronts a curious moment in British history. After teaching abroad for a year in the 1950s, he returned to find that his native country had become nearly as mystifying to him as the American Midwest. As Britain marched toward a new decade, much of the country was changing rapidly, its agrarian past paved over by suburban developer and its quiet traditionalism replaced by beehive hairdos and shiny, glass-walled office buildings. With wry wit, he reacts to this uncomfortable transition to mid-twentieth-century modernism. &“A master not only of language and comedy but of feeling too.&” —The Sunday Times Doctor Criminale: &“Playful, smart and entertaining,&” Bradbury&’s comic novel follows enterprising young reporter Francis Jay as he attempts to navigate the chaotic world of post–Cold War Europe in pursuit of the specter of literary legend Bazlo Criminale, a mysterious novelist and thinker known for his extreme elusiveness (The New York Times Book Review). &“Bradbury writes with splendid energy and a fertile mind.&” —Los Angeles Times Book Review
The Collected Works Volume Two: Always the Sun, Natural History, and Heartland
by Neil CrossTwo taut psychological thrillers and a gripping memoir from the creator of the hit BBC crime series Luther and a “master of suspense” (Daily Mirror). The PEN/Ackerley Prize–shortlisted author and creator of Luther starring Idris Elba, British author Neil Cross is “an astonishing writer—tautly lyrical, and able at a stroke to fill you with cold, dark fear of the malign forces at large in the world” whether writing fiction or memoir (Time Out London). In this collection, Cross unflinchingly explores the dark side of parenting and family drama in ways equally startling and unforgettable. Always the SunLonglisted for the Man Booker Prize Looking for a fresh start after the death of his wife, Sam and his thirteen-year-old son, Jamie, return to Sam’s hometown. But at his new school, a group of kids led by a savage bully target Jamie, and the administration does nothing. When Jamie comes home bearing real, physical scars, Sam is left at a crossroads: How far will he go to protect his child? “Harrowing but gripping.” —Time Out London Natural History: In a last-ditch attempt to save their floundering marriage, Patrick and Jane founded an animal sanctuary called Monkeyland. But following the mysterious death of an ape, Patrick becomes obsessed, while Jane’s in Zaire shooting a nature show—and possibly cheating—and their son gets fired after an altercation. As a predatory cat stalks the periphery of the dilapidated zoo, Jane and Patrick’s search for wild beasts blinds them to the danger in their own backyard. “A masterpiece . . . seductively readable, no matter how much one dreads what may happen next.” —The Daily Telegraph HeartlandShortlisted for the PEN/Ackerley Prize In this “wonderful memoir,” Neil Cross tells the complicated story of his relationship with his stepfather. Derek Cross showers his young stepson with attention and love, teaches him about music and books, and is more reliable than Neil’s emotionally unstable mother. But as Neil grows older, he realizes the stepfather he loves is also a manipulator, adulterer, racist, and con man (The Guardian). “Moving and engrossing . . . Heartland is a tour de force.” —Daily Mail
The Collected Writings of Assia Wevill
by Julie Goodspeed-Chadwick and Peter K. SteinbergThe Collected Writings of Assia Wevill marks a significant development in literary recovery efforts related to Assia Wevill (1927–1969), who remains a critically important figure in the life and work of the Pulitzer Prize–winning poet Sylvia Plath and the British Poet Laureate Ted Hughes. Editors Julie Goodspeed-Chadwick and Peter K. Steinberg located over 150 texts authored by Assia Wevill and curated them into a collected scholarly edition of her letters, journals, poems, and other creative writings. These documents chronicle her personal and professional lives, her experiences as a single working mother in 1960s London, her domestic life with Hughes, and her celebrated translations of poetry by Yehuda Amichai. The Collected Writings of Assia Wevill offers an invaluable documentary resource for understanding a woman whose life continues to captivate readers and scholars.
The Collected Writings of Joe Brainard
by Paul Auster Ron PadgettAn artist associated with the New York School of poets, Joe Brainard (1942-1994) was a wonderful writer whose one-of-a-kind autobiographical work I Remember ("a completely original book" -Edmund White) has had a wide and growing influence. It is joined in this major new retrospective with many other pieces that for the first time present the full range of Brainard's writing in all its deadpan wit, madcap inventiveness, self-revealing frankness, and generosity of spirit. The Collected Writings of Joe Brainard gathers intimate journals, jottings, stories, one-liners, comic strips, mini-essays, and short plays, many of them available until now only as expensive rarities, if at all. "Brainard disarms us with the seemingly tossed- off, spontaneous nature of his writing and his stubborn refusal to accede to the pieties of self-importance," writes Paul Auster in the introduction to this collection. "These little works . . . are not really about anything so much as what it means to be young, that hopeful, anarchic time when all horizons are open to us and the future appears to be without limits." Assembled by the author's longtime friend and biographer Ron Padgett and including fourteen previously unpublished works, here is a fresh and affordable way to rediscover a unique American artist.
Collecting Himself: James Thurber on Writing and Writers, Humor and Himself
by Michael J. Rosen“Thurber is. . . a landmark in American humor. . . he is the funniest artist who ever lived.” — New RepublicJames Thurber spent most of his career at the New Yorker magazine, drawing cartoons and writing essays and stories. Collecting Himself is a one-of-a-kind compilation of James Thurber's vintage writings, featuring previously unanthologized articles, essays, interviews, reviews, cartoons, parodies, as well as Thurber's reflections on his work in theater and at the New Yorker. An eclectic body of work that offers a glimpse into Thurber the man, the philosopher, and the critic.
Collecting Shakespeare: The Story of Henry and Emily Folger
by Stephen H. GrantThe first biography of Henry and Emily Folger, who acquired the largest and finest collection of Shakespeare in the world.In Collecting Shakespeare, Stephen H. Grant recounts the American success story of Henry and Emily Folger of Brooklyn, a couple who were devoted to each other, in love with Shakespeare, and bitten by the collecting bug.Shortly after marrying in 1885, the Folgers started buying, cataloging, and storing all manner of items about Shakespeare and his era. Emily earned a master's degree in Shakespeare studies. The frugal couple worked passionately as a tight-knit team during the Gilded Age, financing their hobby with the fortune Henry earned as president of Standard Oil Company of New York, where he was a trusted associate of John D. Rockefeller Sr.While a number of American universities offered to house the collection, the Folgers wanted to give it to the American people. Afraid the price of antiquarian books would soar if their names were revealed, they secretly acquired prime real estate on Capitol Hill near the Library of Congress. They commissioned the design and construction of an elegant building with a reading room, public exhibition hall, and the Elizabethan Theatre. The Folger Shakespeare Library was dedicated on the Bard's birthday, April 23, 1932.The library houses 82 First Folios, 275,000 books, and 60,000 manuscripts. It welcomes more than 100,000 visitors a year and provides professors, scholars, graduate students, and researchers from around the world with access to the collections. It is also a vibrant center in Washington, D.C., for cultural programs, including theater, concerts, lectures, and poetry readings.The library provided Grant with unprecedented access to the primary sources within the Folger vault. He draws on interviews with surviving Folger relatives and visits to 35 related archives in the United States and in Britain to create a portrait of the remarkable couple who ensured that Shakespeare would have a beautiful home in America.
Collections of Nothing
by William Davies KingNearly everyone collects something, even those who don't think of themselves as collectors. William Davies King, on the other hand, has devoted decades to collecting nothing-- and a lot of it. Captivated by the detritus of everyday life, King has spent a lifetime gathering a monumental mass of miscellany, from cereal boxes to boulders to broken folding chairs. Junk, you might call it--and so might King, at times. With Collections of Nothing, he takes a hard look at this habitual hoarding to see what truths it can reveal about the impulse to accumulate. Part memoir, part reflection on the mania of acquisition, Collections of Nothing begins with the stamp collection that King was given as a boy. Philatelism's long-standing rules governing the care and display of collections soon proved an oppressive burden in the midst of the family chaos generated by his sister's growing mental illness; choosing to ignore the rules, King began to handle and display his collection according to his own desires-- the first step in his search for an unexplored, individual meaning in collecting. In the following years, rather than rarity or pedigree, he found himself searching out the lowly and the lost, the cast-off and the undesired: objects that, merely by gathering and retaining them, he could imbue with meaning, even value. As he relates the story of his burgeoning collections, King also offers a fascinating meditation on the human urge to collect. Whether it's nondescript loops of wire and old food labels or more commonly prized objects like first editions or baseball cards, our collections define us at least as much as we define them. This wry, funny, even touching appreciation and dissection of the collector's art as seen through the life of a most unusual specimen will appeal to anyone who has ever felt the unappeasable power of that acquisitive fever.
The Collector: The Story of Sergei Shchukin and His Lost Masterpieces
by Natalya Semenova André-Marc Delocque-FourcaudA fascinating life of Sergei Shchukin, the great collector who changed the face of Russia’s art world Sergei Shchukin was a highly successful textiles merchant in the latter half of the nineteenth century, but he also had a great eye for beauty. He was one of the first to appreciate the qualities of the Impressionists and Post-Impressionists and to acquire works by Cézanne, Matisse, and Picasso. A trailblazer in the Russian art world, Shchukin and his collection shocked, provoked, and inspired awe, ridicule, and derision among his contemporaries. This is the first English-language biography of Sergei Shchukin, written by art historian Natalya Semenova and adapted by Shchukin's grandson André Delocque. Featuring personal diary entries, correspondence, interviews, and archival research, it brings to light the life of a man who has hitherto remained in the shadows, and shows how despite his controversial reputation, he opened his collection to the public, inspiring a future generation of artists and changing the face of the Russian art world.
The Collector of Lives: Giorgio Vasari And The Invention Of Art
by Ingrid Rowland Noah CharneyIn the tradition of The Swerve and How to Live, this vivid biography reveals how a Renaissance scholar reshaped the visual world. Giorgio Vasari (1511–1574) was a man of many talents—a sculptor, painter, architect, writer, and scholar—but he is best known for Lives of the Artists, the classic account that singlehandedly invented the genre of artistic biography and established the canon of Italian Renaissance art. Before Vasari’s extraordinary book, art was considered a technical skill rather than an intellectual pursuit, and artists were mere decorators and craftsmen. It was through Vasari’s visionary writings that artists like Raphael, Leonardo, and Michelangelo came to be regarded as great masters of life as well as art, their creative genius celebrated as a divine gift. Their enduring reputations testify to Vasari’s profound yet unspoken influence on western culture. An advisor to kings and pontiffs—and a confidant to Titian, Donatello, and more—Vasari enjoyed an exhilarating career amid the thrilling culture of Renaissance Italy. In The Collector of Lives, Ingrid Rowland and Noah Charney offer a lively and inviting introduction to this pivotal figure in art history, and immerse readers in the world of the Medici of Florence and the popes of Rome. A narrative of intrigue, scandal, and colorful artistic rivalry, this vivid biography shows the great works of western art taking shape under Vasari’s keen eye—and reveals how one Renaissance scholar completely redefined how we look at art.
The Collector of Worlds: A Novel of Sir Richard Francis Burton
by Iliya Troyanov William HobsonThis fictionalized account imagines the life of Sir Richard Francis Burton--a nineteenth-century British colonial officer with a rare ability to assimilate into indigenous cultures.
College Girl: A Memoir (Excelsior Editions)
by Laura Gray-RosendaleNorthern Arizona's Mountain Living Book of the YearGold Medalist, 2014 Independent Publisher Book Awards in the Autobiography/Memoir III (Personal Struggle / Health Issues) categoryFinalist for the 2013 May Sarton Memoir Award presented by the Story Circle NetworkAward-Winning Finalist in the Autobiography/Memoirs category of The 2013 USA Best Book Awards, sponsored by USA Book News2013In College Girl, a university professor revisits the memory of a brutal sexual assault and recounts her long, circuitous route from trauma to recovery. Offering present-day reflections alongside the fresh, hopeful voice of the twenty-year-old student she once was, Laura Gray-Rosendale tells the story of her near destruction and her family's disintegration, but also one of abiding friendships and shining hope. In the end, College Girl is also a story about stories, and a meditation on memoir itself.Gray-Rosendale writes in a tone that is simply unforgettable—gritty, humorous, and raw. Artfully written and devoid of self-pity, College Girl is a rich story of triumph, hope, and survival.
College Knowledge for the Student Athlete
by Schoem David Kovacs ShellyThis book was written to support the academic success of student athletes—whether at a large or small university or college, whether team or individual sport, whether women or men, whether on scholarship or not. While all college students must learn to negotiate the complex transition from high school to college, student athletes face unique challenges, including the complicated set of regulations set out by the NCAA and individual conferences that determine eligibility. The current environment in college athletics makes it even more critical that student athletes understand what they need to do academically and how to avoid potential situations that could jeopardize their athletic careers. College Knowledge for the Student Athlete is a road map and tour guide for a successful career as a student athlete. Tips are based on research and the authors’ experience, as well as the wisdom and advice of hundreds of former student athletes.
College of One: The Story of How F. Scott Fitzgerald Educated the Woman He Loved (Neversink)
by Sheilah Graham Wendy W. FaireyThe moving story of how F. Scott Fitzgerald--washed up, alcoholic and ill--dedicated himself to devising a heartfelt course in literature for the woman he loved.In 1937, on the night of her engagement to the Marquess of Donegall, Sheilah Graham met F. Scott Fitzgerald at a party in Hollywood. Graham, a British-born journalist, broke off her engagement, and until Fitzgerald had a fatal heart attack in her apartment in 1940, the two writers lived the fervid, sometimes violent affair that is memorialized here with unprecedented intimacy. When they met, Fitzgerald's fame had waned. He battled crippling alcoholism while writing screenplays to support his daughter and institutionalized wife. Graham's star, however, was rising, to the point where she became Hollywood's highest-paid, best-read gossip columnist. But if Fitzgerald had lived out his "crack-up" in public, Graham kept her demons secret--such as that she believed herself to be "a fascinating fake who pulled the wool over Hollywood's eyes.'' Most poignantly, she keenly felt her lack of education, and Fitzgerald rose to the occasion. He became her passionate tutor, guiding her through a curriculum of his own design: a college of one. Graham loved him the more for it, writing the book as a tribute. As she explained, "An unusual man's ideas on what constituted an education had to be preserved. It is a new chapter to add to what is already known about an author who has been microscopically investigated in all the other areas of his life."From the Trade Paperback edition.
Collision Course: Ronald Reagan, the Air Traffic Controllers, and the Strike That Changed America
by Joseph MccartinIn August 1981, the Professional Air Traffic Controllers Organization (PATCO) called an illegal strike. The new president, Ronald Reagan, fired the strikers, establishing a reputation for both decisiveness and hostility to organized labor. As Joseph A. McCartin writes, the strike was the culmination of two decades of escalating conflict between controllers and the government that stemmed from the high-pressure nature of the job and the controllers' inability to negotiate with their employer over vital issues. PATCO's fall not only ushered in a long period of labor decline; it also served as a harbinger of the campaign against public sector unions that now roils American politics. Collision Course sets the strike within a vivid panorama of the rise of the world's busiest air-traffic control system. It begins with an arresting account of the 1960 midair collision over New York that cost 134 lives and exposed the weaknesses of an overburdened system. Through the stories of controllers like Mike Rock and Jack Maher, who were galvanized into action by that disaster and went on to found PATCO, it describes the efforts of those who sought to make the airways safer and fought to win a secure place in the American middle class. It climaxes with the story of Reagan and the controllers, who surprisingly endorsed the Republican on the promise that he would address their grievances. That brief, fateful alliance triggered devastating miscalculations that changed America, forging patterns that still govern the nation's labor politics. Written with an eye for detail and a grasp of the vast consequences of the PATCO conflict for both air travel and America's working class, Collision Course is a stunning achievement.
Collusion
by Evan ZimrothFrom the vantage point of "real life" (as dancers say), Collusion tells the story of a young girl's initiation into the disciplined, exalting world of classical ballet and into a secret love relationship with F., the ballet master whom she adored. "Do you want to be a great dancer?" F. had asked her when she was twelve. She did. And so Collusion tells of how she gave up ordinary life--family, boyfriends, hamburgers, homework, and pop music--for a life dedicated to the promise of artistry. At the center of that new life was always the figure of F.--ironic, moody, demanding, quixotically generous or withholding--who could control her with a sarcastic comment or the flash of his cane across her thigh, but also with the lyrical beauty of his classes and the vision of herself in a perfect arabesque. F. was the first man to partner her, and the first to teach her that love can come in strange forms: in the airborne lifts of Les Sylphides, in brilliant pirouettes, and in measured violence. Collusion describes the secret life of ballet. It is a life in which "normal" values are reversed. Brutality is seen as a gift, fear as devotion, sadism (rightly, in this case) as love. Free of conventional moral judgments, Collusion tells of possession and surrender, of power and submission, of the bond between a young girl and an older man. In spare, emotionally resonant prose, award-winning poet and novelist Evan Zimroth unfolds a mesmerizing story of artistic ambition, power, and love in an unforgettable memoir of adolescence. Collusion portrays a real relationship, one that society dares not speak of, and it does so with admirable honesty and sensitivity.