- Table View
- List View
The Muse of Coding: Computer Programming as Art
by Richard GarfinkleThis book gives students and experienced programmers a way to see coding as an art and themselves as artists whose personal views, experiences, and ways of thinking can make their programs better for themselves and their users.This book shows in a good-humored and sympathetic way how the artistic and practical sides of programming are the same, delving into the methods of coding, the history of art, and the ways in which artists and audiences interact and benefit each other.Not confined to a single language or style of coding, this book provides a widely applicable framework for people to learn what languages and styles work best for them at present and as the field evolves. It can be used as a classroom text or for personal study and enrichment.
Museum Communication and Social Media: The Connected Museum (Routledge Research in Museum Studies #6)
by Kirsten Drotner Kim Christian SchrøderVisitor engagement and learning, outreach, and inclusion are concepts that have long dominated professional museum discourses. The recent rapid uptake of various forms of social media in many parts of the world, however, calls for a reformulation of familiar opportunities and obstacles in museum debates and practices. Young people, as both early adopters of digital forms of communication and latecomers to museums, increasingly figure as a key target group for many museums. This volume presents and discusses the most advanced research on the multiple ways in which social media operates to transform museum communications in countries as diverse as Australia, Denmark, Germany, Norway, the UK, and the United States. It examines the socio-cultural contexts, organizational and education consequences, and methodological implications of these transformations.
Museum Experience Design
by Arnold Vermeeren Licia Calvi Amalia SabiescuThis state-of-the-art book explores the implications of contemporary trends that are shaping the future of museum experiences. In four separate sections, it looks into how museums are developing dialogical relationships with their audiences, reaching out beyond their local communities to involve more diverse and broader audiences. It examines current practices in involving crowds, not as passive audiences but as active users, co-designers and co-creators; it looks critically and reflectively at the design implications raised by the application of novel technologies, and by museums becoming parts of connected museum systems and large institutional ecosystems. Overall, the book chapters deal with aspects such as sociality, creation and sharing as ways of enhancing dialogical engagement with museum collections. They address designing experiences – including participatory exhibits, crowd sourcing and crowd mining – that are meaningful and rewarding for all categories of audiences involved. Museum Experience Design reflects on different approaches to designing with novel technologies and discusses illustrative and diverse roles of technology, both in the design process as well as in the experiences designed through those processes. The trend of museums becoming embedded in ecosystems of organisations and people is dealt with in chapters that theoretically reflect on what it means to design for ecosystems, illustrated by design cases that exemplify practical and methodological issues in doing so. Written by an interdisciplinary group of design researchers, this book is an invaluable source of inspiration for researchers, students and professionals working in this dynamic field of designing experiences for and around museums.
Museums and Digital Culture: New Perspectives and Research (Springer Series on Cultural Computing)
by Tula Giannini Jonathan P. BowenThis book explores how digital culture is transforming museums in the 21st century. Offering a corpus of new evidence for readers to explore, the authors trace the digital evolution of the museum and that of their audiences, now fully immersed in digital life, from the Internet to home and work. In a world where life in code and digits has redefined human information behavior and dominates daily activity and communication, ubiquitous use of digital tools and technology is radically changing the social contexts and purposes of museum exhibitions and collections, the work of museum professionals and the expectations of visitors, real and virtual. Moving beyond their walls, with local and global communities, museums are evolving into highly dynamic, socially aware and relevant institutions as their connections to the global digital ecosystem are strengthened. As they adopt a visitor-centered model and design visitor experiences, their priorities shift to engage audiences, convey digital collections, and tell stories through exhibitions. This is all part of crafting a dynamic and innovative museum identity of the future, made whole by seamless integration with digital culture, digital thinking, aesthetics, seeing and hearing, where visitors are welcomed participants. The international and interdisciplinary chapter contributors include digital artists, academics, and museum professionals. In themed parts the chapters present varied evidence-based research and case studies on museum theory, philosophy, collections, exhibitions, libraries, digital art and digital future, to bring new insights and perspectives, designed to inspire readers. Enjoy the journey!
Museums and Interactive Virtual Learning (Routledge Guides to Practice in Museums, Galleries and Heritage)
by Allyson Mitchell Tami Moehring Janet ZanetisMuseums and Interactive Virtual Learning provides informal educators with practical resources that will help them to build dynamic digital engagement experiences within their own cultural organizations. Presenting vignettes from experienced museum educators and end users, as well as scientific data and practical resources, the book highlights the mutual benefits that Interactive Virtual Learning (IVL) programs offer to the museum and those visiting from a distance. Chapters mirror the step-by-step process of developing reputable IVL programs and emphasize how important it is for cultural organizations to encourage cross-departmental collaboration, if they wish to ensure that their programs align with the overall goals of the organization. Providing a thorough overview of the technologies, budget, marketing and staff requirements, the authors offer a realistic depiction of the work involved in building content for digital engagement. Emphasizing the importance of assessing existing programming, the book shows how institutions can adapt content to fit a virtual format and create inclusive digital engagement opportunities that reach local, national, and international audiences. Museums and Interactive Virtual Learning is an essential guide for professionals who are tasked with interpreting the content of a cultural organization and building lasting digital engagement opportunities. It will be particularly useful to those looking to reach diverse audiences.
Music and Human-Computer Interaction
by Katie Wilkie Allan Seago Paul Mulholland Simon HollandThis agenda-setting book presents state of the art research in Music and Human-Computer Interaction (also known as 'Music Interaction'). Music Interaction research is at an exciting and formative stage. Topics discussed include interactive music systems, digital and virtual musical instruments, theories, methodologies and technologies for Music Interaction. Musical activities covered include composition, performance, improvisation, analysis, live coding, and collaborative music making. Innovative approaches to existing musical activities are explored, as well as tools that make new kinds of musical activity possible. Music and Human-Computer Interaction is stimulating reading for professionals and enthusiasts alike: researchers, musicians, interactive music system designers, music software developers, educators, and those seeking deeper involvement in music interaction. It presents the very latest research, discusses fundamental ideas, and identifies key issues and directions for future work.
Music Business and the Experience Economy
by Peter Tschmuck Philip L. Pearce Steven CampbellMusic Business and the Experience Economy is the first book on the music business in Australasia from an academic perspective. In a cross-disciplinary approach, the contributions deal with a wide-range of topics concerning the production, distribution and consumption of music in the digital age. The interrelationship of legal, aesthetic and economic aspects in the production of music in Australasia is also highlighted as well as the emergence of new business models, the role of P2P file sharing, and the live music sector. In addition, the impact of the digital revolution on music experience and valuation, the role of music for tourism and for branding, and last but not least the developments of higher music education, are discussed from different perspectives.
Music Data Analysis: Foundations and Applications (Chapman & Hall/CRC Computer Science & Data Analysis)
by Claus Weihs, Dietmar Jannach, Igor Vatolkin and Günter RudolphThis book provides a comprehensive overview of music data analysis, from introductory material to advanced concepts. It covers various applications including transcription and segmentation as well as chord and harmony, instrument and tempo recognition. It also discusses the implementation aspects of music data analysis such as architecture, user interface and hardware. It is ideal for use in university classes with an interest in music data analysis. It also could be used in computer science and statistics as well as musicology.
Music Emotion Recognition (Multimedia Computing, Communication and Intelligence)
by Yi-Hsuan Yang Homer H. ChenProviding a comprehensive review of existing work in music emotion developed in psychology and engineering, this book explains how to account for the subjective nature of emotion perception in the development of automatic music emotion recognition (MER) systems. Among the first publications dedicated to automatic MER, it begins with a complete introduction to the essential aspects of MER-including background, key techniques, and applications. This ground-breaking reference examines emotion from a dimensional perspective. It defines emotions in music as points in a 2D plane in terms of two of the most fundamental emotion dimensions according to psychologists-valence and arousal.
Music in the AI Era: 15th International Symposium, CMMR 2021, Virtual Event, November 15–19, 2021, Revised Selected Papers (Lecture Notes in Computer Science #13770)
by Mitsuko Aramaki Keiji Hirata Tetsuro Kitahara Richard Kronland-Martinet Sølvi YstadThis book constitutes the refereed proceedings and revised selected papers from the 15th International Symposium on Music in the AI Era, CMMR 2021, which took place during November 15–19, 2021 as a virtual event. The 24 full papers included in this book were carefully reviewed and selected from 48 submissions. The papers are grouped in thematical sessions on Music technology in the IA era; Interactive systems for music; Music Information Retrieval and Modeling; and Music and Performance Analysis.
Music Intelligence: Second Summit, SOMI 2023, Beijing, China, October 28–30, 2023, Revised Selected Papers (Communications in Computer and Information Science #2007)
by Xiaobing Li Xiaohong Guan Yun Tie Xinran Zhang Qingwen ZhouThis book constitutes the refereed proceedings of the Second Summit on Music Intelligence, SOMI 2023, held in Beijing, China, during October 28–30, 2023.The 10 full papers included in this book were carefully reviewed and selected from 27 submissions. They were organized in topical sections as follows: Music, Neural Science and Music Therapy, Multimodality in Music and Music Generation.
Music, Mathematics and Language: The New Horizon of Computational Musicology Opened by Information Science
by Keiji Hirata Satoshi Tojo Masatoshi HamanakaThis book presents a new approach to computational musicology in which music becomes a computational entity based on human cognition, allowing us to calculate music like numbers. Does music have semantics? Can the meaning of music be revealed using symbols and described using language? The authors seek to answer these questions in order to reveal the essence of music. Chapter 1 addresses a very fundamental point, the meaning of music, while referring to semiotics, gestalt, Schenkerian analysis and cognitive reality. Chapter 2 considers why the 12-tone equal temperament came to be prevalent. This chapter serves as an introduction to the mathematical definition of harmony, which concerns the ratios of frequency in tonic waves. Chapter 3, “Music and Language,” explains the fundamentals of grammar theory and the compositionality principle, which states that the semantics of a sentence can be composed in parallel to its syntactic structure. In turn, Chapter 4 explains the most prevalent score notation – the Berklee method, which originated at the Berklee School of Music in Boston – from a different point of view, namely, symbolic computation based on music theory. Chapters 5 and 6 introduce readers to two important theories, the implication-realization model and generative theory of tonal music (GTTM), and explain the essence of these theories, also from a computational standpoint. The authors seek to reinterpret these theories, aiming at their formalization and implementation on a computer. Chapter 7 presents the outcomes of this attempt, describing the framework that the authors have developed, in which music is formalized and becomes computable. Chapters 8 and 9 are devoted to GTTM analyzers and the applications of GTTM. Lastly, Chapter 10 discusses the future of music in connection with computation and artificial intelligence.This book is intended both for general readers who are interested in music, and scientists whose research focuses on music information processing. In order to make the content as accessible as possible, each chapter is self-contained.
Music, Mind, and Embodiment: 11th International Symposium, CMMR 2015, Plymouth, UK, June 16-19, 2015, Revised Selected Papers (Lecture Notes in Computer Science #9617)
by Richard Kronland-Martinet Mitsuko Aramaki Sølvi YstadThis book constitutes the thoroughly refereed post-conference of the 11th International Symposium on Computer Music Modeling and Retrieval, CMMR 2015, held in Plymouth, UK, in June 2015. The 30 full papers presented were carefully reviewed and selected from 126 submissions. This year’s post symposium edition contains peer-reviewed and revised articles centered around the conference theme “Music, Mind, and Embodiment”. It is divided into 6 sections devoted to various sound and technology issues with a particular emphasis on performance, music generation, composition, analysis and information retrieval, as well as relations between sound, motion and gestures and human perception and culture.
Music Navigation with Symbols and Layers
by Goffredo M. Haus Denis L. BaggiMusic is much more than listening to audio encoded in some unreadable binary format. It is, instead, an adventure similar to reading a book and entering its world, complete with a story, plot, sound, images, texts, and plenty of related data with, for instance, historical, scientific, literary, and musicological contents. Navigation of this world, such as that of an opera, a jazz suite and jam session, a symphony, a piece from non-Western culture, is possible thanks to the specifications of new standard IEEE 1599, IEEE Recommended Practice for Defining a Commonly Acceptable Musical Application Using XML, which uses symbols in language XML and music layers to express all its multimedia characteristics. Because of its encompassing features, this standard allows the use of existing audio and video standards, as well as recuperation of material in some old format, the events of which are managed by a single XML file, which is human and machine readable - musical symbols have been read by humans for at least forty centuries.Anyone wanting to realize a computer application using IEEE 1599 -- music and computer science departments, computer generated music research laboratories (e.g. CCRMA at Stanford, CNMAT at Berkeley, and IRCAM in Paris), music library conservationists, music industry frontrunners (Apple, TDK, Yamaha, Sony), etc. -- will need this first book-length explanation of the new standard as a reference.The book will include a manual teaching how to encode music with IEEE 1599 as an appendix, plus a CD-R with a video demonstrating the applications described in the text and actual sample applications that the user can load onto his or her PC and experiment with.
The Music Producer's Creative Guide to Ableton Live 11: Level up your music recording, arranging, editing, and mixing skills and workflow techniques
by Anna Lakatos Ski OakenfullExpert guidance on enhancing your live music production skills with MIDI, audio sequencing and arrangement techniques, automation, modulation, MPE, and external instruments from an Ableton Certified TrainerKey FeaturesMake the most of Ableton Live 11 tools and processes to create, record and edit your own musicEngage with non-linear workflow for both music production and live performanceUnveil the best solutions to common pitfalls and mistakes committed by Ableton Live usersPurchase of the print or Kindle book includes a free PDF eBookBook DescriptionThe Music Producer's Guide to Ableton Live will help you sharpen your production skills and gain a deeper understanding of the Live workflow. If you are a music maker working with other digital audios workstations (DAWs) or experienced in Ableton Live, perhaps earlier versions, you'll be able to put your newfound knowledge to use right away with this book.You'll start with some basic features and workflows that are more suitable for producers from another DAW looking to transfer their skills to Ableton Live 11.2. As you explore the Live concept, you'll learn to create expressive music using Groove and MIDI effects and demystify Live 11's new workflow improvements, such as Note Chance and Velocity Randomization. The book then introduces the Scale Mode, MIDI Transform tools, and other key features that can make composition and coming up with melodic elements easier than ever before. It will also guide you in implementing Live 11's new and updated effects into your current workflow.By the end of this Ableton Live book, you'll be able to implement advanced production and workflow techniques and amplify live performance capabilities with what the Live 11 workflow has to offer.What you will learnUnderstand the concept of Live, the workflow of recording and editing audio and MIDI, and warpingUse Groove, MIDI effects, and Live 11's new workflow enhancements to create innovative musicUse audio to MIDI conversion tools to translate and generate ideas quicklyEmploy Live's automation and modulation capabilities and project organization techniques to speed up your workflowUtilize MIDI Polyphonic Expression to create evolving sounds and texturesAdopt advanced techniques for production and discover the capabilities of live performanceWho this book is forIf you are a music producer, enthusiast, or hobbyist with a basic understanding of using Ableton Live for simple projects, this Ableton Live 11 book will help you improve your skills to employ the best features and techniques in your projects. This book is also for producers familiar with other DAWs looking to leverage their transferable skills to learn Ableton Live.
Music, Social Media and Global Mobility: MySpace, Facebook, YouTube (Routledge Advances in Internationalizing Media Studies)
by Ole J. MjosThis book is about the relationship between media, communication and globalization, explored through the unique empirical study of electronic music practitioners’ use of the global social media: MySpace, Facebook, YouTube and Twitter. To understand the significance of the emerging nexus between social media and music in a global context, the book explores various aspects of production, distribution and consumption among electronic music practitioners as they engage with global social media, as well as a historical, political and economic exposition of the rise of this global social media environment. Drawing on interview-based research with electronic music artists, DJs, producers and managers, together with the historical portrayal of the emergence of global social media this pioneering study aims to capture a development taking place in music culture within the wider transformations of the media and communications landscape; from analogue to digital, from national to global, and from a largely passive to more active media use. In doing so, it explores the emergence of a media and communications ecology with increased mobility, velocity and uncertainty. The numerous competing, and rapidly growing and fading social media exemplify the vitality and volatility of the transforming global media, communication and cultural landscape. This study suggests that the music practitioner’s relationship with MySpace, Facebook, YouTube and Twitter and the key characteristics of these global social media, alter aspects of our practical and theoretical understandings of the process of media globalization. The book deploys an interdisciplinary approach to media globalization that takes into account and articulates this relationship, and reflects the enduring power equations and wider continuities and changes within the global media and communications sphere.
Music Technology with Swing: 13th International Symposium, CMMR 2017, Matosinhos, Portugal, September 25-28, 2017, Revised Selected Papers (Lecture Notes in Computer Science #11265)
by Mitsuko Aramaki Matthew E. Davies Richard Kronland-Martinet Sølvi YstadThis book constitutes the refereed proceedings of the 13th International Symposium on Music Technology with Swing, CMMR 2017, held in Matosinhos, Portugal, in September 2017. The 44 full papers presented were selected from 64 submissions. The papers are grouped in eight sections: music information retrieval, automatic recognition, estimation and classification, electronic dance music and rhythm, computational musicology, sound in practice: auditory guidance and feedback in the context of motor learning and motor adaptation, human perception in multimodal context, cooperative music networks and musical HCIs, virtual and augmented reality, research and creation: spaces and modalities.
Musical Haptics (Springer Series on Touch and Haptic Systems)
by Stefano Papetti Charalampos SaitisThis open access book offers an original interdisciplinary overview of the role of haptic feedback in musical interaction. Divided into two parts, part I examines the tactile aspects of music performance and perception, discussing how they affect user experience and performance in terms of usability, functionality and perceived quality of musical instruments. Part II presents engineering, computational, and design approaches and guidelines that have been applied to render and exploit haptic feedback in digital musical interfaces. Musical Haptics introduces an emerging field that brings together engineering, human-computer interaction, applied psychology, musical aesthetics, and music performance. The latter, defined as the complex system of sensory-motor interactions between musicians and their instruments, presents a well-defined framework in which to study basic psychophysical, perceptual, and biomechanical aspects of touch, all of which will inform the design of haptic musical interfaces. Tactile and proprioceptive cues enable embodied interaction and inform sophisticated control strategies that allow skilled musicians to achieve high performance and expressivity. The use of haptic feedback in digital musical interfaces is expected to enhance user experience and performance, improve accessibility for disabled persons, and provide an effective means for musical tuition and guidance.
Mutative Media
by James A. Dator John A. Sweeney Aubrey M. YeeMutative Media is a sweeping examination of how communication technologies have contributed to changes in people's thoughts and actions, and thus in the power structures of societies, in the past, at present, and in four alternative futures. We start by surveying what is generally known about the emergence of human language and speech that has enabled humans to extend their organizing abilities beyond that of other hominids. We then review research on the emergence of signs, symbols, and eventually writing, which led to new ways of thinking, acting, and organizing in scribal societies and vastly extended human influence globally. We consider the impact of the printing press in Europe, the Middle East, China, and Korea that led to various ways of thinking and organizing in modern societies, and conclude our historical survey with a discussion of the emergence and impact of electric and electronic communication technologies from the nineteenth century to the present. After a brief overview of what "futures studies" is and is not, based on our extensive experience in the field, we present four generic alternative futures, and discuss a prototype of a hybrid, mixed-reality game designed to enable players to experience the power and potential of new communication technologies within four very different environments and conditions. We think you will be intrigued by our surprising findings and what they may mean for future generations!
MVS TSO: Concepts and ISPF (Part #1)
by Doug LoweThe first of a two-part revision, expanded to cover several major versions of TSO and ISPF released by IBM since publication of the first edition in 1984. This volume, Part 1, presents everything necessary to use TSO/ISPF for application programming. (Part 2 covers TSO commands and procedures.)
MVS TSO: CLIST and REXX ( Part #2)
by Doug LoweThis is still the best book we've seen for learning how to use the TSO commands that underlie ISPF. It is also an efficient introduction to CLIST and REXX.
MVVM in Delphi
by John KouraklisDive into the world of MVVM, learn how to build modern Windows applications, and prepare for cross-platform development. This book introduces you to the right mindset and demonstrates suitable methodologies that allow for quick understanding of the MVVM paradigm. MVVM in Delphi shows you how to use a quick and efficient MVVM framework that allows for scalability, is of manageable complexity, and provides strong efficiency. One of the biggest challenges developers face is how to convert legacy and monolithic Delphi applications to the MVVM architecture. This book takes you on a step-by-step journey and teaches you how to adapt an application to fit into the MVVM design. What You Will Learn Gain the fundamentals of MVVM Visualize MVVM as a design philosophy Create easy-to-use frameworks for building your own MVVM applications Develop a methodology for converting legacy applications to the MVVM pattern Architect cross-platform and multi-lingual applications using the MVVM pattern Who This Book Is For Delphi developers with a good knowledge of Delphi or programming experience in a different language. In addition, this book is attractive to Delphi developers who want to modernize existing applications based on the MVVM design.
MVVM Survival Guide for Enterprise Architectures in Silverlight and WPF
by Ryan Vice Muhammad Shujaat SiddiqiThis book combines practical, real-world examples with all the background material and theory you need The concepts are explained with a practical LOB enterprise application that is gradually built through the course of this book. MVVM offers lots of design choices and the author shows examples of each of these approaches, by changing the code to achieve the same results. This book will be a valuable resource for Silverlight and WPF developers who want to fully maximize the tools with recommended best practices for enterprise development. This is an advanced book and you will need to be familiar with C#, the .Net framework, and Silverlight or WPF.
My Beautiful Despair: The Philosophy of Kim Kierkegaardashian
by Kim Kierkegaardashian&“Reflective maxims on life, death, sin, and emptiness, salted with luxury accessories of the Kardashian lifestyle...@KimKierkegaard is dross turned gold, redemption through absurdity in a hundred and forty characters.&” –The New YorkerIn &“the ultimate meeting of the sublime with the ridiculous&” (London Evening Standard) My Beautiful Despair blends the existential philosophy of Søren Kierkegaard with the superficial musings of Kim Kardashian West, based on the popular Twitter feed @KimKierkegaard. Kierkegaardashian shares thoughts on fashion, beauty, brunch, and the relentless waves of existential dread that wash over us day after day.A sample of the revelations include:– I have majorly fallen off my workout-eating plan! AND it's summer. But to despair over sin is to sink deeper into it. – Obsessed with protecting your skin, lips, hair & face from the sun? Close the cover of the coffin tight, really tight, and be at peace. – I like my men like I like my coffee: a momentary comfort in the midst of all my suffering. – What is the operation by which a self relates itself to its own self, transparently? Selfie. – What if everything in life were a misunderstanding, what if laughter were really tears? Scared LOL!! – I&’ve been going to bed a little bit earlier each night, to get a taste of death. In an age where the line between news and entertainment is blurrier than ever before, and the difference between a celebrity and the leader of the free world is nil, Kierkegaardashian&’s insights perfectly reflect our absurd, hilarious, and deeply disturbing new era. @KimKierkegaard has been admired, praised, and adored in The New Yorker, The Washington Post, The New York Times, Financial Times, The Economist, New York, Buzzfeed, and more, and has amassed nearly a quarter of a million Twitter followers, including J.K. Rowling and Anna Kendrick. Now in a humorous, illustrated gift book, perfectly suited for our existential times, Kierkegaardashian&’s philosophical insights are juxtaposed for the first time with Dash Shaw&’s brilliant black-and-white illustrations.
My Child, the Algorithm: An Alternatively Intelligent Book of Love
by Hannah Silva"Hannah Silva's My Child, the Algorithm, is one of the best books I read this year. Merging the cozy familiarity of child-rearing with the mysterious tension of AI {...}, she has created a new genre of personal narrative, and a story whose grief, hope and curiosity takes on poetic, spiritual dimensions, even when exploring the most common chambers of the human heart." —Michelle Tea, author, Knocking Myself UpMy Child, the Algorithm tells a story of finding joy after betrayal. Like a male seahorse, Hannah Silva carried a baby made from her partner's egg. But when she gave birth, her partner left, and Hannah found herself navigating life alone with her child.Hannah started playing with a precursor to ChatGPT—wondering what AI could tell us about love. To her surprise, she was moved by the results. The algorithm prompted Hannah to share her explorations of dating, sex, friendship, and life as a queer parent in London. With the help and disruption of two unreliable narrators, a toddler and an algorithm, Hannah deconstructs her story, unraveling everything she has been taught to want, and finds alternative ways of thinking, loving, and parenting today.