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Conversations with Neil Gaiman (Literary Conversations Series)

by Joseph Michael Sommers

Neil Gaiman (b. 1960) currently reigns in the literary world as one of the most critically decorated and popular authors of the last fifty years. Perhaps best known as the writer of the Harvey, Eisner, and World Fantasy Award-winning DC/Vertigo series, The Sandman, Gaiman quickly became equally renowned in literary circles for works such as Neverwhere, Coraline, and American Gods, as well as the Newbery and Carnegie Medal-winning The Graveyard Book. For adults, for children, for the comics reader to the viewer of the BBC’s Doctor Who, Gaiman’s writing has crossed the borders of virtually all media and every language, making him a celebrity on a worldwide scale. The interviews presented here span the length of his career, beginning with his first formal interview by the BBC at the age of seven and ending with a new, unpublished interview held in 2017. They cover topics as wide and varied as a young Gaiman's thoughts on Scientology and managing anger, learning the comics trade from Alan Moore, and being on the clock virtually 24/7. What emerges is a complicated picture of a man who seems fully assembled from the start of his career, but only came to feel comfortable in his own skin and voice far later in life. The man who brought Morpheus from the folds of his imagination into the world shares his dreams and aspirations from different points in his life, including informing readers where he plans to take them next.

Conversations with Neil Simon (Literary Conversations Series)

by Jackson R. Bryer and Ben Siegel

Neil Simon (1927–2018) began as a writer for some of the leading comedians of the day—including Jackie Gleason, Red Buttons, Phil Silvers, and Jerry Lewis—and he wrote for fabled television programs alongside a group of writers that included Mel Brooks, Woody Allen, Larry Gelbart, Michael Stewart, and Sid Caesar. After television, Simon embarked on a playwriting career. In the next four decades he saw twenty-eight of his plays and five musicals produced on Broadway. Thirteen of those plays and three of the musicals ran for more than five hundred performances. He was even more widely known for his screenplays—some twenty-five in all. Yet, despite this success, it was not until his BB Trilogy—Brighton Beach Memoirs, Biloxi Blues, and Broadway Bound—that critics and scholars began to take Simon seriously as a literary figure. This change in perspective culminated in 1991 when his play Lost in Yonkers won the Pulitzer Prize for Drama. In the twenty-two interviews included in Conversations with Neil Simon, Simon talks candidly about what it was like to write commercially successful plays that were dismissed by critics and scholars. He also speaks at length about the differences between writing for television, for the stage, and for film. He speaks openly and often revealingly about his relationships with, among many others, Mike Nichols, Walter Matthau, Sid Caesar, and Jack Lemmon. Above all, these interviews reveal Neil Simon as a writer who thought long and intelligently about creating for stage, film, and television, and about dealing with serious subjects in a comic mode. In so doing, Conversations with Neil Simon compels us to recognize Neil Simon’s genius.

Conversations with Paul Auster (Literary Conversations Series)

by James M. Hutchisson

Paul Auster (b. 1947) is one of the most critically acclaimed and intensely studied authors in America today. His varied career as a novelist, poet, translator, and filmmaker has attracted scholarly scrutiny from a variety of critical perspectives. The steadily rising arc of his large readership has made him something of a popular culture figure with many appearances in print interviews, as well as on television, the radio, and the internet. Auster's best-known novel may be his first, City of Glass (1985), a grim and intellectually puzzling mystery that belies its surface image as a “detective novel” and goes on to become a profound meditation on transience and mortality, the inadequacies of language, and isolation. Fifteen more novels have followed since then, including The Music of Chance, Moon Palace, The Book of Illusions, and The Brooklyn Follies. He has, in the words of one critic, “given the phrase ‘experimental fiction’ a good name” by fashioning bona fide literary works with all the rigor and intellect demanded of the contemporary avant-garde. This volume—the first of its kind on Auster—will be useful to both scholars and students for the penetrating self-analysis and the wide range of biographical information and critical commentary it contains. Conversations with Paul Auster covers all of Auster's oeuvre, from The New York Trilogy—of which City of Glass is a component—to Sunset Park (2010), along with his screenplays for Smoke (1995) and Blue in the Face (1996). Within, Auster nimbly discusses his poetry, memoir, nonfiction, translations, and film directing.

Conversations with People Who Hate Me: 12 Things I Learned from Talking to Internet Strangers

by Dylan Marron

&“Dylan Marron is the internet&’s Love Warrior. His work is fresh, deeply honest, wildly creative, and right on time.&” —Glennon Doyle, #1 New York Times bestselling author &“Dylan Marron is like a modern Mister Rogers for the digital age.&” —Jason Sudeikis ​​From the host of the award-winning, critically acclaimed podcast Conversations with People Who Hate Me comes a thought-provoking, witty, and inspirational exploration of difficult conversations and how to navigate them. Dylan Marron&’s work has racked up millions of views and worldwide support. From his acclaimed Every Single Word video series highlighting the lack of diversity in Hollywood to his web series Sitting in Bathrooms with Trans People, Marron has explored some of today&’s biggest social issues. Yet, according to some strangers on the internet, Marron is a &“moron,&” a &“beta male,&” and a &“talentless hack.&” Rather than running from this online vitriol, Marron began a social experiment in which he invited his detractors to chat with him on the phone—and those conversations revealed surprising and fascinating insights. Now, Marron retraces his journey through a project that connects adversarial strangers in a time of unprecedented division. After years of production and dozens of phone calls, he shares what he&’s learned about having difficult conversations and how having them can help close the ever-growing distance between us. Charmingly candid and refreshingly hopeful, Conversations with People Who Hate Me will serve as both a guide to anyone partaking in dif­ficult conversations and a permission slip for those who dare to believe that connection is possible.

Conversations with Percival Everett (Literary Conversations Series)

by Joe Weixlmann

For the first eighteen years of his career, Percival Everett (b. 1956) managed to fly under the radar of the literary establishment. He followed his artistic vision down a variety of unconventional paths, including his preference for releasing his books through independent publishers. But with the publication of his novel erasure in 2001, his literary talent could no longer be kept under wraps. The author of more than twenty-five books, Everett has established himself as one of America's—and arguably the world's—premier twenty-first-century fiction writers. Among his many honors since 2000 are Hurston/Wright Legacy Awards for erasure and I Am Not Sidney Poitier (2009) and three prominent awards for his 2005 novel Wounded—the PEN Center USA Literary Award for Fiction, France's Prix Lucioles des Libraires, and Italy's Premio Vallombrosa Gregor von Rezzori Prize. Interviews collected in this volume—several of which appear in print or in English translation for the first time—display Everett's abundant wit as well as the independence of thought that has led to his work being described as “characteristically uncharacteristic.” At one moment he speaks with great sophistication about the fact that African American authors are forced to overcome constraining expectations about their subject matter that white writers are not. And in the next he talks about training mules or quips about “Jim Crow,” a pet bird Everett had on his ranch outside Los Angeles. Everett discusses race and gender, his ecological interests, the real and mythic American West, the eclectic nature of his work, the craft of writing, language and linguistic theory, and much more.

Conversations with Power: What Great Presidents and Prime Ministers Can Teach Us about Leadership

by Brian Michael Till

Fresh out of college, and frustrated with own generation's political apathy, Brian Till set out to interview the former world leaders he most admired. To his surprise, they were eager to talk, and he soon found himself discussing everything from energy to terrorism to nuclear disarmament with the greatest leaders of the last twenty-five years. Here, he distills what they learned in office, their predictions for the future, and their advice for the leaders of tomorrow. Including interviews with:*Bill Clinton*Gro Bruntland*Jimmy Carter*Fernando Henrique Cardoso*Ehud Barak*Vaclav Havel*Mikhail Gorbachev*Pervez Musharraf*F.W. de Klerk*Ricardo Lagos*Helmut Schmidt*Goh Chok Tong*Paul Keating

Conversations with RBG: Ruth Bader Ginsburg on Life, Love, Liberty, and Law

by Jeffrey Rosen

In her own words, Ruth Bader Ginsburg offers an intimate look at her life and career, through an extraordinary series of conversations with the head of the National Constitution Center.This remarkable book presents a unique portrait of Justice Ruth Bader Ginsburg, drawing on more than twenty years of conversations with Jeffrey Rosen, starting in the 1990s and continuing through the Trump era. Rosen, a veteran legal journalist, scholar, and president of the National Constitution Center, shares with us the justice’s observations on a variety of topics, and her intellect, compassion, sense of humor, and humanity shine through. The affection they have for each other as friends is apparent in their banter and in their shared love for the Constitution—and for opera.In Conversations with RBG, Justice Ginsburg discusses the future of Roe v. Wade, her favorite dissents, the cases she would most like to see overruled, the #MeToo movement, how to be a good listener, how to lead a productive and compassionate life, and of course the future of the Supreme Court itself. These frank exchanges illuminate the steely determination, self-mastery, and wit that have inspired Americans of all ages to embrace the woman known to all as “Notorious RBG.”Whatever the topic, Justice Ginsburg always has something interesting—and often surprising—to say. And while few of us will ever have the opportunity to chat with her face-to-face, Jeffrey Rosen brings us by her side as never before. Conversations with RBG is a deeply felt portrait of an American hero.

Conversations with Robert Frost: The Bread Loaf Period

by Peter Stanlis

These core conversations between Peter Stanlis and Robert Frost occurred during 1939-1941. They are written in the much larger context of nearly a quarter century of friendship that ended only with the passing of Frost in 1963. These discussions provide a unique window of opportunity to appreciate the sources of Frost's philosophical visions, as well as his poetic interests. The discussions between Stanlis and Frost were held between six consecutive summers (1939-1944), when Stanlis was a student at the Bread Loaf Graduate School of English. These were augmented by additional exchanges at Bread Loaf in 1961-1962. These conversations provide original insights on important subjects common to both men. Frost insisted that it was impossible to make a complete or final unity out of the conflicts between spirit and matter. Ordinary empirical experience and rational discursive reason and logic could not harmonize basic conflicts. He held that the best method to ameliorate apparent contradictions in dualistic conflicts was through the "play" of metaphorical thinking and feeling. Metaphors included parables, allegories, fables, images, symbols, irony, and the forms and techniques of poetry such as rhyme, rhythm, assonance, dissonance, personifications, and connotations. These are the arsenal from which poets draw their insightful metaphors, but such metaphors are also the common property of every normal person. A poem is "a momentary stay against confusion," a form of revelation for "a clarification of life," but not a final, absolute answer to the mysteries and complexities in man's life on Earth. So too - at their best - are science, religion, philosophy, education, politics, and scholarship as a means of ameliorating human problems.

Conversations with Robert Morgan (Literary Conversations Series)

by Randall Wilhelm and Jesse Graves

Robert Morgan (b. 1944) is one of the most distinguished writers in southern and Appalachian literature, celebrated for his novels, poetry, short fiction, and historical and biographical writing, totaling more than thirty volumes. Morgan’s work gives voice to the traditionally underrepresented people of southern Appalachia, and his appearances in such popular venues as The Oprah Winfrey Show, National Public Radio’s Morning Edition, and the New York Times Bestseller List have contributed to his wide readership and successful dismantling of Hollywood stereotypes that still dog the region in the nation’s larger consciousness. His writing makes a case for the dignity of work, the beauty and terror of the landscape, and the essential value of creating a community and learning to live in the world.The interviews in Conversations with Robert Morgan provide readers and scholars the first stand-alone book on Morgan’s long and fascinating career as a master of multiple genres, and make a significant contribution to the understanding of American, southern, and Appalachian literature and culture. Collected here are five decades of interviews that cover such topics as literary influence, the impact of war on family and community, poetic and narrative craft, the role of environmentalism in American literature, and the journey from impoverished North Carolina mountain boy to award-winning Ivy League professor. Morgan is Kappa Alpha Professor of English at Cornell University, where he has taught since 1971. Readers will learn about writing across multiple genres, craft that can be learned and practiced by a writer, and studying the past for those present truths that create what Morgan values most in literature, “a community across time.”

Conversations with Robert Stone (Literary Conversations Series)

by William Heath

Ever since A Hall of Mirrors depicted the wild side of New Orleans in the 1960s, Robert Stone (1937-2015) has situated novels where America has shattered and the action is at a pitch. In Dog Soldiers, he covered the Vietnam War and drug smuggling. A Flag for Sunrise captured revolutionary discontent in Central America. Children of Light exposed the crass values of Hollywood. Outerbridge Reach depicted how existential angst can lead to a longing for heroic transcendence. The clash of religions in Jerusalem drove Damascus Gate. Traditional town-gown tensions amid twenty-first-century culture wars propelled Death of the Black-Haired Girl.Stone's reputation rests on his mastery of the craft of fiction. These interviews are replete with insights about the creative process as he responds with disarming honesty to probing questions about his major works. Stone also has fascinating things to say about his remarkable life--a schizophrenic mother, a stint in the navy, his involvement with Ken Kesey's Merry Pranksters, and his presence at the creation of the counterculture. From the publication of A Hall of Mirrors until his death in 2015, Stone was a major figure in American literature.

Conversations with Ron Rash (Literary Conversations Series)

by Mae Miller Claxton and Rain Newcomb

Since the publication of Serena in 2008 earned him a nomination for the PEN/Faulkner fiction prize, Ron Rash (b. 1953) has gained attention as one of the South's finest writers. Rash draws upon his family's history in Appalachia, where most members have worked with their hands as farmers or millworkers. In the Grit Lit or Rough South genre, Rash maintains a prominent place as a skilled craftsman and triple threat, publishing four collections of poetry, six short story collections, and six novels. Though best known as an Appalachian writer, Rash's reach has grown to extend well beyond Appalachia and the American South, spreading to an international audience. Conversations with Ron Rash collects twenty-two interviews with the award-winning author and provides a look into Rash's writing career from his first collection of short stories, The Night the New Jesus Fell to Earth in 1994 through his 2015 novel, Above the Waterfall. The collection includes four interviews from outside the United States, two of which appear in English for the first time. Spanning sixteen years, these interviews demonstrate the disciplined writing process of an expert writer, Rash's views of literature on a local and a global scale, his profound respect for the craft of the written word, and his ongoing goal to connect with his readers.

Conversations with Sam Shepard (Literary Conversations Series)

by Jackson R. Bryer, Robert M. Dowling, and Mary C. Hartig

A prolific playwright, Sam Shepard (1943–2017) wrote fifty-six produced plays, for which he won many awards, including a Pulitzer Prize. He was also a compelling, Oscar-nominated film actor, appearing in scores of films. Shepard also published eight books of prose and poetry and was a director (directing the premiere productions of ten of his plays as well as two films); a musician (a drummer in three rock bands); a horseman; and a plain-spoken intellectual. The famously private Shepard gave a significant number of interviews over the course of his public life, and the interviewers who respected his boundaries found him to be generous with his time and forthcoming on a wide range of topics. The selected interviews in Conversations with Sam Shepard begin in 1969 when Shepard, already a multiple Obie winner, was twenty-six and end in 2016, eighteen months before his death from complications of ALS at age seventy-three. In the interim, the voice, the writer, and the man evolved, but there are themes that echo throughout these conversations: the indelibility of family; his respect for stage acting versus what he saw as far easier film acting; and the importance of music to his work. He also speaks candidly of his youth in California, his early days as a playwright in New York City, his professionally formative time in London, his interests and influences, the mythology of the American Dream, his own plays, and more. In Conversations with Sam Shepard, the playwright reveals himself in his own words.

Conversations with Sarah Schulman (Literary Conversations Series)

by Will Brantley

The twenty-four interviews collected in Conversations with Sarah Schulman, roughly a fifth of those that exist, have enabled Schulman to expound upon her distinctive fusion of art and social commitment. Ranging from major forums to smaller venues, and covering a period of more than thirty years, these interviews provide full evidence of Schulman’s value as a pivotal player in the intellectual life of her time. Schulman’s career as a writer, activist, teacher, and oral historian is now in its fifth decade. Spanning multiple fiction genres, her eleven novels include After Delores (1988), Rat Bohemia (1995), The Child (2007), and Maggie Terry (2018). A native New Yorker, Schulman (b. 1958) writes for the people that she writes about—women and men making the most of a society that seems continually marked by homophobia, which Schulman regards as less a phobia than an unacknowledged pleasure system. Readers have come to relish Schulman’s provocations, nowhere more so than through her books of nonfiction on topics such as gentrification and the interlocking nature of conflict and abuse. And since the early 1980s, when Schulman worked as a journalist, readers have come to applaud her searing indictments of the nation’s woeful response to its AIDS crisis. Schulman has received the Kessler Award from CLAGS: The Center for LGBTQ Studies in honor of her body of work that has influenced the field of gay and lesbian studies, as well as the Bill Whitehead Award from Publishing Triangle for lifetime achievement. She holds an endowed chair in creative writing at Northwestern University.

Conversations with Scorsese

by Richard Schickel

Mean Streets, Taxi Driver, Raging Bull, The Last Temptation of Christ, Kundun, The Departed, The Aviator, Shutter Island: these are just a few of the critically acclaimed films, startling experimental works, and spectacular commercial blockbusters with which Martin Scorsese has forever enriched American cinema. Here is a rare and wonderfully insightful chance to experience all of these films, and the history and process of moviemaking in general, through the words and wit of the master director. Richard Schickel's canny and intelligent interviews guide us through Scorsese's life and work, from the child who escaped the realities of Little Italy in the 1950s through movies to the man whose increasingly encyclopedic knowledge of film shaped his ambitions and art. Scorsese reveals which films are most autobiographical and which have been forays into unknown territory in content or aesthetics. He talks about his lesser-known movies, those already considered classics, his documentaries, and his influences. He explains his personal style, the close attention he pays to detail, and his attraction to genre films. And he discusses what being a lifelong student of film has taught him about acting, directing, music, and camerawork, among many other topics. The result is a vivid, immensely enlightening history of modern Hollywood seen through the eyes of one intrepid filmmaker. We see audiences' expectations tested by what Scorsese was willing to put on the screen in explorations of prostitution, institutionalized violence, and religion. We see the unavoidable frustrations and exhilarating rewards of filming live concerts for The Band and at Woodstock. And we see many of the rewarding artistic and personal relationships of Scorsese's career, including collaborations with Robert De Niro, Harvey Keitel, Jack Nicholson, and Leonardo DiCaprio. An invaluable appreciation of one of our most admired film directors.

Conversations With Stalin

by Milovan Djilas

A memoir by the former vice president of Yugoslavia describing three visits to Moscow and his encounters there with Stalin. Index. Translated by Michael B. Petrovich.

Conversations with Stalin

by Milovan Djilas Michael B. Petrovich

Milovan Djilas was born in Montenegro, Yugoslavia, in 1911. He became a member of the Yugoslav Communist Party and was imprisoned for his political activities (1933-36). In 1938 Djilas was elected to the Central Committee of the Party and two years later a member of its Politburo. Soon after he became the loyal vice president of the country under Tito. These are his memories of his conversations with Stalin.

Conversations with Stanley Kunitz (Literary Conversations Series)

by Kent P. Ljungquist

“He again tops the crowd—he surpasses himself, the old iron brought to the white heat of simplicity.” That's what Robert Lowell said of the poetry of Stanley Kunitz (1905–2006) and his evolving artistry. The interviews and conversations contained in this volume derive from four decades of Kunitz's distinguished career. They touch on aesthetic motifs in his poetry, the roots of his work, his friendships in the sister arts of painting and sculpture, his interactions with Lowell and Theodore Roethke, and his comments on a host of poets: John Keats, Walt Whitman, Randall Jarrell, Wallace Stevens, and Anna Akhmatova. Kunitz emerged from a mid-sized industrial town in central Massachusetts, surviving family tragedy and a sense of personal isolation and loneliness, to become an eloquent spokesman for poetry and for the power of the human imagination. Kunitz has commented, “If we want to know what it felt like to be alive at any given moment in the long odyssey of the race, it is to poetry we must turn.” His own odyssey from “metaphysical loneliness” to a sense of community with fellow writers and artists—by building institutions like Poets House and the Fine Arts Work Center in Provincetown, Massachusetts—is ever present in these interviews.

Conversations with Sterling Plumpp (Literary Conversations Series)

by John Zheng

Conversations with Sterling Plumpp is the first collection of interviews with the renowned poet of Home/Bass and other much-admired works. Spanning thirty years and drawn from literary and scholarly journals and other media, these interviews offer insights into his poetic innovation of blues and jazz and his mastery of black vernacular in poetry. This collection seems fundamental to an understanding of the life and work of an African American poet who has been innovative in fusing blues and jazz rhythms with poetic insight and in vivifying the vernacular landscape of African American poetry.Born in 1940 in Clinton, Mississippi, Plumpp has been living in Chicago since 1962. Home/Bass received the 2014 American Book Award. The finest blues poet of his generation, Plumpp became a model for contemporary poetry and poetics and a leading figure in the tradition of blues/jazz poetry. He continues to reinvent the language while exploring the registers of individual and communal memory and of local, national, and global history. His poetry is important in attempts to define the black aesthetic from the era of the Harlem Renaissance to the seminal Black Arts Movement. It is also important for its re-articulation of the Great Migration, especially expressed by blues musicians who left Mississippi for Chicago.

Conversations with Steve Erickson (Literary Conversations Series)

by Matthew Luter and Mike Miley

Much like his novels, Steve Erickson (b. 1950) exists on the periphery of our perception, a shadow figure lurking on the margins, threatening to break through, but never fully emerging. Despite receiving prestigious honors, Erickson has remained a subterranean literary figure, receiving effusive praise from his fans, befuddled or cautious assessments from reviewers, and scant scholarly attention. Erickson’s obscurity comes in part from the difficulty of categorizing his work within current trends in fiction, and in part from the wide variety of concerns that populate his writing: literature, music, film, politics, history, time, and his fascination with his home city of Los Angeles. His dream-fueled blend of European modernism, American pulp, and paranoid late-century postmodernism makes him essential to an appreciation of the last forty years of American fiction but difficult to classify neatly within that same realm. He is at once thoroughly of his time and distinctly outside it. In these twenty-four interviews Erickson clarifies how his aesthetic and political visions are inextricable from each other. He diagnoses the American condition since World War II, only to reveal that America’s triumphs and failures have been consistent since its inception—and that he presciently described decades ago certain features of our present. Additionally, the interviews expose the remarkable consistency of Erickson’s vision over time while simultaneously capturing the new threads that appear in his later fiction as they emerge in his thought. Conversations with Steve Erickson will deepen readers’ understanding of how Erickson’s books work—and why this utterly singular writer deserves greater attention.

Conversations with Steve Martin (Literary Conversations Series)

by Robert E. Kapsis

Conversations with Steve Martin presents a collection of interviews and profiles that focus on Martin as a writer, artist, and original thinker over the course of more than four decades in show business. While those less familiar with his full body of work may think of Martin as primarily the "wild and crazy guy" with an arrow through his head, this book makes the case that he is in fact one of our nation's most accomplished and varied artists. It shows the full range of Martin's creative work, tracing the source of his comic imagination from his early standup days, starting in the mid to late 1960s through the films he has written and starred in, and emphasizing his more recent creative outpourings as playwright, essayist, novelist, memoirist, songwriter, composer, musician, and art critic. “Standup is the hardest material in the world to write for someone else; it's like trying to condense 10 years of experience into 20 minutes of new material,” Martin says. But commenting on his fiction writing, he says. “I think you have to be able to find as a writer that state where you don't know what you're going to say or what the character is going to say or who the characters are. That's the biggest thrill of all. When you start to trust that subconscious thing and you don't censor yourself—just remember you can always throw it away that's when the good stuff comes out.” The selected materials consist not only of pieces focused primarily on Martin's writings, but also broader profiles and conversations that help explain Martin's development as a writer within the larger context of his many other accomplishments, talents, and performance skills.

Conversations with Terrence McNally (Literary Conversations Series)

by Raymond-Jean Frontain

Arriving in New York at the tail end of what has been termed the “Golden Age” of Broadway and the start of the Off-Broadway theater movement, Terrence McNally (1938–2020) first established himself as a dramatist of the absurd and a biting social critic. He quickly recognized, however, that one is more likely to change people’s minds by first changing their hearts, and—in outrageous farces like The Ritz and It’s Only a Play—began using humor more broadly to challenge social biases. By the mid-1980s, as the emerging AIDS pandemic called into question America’s treatment of persons isolated by suffering and sickness, he became the theater’s great poet of compassion, dramatizing the urgent need of human connection and the consequences when such connections do not take place. Conversations with Terrence McNally collects nineteen interviews with the celebrated playwright. In these interviews, one hears McNally reflect on theater as the most collaborative of the arts, the economic pressures that drive the theater industry, the unique values of music and dance, and the changes in American theater over McNally’s fifty-plus year career. The winner of four competitive Tony Awards as the author of the Best Play (Love! Valour! Compassion! and Master Class) and author of the book for the Best Musical (Kiss of the Spider Woman and Ragtime), McNally holds the distinction of being one of the few writers for the American theater who excelled in straight drama as well as musical comedy. In addition, his canon extends to opera; his collaboration with composer Jake Heggie, Dead Man Walking, has proven the most successful new American opera of the last twenty-five years.

Conversations with the Conroys: Interviews with Pat Conroy and His Family

by Nikky Finney

“Portrays a deeply troubled family struggling to survive amidst terrifying abuse . . . a page-turner, as engrossing as any of Conroy’s novels.” —Robert H. Brinkmeyer Jr., University of South CarolinaA New York Times–bestselling author of eleven novels and memoirs, Pat Conroy is one of America’s most beloved storytellers and a writer as synonymous with the South Carolina lowcountry as pluff mud or the Palmetto tree. As Conroy’s writings have been rooted in autobiography more often than not, his readers have come to know and appreciate much about the once-secret dark familial history that has shaped Conroy’s life and work.Conversations with the Conroys opens further the discussion of the Conroy family through five revealing interviews conducted in 2014 with Pat Conroy and four of his six siblings: brothers Mike, Jim, and Tim and sister Kathy. In confessional and often comic dialogs, the Conroys openly discuss the perils of being raised by their larger-than-life parents, USMC fighter pilot Col. Don Conroy (the Great Santini) and southern belle Peggy Conroy (née Peek); the complexities of having their history of abuse made public by Pat’s books; the tragic death of their youngest brother, Tom; the chasm between them and their sister Carol Ann; and the healing, redemptive embrace they have come to find over time in one another. With good humor and often-striking candor, these interviews capture the Conroys as authentic and indeed proud South Carolinians, not always at ease with their place in literary lore, but nonetheless deeply supportive of Pat in his life and writing.“[A] small gem of a book . . . For fans of Conroy’s books, this is a must-read.” —Publishers Weekly

Conversations with the Great Moviemakers of Hollywood's Golden Age: At the American Film Institute

by George Stevens Jr.

The first book to bring together these interviews of master moviemakers from the American Film Institute's renowned seminars,Conversations with the Great Moviemakers offers an unmatched history of American cinema in the words of its greatest practitioners. Here are the incomparable directors Frank Capra, Elia Kazan, King Vidor, David Lean, Fritz Lang ("I learned only from bad films"), William Wyler, and George Stevens; renowned producers and cinematographers; celebrated screenwriters Ray Bradbury and Ernest Lehman; as well as the immortal Ingmar Bergman and Federico Fellini ("Making a movie is a mathematical operation. It's absolutely impossible to improvise"). Taken together, these conversations offer uniquely intimate access to the thinking, the wisdom, and the genius of cinema's most talented pioneers.

Conversations with Tim Gautreaux (Literary Conversations Series)

by Lamar Nisly

Louisiana writer Tim Gautreaux (b. 1947) writes fiction that mixes equal parts dry humor, tall tales, and deep tragedy. His stories and novels of working-class Acadiana portray lives of inimitably poignant love, loss, and longing. The depth and complexity of Gautreaux's writing invite scholarly appraisals as well, as critics mine the richness of his moral vision. These interviews reveal the intensity of his sense of place, his deep connection to the mechanical and working world, his commitment to the craft of writing, and his Catholic view that has been shaped by Flannery O'Connor and Walker Percy. Conversations with Tim Gautreaux collects interviews from 1993 to 2009 with the author of The Missing, The Clearing, Welding with Children, and many other vital works of fiction. Readers who have been engaged with the themes in his stories and novels will find themselves equally taken with the kind and thoughtful voice they discover in interviews.

Conversations with Tim O'Brien (Literary Conversations Series)

by Patrick A. Smith

On the strength of a National Book Award for his novel Going After Cacciato and a widely acclaimed short-story cycle, The Things They Carried, Tim O’Brien (b. 1946) cemented his reputation as one of the most compelling chroniclers of Vietnam—and, in the process, was cast as a “Vietnam writer.” But to confine O’Brien to a single piece of ground or a particular style is to ignore the broad sweep of a career spanning nearly four decades. In addition to detailed discussions of all of O’Brien’s work—a memoir, If I Die in a Combat Zone, and seven books of fiction—the sixteen interviews and profiles in Conversations with Tim O’Brien explore common themes, with subtle differences. Looming large is the experience of Vietnam and its influence as well as O’Brien’s youth in Minnesota and the expectations of a midwestern upbringing. Interviews allowed the writer to fully examine the shifting boundaries of truth and identity, memory, and imagination in fiction; the role of war in society; gender issues; and the craft of writing. O’Brien approaches each of these topics and a host of others with a directness and an evident passion that will resonate with both readers and prospective writers.

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