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Alaska Flying: Surviving Incidents & Accidents
by Jake JacobsonLASKA FLYING: Surviving Incidents and Accidents encompass many short stories about Jake's experiences gained from 1967 to the present as a pilot in Alaska. Though he logged time as pilot in command in other parts of the world, including Southern Rhodesia, Namibia, Australia, Bolivia, Hawaii, Arizona and other locations, the stories in this collection relate exclusively to Alaskan flying.
Alaska Hunting: Earthworms to Elephants
by Jake JacobsonAlaska Hunting: Earthworms to Elephants, a collection of 39 stories, is intended to be seasoning for a Hunters' pie, rural Alaska style. Most hunters extol the charismatic mega fauna, but pursuit of lesser game often takes center stage. Occasionally hunting discoveries lead to other endeavors, from jade mining to gold prospecting and fossil recovery. Possibilities are limitless. As we engage in hunting and fishing pursuits memories are laced with the big ones--the exceptional, genetically endowed giants--but some of the brightest memories are of average representatives of their species. What made them so memorable was the combination of circumstances under which they were taken--or lost. Companions, whether human or animal, often make the hunt memorable and its recollections of trophy quality.
Alaska Is My Mistress: Alaska's Allure-Beautiful and Dangerous
by Jerre WillsJerre Wills was in his late teens when he began feeling something tugging at his shirt-tail, and finally pulling with the force of a 300 pound barn-door halibut heading for deep water on the end of a fishing line. Whatever the powerful pull was, its 5,000 mile beckon, brought the young Wills family to Alaska in March of 1959. First it was the homestead; hunting soon followed; commercial fishing, an improbable occupation became a passion; and becoming a pilot and flying small bush-planes was justified by guiding big game hunters. All of these adventures gave Jerre an appreciation for Alaska's land, sea, and air. Alaska's allure became a 55-year love affair with the Greatland. Alaska Is My Mistress is the story of Jerre Wills' non-stop Alaska seduction.
Alaska Pilot Ketch Ketchum: I Couldn't Do It Again
by Ketch KetchumKetch Ketchum's story is like many other people who grew up in America's Great Depression. He was raised on his parents' homestead in Readyville, Idaho. Ketch and his brothers milked cows, dug postholes, collected firewood, and marched to the tune of a strict father. He joined the Army Air Corp in 1942, married his high school sweetheart, Marguerite, and traveled the world with the new United States Air Force. Ketch retired as a Major Command pilot in 1964 and this is when his Alaska adventure begins. Traveling north on the Alaska Canada Highway in a trailer with three kids, the family's road ended in Anchorage, Alaska. Ketch, building on his Air Force flying career, mastered the single engine planes of the Alaska bush pilots. Eventually he and Marguerite established Ketchum Air Service on Lake Hood and never looked back. The next 35years was devoted to flying the Alaska wilderness. He transported hunters and fishermen, flew ski-planes for winter seismic exploration on the North Slope, supplied aircraft support during the Exxon Valdez oil spill cleanup, and grew the air service business from one to twelve airplanes.
Alaska Tracks: Life Stories from Hunters, Fisherman and Trappers of Alaska
by Randall ZarnkeAuthor and historian Randy Zarnke has compiled a collection of irreplaceable stories of long-time Alaskans who have lived lives most of us can only dream of. Truly remarkable men, like Jim Rearden and Red Beeman, are the kinds of outdoorsmen who have given back more than they have ever taken, furthering the causes of conservation and fair chase hunting through exemplary lives. Rearden, a long-time member of the Alaska Board of Game and one of the founders of the wildlife management program at the University of Alaska, is the dean of Alaska outdoor writers and authors. His writings have always counseled the "wise use" of natural resources and he has never back down from slamming the spoilers who are motivated only for quick profit. Red Beeman is a master guide, schooled in the old traditions of fair chase hunting. Never one to blow his own horn, Beeman provided his hunters with first class excursions; his clients safe in knowing their trophies would be handled professionally, all the meat salvaged and cared for expertly, and no better fair chase hunt could be found in Alaska. These men, and others, in Randy's book are sadly fading from the scene and it is a joy to know that at least a little of their stories will be preserved for future generations to emulate and learn from."
Alaska Wilderness: A Soul's Journey
by Lawrence FeltmanAs it was, in the beginning, is now and ever shall be a world without end.
Alaska y otras historias de la movida
by Rafael Cervera TorresLa movida madrileña es uno de los períodos culturales más ricos, interesantes y, sobre todo, divertidos de la más reciente historia española. Grupos como Kaka de Luxe, Pegamoides y, después, Dinarama; centros de reunión como la casa de los pintores Costus; películas como Pepi, Luci, Bom y otras chicas del montón, de Pedro Almodóvar; el programa La edad de Oro, de Paloma Chamorro o el estudio del fotógrafo Pablo Pérez Mínguez Fueron escenarios imprescindibles para un acontecimiento social y artístico que, entre 1977 y 1984, agitó los cimientos culturales de un país. Todas estas manifestaciones transcurren alrededor de Alaska, icono de la cultura popular y elemento aglutinador de los principales personajes de aquella época, que habla sin pudor pero sin nostalgia de esos años de música, sexo, drogas, frivolidad, provocación, arte e irreverencia. Un libro con mil y una historias que jamás se han contado y que el autor ha recogido de los propios protagonistas. Un libro que rememora, con rigor y grandes dosis de humor, aquel período, descubriendo los secretos, hurgando en las memorias, desvelando incógnitas y adentrándonos en los momentos más desconocidos de la vida de Alaska y de todo su entorno. Un libro, en definitiva, sobre una artista fascinante, sobre un tiempo único e irrepetiblemente parte de nuestra historia.
An Alaskan Adventure: A Story of Finding Gold in the Far North From: 1893-1903
by Frederick James CurrierAs the descendant of early miners, a grandfather who prospected for gold in the Fairbanks area in 1908 and a father who mined from the 1920s through the early 1940s, my interest and fascination with Frederick Currier's manuscript was easily spiked. Currier's quest for gold from 1893 into the 1900s was an admirable pursuit. His account of prospecting ventures in 1898 on the Chena River near Fairbanks is spellbinding, especially in his use of a sternwheeler and his building of cabins as he prospected toward the headwaters. I have great admiration for the early gold prospectors like Frederick Currier since I have sunk a couple of shafts to bedrock with a windlass and know the effort and determination required. The power of a few nuggets can change a person's direction in life. Currier's, An Alaskan Adventure, is well worth reading—more than once.
Alaskan Retreater's Notebook: One Man's Journey into the Alaskan Wilderness
by Ray OrdoricaIn the fall of 1978 Ray Ordorica packed everything he thought he would need into his Toyota LandCruiser and drove north to Alaska. He came to a land he had never seen, to find something he wasn't even sure existed: a wilderness cabin he could use for a year or more to live, think, relax, read, and write. Ordorica found his cabin, fixed it up, and, although it was just an un-insulated 12- by 16-foot one-room log structure, he spent three winters in it in relative comfort. Ordorica’s life in that cabin fulfilled a dream he had had for more than ten years. During his long winters in Alaska, it occurred to him that there must be many others who have put off an extended wilderness visit to out of ignorance or fear. They have as many questions about Alaska as he had before he arrived: How do you cope with 40 below? How do you get water? Is it totally dark in mid-winter? These questions and many more gave Ordorica the idea to write the Alaskan Retreater’s Notebook, an epic memoir about one man’s journey into the Alaskan wilderness. With his wisdom, you will learn how to live with the country, and not against it.
An Alaskan Woman Writes Again: From the Pipeline, to Field Surveys, to Duct-Tape Cleavage
by Janet Mc CartAn Alaskan Woman Writes Again takes the reader along to experience the Trans-Alaska Pipeline, camping in the bush, encounters with bear and moose, and overcoming fear, through much laughter and some tears. These are stories of construction, geological tent camps, fishing, flying, golfing, and other personal stories of self-discovery are written through the eyes of an Alaskan woman.
Alastair Cook: The early career of England's highest scoring batsman
by Alastair CookAlastair Cook forced his way into the record books in 2006, becoming one of the few England players to score a hundred on debut. By going on to become the only Englishman to hit seven Test centuries before his twenty-third birthday, Alastair found himself in the company of the greatest players in cricketing history.STARTING OUT is Alastair’s personal account of this speedy climb to stardom. Equally gifted at music, he opted for cricket as a schoolboy and the young left-hander broke record after record as he progressed to become the first-choice opener for Essex.Now an integral part of the England team with over forty caps, Alastair is perfectly placed to describe the highs and lows of life within the England cricket camp during one of the most exciting and turbulent periods of their history, both on and off the field.Updated to include the full story of the 2009 Ashes series, STARTING OUT amounts to a fascinating insight into life as one of the rising stars of English cricket.
Alastair Denniston: Code-Breaking from Room 40 to Berkeley Street and the Birth of GCHQ
by Joel Greenberg“The expertly researched biography of the man who created and led the British intelligence organization best known for cracking the Nazi’s codes.” —Midwest Book Review Some of the individuals who played key roles in the success of Bletchley Park in reading the secret communications of Britain’s enemies during the Second World War have become well-known figures. However, the man who created and led the organization based there, from its inception in 1919 until 1942, has, surprisingly, been overlooked—until now. In 1914 Alastair Denniston, who had been teaching French and German at Osborne Royal Navy College, was one of the first recruits into the Admiralty’s fledgling codebreaking section that became known as Room 40. There, a team drawn from a wide range of professions successfully decrypted intercepted German communications throughout the First World War. After the Armistice, Room 40 was merged with the British Army’s equivalent section—MI1—to form the Government Code and Cypher School (GC&CS). Initially based in London, from August 1939, GC&CS was largely located at Bletchley Park, with Alastair Denniston as its Operational Director. With the support and assistance of both the Denniston family and GCHQ, Joel Greenberg, author of Gordon Welchman: Bletchley Park’s Architect of Ultra Intelligence, has produced this absorbing story of Commander Alexander “Alastair” Guthrie Denniston OBE, CBE, CMG, RNVR, a man whose death in 1961 was ignored by major newspapers and the very British intelligence organization that was his legacy. “An enthralling account of Alastair Denniston and his contribution to modern electronic intelligence. This book follows from his excellent biography of another great of signals intelligence, Gordon Welshman.” —Fire Reviews
Alban Berg and His World (The Bard Music Festival #24)
by Christopher HaileyAn incisive new look at the pivotal modernist composerAlban Berg and His World is a collection of essays and source material that repositions Berg as the pivotal figure of Viennese musical modernism. His allegiance to the austere rigor of Arnold Schoenberg's musical revolution was balanced by a lifelong devotion to the warm sensuousness of Viennese musical tradition and a love of lyric utterance, the emotional intensity of opera, and the expressive nuance of late-Romantic tonal practice.The essays in this collection explore the specific qualities of Berg's brand of musical modernism, and present newly translated letters and documents that illuminate his relationship to the politics and culture of his era. Of particular significance are the first translations of Berg's newly discovered stage work Night (Nocturne), Hermann Watznauer's intimate account of Berg's early years, and the famous memorial issue of the music periodical 23. Contributors consider Berg's fascination with palindromes and mirror images and their relationship to notions of time and identity; the Viennese roots of his distinctive orchestral style; his links to such Viennese contemporaries as Alexander Zemlinsky, Franz Schreker, and Erich Wolfgang Korngold; and his attempts to maneuver through the perilous shoals of gender, race, and fascist politics.The contributors are Antony Beaumont, Leon Botstein, Regina Busch, Nicholas Chadwick, Mark DeVoto, Douglas Jarman, Sherry Lee, and Margaret Notley.
Alberdi: Repensando libertad y equidad en la nación argentina
by Juan Pablo LichtmajerUna lectura lúcida, reflexiva y rigurosa de la historia y actualidad de Alberdi para comprender cómo nació y se fue construyendo la identidad de la nación argentina y debatir el presente pensando quiénes fuimos, quiénes somos y quiénes queremos ser. Juan Bautista Alberdi y su obra son el objeto manifiesto de este libro cuyas páginas revelan bien pronto, desde una perspectiva absolutamente original, una ambición mayor: discutir el presente. En efecto, el recorrido de la historia de nuestro país desde el fin de la colonia hasta la organización nacional que Juan Pablo Lichtmajer traza siguiendo el devenir de la figura tal vez más importante de la Generación del 37 -nada menos que el autor intelectual de la Constitución de 1853- construye una lúcida lectura del pasado que interpela al hoy para señalar sus desafíos. En esa relación que establece con el tiempo actual se hace evidente uno de los propósitos más nítidos y una de las mayores fortalezas de este trabajo: releer a Alberdi para pensar la Argentina contemporánea. La empresa resulta exitosa porque entre sus muchos méritos propone ejes conceptuales en torno de los cuales nuclea los tópicos que despliega; uno de ellos, el de la identidad de la nación argentina. Historiográficamente riguroso, filosóficamente reflexivo y políticamente necesario, puede decirse de Alberdi: la noble igualdad que tiene deliberada vocación de indispensable.
Albert and the Whale: Albrecht Dürer and How Art Imagines Our World
by Philip HoareAn illuminating exploration of the intersection between life, art and the sea from the award-winning author of The Whale.In 1520, Albrecht Dürer, the most celebrated artist in Northern Europe, sailed to Zeeland to see a whale. A central figure of the Renaissance, no one had painted or drawn the world like him. Dürer drew hares and rhinoceroses in the way he painted saints and madonnas. The wing of a bird or the wing of an angel; a spider crab or a bursting star like the augury of a black hole, in Dürer's art, they were part of a connected world. Everything had meaning. But now he was in crisis. He had lost his patron, the Holy Roman Emperor. He was moorless and filled with wanderlust. In the shape of the whale, he saw his final ambition. Dürer was the first artist to truly employ the power of reproduction. He reinvented the way people looked at, and understood, art. He painted signs and wonders; comets, devils, horses, nudes, dogs, and blades of grass so accurately that even today they seem hyper-real, utterly modern images. Most startling and most modern of all, he painted himself, at every stage of his life. But his art captured more than the physical world, he also captured states of mind. Albert and the Whale explores the work of this remarkable man through a personal lens. Drawing on Philip&’s experience of the natural world, and of the elements that shape our contemporary lives, from suburbia to the wide open sea, Philip will enter Dürer's time machine. Seeking his own Leviathan, Hoare help us better understand the interplay between art and our world in this sublimely seductive book.
Albert Ball VC: The Fighter Pilot Hero of World War I
by Colin PengellyAn action-packed military biography of a British fighter pilot and his rise through ranks during World War I. World War I pilot Albert Ball&’s invincible courage and determination made him a legend not only in Britain but also amongst his enemies, to whom the sight of his lone Nieuport Scout brought fear. Ball enlisted in the British army in 1914 with the 2/7th Battalion (Robin Hoods) of the Sherwood Foresters, Notts, and Derby Regiment. By October, 1914, he had reached the rank of Sergeant and then became Second-Lieutenant to his own battalion in the same month. In June, 1915, he trained as a pilot in Hendon. Then in October, he obtained Royal Aero Club Certificate and was transferred to the Royal Flying Corps. He further trained at Norwich and Upavon, being awarded the pilot&’s brevet in January, 1916. In May, he opened his score, shooting down an Albatros C-type over Beaumont. Days later he shot down two LVG C-types, while flying his Nieuport 5173. Captain Albert Ball made his final flight on May 7, 1917, when he flew as part of an eleven-strong hunting patrol into action against Jagdstaffel 11, led by Lothar Von Richthofen. Albert was pursuing the Albatros Scout of Lothar, who crash-landed, wounded. Then many witnessed Albert dive out of a cloud and crash. He died minutes later in the arms of a French girl, Madame Cecille Deloffre. Ball rose from obscurity to the top rank of contemporary fighter pilots in only 15 months. In that period, he had been awarded the MC, DSO, and two Bars, and was credited with at least 44 victories.
Albert Brooks: Interviews (Conversations with Filmmakers Series)
by Alexander GreenhoughAlbert Brooks: Interviews brings together fourteen profiles of and conversations with Brooks (b. 1947), in which he contemplates, expounds upon, and hilariously jokes about the connections between his show business upbringing, an ambivalence about the film industry, the nature of fame and success, and the meaning and purpose of comedy. Throughout all these encounters, Brooks expresses an unwavering commitment to his own artistic expression as a filmmaker and a rejection of mainstream conventions. With his questioning and critical disposition, nothing seems certain for Albert Brooks except for the integrity of art and the necessity for a wry skepticism about the incongruities of everyday life in corporate America. Brooks is neither a Hollywood insider nor an outsider. He’s somewhere in-between. Since the early 1970s, this inimitable actor-writer-director has incisively satirized the mass media system from within. After initial work as an inventive comedian, both live and on network television, Brooks contributed six shorts to the first season of Saturday Night Live, which earned him a cult following for their avant-garde form and sensibility. These were followed by his feature debut, Real Life, the first of only seven films—including Modern Romance, Lost in America, and Defending Your Life—that Brooks has directed to date. His limited output reflects not only the difficulty in financing idiosyncratic films, but equally the exacting seriousness which Brooks has in making audiences laugh and think at the same time.
Albert Camus: A Biography
by Herbert R. LottmanWhen Albert Camus died in a car crash in January 1960 he was only 46 years old - already a winner of the Nobel Prize for Literature and a world figure - author of the enigmatic The Stranger, the fable called The Plague, but also of the combative The Rebel - which attacked the 'politically correct' among his con-temporaries.Thanks to his early literary achievement, his work for the under-ground newspaper Combat and his editorship of that daily in its Post-Liberation incarnation, Camus' voice seemed the conscience of postwar France. But it was a very personal voice that rejected the conventional wisdom, rejected ideologies that called for killing in the cause of justice. His call for personal responsibility will seem equally applicable today, when Camus' voice is silent and has not been replaced. The secrecy which surrounded Algerian-born Camus' own life, public and private - a function of illness and psychological self-defense in a Paris in which he still felt himself a stranger - seemed to make the biographer's job impossible.Lottman's Albert Camus was the first and remains the definitive biography - even in France. On publication it was hailed by New York Times reviewer John Leonard: "What emerges from Mr. Lottman's tireless devotions is a portrait of the artist, the outsider, the humanist and skeptic, that breaks the heart." In The New York Times Book Review British critic John Sturrock said: "Herbert Lottman's life (of Camus) is the first to be written, either in French or English, and it is exhaustive, a labor of love and of wonderful industry." When the book appeared in London Christopher Hitchens in New Statesman told British readers: "Lottman has written a brilliant and absorbing book... The detail and the care are extra-ordinary... Now at last we have a clear voice about the importance of liberty and the importance of being concrete."The new edition by Gingko Press includes a specially written preface by the author revealing the challenges of a biographer, of some of the problems that had to be dealt with while writing the book and after it appeared.
Albert Camus: Elements of a Life
by Robert D. ZaretskyLike many others of my generation, I first read Camus in high school. I carried him in my backpack while traveling across Europe, I carried him into (and out of) relationships, and I carried him into (and out of) difficult periods of my life. More recently, I have carried him into university classes that I have taught, coming out of them with a renewed appreciation of his art. To be sure, my idea of Camus thirty years ago scarcely resembles my idea of him today. While my admiration and attachment to his writings remain as great as they were long ago, the reasons are more complicated and critical.—Robert Zaretsky On October 16, 1957, Albert Camus was dining in a small restaurant on Paris's Left Bank when a waiter approached him with news: the radio had just announced that Camus had won the Nobel Prize for Literature. Camus insisted that a mistake had been made and that others were far more deserving of the honor than he. Yet Camus was already recognized around the world as the voice of a generation—a status he had achieved with dizzying speed. He published his first novel, The Stranger, in 1942 and emerged from the war as the spokesperson for the Resistance and, although he consistently rejected the label, for existentialism. Subsequent works of fiction (including the novels The Plague and The Fall), philosophy (notably, The Myth of Sisyphus and The Rebel), drama, and social criticism secured his literary and intellectual reputation. And then on January 4, 1960, three years after accepting the Nobel Prize, he was killed in a car accident. In a book distinguished by clarity and passion, Robert Zaretsky considers why Albert Camus mattered in his own lifetime and continues to matter today, focusing on key moments that shaped Camus's development as a writer, a public intellectual, and a man. Each chapter is devoted to a specific event: Camus's visit to Kabylia in 1939 to report on the conditions of the local Berber tribes; his decision in 1945 to sign a petition to commute the death sentence of collaborationist writer Robert Brasillach; his famous quarrel with Jean-Paul Sartre in 1952 over the nature of communism; and his silence about the war in Algeria in 1956. Both engaged and engaging, Albert Camus: Elements of a Life is a searching companion to a profoundly moral and lucid writer whose works provide a guide for those perplexed by the absurdity of the human condition and the world's resistance to meaning.
Albert Camus and the Human Crisis
by Robert E. MeagherA renowned scholar investigates the "human crisis&” that Albert Camus confronted in his world and in ours, producing a brilliant study of Camus&’s life and influence for those readers who, in Camus's words, &“cannot live without dialogue and friendship.&”As France—and all of the world—was emerging from the depths of World War II, Camus summed up what he saw as "the human crisis&”: We gasp for air among people who believe they are absolutely right, whether it be in their machines or their ideas. And for all who cannot live without dialogue and the friendship of other human beings, this silence is the end of the world. In the years after he wrote these words, until his death fourteen years later, Camus labored to address this crisis, arguing for dialogue, understanding, clarity, and truth. When he sailed to New York, in March 1946—for his first and only visit to the United States—he found an ebullient nation celebrating victory. Camus warned against the common postwar complacency that took false comfort in the fact that Hitler was dead and the Third Reich had fallen. Yes, the serpentine beast was dead, but &“we know perfectly well,&” he argued, &“that the venom is not gone, that each of us carries it in our own hearts.&” All around him in the postwar world, Camus saw disheartening evidence of a global community revealing a heightened indifference to a number of societal ills. It is the same indifference to human suffering that we see all around, and within ourselves, today. Camus&’s voice speaks like few others to the heart of an affliction that infects our country and our world, a world divided against itself. His generation called him &“the conscience of Europe.&” That same voice speaks to us and our world today with a moral integrity and eloquence so sorely lacking in the public arena. Few authors, sixty years after their deaths, have more avid readers, across more continents, than Albert Camus. Camus has never been a trend, a fad, or just a good read. He was always and still is a companion, a guide, a challenge, and a light in darkened times. This keenly insightful story of an intellectual is an ideal volume for those readers who are first discovering Camus, as well as a penetrating exploration of the author for all those who imagine they have already plumbed Camus&’ depths—a supremely timely book on an author whose time has come once again.
Albert Cohen: Dissonant Voices (Parallax: Re-visions of Culture and Society)
by Jack I. AbecassisHonorable Mention winner in the Modern Language Association's Aldo and Jeanne Scaglione Prize competition for French and Francophone Literary StudiesA major figure in twentieth-century letters, Albert Cohen (1895–1981) left a paradoxical legacy. His heavily autobiographical, strikingly literary, and polyphonic novels and lyrical essays are widely read by a devout public in France, yet have been largely ignored by academia. A self-consciously Jewish writer and activist, Cohen remained nevertheless ambivalent about Judaism. His self-affirmation as a Jew in juxtaposition with his satirical use of anti-Semitic stereotypes still provokes unease in both republican France and institutional Judaism.In Albert Cohen: Dissonant Voices, the first English-language study of this profound and profoundly misunderstood writer, Jack I. Abecassis traces the recurrent themes of Cohen's works. He reveals the dissonant fractures marking Cohen as a modernist, and analyzes the resistance to his work as a symptom of the will not to understand Cohen's main theme—"the catastrophe of being Jewish."For Abecassis, Cohen's diverse oeuvre forms a single "roman fleuve" exploring this perturbing theme through fragmentation and grotesquerie, fantasies and nightmares, the veiling and unveiling of the unspeakable.Abecassis argues that Cohen should not be read exclusively through the prism of European literature (Stendhal, Tolstoy, Proust), but rather as the retelling—inverting and ultimately exhausting, in the form of submerged plots—of the Biblical romances of Joseph and Esther. The romance of the charismatic Court Jew and its performance correlative, the carnival of Purim, generate the logic of Cohen's acute psychological ambivalence, historical consciousness and carnal sensuality—themes which link this modernist author to Genesis as well as to the literary practices of Sephardic crypto-Jews. Abecassis argues that Cohen's best-known work, Belle du Seigneur (1968), besides being an obvious tale of obsessive love and dissolution, is foremost a tale of political intrigue involving Solal, the meteoric-rising Jew in the League of Nations during the period of Appeasement (1936), and his ultimate self-destruction. Providing close readings and imaginative analyses of the entire literary output of one of twentieth-century France's most important Jewish writers, Abecassis presents here a major work of literary scholarship, as well as a broader study of the reception and influence of Jewish thought in French literature and philosophy.
Albert Einstein: Young Thinker (Childhood of Famous Americans Series)
by Marie HammontreeAll children know who Albert Einstein grew up to be--but what was he like as a child? A fictionalized biography of the childhood of the famous scientist.
Albert Einstein
by Marie Hammontree Robert DoremusBefore Albert Einstein was an internationally renowned genius, he was a kid--learn all about his childhood and what makes him an all-star in American history!Albert Einstein is a household name synonymous with genius around the world. His work unlocked mysteries of the universe and also impacted everyday conveniences like remote controls and televisions. And while most are familiar with Einstein's adult wisdom (and wild hair), do you know what he was like as a child? From his passion for music--he played both the violin and the piano--to his early curiosity for understanding the mysteries of science, in this narrative biography you'll learn all about Albert Einstein's childhood and the influences that shaped the life of a remarkable man.
Albert Einstein
by Kathleen Krull Boris KulikovAlbert Einstein. His name has become a synonym for genius. His wild case of bedhead and playful sense of humor made him a media superstar?the first, maybe only, scientist-celebrity. He wasn?t much for lab work; in fact he had a tendency to blow up experiments. What he liked to do was think, not in words but in ?thought pictures.? What was the result of all his thinking? Nothing less than the overturning of Newtonian physics. Once again, Kathleen Krull delivers a witty and astute look at one of the true ?Giants of Science? and the turbulent times in which he lived.
Albert Einstein: Genius Of The Twentieth Century (Ready-to-Read Sofa)
by Patricia LakinFrom a young age Albert Einstein was curious and very smart. But that didn't mean life was easy for him. In fact, being so smart sometimes made things harder for him! Read all about his life, and find out why Albert Einstein is known as the genius of the twentieth century.