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Don't Let Her See Me Cry
by Helen Barnacle"How do you make a decision about when it's best to let go of your child? Is there a mother out there who could give me any advice? I doubt it. Having Ali taught me about unconditional love, she gave me the reason to continue living ... The dreaded day arrived ... 'Helen Barnacle to the front gate.' The sound pierced my ears and my heart. I held Ali in my arms tightly and walked towards the prison gates... 'Don't cry', I kept repeating to myself. 'Don't let her see me cry. Don't upset her. I can't let her see me cry,' I chanted this mantra over and over and over ... I passed Ali through the prison gates to my brother, Ron ... 'Bye-bye, Mum,' Ali said. 'I love you.' And with her little hand waving over Ron's shoulder, they turned and walked away. "DON'T LET HER SEE ME CRY is the sort of bestseller that comes along only once in a lifetime. It is the gutsy, moving and inspiring true story of one woman's remarkable journey from a hopeless young heroin addict facing a 15-year prison sentence with a newborn baby to a successful psychologist, drug counseller, prison reform campaigner, and mother and best friend to Ali --the daughter who gave her the courage and determination to survive. Sentenced to the longest drug-related prison term ever meted out to a woman in Victoria, the discovery that she was to become a mother was far from welcome news to Helen Barnacle. The irony was that this tiny helpless being gave her a new lease on life--and a reason to hope. Helen's love and devotion for baby Ali led to her winning an historic battle. In a landmark decision she became the first woman allowed to keep her baby in prison beyond her first birthday. But three years later Helen had to face every mother's worst nightmare and give up her daughter. While she knew the time had come for Ali to leave the prison for her own good, this did not make the decision any easier. Ali had become her reason for living. Handing her daughter over at the gates of the prison almost destroyed her. In utter despair she resumed her love affair with heroin and was on a hopeless path of destruction until she was caught using in prison. Her brother Ron, the only person who had stood by her, gave her an ultimatum--if she really loved Ali she had to stop thinking of herself and find the courage to live. Helen had first to overcome her lifelong addiction with heroin, a crutch she had relied on since her youth to overcome her feelings of worthlessness. Thanks to the support of staff at Fairlea's Education Centre the former musician began to rediscover her love of music and study classical music, as well as writing and performing her own work for the Fairlea Drama Group, which evolved into the highly acclaimed SOMEBODY'S DAUGHTER Theatre group. Helen also began a Bachelor of Arts degree, majoring in psychology. After leaving prison 12 years ago, she completed her post-graduate studies in psychology and after two years supervision was employed as a psychologist specialising in drug and alcohol problems at TaskForce Community Agency in Prahran. Over the next six years she ran workshops for judges and magistrates, counselled both drug workers and addicts, presented papers for national and international seminars, wrote the drug education booklet 'Tentative Steps', and rose to position of Drug Program Director. She also established a pilot project in the Juvenile Justice System using drama and the arts as therapy with young offenders. Don't Let Her See Me Cry is the story of the power of the bond between a mother and daughter, a brother and sister, of finding love in the most unexpected places, and of the strength of the human spirit. ' The story of Barnacle's life 'inside', how she fought to keep her daughter with her and how she remade herself makes an inspiring, confronting tale.' --The Age
Don't Let It Get You Down: Essays on Race, Gender, and the Body
by Savala NolanA powerful and provocative collection of essays that offers poignant reflections on living between society’s most charged, politicized, and intractably polar spaces—between black and white, rich and poor, thin and fat. <p><p> Savala Nolan knows what it means to live in the in-between. Descended from a Black and Mexican father and a white mother, Nolan’s mixed-race identity is obvious, for better and worse. At her mother’s encouragement, she began her first diet at the age of three and has been both fat and painfully thin throughout her life. She has experienced both the discomfort of generational poverty and the ease of wealth and privilege. It is these liminal spaces—of race, class, and body type—that the essays in Don’t Let It Get You Down excavate, presenting a clear and nuanced understanding of our society’s most intractable points of tension. <p><p> The twelve essays that comprise this collection are rich with unforgettable anecdotes and are as humorous and as full of Nolan’s appetites as they are of anxieties. The result is lyrical and magnetic. In “On Dating White Guys While Me,” Nolan realizes her early romantic pursuits of rich, preppy white guys weren’t about preference, but about self-erasure. In the titular essay “Don’t Let it Get You Down,” we traverse the cyclical richness and sorrow of being Black in America as Black children face police brutality, “large Black females” encounter unique stigma, and Black men carry the weight of other people’s fear. In “Bad Education,” we see how women learn to internalize rage and accept violence in order to participate in our culture. And in “To Wit and Also” we meet Filliss, Grace, and Peggy, the enslaved women owned by Nolan’s white ancestors, reckoning with the knowledge that America’s original sin lives intimately within our present stories. <p><p> Over and over again, Nolan reminds us that our true identities are often most authentically lived not in the black and white, but in the grey of the in-between. Perfect for fans of Heavy by Kiese Laymon and Bad Feminist by Roxane Gay, Don’t Let It Get You Down delivers an essential perspective on race, class, bodies, and gender in America today.
Don't Let The Lipstick Fool You
by Lisa Leslie Larry BurnettForeword by Earvin "Magic" Johnson"Absolutely one of the best players ever to play the game." --Bill Walton A three-time Olympic gold medalist, three-time MVP of the WNBA, and the first woman ever to dunk in a professional basketball game, Lisa Leslie is considered one of the greatest players in the history of women's basketball. But before the superstar was the child growing up too fast in South Central Los Angeles. Over six feet tall in the sixth grade, with a father Lisa never knew, and a sister she couldn't trust, her life seemed destined to go nowhere fast--another failed statistic in the American dream. Today, Lisa is a poised, beautiful, assertive, six-foot-five-inch basketball powerhouse. Her elegance and charm have made her a favorite with fans, the fashion world, and even Hollywood. With hard-won candor and confidence, Lisa Leslie shares in her own words her empowering story about finding grace under pressure, and exceeding expectations--including your own--by playing like a girl. "There are a lot of young girls out there who look up to Lisa Leslie. I think it's great that they can look at Lisa and say we don't have to make sacrifices." --Sheryl Swoopes, Houston Comets and U.S. Olympic Team "Lisa is doing for women what Michael Jordan has done for young men." --Michael Cooper, Lakers great and L.A. Sparks head coach "She has it all: beauty, brains, and athleticism. She brings class, fashion, and she's sassy in her own way. She has all that and the championship rings to back it up." --Nancy Lieberman, ESPN analyst and Hall of Famer "Lisa Leslie is absolutely one of the best players ever to play the game. She is a leader who works hard, plays hard, and carries herself with incredible poise, grace and dignity. She is an icon and a perfect role model." --Bill Walton, ESPN commentator and NBA Hall of Famer Larry Burnett is an Emmy award-winning journalist and sports broadcaster. He has known Lisa for fifteen years and has been the radio and television play-by-play announcer for her L.A. Sparks' games for the past nine seasons. Burnett has anchored Sports Center and The NBA Today Show for ESPN, and he has hosted the Lakers' radio broadcasts and The Phil Jackson Show.
Don't Let Me Be Lonely: An American Lyric
by Claudia RankineA brilliant and unsparing examination of America in the early twenty-first century, Claudia Rankine’s Don’t Let Me Be Lonely invents a new genre to confront the particular loneliness and rapacious assault on selfhood that our media have inflicted upon our lives. Fusing the lyric, the essay, and the visual, Rankine negotiates the enduring anxieties of medicated depression, race riots, divisive elections, terrorist attacks, and ongoing wars—doom scrolling through the daily news feeds that keep us glued to our screens and that have come to define our age.First published in 2004, Don’t Let Me Be Lonely is a hauntingly prescient work, one that has secured a permanent place in American literature. This new edition is presented in full color with updated visuals and text, including a new preface by the author, and matches the composition of Rankine’s best-selling and award-winning Citizen and Just Us as the first book in her acclaimed American trilogy.Don’t Let Me Be Lonely is a crucial guide to surviving a fractured and fracturing American consciousness—a book of rare and vital honesty, complexity, and presence.
Don't Let Me Down: A Memoir
by Erin HosierA fierce, vivid memoir about a father-daughter relationship steeped in God, rebellion, and the Beatles. Erin Hosier’s coming-of-age was full of contradiction. Born into the turbulent 1970s, she was raised in rural Ohio by lapsed hippies who traded 1960s rock ‘n’ roll for 1950s-era Christian hymns. Her mother’s newfound faith was rooted in a desire to manage her husband’s mood swings, which could alternately fill the house with music or with violence. All the while, Jack was larger than life to his adoring daughter. Full of conflict, their complex relationship set the tone for three decades of Erin’s relationships with men; the Beatles provided the soundtrack. Jack bonded with Erin over their iconic songs, even as they inspired her to question authority—both his and others’.Don’t Let Me Down is about a brave girl trying to navigate family secrets and tragedies and escape from small-town small-mindedness. It is a searing and often funny exploration of how women first see themselves through the lens of a parent’s love, and of the ties that bind us to our childhood heroes, who ultimately lead us to ask that most profound of questions: Is love really all you need?
Don't Let My Mama Read This: A Southern Fried Memoir
by HadjiiMeet Hadjii. He's got a loving family, a taste for making trouble, and a wicked sense of humor. His first book,Don't Let My Mama Read This, is a rarity--an upbeat memoir about a blessedly normal childhood written by a natural-born storyteller. In it, he offers a warm, witty look at the pleasures and pitfalls of growing up in a close-knit Southern family, from a young man who's just like you, only funnier.
Don't Let My Past Be Your Future: A Call to Arms
by Harry Leslie Smith'Harry Leslie Smith is a vital and powerful voice speaking across generations about the struggle for a just society' Jeremy CorbynTHIS A CALL TO ARMS FOR THE MANY, NOT THE FEW: DON'T LET THE PAST BECOME OUR FUTURE Harry Leslie Smith is a great British stalwart. A survivor of the Great Depression, a Second World War veteran, a lifelong Labour supporter and a proud Yorkshire man, Harry's life has straddled two centuries. As a young man, he witnessed a country in crisis with no healthcare, no relief for the poor, and a huge economic gulf between the North and South. Now in his nineties, Harry wanders through the streets of his youth and wonders whether anything has actually changed.Britain is at its most dangerous juncture since Harry's youth - the NHS and social housing are in crisis, whilst Brexit and an unpopular government continue to divide the country - but there is hope. Just as Clement Attlee provided hope in 1945, Labour's triumphant comeback of June 2017 is a beacon of light in this season of discontent. Britain has overcome adversity before and will do so again - a new nation will be forged from the ashes of grave injustice.Moving and passionate, Don't Let My Past be Your Future interweaves memoir and polemic in a call to arms. Above all, this book is a homage to the boundless grace and resilience of the human spirit.
Dont Let My Past Be Your Future: A Call to Arms
by Harry Leslie Smith'Harry Leslie Smith is a vital and powerful voice speaking across generations about the struggle for a just society' Jeremy CorbynTHIS A CALL TO ARMS FOR THE MANY, NOT THE FEW: DON'T LET THE PAST BECOME OUR FUTURE Harry Leslie Smith is a great British stalwart. A survivor of the Great Depression, a Second World War veteran, a lifelong Labour supporter and a proud Yorkshire man, Harry's life has straddled two centuries. As a young man, he witnessed a country in crisis with no healthcare, no relief for the poor, and a huge economic gulf between the North and South. Now in his nineties, Harry wanders through the streets of his youth and wonders whether anything has actually changed.Britain is at its most dangerous juncture since Harry's youth - the NHS and social housing are in crisis, whilst Brexit and an unpopular government continue to divide the country - but there is hope. Just as Clement Attlee provided hope in 1945, Labour's triumphant comeback of June 2017 is a beacon of light in this season of discontent. Britain has overcome adversity before and will do so again - a new nation will be forged from the ashes of grave injustice.Moving and passionate, Don't Let My Past be Your Future interweaves memoir and polemic in a call to arms. Above all, this book is a homage to the boundless grace and resilience of the human spirit.
Don't Let the Goats Eat the Loquat Trees: The Adventures of an American Surgeon in Nepal
by Thomas HaleThomas Hale writes about being a missionary surgeon in the same delightful way James Herriot writes about being a country veterinarian. Dr. Hale's incredible experience in tiny, mountainous Nepal are surpassed only by his talent for telling about them. Imagine, for example, the culture shock of moving to a Hindu country under such rigid religious control that it is not only illegal to proselytize, but illegal to change religions as well. Imagine further the shock of moving to that country as a missionary doctor. Thomas Hale and his wife, Cynthia, also a physician, too on that awesome challenge in 1970. God wasted no time teaching tom the peculiarities of his new culture. But His unusual method left Tom wondering what God was up to. Here is how Tom tells about it: "These were not the phlegmatic, easy-going Nepalis described in books and orientation courses. Those who spoke gesticulated fiercely. Some looked around menacingly; others spat. One thing was certain, however: in the cause of their anger they were united. The word was out: the new doctor had killed a cow. My own sense of participation in the proceedings was intense. I was the new doctor."--Excerpt As Tom goes on to describe the events the preceded the angry scene in the Nepali village, the image of the spiritually superior missionary quickly evaporates. In a humorous, yet deeply insightful way, the author makes it clear that he is merely a servant, using his skills to the glory of God. Tom concludes this chapter with a thoughtful confession: "In the long run, that cow did much more for me that I did for it. The mild-mannered, uncritical beast made me see in myself those negative attributes I had always ascribed to other American surgeons. Facing two hundred angry men proved to be effective therapy for removing most traces of condescension with which I previously regarded them. It also improved my relations with missionary colleagues and with Nepali brothers and sisters in the church. I guess God had no gentler way of removing some of my imperfections. I only wish I could say, for His trouble, that He finished the job. But it was a start." -- Excerpt. Dr. Hale's book refused to be preachy or condescending. It presents missions as a "want" rather than an "ought." It is sensitive, warm, honest, incredibly funny, and filled with important truths illustrated from unusual and sometimes unimaginable situations.
Don't Let the Song Go Out of Your Life
by Mary-Ellen AllenThe author relates her experiences, personal struggles and triumphs as she became aware of God's role for her in life. The publisher of this book donated a digital copy to Bookshare.org. Join us in thanking Spirit Press for providing this accessible digital book to this community.
Don't Let's Go to the Dogs Tonight: An African Childhood (Picador Classic Ser. #11)
by Alexandra FullerNEW YORK TIMES BESTSELLER * ENTERTAINMENT WEEKLY'S #1 NONFICTION BOOK OF THE YEAR * A NEW YORK TIMES NOTABLE BOOK * FINALIST, GUARDIAN FIRST BOOK PRIZE "This is not a book you read just once, but a tale of terrible beauty to get lost in over and over."--Newsweek "By turns mischievous and openhearted, earthy and soaring . . . hair-raising, horrific, and thrilling."--The New Yorker In Don't Let's Go to the Dogs Tonight, Alexandra Fuller remembers her African childhood with visceral authenticity. Though it is a diary of an unruly life in an often inhospitable place, it is suffused with Fuller's endearing ability to find laughter, even when there is little to celebrate. Fuller's debut is unsentimental and unflinching but always captivating. In wry and sometimes hilarious prose, she stares down disaster and looks back with rage and love at the life of an extraordinary family in an extraordinary time. From 1972 to 1990, Alexandra Fuller--known to friends and family as Bobo--grew up on several farms in southern and central Africa. Her father joined up on the side of the white government in the Rhodesian civil war, and was often away fighting against the powerful black guerilla factions. Her mother, in turn, flung herself at their African life and its rugged farm work with the same passion and maniacal energy she brought to everything else. Though she loved her children, she was no hand-holder and had little tolerance for neediness. She nurtured her daughters in other ways: She taught them, by example, to be resilient and self-sufficient, to have strong wills and strong opinions, and to embrace life wholeheartedly, despite and because of difficult circumstances. And she instilled in Bobo, particularly, a love of reading and of storytelling that proved to be her salvation. A worthy heir to Isak Dinesen and Beryl Markham, Alexandra Fuller writes poignantly about a girl becoming a woman and a writer against a backdrop of unrest, not just in her country but in her home. But Don't Let's Go to the Dogs Tonight is more than a survivor's story. It is the story of one woman's unbreakable bond with a continent and the people who inhabit it, a portrait lovingly realized and deeply felt.Praise for Don't Let's Go to the Dogs Tonight "The Africa of this beautiful book is not easy to forget. Despite, or maybe even because of, the snakes, the leopards, the malaria and the sheer craziness of its human inhabitants, often violent but pulsing with life, it seems like a fine place to grow up, at least if you are as strong, passionate, sharp and gifted as Alexandra Fuller."--Chicago Tribune "Owning a great story doesn't guarantee being able to tell it well. That's the individual mystery of talent, a gift with which Alexandra Fuller is richly blessed, and with which she illuminates her extraordinary memoir. . . . There's flavor, aroma, humor, patience . . . and pinpoint observational acuity."--Entertainment Weekly "This is a joyously telling memoir that evokes Mary Karr's The Liars' Club as much as it does Isak Dinesen's Out of Africa."--New York Daily News "Riveting . . . [full of] humor and compassion."--O: The Oprah Magazine "The incredible story of an incredible childhood."--The Providence JournalFrom the Hardcover edition.
Don't Look Back: A Memoir of War, Survival, and My Journey from Sudan to America
by Keely Hutton Achut DengIn this propulsive memoir from Achut Deng and Keely Hutton, inspired by a harrowing New York Times article, Don't Look Back tells a powerful story showing both the ugliness and the beauty of humanity, and the power of not giving up.I want life.After a deadly attack in South Sudan left six-year-old Achut Deng without a family, she lived in refugee camps for ten years, until a refugee relocation program gave her the opportunity to move to the United States. When asked why she should be given a chance to leave the camp, Achut simply told the interviewer: I want life.But the chance at starting a new life in a new country came with a different set of challenges. Some of them equally deadly. Taught by the strong women in her life not to look back, Achut kept moving forward, overcoming one obstacle after another, facing each day with hope and faith in her future. Yet, just as Achut began to think of the US as her home, a tie to her old life resurfaced, and for the first time, she had no choice but to remember her past.
Don't Look Back: Satchel Paige On The Shadows Of Baseball
by Mark RibowskyWith the possible exception of Babe Ruth, there are more myths and legends about Leroy "Satchel" Paige than about anyone in baseball history. A slender, loose-limbed, slow-walking, hard-thrower from baseball's late pre-integration era, Paige was considered by many to be the greatest pitcher who ever lived. <P><P>The claim is hard to dispute, since Paige was at least in his forties by the time the major leagues were willing to admit men of color, so his record is more anecdotal than statistical. (Even Satch's exact age is a figure of controversy, and some say he may have been fifty by the time he joined the Cleveland Indians.) <P><P>His reputation is based on his years in the Negro leagues, and on the times he pitched for barnstorming teams that played against major leaguers. Satch's feats were legendary. He could warm up by throwing strikes not over home plate but over a matchbook.
Don't Look Back In Anger: The rise and fall of Cool Britannia, told by those who were there
by Daniel RachelThe nineties was the decade when British culture reclaimed its position at the artistic centre of the world. Not since the 'Swinging Sixties' had art, comedy, fashion, film, football, literature and music interwoven into a blooming of national self-confidence. It was the decade of Lad Culture and Girl Power; of Blur vs Oasis. When fashion runways shone with British talent, Young British Artists became household names, football was 'coming home' and British film went worldwide. From Old Labour's defeat in 1992 through to New Labour's historic landslide in 1997, Don't Look Back In Anger chronicles the Cool Britannia age when the country united through a resurgence of patriotism and a celebration of all things British. But it was also an era of false promises and misplaced trust, when the weight of substance was based on the airlessness of branding, spin and the first stirrings of celebrity culture. A decade that started with hope then ended with the death of the 'people's princess' and 9/11 - an event that redefined a new world order. Through sixty-eight voices that epitomise the decade - including Tony Blair, John Major, Noel Gallagher, Damon Albarn, Tracey Emin, Keith Allen, Meera Syal, David Baddiel, Irvine Welsh and Steve Coogan - we re-live the epic highs and crashing lows of one of the most eventful periods in British history. Today, in an age where identity dominates the national agenda, Don't Look Back In Anger is a necessary and compelling historical document.
Don't Look Back In Anger: The rise and fall of Cool Britannia, told by those who were there
by Daniel RachelThe nineties was the decade when British culture reclaimed its position at the artistic centre of the world. Not since the 'Swinging Sixties' had art, comedy, fashion, film, football, literature and music interwoven into a blooming of national self-confidence. It was the decade of Lad Culture and Girl Power; of Blur vs Oasis. When fashion runways shone with British talent, Young British Artists became household names, football was 'coming home' and British film went worldwide. From Old Labour's defeat in 1992 through to New Labour's historic landslide in 1997, Don't Look Back In Anger chronicles the Cool Britannia age when the country united through a resurgence of patriotism and a celebration of all things British. But it was also an era of false promises and misplaced trust, when the weight of substance was based on the airlessness of branding, spin and the first stirrings of celebrity culture. A decade that started with hope then ended with the death of the 'people's princess' and 9/11 - an event that redefined a new world order. Through sixty-eight voices that epitomise the decade - including Tony Blair, John Major, Noel Gallagher, Damon Albarn, Tracey Emin, Keith Allen, Meera Syal, David Baddiel, Irvine Welsh and Steve Coogan - we re-live the epic highs and crashing lows of one of the most eventful periods in British history. Today, in an age where identity dominates the national agenda, Don't Look Back In Anger is a necessary and compelling historical document.
Don't Look Back In Anger: The rise and fall of Cool Britannia, told by those who were there
by Daniel RachelRead by Paul McGann, Louise Brealey, Tania Rodrigues, Shvorne Marks, Jot Davies, David John, Dean Williamson and Charles Armstrong. Introduced by Daniel Rachel, and featuring audio-exclusive extracts from Daniel's source interviews.The nineties was the decade when British culture reclaimed its position at the artistic centre of the world. Not since the 'Swinging Sixties' had art, comedy, fashion, film, football, literature and music interwoven into a blooming of national self-confidence. It was the decade of Lad Culture and Girl Power; of Blur vs Oasis. When fashion runways shone with British talent, Young British Artists became household names, football was 'coming home' and British film went worldwide. From Old Labour's defeat in 1992 through to New Labour's historic landslide in 1997, Don't Look Back In Anger chronicles the Cool Britannia age when the country united through a resurgence of patriotism and a celebration of all things British. But it was also an era of false promises and misplaced trust, when the weight of substance was based on the airlessness of branding, spin and the first stirrings of celebrity culture. A decade that started with hope then ended with the death of the 'people's princess' and 9/11 - an event that redefined a new world order. Through sixty-seven voices that epitomise the decade - including Tony Blair, John Major, Noel Gallagher, Damon Albarn, Tracey Emin, Keith Allen, Meera Syal, David Baddiel, Irvine Welsh and Steve Coogan - we re-live the epic highs and crashing lows of one of the most eventful periods in British history. Today, in an age where identity dominates the national agenda, Don't Look Back In Anger is a necessary and compelling historical document.
Don't Look Back: The Story of Samia Yusuf Omar (Fountas & Pinnell Classroom, Guided Reading)
by Nicole WalkerNIMAC-sourced textbook. Hard Choices. Samia knew she was a talented runner. In her country, however, sports were forbidden—especially for girls. She ran anyway, dodging soldiers, bombs, and broken glass. She knew that running had more to do with freedom for all than glory for herself. At seventeen, Samia risked her life to run in the Olympics. Her courage inspired countless people across the world to find the strength to follow their dreams.
Don't Look Back, You'll Trip Over: My Guide to Life
by Michael CaineThe Hollywood screen legend brings his wit, insight, entertaining stories and wisdom to answer questions about every aspect of his long life - inspiring us all to Be More Michael Caine. I'm always asked questions - by fans, by other actors and friends, by my grandchildren. They want to know how I've lasted so long, how I handle fame, why I chose to do some of my films, which films and actors I like best and so forth.They also want to know what makes me tick, what makes me get up in the morning in my 90s, and whether I'll ever retire. (The answer to that one is "No!")Over a long life, I've learnt a lot and had the opportunity to reflect. I've seen a new generation grow up, among them my own grandchildren, facing the world with all its challenges and problems. I hope they'll find Don't Look Back, You'll Trip Over: My Guide to Life helps them to be optimistic - and shows that anyone can blow the bloody doors off.An iconic book, from one of our best-loved actors: this is Michael Caine at his very best.
Don't Look Back, You'll Trip Over: My Guide to Life
by Michael CaineThe Hollywood screen legend brings his wit, insight, entertaining stories and wisdom to answer questions about every aspect of his long life - inspiring us all to Be More Michael Caine. I'm always asked questions - by fans, by other actors and friends, by my grandchildren. They want to know how I've lasted so long, how I handle fame, why I chose to do some of my films, which films and actors I like best and so forth.They also want to know what makes me tick, what makes me get up in the morning in my 90s, and whether I'll ever retire. (The answer to that one is "No!")Over a long life, I've learnt a lot and had the opportunity to reflect. I've seen a new generation grow up, among them my own grandchildren, facing the world with all its challenges and problems. I hope they'll find Don't Look Back, You'll Trip Over: My Guide to Life helps them to be optimistic - and shows that anyone can blow the bloody doors off.An iconic book, from one of our best-loved actors: this is Michael Caine at his very best.
Don't Look Back, You'll Trip Over: My Guide to Life
by Michael CaineThe Hollywood screen legend brings his wit, insight, entertaining stories and wisdom to answer questions about every aspect of his long life - inspiring us all to Be More Michael Caine. I'm always asked questions - by fans, by other actors and friends, by my grandchildren. They want to know how I've lasted so long, how I handle fame, why I chose to do some of my films, which films and actors I like best and so forth.They also want to know what makes me tick, what makes me get up in the morning in my 90s, and whether I'll ever retire. (The answer to that one is "No!")Over a long life, I've learnt a lot and had the opportunity to reflect. I've seen a new generation grow up, among them my own grandchildren, facing the world with all its challenges and problems. I hope they'll find Don't Look Back, You'll Trip Over: My Guide to Life helps them to be optimistic - and shows that anyone can blow the bloody doors off.An iconic book, from one of our best-loved actors: this is Michael Caine at his very best.
Don't Look Behind You!: True Tales of a Safari Guide
by Peter AllisonJoin a top safari guide for hair-raising and hilarious tales of South Africa, animals and close escapes.It shouldn't be fun to be charged by an animal that could easily crush you, but top safari guide Peter Allison gets an odd thrill every time an elephant charges his beaten-up Jeep or a peckish crocodile looks at him sideways. By now you'd think the bestselling author of DON'T RUN, Whatever You Do would know how to keep out of trouble. But from avoiding territorial hippos and hungry lions to dodging landmines and getting lost on the unforgiving savannah, Peter has had his fair share of close calls. Drawing on his experiences in South Africa, Botswana, Mozambique and Namibia, Don't Look Behind You! is another book of funny, true safari stories, perfect for telling around a campfire.
Don't Look Left: A Diary of Genocide
by Atef Abu SaifA harrowing and indispensable first-hand account of the experience of the first 85 days of the Israeli invasion of Gaza, from a prominent Palestinian writerIn the morning I read the news. The news is about us. But it's designed for people reading it far, far away, who couldn't possibly imagine they could ever know anyone involved. It's for people who read the news to comfort themselves, to tell themselves: it's still far, far away. I read the news for different reasons: I read it to know I'm not dead. Early in the morning of Oct 7, 2023, Atef Abu Saif went swimming. It was a beautiful morning: sunny with a cool breeze. The Palestinian Authority's Minister for Culture, he was on a combined work and pleasure trip to Gaza, visiting his extended family with his 15 year old son, Yasser, and participating in National Heritage Day.Then the bombing started.Don't Look Left takes us into the day to day experiences of Gazan civilians trying to survive Israel's war against Hamas, its detail and extended narrative showing us what brief reports and video clips cannot. In a war that has taken an extraordinarily high toll on civilians, it is a crucial document--a day-to-day testimony and a deeply moving depiction of a people's fight to survive and maintain their humanity amid the chaos and trauma of mass destruction.It is also, remarkably, a powerful literary experience. Atef Abu Saif was born in Jabalia refugee camp in Gaza in 1973, and, as he writes, his first war broke out when he was two months old. He writes as only someone who knows Gaza deeply can, and only as someone who knows war can, picking out the details of ordinary life and survival amidst the possibility of death coming at any moment: washing the only shirt he has and waiting naked for three hours for it dry; noticing a cat, as terrified as the people on the street around it, hiding under a bistro table; visiting his sister-in-law's daughter in the hospital, who tells him in her dream she has no legs, and asks him if it is true. It is: she has lost her legs and a hand when her home was hit by a bomb. Trying to figure out the best place to sleep each night, and when and where to flee as the destruction intensifies.This is not like past wars with Israel, Abu Saif soon realizes--thinking of the Nakba, and of images of bombed cities from World War II.Profits from the sale of this ebook will go to two Palestinian charities: Medical Aid for Palestinians and the Middle East Children&’s Alliance.
Don't Make a Fuss: It's Only the Claremont Serial Killer
by Wendy DavisIn 2020, after the longest and most expensive trial in Western Australian history, Bradley Robert Edwards was convicted of two of the Claremont Serial Killings, a series of unsolved murders that had haunted the state since the mid-1990s. But before he went to trial, before he started killing, Edwards violently assaulted a social worker while he was working on the telephone system at Hollywood Hospital. Not only did Edwards keep his job, but he was convicted only of common assault for the attack, a minor charge that left him off the police radar during their desperate hunt for the sexual predator responsible for the Claremont murders. Begun as way to deal with the resurgence of trauma after Edwards' arrest, this memoir looks at the pressure on women to minimise and excuse certain behaviours in others, and demonstrates the devastating consequences of not making a fuss.
Don't Make Me Go to Town
by Rhonda Lashley LopezMany people dream of "someday buying a small quaint place in the country, to own two cows and watch the birds," in the words of Texas ranchwoman Amanda Spenrath Geistweidt. But only a few are cut out for the unrelenting work that makes a family ranching operation successful. Don't Make Me Go to Town presents an eloquent photo-documentary of eight women who have chosen to make ranching in the Texas Hill Country their way of life. Ranging from young mothers to elderly grandmothers, these women offer vivid accounts of raising livestock in a rugged land, cut off from amenities and amusements that most people take for granted, and loving the hard lives they've chosen. Rhonda Lashley Lopez began making photographic portraits of Texas Hill Country ranchwomen in 1993 and has followed their lives through the intervening years. She presents their stories through her images and the women's own words, listening in as the ranchwomen describe the pleasures and difficulties of raising sheep, Angora goats, and cattle on the Edwards Plateau west of Austin and north of San Antonio. Their stories record the struggles that all ranchers face-vagaries of weather and livestock markets, among them-as well as the extra challenges of being women raising families and keeping things going on the home front while also riding the range. Yet, to a woman, they all passionately embrace family ranching as a way of life and describe their efforts to pass it on to future generations.
Don't Make Me Pull Over!: An Informal History of the Family Road Trip
by Richard Ratay&“A lighthearted, entertaining trip down Memory Lane&” (Kirkus Reviews), Don&’t Make Me Pull Over! offers a nostalgic look at the golden age of family road trips—before portable DVD players, smartphones, and Google Maps.The birth of America&’s first interstate highways in the 1950s hit the gas pedal on the road trip phenomenon and families were soon streaming—sans seatbelts!—to a range of sometimes stirring, sometimes wacky locations. In the days before cheap air travel, families didn&’t so much take vacations as survive them. Between home and destination lay thousands of miles and dozens of annoyances, and with his family Richard Ratay experienced all of them—from being crowded into the backseat with noogie-happy older brothers, to picking out a souvenir only to find that a better one might have been had at the next attraction, to dealing with a dad who didn&’t believe in bathroom breaks. Now, decades later, Ratay offers &“an amiable guide…fun and informative&” (New York Newsday) that &“goes down like a cold lemonade on a hot summer&’s day&” (The Wall Street Journal). In hundreds of amusing ways, he reminds us of what once made the Great American Family Road Trip so great, including twenty-foot &“land yachts,&” oasis-like Holiday Inn &“Holidomes,&” &“Smokey&”-spotting Fuzzbusters, twenty-eight glorious flavors of Howard Johnson&’s ice cream, and the thrill of finding a &“good buddy&” on the CB radio. An &“informative, often hilarious family narrative [that] perfectly captures the love-hate relationship many have with road trips&” (Publishers Weekly), Don&’t Make Me Pull Over! reveals how the family road trip came to be, how its evolution mirrored the country&’s, and why those magical journeys that once brought families together—for better and worse—have largely disappeared.