- Table View
- List View
Body Politic
by Nick GreenThe point is that we started the conversation. In 1971 Phillip was on the cusp of starting something big. Something that would make history. Now he’s an aging journalist trying to make sense of Grindr. Phillip was a founding member of The Body Politic, a gay-liberation newspaper based in Toronto. As he recounts memories of censorship battles, police raids, historic rallies, and the onset of HIV/AIDS during an intimate encounter with a younger man, their generational differences shine a light on the massive shifts in queer identity and politics over the last fifty years. This historical drama reimagines the events surrounding the birth, life, and death of one of the most important journalistic forces in Canada, and the opportunities it created for the future.
Body So Fluorescent
by Amanda Cordner David Di GiovanniWhat happened last night on the dance floor? Gary knows he went to the club with his friend Desiree, but now all he has is a fuzzy memory and a text saying, “We’re done.” Desiree has known something’s been up with Gary, but she always kept her thoughts to herself. Until last night ended in an explosive fight. As Gary and Desiree retrace their steps to figure out the chain of events, perspectives shift from self to alter ego to untangle the facts. And after the dust settles, can their friendship be rebuilt? Body So Fluorescent is an electrifying exploration that asks difficult questions about Blackness, otherness, and appropriation.
Body & Soul
by Judith ThompsonIn real and personal stories, these women share their personal stories of triumphs, tragedies, and life's funny moments, while challenging the reader to look beneath the surface of how society views women, especially as they age.Body & Soul was commissioned by Dove as a way to demonstrate that beauty has no age limit.
Body Voice Imagination: ImageWork Training and the Chekhov Technique (A\theatre Arts Book Ser.)
by David ZinderFirst published in 2008. Routledge is an imprint of Taylor & Francis, an informa company.
Boleros for the Disenchanted and Other Plays
by José RiveraPraise for José Rivera:"Even if you've never seen Puerto Rico or grown old, you sit there ruminating on love, sacrifice, and betrayal."-Chicago Tribune, on Boleros for the Disenchanted"Teasingly engrossing. . . . Vividly written. . . . An intriguing and evocative drama."-The San Francisco Chronicle, on Brainpeople"Mr. Rivera's intimate play . . . uses historical fact as a frame to pose intriguing questions about what might have happened."-The New York Times, on School of the AmericasThree new works from José Rivera, a writer known for his lush language, open heart, and stylistic flirting with the surreal. Boleros for the Disenchanted is the moving story of the playwrights own parents: their sweet courtship in 1950s Puerto Rico, and then forty years later in more difficult times in America. With Brainpeople, Rivera explores the troubled minds of three women in a post-apocalyptic setting who feast on a freshly slaughtered tiger. In School of the Americas, he imagines Che Guevara's encounter-more passionate than political-with a young schoolteacher in Bolivia. Also included is his one-act penned in protest of California's Proposition 8, Pablo and Andrew at the Altar of Words.José Rivera's works include the plays References to Salvador Dali Make Me Hot, Marisol, Cloud Tectonics, and Sueno (an adaptation of Life Is a Dream), as well as the Oscar-nominated screenplay to The Motorcycle Diaries.
Bollywood Shakespeares
by Craig Dionne Parmita KapadiaHere, essays use the latest theories in postcolonialism, globalization, and post-nationalism to explore how world cinema and theater respond to Bollywood's representation of Shakespeare. In this collection, Shakespeare is both part of an elite Western tradition and a window into a vibrant post-national identity founded by a global consumer culture.
Bolsheviki
by David FennarioSet in a hotel bar in Montreal on Remembrance Day, Bolsheviki has World War I veteran Harry "Rosie" Rollins telling young reporter Jerry Nines about his experience in the trenches. Rollins recalls men pissing their pants, losing limbs, and planning a revolt against their officers. The character of Rosie Rollins is based on World War I veteran Harry "Rosie" Rowbottom, who was wounded at Vimy Ridge. Fennario taped an interview with Rowbottom in 1979 in the old "King Eddy" Hotel in Toronto over a bottle of Bushmills whiskey.Rosie's meandering monologue delivers a blistering de-glorification of war as it shifts back and forth between his wartime recollections and the present. The veteran's clattering, fast-paced description of life-and death-on the Western Front reproduces the chaotic sounds and rhythm of battle. This cutting-edge drama, profoundly in opposition to conventional histories of Canadian troops in World War I, debunks every sentimental notion of duty, heroism, and nationhood. "Birth of Nation" they called it on TV but I didn't see nobody getting born just a lot of people dying so we could sit there on top of another shit hole of mud with Captain Rutherford still pushing for that DSO or the MC or the MCB or the YMCA with Triangles-just give him a medal will ya?Cast of 1 man.
The Bombay Plays
by Anosh IraniIn The Matka King—a story that pits human nature against love and chance—a landscape of betrayal and redemption comes to life in the red-light district of Bombay, India. One very powerful eunuch, Top Rani, operates an illicit lottery through his brothel, and when a gambler who is deeply in debt makes an unexpected wager, the stakes become life and death. Bombay Black—winner of the Dora Mavor Moore Award for Outstanding New Play—tells the story of Apsara, Bombay’s most infamous dancer, who lives with her iron-willed mother, Padma, in an apartment by the sea. Padma takes money from men so they can watch her daughter perform a mesmerizing dance. When a mysterious blind man named Kamal visits for a private dance, his secret link to their past threatens to change each of their lives forever. At turns lyrical and brutal, Bombay Black charts the seduction of Apsara by Kamal, and Padma’s violent enmity towards the blind man and the secret he holds.
Bone Cage
by Catherine BanksJamie is twenty-two years old and works twelve-hour shifts operating a wood processor, clear-cutting for pulp. At the end of each shift, he walks through the destruction he has created looking for injured birds and animals and rescues those he can. Jamie's desire to escape this world is thwarted by his fear of leaving the place where he has some status.Bone Cage examines how young people in rural communities, employed in the destruction of the environment they love, treat the people they love at the end of their shift. Bone Cage is about the difficulty in growing and hanging on to dreams in a world where dreams are seen as impractical or weak. It is funny. It is tragic. It is about different kinds of escaping. It is about a soul trapped in its own rib cage, a cage of bone, a Bone Cage.
Bone-Chiller!
by Monk FerrisComedy thriller / 5m, 8f or 4m, 9f or 6m, 7f Thirteen people gather on Friday the 13th at the Travers mansion in New York for the reading of Josiah's will which is a wall chart rendered in the form of a rebus (a part word, part drawing puzzle) that almost defies solution. Instead of designating an heir, it offers the estate to anyone who can solve the will! The lights keep going out and people keep getting murdered. The audience will have a ball trying to untangle the puzzle faster than the hapless characters. By the final act, revelations are exploding as surprise piles upon surprise and gasps alternate with howls of laughter.
The Book of Esther
by Leanna BrodieIt's June 1981. Farmers face a debt crisis with interest rates as high as 20 percent. More than three hundred men are arrested after police sweeps of Toronto bathhouses, yet Pride Toronto launches its first gay-pride parade. Everything's changing, including fifteen-year-old Esther, who escapes the family farm and runs away to the city. With the help of a brash young hustler and a gay activist who shelters street kids, she confronts her conservative-Christian parents-farmers on the brink of financial ruin-and begins to find her way home. Acclaimed playwright Leanna Brodie excels with this heartwarming coming-of-age, and coming-out, drama.The Book of Esther examines the seemingly irreconcilable positions of two groups: conservative rural Christians and militantly anti-religious urban queer activists. But Brodie doesn't take sides. Instead, it's like she's picked up a rock to discover what's scurrying around underneath, pointed it out to us, and said, "Isn't this interesting. Maybe we should all look at this for a while. Maybe we should talk about it, instead of just pretending that it isn't there."Cast of 2 women and 3 men.
The Book of Grace
by Suzan-Lori Parks"[Suzan-Lori Parks'] dislocating stage devices, stark but poetic language and fiercely idiosyncratic images transform her work into something haunting and marvelous."--Time "An original whose fierce intelligence and fearless approach to craft subvert theatrical convention and produce a mature and inimitable art that is as exciting as it is fresh."--August Wilson Named one of the "100 Innovators for the Next New Wave" by Time magazine, Suzan-Lori Parks is a truly original voice of the American theater. Winner of the Pulitzer Prize and a MacArthur "Genius" Award, Parks is renowned for her groundbreaking language, theatricality, and an aesthetic that continues to evolve in unexpected ways. Her first full-length play since her award-winning Topdog/Underdog, The Book of Grace is a scorching three-person drama in which a young man returns home to south Texas to confront his father, unearthing deep-seated passions and ambition. The play premiered in spring 2010 at the Public Theater, where Parks is in the midst of a three-year residency as the first recipient of the theater's master writer chair. Suzan-Lori Parks is a playwright, screenwriter, songwriter, and novelist. Her plays include Topdog/Underdog (winner of the 2002 Pulitzer Prize), In the Blood (a 2000 Pulitzer Prize finalist), Venus (OBIE Award winner) and Imperceptible Mutabilities in the Third Kingdom (OBIE Award, Best New American Play).
The Book of Laughter and Forgetting: A Novel (Perennial Classics Ser.)
by Milan Kundera"An absolutely dazzling entertainment. . . . Arousing on every level—political, erotic, intellectual, and above all, humorous." —Newsweek"The Book of Laughter and Forgetting calls itself a novel, although it is part fairy tale, part literary criticism, part political tract, part musicology, and part autobiography. It can call itself whatever it wants to, because the whole is genius." —New York TimesRich in its stories, characters, and imaginative range, The Book of Laughter and Forgetting is the novel that brought Milan Kundera his first big international success in the late 1970s. Like all his work, it is valuable for far more than its historical implications. In seven wonderfully integrated parts, different aspects of human existence are magnified and reduced, reordered and emphasized, newly examined, analyzed, and experienced.
Book of Sides: Original, One-Page Scenes for Actors and Directors
by Dave KostLooking for fresh, original scenes for your fast-paced acting or directing class? Tired of the same old material everyone recognizes? Want the flexibility to play any character in any scene? Book of Sides: Original, Short Scenes for Actors and Directors offers scenes that are considerably shorter than those in similar books but still feature the structure of typical scenes with arcs, clear playable objectives, and stakes for both actors. Here you will find scenes that are: One-page in length and specially designed for new, high-intensity exercises that help students develop quickly Printed in an easily readable, film-script format that provides plenty of room for annotations Completely original, allowing you to produce and distribute reinterpretations without worrying about copyright restrictions Universally castable, with roles that can be assigned to actors regardless of gender, appearance, skill level, or race Simple and conducive to performing in the classroom without props, costumes, or sets Perfect for audition workshops and crowded directing or acting classes where everyone wants an opportunity to perform Written in accessible, contemporary language that keeps student actors engaged Don’t miss out! In Book of Sides, Dave Kost brings two decades of teaching experience to the table to deliver the ideal set of scenes for busy classroom settings, auditions, and general training.
Book to Screen (How to Adapt Your Novel to a Screenplay #5)
by Frank CatalanoADAPTING YOUR NOVEL INTO A SCREENPLAY BOOK TO SCREEN was first presented as part of the 25th Annual Writer's Conference sponsored by San Diego State University on February 6 through the 8th, 2009 at the Double Tree Hilton Hotel in Mission Hills, California. The following transcript was presented and recorded by Frank Catalano as part of the programs offered at the conference. The book is based partly upon that presentation, focuses on the adaptation of an existing novel into a screenplay for presentation as a motion picture, television program or Internet content. Writers of fiction and non-fiction and industry professionals from the publishing business primarily attended the 25th Annual Writer's Conference. Mr. Catalano's seminars focused upon those writers seeking to adapt their novels into screenplays. The complete list of seminar presentations by Frank Catalano for this conference is: BOOK 1: WRITE GREAT CHARACTERS IN THE FIRST TEN PAGES BOOK 2: WRITING ON YOUR FEET - IMPROVISATIONAL TECHNIQUES FOR WRITERS - Part 1 BOOK 3: START YOUR STORY AT THE END BOOK 4: THE FIRST TEN PAGES BOOK 5: BOOK TO SCREEN BOOK 6: ACTING IT OUT - IMPROVISATIONAL TECHNIQUES FOR WRITERS - Part 2 BOOK 7: WRITE GREAT DIALOGUE
Boolar’s Big Day Out
by Sally GardnerAfter Boolar is asked to join a puppet theater he forgets about the dolls and mice who have been his family, until a crisis helps him regain perspective.
Boom Chicago Presents the 30 Most Important Years in Dutch History
by Andrew Moskos Pep RosenfeldAn exciting history of the improv group you've never heard of that changed comedy in America—this is the story of Boom Chicago in Amsterdam as told by its founders and most famous alumni. "It’s kind of crazy, the impact on culture so many Boom Chicago alums have had. Boom was where I became my best comedic self: the excitement of Amsterdam, the freedom of that environment, the letting loose—it's magic. There's no better training ground." —Jordan Peele "Boom Chicago should have ended up on the scrap heap of 'Terrible Ideas Americans Have While Stoned in Amsterdam.' But when you stubbornly love one thing (comedy) as much as another thing (Amsterdam), you just believe they should be together. And here we are—thirty years later, Boom Chicago is alive and kicking." —Seth Meyers "Working at Boom Chicago was an unbelievable experience. Thank goodness someone was smart enough to write it all down! You're lucky 'cause you get to read about THE most exciting, fun, and illegal time I've ever had!" —Amber Ruffin Featuring interviews with: Meyers, Peele, Ruffin, Jason Sudeikis, Ike Barinholtz, Greg Shapiro, Kay Cannon, and many more; and a sixteen-page, full-color insert with both behind-the-scenes snapshots and images from live performances. What do Ted Lasso, Get Out, Late Night with Seth Meyers, 30 Rock, A Black Lady Sketch Show, Breaking Bad, Saturday Night Live, Girls5Eva, The Colbert Report, Inside Amy Schumer, Pitch Perfect, Key & Peele, The Daily Show, MADtv, Rick and Morty, The Amber Ruffin Show, Horrible Bosses, Portlandia, It's Always Sunny in Philadelphia, Suicide Squad, Superstore, How I Met Your Mother, Wicked, The Pee-Wee Herman Show, Brooklyn Nine-Nine, and Broad City all have in common? They all feature writers, creators, directors, or stars who got their start at Boom Chicago. Having risen roughly to the middle of Chicago's cutthroat comedy scene, Andrew Moskos and Pep Rosenfeld decamped the Midwest for Amsterdam, Netherlands in 1993 to start their own improv comedy troupe, Boom Chicago. In a foreign land with zero tradition of English-language humor, Moskos and Rosenfeld unwittingly created the finishing school for some of today's most groundbreaking comedic talents. They (along with coauthors Matt Diehl and Saskia Maas) document this journey in the definitive oral history Boom Chicago Presents the 30 Most Important Years in Dutch History. From its stages, Boom Chicago went on to launch cultural game changers like Seth Meyers, Jordan Peele, Amber Ruffin, Jason Sudeikis, Brendan Hunt, Ike Barinholtz, Kay Cannon, and Tami Sagher (and that's just a partial list). At Boom, these young upstarts honed their craft in front of unsuspecting foreign audiences and visiting dignitaries like Burt Reynolds, Run-DMC's Jam Master Jay, Dutch royalty, and the Netherlands's prime minister—all while navigating a world with legal weed and prostitution, annual holiday celebrations involving blackface, cookies with weird racist names, and football that has nothing to do with the NFL. From this culture shock, this collective created a more topical, inclusive, tech-savvy humor that would become the dominant comedy style of our time. Praise for Boom Chicago: "The Groundlings. The Harvard Lampoon. Second City. These comedy institutions have been supplying Hollywood with a steady stream of talent for decades. Well, there's another name—almost as influential—that you've never heard of: Amsterdam's Boom Chicago. Huh?"—G.Q. "A small theater in Amsterdam became the most influential American comedy factory you've never heard of . . . Boom alums have had a significant hand in many of the shows that defined the past two decades of comedy." —New Yor
Booze Over Broadway: 50 Cocktails for Theatre Lovers
by Tiller PressEnjoy a delicious cocktail while belting out Broadway tunes with this witty guidebook that perfectly pairs your favorite showtunes and Broadway musicals with innovative libations.Do you have a strong love for Andrew Lloyd Weber or Stephen Sondheim? Do you consider &“Defying Gravity&” to be the ultimate, underrated karaoke song? Then get ready to raise your glass and belt out that high-C with Booze Over Broadway. Featuring 50 delectable drinks from a rising star in the New York City bar scene, this clever and creative manual allows you to make delicious cocktails right from the comfort of your home. This witty, accessible book also includes commentary, step-by-step instructions, and whimsical illustrations throughout. Recipes include: -Hello, Daquiri! -The Best Little Whiskey Sour in Texas -Don&’t Cry for Me, Appletini -I Don&’t Know How to Love Gin -Bloody, Bloody, Mary Jackson -Once on this (Long) Island Iced Tea -Brandy Alexander Hamilton -If I Were a Rich Man(hattan) -And more! Fresh and fun, Booze Over Broadway will have cocktail connoisseurs and Broadway buffs alike screaming &“encore!&” (and &“cheers&”).
Border-Crossing and Comedy at the Théâtre Italien, 1716–1723 (Transnational Theatre Histories)
by Matthew J. McMahanHow do nationalized stereotypes inform the reception and content of the migrant comedian’s work? How do performers adapt? What gets lost (and found) in translation? Border-Crossing and Comedy at the Théâtre Italien, 1716-1723 explores these questions in an early modern context. When a troupe of commedia dell’arte actors were invited by the French crown to establish a theatre in Paris, they found their transition was anything but easy. They had to learn a new language and adjust to French expectations and demands. This study presents their story as a dynamic model of coping with the challenges of migration, whereby the actors made their transnational identity a central focus of their comedy. Relating their work to popular twenty-first century comedians, this book also discusses the tools and ideas that contextualize the border-crossing comedian’s work—including diplomacy, translation, improvisation, and parody—across time.
Borderlands Children’s Theatre: Historical Developments and Emergence of Chicana/o/Mexican-American Youth Theatre (Routledge Advances in Theatre & Performance Studies)
by Cecilia Josephine AragónThis book chronicles the child performer as part of the Chicana/o/Mexican-American theatre experience. Borderlands Children’s Theatre explores the phenomenon of the Chicana/o/Mexican-American child performer at the center of Chicana/o and Latina/o theatre culture. Drawing from historical and contemporary theatrical traditions to finally the emergence of Latina/o Youth Theatre and Latina/o Theatre for Young Audiences, it raises crucial questions about the role of the child in these performative contexts and about how childhood and adolescence was experienced and understood. Analyzing contemporary plays for Chicana/o/Mexican-American child performer, it introduces theorizations of "performing mestizaje" and "border crossing" borderlands performance, gender, and ethnic identity and investigates theatre as a site in which children and youth have the opportunity to articulate their emerging selfhoods. This book adds to the national and international dialogue in theatre and gives voice to Chicana/o/Mexican-American children and youth and will be of great interest to students and scholars of Theatre studies and Latina/o studies.
Borderline Crazies
by Leo W. SearsComedy / 3m, 3f / Interior Ellen hopes to ski and put some spark into her dull marriage to Stu, an efficiency author, while at Lake Tahoe in a rustic cabin owned by Stu's publisher. They are startled when a horror author and his sexy wife also arrive at the apparently double-booked cabin. The women immediately bond but the men squabble like spoiled two-year-olds and devise several wagers to determine who stays and who goes. Before anyone can leave, a police officer reports that a snowstorm has closed the roads and an axe murderer is on the loose. Stranded with no phone, no television and no radio, the writers may kill each other before the murderer gets to them. It's an avalanche of laughter with more twists and turns than a giant slalom.
Bordertown Café
by Kelly RebarSeventeen-year-old Jimmy faces the archetypal Canadian dilemma: stay home in Canada, with all its obvious flaws, or go south (young man) to the Land of Opportunity. Should he stay with his mother at the Bordertown Café or haul off with his trucker father? Family history is the border's story writ large. Cast of 2 women and 2 men.
Boris Godunov, Little Tragedies, and Others: The Complete Plays (Vintage Classics)
by Alexander PushkinThe award-winning translators bring us the complete plays of the most acclaimed Russian writer of the Romantic era.Known as the father of Russian literature, Alexander Pushkin was celebrated for his dramas as well as his poetry and stories. His most famous play is Boris Godunov (later adapted into a popular opera by Mussorgsky), a tale of ambition and murder centered on the sixteenth-century Tsar who preceded the Romanovs. Pushkin was inspired by the example of Shakespeare to create this panoramic drama, with its richly varied cast of characters and artful blend of comic and tragic scenes. Pushkin&’s shorter forays into verse drama include The Water Nymph, A Scene from Faust, and the four brief plays known as the Little Tragedies: The Miserly Knight, set in medieval France; Mozart and Salieri, which inspired the popular film Amadeus; The Stone Guest, a tale of Don Juan in Madrid; and A Feast in a Time of Plague, in which a group of revelers defy quarantine in plague-ridden London. These new translations of the complete plays, from the award-winning translators Richard Pevear and Larissa Volokhonsky, freshly reveal the range of Pushkin&’s enduring artistry.
The Boss's son
by Jennifer GreenMadrid 1959. Ignacio Gómez, son of Boss Fernando Gómez, the most feared man in the entire capital, has always lived in constant conflict with his father, who tried in every way to keep him out of his shady dealings, but the young thirty-year-old hungry for money and beautiful women he managed in a few years to build his empire and gradually outclass Fernando's business. After his father's death during an assassination attempt on the Álvarez family, Ignacio decides to avenge his death and gets close to his daughter, Helena Álvarez, and within a short time manages to win the woman's heart by making her believe he has feelings for her. Unaware of the young man's plans, the woman lets herself go completely. However, something does not go according to his plans and he is forced to close the game soon. But what if love struck Ignacio's heart and changed the tables? What if losing Helena meant losing himself too? Between hate and love, revenge and blood trails, what will be their fate?
Boston Marriage: Boston Marriage; Faustus; Romance (Methuen Modern Plays Ser.)
by David MametOne of America's most revered and provocative dramatists, David Mamet conquers new territory with this droll comedy of errors set in a Victorian drawing room. Anna and Claire are two bantering, scheming ladies of fashion who have long lived together on the fringes of upper-class society. Anna has just become the mistress of a wealthy man, from whom she has received an enormous emerald and an income to match. Claire, meanwhile, is infatuated with a respectable young lady and wants to enlist the jealous Anna's help for an assignation. As the two women exchange barbs and take turns taunting Anna's hapless parlour maid, Claire's young inamorata suddenly appears, setting off a crisis that puts the valuable emerald at risk and threatens the women's future. "Devastatingly funny . . . exceptionally clever" - New York Times "Brilliant . . . One of Mamet's most satisfying and accomplished plays, and one of the funniest American comedies in years" - New York Post "Wickedly, wittily entertaining . . . what makes the play such brilliant fun is its marriage of glinting period artifice and contemporary frankness" - Boston Phoenix "[Mamet's characters] are at each other's throats with a wit akin to characters out of Wilde and a vengeance not unlike those from Pinter or Edward Albee" - Boston Globe Boston Marriage was first performed at the American Repertory Theatre, Cambridge, Massachusetts, in June 1999. It received its British premiere at the Donmar Warehouse, London, in March 2001.