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Creativity and Humour in Occupy Movements: Intellectual Disobedience in Turkey and Beyond
by Altug YalcintasThis volume offers scholarly perspectives on the creative and humorous nature of the protests at Gezi Park in Turkey, 2013. The contributors argue that these protests inspired musicians, film-makers, social scientists and other creative individuals, out of a concern for the aesthetics of the protests, rather than seizure of political power.
Creativity/Anthropology (The Anthropology of Contemporary Issues)
Creativity and play erupt in the most solemn of everyday worlds as individuals reshape traditional forms in the light of changing historical circumstances. In this lively volume, fourteen distinguished anthropologists explore the life of creativity in social life across the globe and within the study of ethnography itself. Contributors include Barbara A. Babcock, Edward M. Bruner, James W. Fernandez, Don Handelman, Smadar Lavie, José E. Limon, Barbara Myerhoff, Kirin Narayan, Renato Rosaldo, Richard Schechner, Edward L. Schieffelin, Marjorie Shostak, Anna Lowenhaupt Tsing, and Edith Turner.
Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration
by Ed Catmull Amy WallaceFrom Ed Catmull, co-founder (with Steve Jobs and John Lasseter) of Pixar Animation Studios, comes an incisive book about creativity in business—sure to appeal to readers of Daniel Pink, Tom Peters, and Chip and Dan Heath.Creativity, Inc. is a book for managers who want to lead their employees to new heights, a manual for anyone who strives for originality, and the first-ever, all-access trip into the nerve center of Pixar Animation—into the meetings, postmortems, and &“Braintrust&” sessions where some of the most successful films in history are made. It is, at heart, a book about how to build a creative culture—but it is also, as Pixar co-founder and president Ed Catmull writes, &“an expression of the ideas that I believe make the best in us possible.&”For nearly twenty years, Pixar has dominated the world of animation, producing such beloved films as the Toy Story trilogy, Monsters, Inc., Finding Nemo, The Incredibles, Up, and WALL-E, which have gone on to set box-office records and garner thirty Academy Awards. The joyousness of the storytelling, the inventive plots, the emotional authenticity: In some ways, Pixar movies are an object lesson in what creativity really is. Here, in this book, Catmull reveals the ideals and techniques that have made Pixar so widely admired—and so profitable.As a young man, Ed Catmull had a dream: to make the first computer-animated movie. He nurtured that dream as a Ph.D. student at the University of Utah, where many computer science pioneers got their start, and then forged a partnership with George Lucas that led, indirectly, to his founding Pixar with Steve Jobs and John Lasseter in 1986. Nine years later, Toy Story was released, changing animation forever. The essential ingredient in that movie&’s success—and in the thirteen movies that followed—was the unique environment that Catmull and his colleagues built at Pixar, based on philosophies that protect the creative process and defy convention, such as:• Give a good idea to a mediocre team, and they will screw it up. But give a mediocre idea to a great team, and they will either fix it or come up with something better.• If you don&’t strive to uncover what is unseen and understand its nature, you will be ill prepared to lead. • It&’s not the manager&’s job to prevent risks. It&’s the manager&’s job to make it safe for others to take them.• The cost of preventing errors is often far greater than the cost of fixing them. • A company&’s communication structure should not mirror its organizational structure. Everybody should be able to talk to anybody.• Do not assume that general agreement will lead to change—it takes substantial energy to move a group, even when all are on board.
Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration
by Amy Wallace Ed CatmullCreativity, Inc. is a book for managers who want to lead their employees to new heights, a manual for anyone who strives for originality, and the first-ever, all-access trip into the nerve center of Pixar Animation—into the meetings, postmortems, and “Braintrust” sessions where some of the most successful films in history are made. It is, at heart, a book about how to build a creative culture—but it is also, as Pixar co-founder and president Ed Catmull writes, “an expression of the ideas that I believe make the best in us possible.”<P><P> For nearly twenty years, Pixar has dominated the world of animation, producing such beloved films as the Toy Story trilogy, Monsters, Inc., Finding Nemo, The Incredibles, Up, and WALL-E, which have gone on to set box-office records and garner thirty Academy Awards. The joyousness of the storytelling, the inventive plots, the emotional authenticity: In some ways, Pixar movies are an object lesson in what creativity really is. Here, in this book, Catmull reveals the ideals and techniques that have made Pixar so widely admired—and so profitable.<P> As a young man, Ed Catmull had a dream: to make the first computer-animated movie. He nurtured that dream as a Ph.D. student at the University of Utah, where many computer science pioneers got their start, and then forged a partnership with George Lucas that led, indirectly, to his founding Pixar with Steve Jobs and John Lasseter in 1986. Nine years later, Toy Story was released, changing animation forever. The essential ingredient in that movie’s success—and in the thirteen movies that followed—was the unique environment that Catmull and his colleagues built at Pixar, based on philosophies that protect the creative process and defy convention, such as:<P> * Give a good idea to a mediocre team, and they will screw it up. But give a mediocre idea to a great team, and they will either fix it or come up with something better.<P> * If you don’t strive to uncover what is unseen and understand its nature, you will be ill prepared to lead. <P> * It’s not the manager’s job to prevent risks. It’s the manager’s job to make it safe for others to take them.<P> * The cost of preventing errors is often far greater than the cost of fixing them. <P> * A company’s communication structure should not mirror its organizational structure. Everybody should be able to talk to anybody.<P> Chosen for Mark Zuckerberg's "A Year of Books"
Creativity, Inc. (The Expanded Edition): Overcoming the Unseen Forces That Stand in the Way of True Inspiration
by Ed Catmull Amy WallaceThe co-founder and longtime president of Pixar updates and expands his 2014 New York Times bestseller on creative leadership, reflecting on the management principles that built Pixar&’s singularly successful culture, and on all he learned during the past nine years that allowed Pixar to retain its creative culture while continuing to evolve.&“Might be the most thoughtful management book ever.&”—Fast Company For nearly thirty years, Pixar has dominated the world of animation, producing such beloved films as the Toy Story trilogy, Finding Nemo, The Incredibles, Up, and WALL-E, which have gone on to set box-office records and garner eighteen Academy Awards. The joyous storytelling, the inventive plots, the emotional authenticity: In some ways, Pixar movies are an object lesson in what creativity really is. Here, Catmull reveals the ideals and techniques that have made Pixar so widely admired—and so profitable. As a young man, Ed Catmull had a dream: to make the first computer-animated movie. He nurtured that dream as a Ph.D. student, and then forged a partnership with George Lucas that led, indirectly, to his founding Pixar with Steve Jobs and John Lasseter in 1986. Nine years later, Toy Story was released, changing animation forever. The essential ingredient in that movie&’s success—and in the twenty-five movies that followed—was the unique environment that Catmull and his colleagues built at Pixar, based on philosophies that protect the creative process and defy convention, such as:• Give a good idea to a mediocre team and they will screw it up. But give a mediocre idea to a great team and they will either fix it or come up with something better.• It&’s not the manager&’s job to prevent risks. It&’s the manager&’s job to make it safe for others to take them.• The cost of preventing errors is often far greater than the cost of fixing them.• A company&’s communication structure should not mirror its organizational structure. Everybody should be able to talk to anybody.Creativity, Inc. has been significantly expanded to illuminate the continuing development of the unique culture at Pixar. It features a new introduction, two entirely new chapters, four new chapter postscripts, and changes and updates throughout. Pursuing excellence isn&’t a one-off assignment but an ongoing, day-in, day-out, full-time job. And Creativity, Inc. explores how it is done.
The Creator of the Wombles: The First Biography of Elisabeth Beresford
by Kate RobertsonThis is the extraordinary story of Elisabeth Beresford, creator of The Wombles, the furry, fun-loving recyclers of rubbish which became a children’s publishing and television sensation in the 1970s. What drove this imaginative and prolific writer of children’s books to invent The Wombles? From her birth in Paris in 1926 to her death in the Channel Islands in 2010, Beresford’s working life was led to the full, driven by the fear of debt. Married to the TV and radio sports commentator, Max Robertson, and with two children, Elisabeth’s life was never dull but always uncertain. In addition to writing over 140 children’s books, she wrote romantic fiction for women’s magazines, became a regular contributor to the Today program, Woman’s Hour (BBC) and Woman’s World (Central Office of Information). As a journalist she interviewed a fascinating range of people from politicians and film stars to children in the remote Australian Outback. With the publication of The Wombles, and subsequently the enchanting BBC films, Elisabeth found fame and for a very brief moment, fortune. This is the first biography of ‘Mrs Womble’ as Elisabeth was known by millions of fans. Written by her daughter with insider knowledge and access to private family archives - diaries, letters, photographs and family memories - this book relates the remarkable and often hilarious life of one of the 20th century’s most successful children’s authors.
Creators: From Chaucer and Durer to Picasso and Disney
by Paul JohnsonKingsley Amis described Paul Johnson's Intellectuals as "a valuable and entertaining Rogues' Gallery of Adventures of the Mind." Now the celebrated journalist and historian offers Creators, a companion volume of essays that examines a host of outstanding and prolific creative spirits. Here are Disney, Picasso, Bach, and Shakespeare; Austen, Twain, and T. S. Eliot; and Dürer, Hokusai, Pugin, and Viollet-le-Duc, among many others. Paul Johnson believes that creation cannot be satisfactorily analyzed, but it can be illustrated to bring out its salient characteristics. That is the purpose of this instructive and witty book.
The Creators of Batman: Bob, Bill & The Dark Knight
by Rik WorthFrom an Eisner Award nominee: The story of Bob Kane, Bill Finger, and the real origins of the legendary crimefighter.In the early twentieth century, the emerging medium of comics was beginning to grab the attention of children and adults alike. Then, in the 1930s, superheroes revolutionized the entire industry—and culture as we know it. Gotham’s caped crusader, The Batman, swung into this pantheon of demi-gods in 1939 and secured his place as one of the world’s most beloved characters. This fascinating account dwells into how artist Bob Kane got all the credit for Batman’s origin while his co-creator, Bill Finger, was forced into the shadows, and how comic creators, journalists, and family members fought to have Finger credited for his work. The first prose book to focus on both Finger and Kane as well as cast of supporting characters from one of the most exciting times in comic book history, The Creators of Batman: Bob, Bill and The Dark Knight gathers everything we know about these two monumental figures and lays their stories side by side. Bringing together the story of these two creators against the exciting background of the American comic’s boom and Batman’s Golden Age, it looks at how Finger and Kane constructed the world of Gotham and its denizens, and grapples with the legacy the creators left behind.
Creatrix Rising: Unlocking the Power of Midlife Women
by Stephanie RaffelockEver since Eve was banned from the garden, women have endured the oftentimes painful and inaccurate definitions foisted upon them by the patriarchy. Maiden, mother, and crone, representing the three stages assigned to a woman&’s life cycle, have been the limiting categories of both ancient and modern (neo-pagan) mythology. And one label in particular rankles: crone. The word conjures a wizened hag—useless for the most part, marginalized by appearance and ability.None of us has ever truly fit the old-crone image, and for today&’s midlife women, a new archetype is being birthed: the creatrix.In Creatrix Rising, Stephanie Raffelock lays out—through personal stories and essays—the highlights of the past fifty years, in which women have gone from a quiet strength to a resounding voice. She invites us along on her own transformational journey by providing probing questions for reflection so that we can flesh out and bring to life this new archetype within ourselves. If what the Dalai Lama has predicted—that women will save the world—proves true, then the creatrix will for certain be out front, leading the pack.
Creatures of the Rock
by Andrew PeacockWhen you're the only veterinarian in an area that's 130 miles long and has a coast on either side, you never know what each new day might bring. A cow giving birth, a colicky horse, an aggressive lynx, caribou in need of pastures new, a polar bear in a bingo hall, a six-hundred-pound boar who won't like what you've been asked to do to him... The only constants for Andrew Peacock are his faithful dog and his passion for his work.When Andrew Peacock made the move from Ontario to Newfoundland, he thought he was kicking off his career as a newly qualified veterinarian with a brief adventure in a novel location. Turns out he was wrong about the duration --he is still in Newfoundland three decades later. But it has certainly been an adventure. A whole series of adventures.In his immense new practice - half the Avalon Peninsula - Andrew was the only vet for miles around, visiting patients (and their owners) on farms, in homes and zoos, and in the wild. A day's work could include anything from performing a Caesarian section on a cow in a blizzard, to pursuing a moose on the loose, to freeing a humpback whale from a trap designed for cod. And, on the human side, anything from trying to impress a surprisingly large audience of farmers with your first boar castration, to taking care of the distressed owners of a stricken cat, to discouraging farm hands from helping themselves to hypodermic needles. All this against the background of a domestic scene in which Andrew's wife Ingrid--also freshly qualified, as a "human doctor"--shares the adventure of making a new life, fitting in to a well-established community, and in due course of starting a family.Andrew Peacock is a born vet, devoted to the care of animals, and in constant wonder as an observer of their lives. Luckily for the rest of us, he is a born storyteller, too. Creatures of the Rock is a funny, thrilling, unflinching but ultimately heartwarming collection of tales about the connections between people and animals, and people with each other.From the Hardcover edition.
Creatures That Once Were Men
by Maksim GorkyA collection of short stories by the popular and influential Russian author, a founder of the socialist realism literary method and arguably the greatest Russian literary figure of the 20th century. He wrote stories, plays, memoirs and novels which touched the imagination of the Russian people, and was the first Russian author to write sympathetically of such characters as tramps and thieves, emphasizing their daily struggles against overwhelming odds.
Creed: From Zero to Platinum
by Marc ShapiroCreed's story is indeed an inspirational one. The group of rockers originating from Tallahassee, Florida, made an indelible impression with their debut album, My Own Prison, released on the independent Wind Up Records label. Creed dominated the rock charts and made history when all four singles from this freshman album captured the number one position. Their success is all the more genuine because it was done without the backing of huge corporate dollars or the hype of a glitzy media campaign. With the release of their sophomore album, Human Clay, the Florida foursome continue to gain respect from critics and fans alike who praise them for their passionate live performances and poignant heartfelt lyrics. Read all the exciting details of a band whose faith and belief in their musical dream pulled them through their bleakest hour and propelled them forward to the peak of the musical charts. An accomplishment Creed achieved their way - without apology.
Creek Mary's Blood: A Novel
by Dee BrownThe New York Times–bestselling saga of Creek Indian Mary Musgrove and her descendants, whose lives parallel the American story through two centuries. In Creek Mary&’s Blood, Dee Brown fictionalizes the astonishing true story of Mary Musgrove—born in 1700 to a Creek tribal chief—and five generations of her family. By tracing her struggles with colonists in Georgia, and then the lives of her two sons (one born to a white trader and the other to a Cherokee warrior), Brown&’s novel creates a gripping panorama of the American Indian experience in the eighteenth and nineteenth centuries. His narrative spans colonial rebellion, the Trail of Tears, and the Civil War—in which Mary&’s descendants fought on both sides of the conflict. Rich with historical detail and human drama, this is a novel filled with &“dark, inexorable energy&” by the #1 New York Times–bestselling author of Bury My Heart at Wounded Knee. This ebook features an illustrated biography of Dee Brown including rare photos from the author&’s personal collection.
Creek Walking: Growing Up in Delaware in the 1950s
by Jacqueline JonesNoted historian uses her own family history and childhood memories to explore the history and culture of a small town in Delaware with attention to race and class dynamics.
Creep: Accusations and Confessions
by Myriam GurbaA NATIONAL BOOK CRITICS CIRCLE FINALIST A LAMBDA LITERARY AWARD FINALIST &“Quite simply one of the best books of the decade.&” —Los Angeles Review of Books * &“The mother of intersectional Latinx identity.&” —Cosmopolitan * &“Brilliant…a hopeful book…rooted in the steadfast belief other worlds are possible.&” —The New York Observer * &“Witty, confident, and effortlessly provocative.&” —The Philadelphia Inquirer * &“The most fearless writer in America.&” —Luis Alberto Urrea, Pulitzer Prize finalist and author of Good Night, Irene A ruthless and razor-sharp essay collection that tackles the pervasive, creeping oppression and toxicity that has wormed its way into society—in our books, schools, and homes, as well as the systems that perpetuate them—from one of our fiercest, foremost explorers of intersectional Latinx identity.A creep can be a single figure, a villain who makes things go bump in the night. Yet creep is also what the fog does—it lurks into place to do its dirty work, muffling screams, obscuring the truth, and providing cover for those prowling within it. Creep is &“sharp, conversational cultural criticism&” (Bustle), a blistering and slyly informal sociology of creeps (the individuals who deceive, exploit, and oppress) and creep culture (the systems, tacit rules, and institutions that feed them and allow them to grow and thrive). In eleven bold, electrifying pieces, Gurba mines her own life and the lives of others—some famous, some infamous, some you&’ve never heard of but will likely never forget—to unearth the toxic traditions that have long plagued our culture and enabled the abusers who haunt our books, schools, and homes. With her ruthless mind, wry humor, and adventurous style, Gurba implicates everyone from William Burroughs to her grandfather, from Joan Didion to her own abusive ex-partner; she takes aim at everything from public school administrations to the mainstream media, from Mexican stereotypes to the carceral state. Weaving her own history and identity throughout, she argues for a new way of conceptualizing oppression, and she does it with her signature blend of bravado and humility.
Creep \ Creep (Spanish edition): Acusaciones y confesiones
by Myriam GurbaDe la aclamada autora de Mean (Mala onda), una de las escritoras que con más ferocidad han explorado la identidad latinx desde una perspectiva interseccional, llega esta implacable e incisiva colección de ensayos que confronta la opresión dominante e insidiosa, y la toxicidad que se ha colado en la sociedad: tanto en los libros, las escuelas y los hogares como en los sistemas que la perpetúan. Un creep puede ser una figura singular, un villano que obliga a las cosas a hacer ruido por la noche. Pero creep es también lo que hace la niebla: acecha para realizar su trabajo sucio, silenciar los gritos, ocultar la verdad y encubrir a aquellos que rondan en su interior. Creep es la sociología informal de Gurba sobre los creeps, una profunda exploración dentro de los oscuros recovecos de las tradiciones tóxicas que asolan a los Estados Unidos y dan vida a los agresores que invaden nuestros libros, escuelas y hogares. A través de una crítica cultural a modo de ensayos personales, Gurba explora las formas en las que la opresión se propaga colectivamente y sostiene ecosistemas que distribuyen de manera injusta el sufrimiento y la muerte prematura de los más vulnerables. Sin embargo, identificar individuos, grupos sociales y culturas creep es sólo la mitad del proyecto de este libro: la otra mitad consiste en examinar cómo nosotros, en tanto individuos, comunidades e instituciones, podemos desafiar los creeps y deshacer la niebla que pretende cegarnos.Con implacable agudeza, humor áspero y un estilo atrevido y despiadado, Gurba implica a todos y todo; desde Joan Didion hasta su antiguo agresor, desde los estereotipos mexicanos hasta el sistema carcelario, nadie saldrá indemne.---From talented Mexican American writer, story-teller, and visual artist Myriam Gurba comes a brand-new collection of essays that seek to redefine what a "creep" is, via cultural criticism disguised as personal essays and seek to redefine accountability, illuminating how social groups create, strengthen, perpetuate, and protect hierarchies which ensnare, harm, and sometimes even kill the subjugated.Myriam’s new book is an essay collection entitled CREEP (and Other Essays), which aims to be an informal sociology of creeps. Though the term may instantly evoke images of the Harvey Weinsteins of the world—and they are by no means outside of Myriam’s scope—these essays range far and wide to zero in on lesser-known and unexpected creeps like William Burroughs, Joan Didion, the criminal justice system, the public education system, and, yes, even our own publishing industry. Each essay a bullet, Myriam targets and identifies individual creeps, creepy social groups, and creepy cultures. But that’s only half of the book’s taxonomic project. The other half is examining how individuals, communities, and institutions challenge creeps and creepiness. The essays in CREEP—cultural criticism disguised as personal essay—seek to redefine accountability, illuminating how social groups create, strengthen, perpetuate, and protect hierarchies which ensnare, harm, and sometimes even kill the subjugated. The collection also maps oppression not as an act, but as an environment—the very water we’re swimming in, the air we breathe—that unfairly distributes suffering and premature death to those minoritized by gender, sexual orientation, race, ethnicity, immigration status, age, poverty, and other exploitable differences. Of course, Myriam does it all in the distinctive campy style for which she has become known, propelled by aggressive Chicana wit and an insatiable urge to tip sacred cows.
Creepy Crawling: Charles Manson and the Many Lives of America's Most Infamous Family
by Jeffrey Melnick"Creepy crawling" was the Manson Family's practice of secretly entering someone's home and, without harming anyone, leaving only a trace of evidence that they had been there, some reminder that the sanctity of the private home had been breached. Now, author Jeffrey Melnick reveals just how much the Family creepy crawled their way through Los Angeles in the sixties and then on through American social, political, and cultural life for close to fifty years, firmly lodging themselves in our minds. Even now, it is almost impossible to discuss the sixties, teenage runaways, sexuality, drugs, music, California, and even the concept of family without referencing Manson and his "girls." Not just another history of Charles Manson, Creepy Crawling explores how the Family weren't so much outsiders but emblematic of the Los Angeles counterculture freak scene, and how Manson worked to connect himself to the mainstream of the time. Ever since they spent two nights killing seven residents of Los Angeles-what we now know as the "Tate-LaBianca murders"-the Manson family has rarely slipped from the American radar for long. From Emma Cline's The Girls to the recent TV show Aquarius, the family continues to find an audience. What is it about Charles Manson and his family that captivates us still? Author Jeffrey Melnick sets out to answer this question in this fascinating and compulsively readable cultural history of the Family and their influence from 1969 to the present.
Creole Cultures, Vol. 2: Creole Identity and Language Representations
by Violet Cuffy Morgan Dalphinis Duane Edwards Michael M. KretzerThis edited book considers the significance of creole cultures within current, changing global contexts located within post-colonial and developing states. It also examines safeguarding the languages and cultural practices that sustain creole identities. The concept of Creolity as approached through the different lenses of postcolonial studies, history, and anthropology is used here to consider the social constructions of creole identities, their political and economic realities and how they are experienced as changing, particularly in the modern context. Themes explored are creole societies, folklore and orature, cultural hegemony, cultural sociology, hybridity, and national cultural Identity.
Creole Son: An Adoptive Mother Untangles Nature and Nurture
by E. Kay TrimbergerCreole Son is the compelling memoir of a single white mother searching to understand why her adopted biracial son grew from a happy child into a troubled young adult who struggled with addiction for decades. The answers, E. Kay Trimberger finds, lie in both nature and nurture. When five-day-old Marco is flown from Louisiana to California and placed in Trimberger’s arms, she assumes her values and example will be the determining influences upon her new son’s life. Twenty-six years later, when she helps him make contact with his Cajun and Creole biological relatives, she discovers that many of his cognitive and psychological strengths and difficulties mirror theirs. Using her training as a sociologist, Trimberger explores behavioral genetics research on adoptive families. To her relief as well as distress, she learns that both biological heritage and the environment—and their interaction—shape adult outcomes. Trimberger shares deeply personal reflections about raising Marco in Berkeley in the 1980s and 1990s, with its easy access to drugs and a culture that condoned their use. She examines her own ignorance about substance abuse, and also a failed experiment in an alternative family lifestyle. In an afterword, Marc Trimberger contributes his perspective, noting a better understanding of his life journey gained through his mother’s research. By telling her story, Trimberger provides knowledge and support to all parents—biological and adoptive—with troubled offspring. She ends by suggesting a new adoption model, one that creates an extended, integrated family of both biological and adoptive kin.
Creole Trombone: Kid Ory and the Early Years of Jazz (American Made Music Series)
by John McCuskerEdward "Kid" Ory (1886-1973) was a trombonist, composer, recording artist, and early New Orleans jazz band leader. Creole Trombone tells his story from birth on a rural sugar cane plantation in a French-speaking, ethnically mixed family, to his emergence in New Orleans as the city's hottest band leader. The Ory band featured such future jazz stars as Louis Armstrong and King Oliver, and was widely considered New Orleans's top "hot" band. Ory's career took him from New Orleans to California, where he and his band created the first African American New Orleans jazz recordings ever made. In 1925 he moved to Chicago where he made records with Oliver, Armstrong, and Jelly Roll Morton that captured the spirit of the jazz age. His most famous composition from that period, "Muskrat Ramble," is a jazz standard. Retired from music during the Depression, he returned in the 1940s and enjoyed a reignited career.Drawing on oral history and Ory's unpublished autobiography, Creole Trombone is a story that is told in large measure by Ory himself. The author reveals Ory's personality to the reader and shares remarkable stories of incredible innovations of the jazz pioneer. The book also features unpublished Ory compositions, photographs, and a selected discography of his most significant recordings.
Crescendo: The Story of a Musical Genius Who Forever Changed a Southern Town
by Allen Cheney Julie CantrellA hidden story of human triumph, Crescendo takes you on the rare journey of a musical prodigy who changed an entire community forever.More than eighty years ago, a musical prodigy with a brilliant mind was born into a poor, uneducated, and abusive family in rural South Georgia. At three years of age, Fred Allen could play Mozart sonatas on the piano without missing a note. But in spite of his obvious talent, Fred&’s parents discouraged him from expressing his creativity and intelligence, even going so far as locking him away from the old piano in their home. Forced to fend for himself through his adolescent years, Fred knew that if he was ever to make something of himself, he would need to find a way to rise above his broken background. With incredible effort, and a few miracles along the way, Fred managed to do just that, eventually earning acceptance into The Julliard School in New York City. While simultaneously attending Juilliard, Union Theological Seminary, and Columbia University, he also began directing a local church choir, where he caught the attention of the music industry.During the musical revolution of the 1960s, Fred earned numerous Grammy nominations and built a growing reputation within the industry. But just as his new career was beginning to take off, Fred was faced with an impossible decision. His wife announced that she no longer wanted to raise their daughter in New York City and was heading home to the South. Fred had come so far from the pain and brokenness of his past, he couldn&’t imagine giving up everything just to return to his childhood home.Trying not to think about what could have been, Fred took a job as a high school music teacher in his hometown of Thomasville, Georgia, a community of only 30,000 people. Far from the executive suites of RCA and the allure of Broadway, Fred never could have imagined that his new role would not only transform his life but also change an entire community forever.
The Cretan Runner
by George Psychoundakis Patrick Leigh FermorGeorge Psychoundakis was a twenty-one-year-old shepherd from the village of Asi Gonia when the battle of Crete began: "It was in May 1941 that, all of a sudden, high in the sky, we heard the drone of many aeroplanes growing steadily closer." The German parachutists soon outnumbered the British troops who were forced first to retreat, then to evacuate, before Crete fell to the Germans. So began the Cretan Resistance and the young shepherd's career as a wartime runner. In this unique account of the Resistance, Psychoundakis records the daily life of his fellow Cretans, his treacherous journeys on foot from the eastern White Mountains to the western slopes of Mount Ida to transmit messages and transport goods, and his enduring friendships with British officers (like his eventual translator Patrick Leigh Fermor) whose missions he helped to carry out with unflagging courage, energy, and good humor.Includes thirty-two black-and-white photographs and a map.
Crete
by Barry Unsworth"His keen understanding of history and legend. . . illuminate[s] his visits. " -Publishers Weekly "A vivid picture of the island. " -Associated Press "It is hard to think of anywhere on earth where so many firsts and mosts are crammed into a space so small," Barry Unsworth writes of the isle of Crete. Birthplace of the Greek god Zeus, the Greek alphabet, and the first Greek laws, as well as the home of 15 mountain ranges and the longest gorge in Europe, this land is indisputably unique. And since ancient times, its inhabitants have maintained an astonishing tenacity and sense of national identity, even as they suffered conquest and occupation by Romans, Byzantines, Arabs, Venetians, Ottoman Turks, and Germans. Throughout this evocative book, now in trade paper, Unsworth describes the incredible physical and cultural proportions of the island-in history, myth, and reality. Moving and artful,Cretegives readers a comprehensive picture and rich understanding of this complex-and indeed, almost magical-world of Mediterranean wonders. With the same keen eye and clear, eloquent prose that distinguishes his acclaimed historical novels, Barry Unsworth delivers his readers a two-fold traveler's reward, at once a wonderfully detailed panorama of Crete's many layers of history and an evocative portrait of an island almost literally larger than life. From the Trade Paperback edition.
Crianças Divertidas: Histórias Verdadeiras de Experiências Infantis Engraçadas
by Leroy VincentCrianças Divertidas é um livro cheio de histórias verídicas de pessoas reais sobre as experiências engraçadas e embaraçosas das crianças. Este livro é fantástico para quem quer rir. Vai-se rir e pode até mesmo dizer, "Isso aconteceu comigo."
Criando hijos, creando personas
by Alejandra Libenson¿Cómo lograr que nuestros hijos coman bien? ¿Cuándo es el momento de sacarles los pañales? ¿A dormir se aprende? ¿Cuándo y cómo destetar al bebé? ¿Cuál es la mejor manera de estimular? ¿Qué significa "poner límites"? ¿Qué jardín de infantes elegir y cómo lograr una buena adaptación? ¿Los celos son "normales"? ¿Cómo manejar los miedos de los niños y los nuestros? ¿Cómo los preparamos para los cambios? ¿Cómo superar la culpa por volver a trabajar? Durante tres años, Alejandra Libenson respondió, a través de la web, a estas y a muchas otras inquietudes que le transmitían padres de diversos lugares del mundo. Sobre esta base, de preguntas y respuestas reales, comenzó a gestarse este libro con el objetivo de que esta rica experiencia sirviera a muchos otros padres. Ningún niño es igual a otro; ningún padre reacciona de idéntica manera ante sus hijos. En consecuencia, no existen "recetas" mágicas para criarlos, sino caminos posibles, que se van descubriendo en la prolongada, ardua y maravillosa tarea de ser padres. Respondiendo el interrogante individual, personal y propio de cada mamá, papá o adulto a cargo de niños, la autora nos va abriendo la puerta a diferentes formas de pensar la crianza de nuestros hijos, nos acerca soluciones insospechadas y nos ayuda a encontrar nuevos enfoques. Un libro diferente que parte de la convicción de que criar niños no es un adiestramiento ni un camino que se transita siguiendo recetas. Es crear personas, es creer en ellos y crecer con ellos.