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Buck Fever & Other Plays
by Bill BozzoneComedy / 3m, 1f / Interior / A remarkable and hilarious play about two hunting buddies who, upon returning to their cabin in the woods, discover that their wives have become lovers in the husbands' absence and then absconded with the only car, leaving the miserable (and very confused) husbands stranded alone. Fully expecting the return of their wayward wives, the husbands decide to jump into bed together, so that upon their return, the wives, will see just how ridiculous homosexuality looks. What the husbands don't expect is their discovery in bed by another hunting buddy and his date.
The Buddha and the Bard
by Lauren ShufranWhat does Shakespeare have to teach us about mindfulness? What Eastern spiritual views about death, love, and presence are reflected in the writings of The Bard? The Buddha and the Bard reveals the surprising connections between the 2,500-year-old spiritual leader and the most compelling writer of all time. &“Shufran&’s compelling juxtapositions will encourage the reader to ask the deepest questions of themselves while delighting in the play of resonances across a cultural and historical divide.&” – YOGA Magazine Shakespeare understood and represented the human condition better than any writer of his time. As for the Buddha, he saw how to liberate us from that condition. Author Lauren Shufran explores the fascinating interplay of Western drama and Eastern philosophy by pairing quotes from Shakespeare with the tenets of an Eastern spiritual practice, sparking a compelling dialogue between the two. There&’s a remarkable interchange of echoes between Shakespeare&’s conception of &“the inward man&” and Buddhist approaches to recognizing, honoring, and working with our humanness as we play out our roles on the &“stage&” of our lives. The Buddha and the Bard synthesizes literature and scripture, embodied drama and transcendent practice, to shape a multifaceted lyric that we can apply as mindful practice in our own lives. Shufran&’s compelling juxtapositions will encourage the reader to ask the deepest questions of themselves while delighting in the play of resonances across a cultural and historical divide.
Buddy Cop 2
by Hannah BosDark Comedy Characters: 2 male, 2 female. Interior. Two cops...in the kind of quiet little town where a kid dreams of growing up to be a fireman. Or a racecar driver. Where the only question you ask yourself at the end of the day is if you're gonna knock back your cold one at Swanky's, Spanky's, or Zingers. A town where neighbors pitch in to help neighbors in need, and where if you wake up in the middle of the night...you should keep your eyes closed. Because the man in red is there in the corner. Watching you. Smiling at you with his yellow eyes and black teeth. Best to pretend you're still asleep. In this comedic action/mystery of holiday nostalgia and athletic rigor, when a flood destroys the police station, the local cops set up shop in the nearby community center. Mysteries emerge. Criminals are chased. Racquetball is played. In this town, nothing is what it seems...or is it? . "Set in the 1980s, this downtown gem, full of minor-key revelations and offhand epiphanies, roots its quirky charm in an earnest and surprising realism. This charming, offbeat play from the Debate Society of Brooklyn is sneakily funny, but not at the expense of its characters, mumbling sweeties who play bingo, collect beer cans, and take pride in their work." -The New York Times . "Packed with nonchalant theatrics and smoldering intensity. Bos, Thureen, and Butler have woven an accomplished yarn." -Back Stage.. "Wistful and sweet and uncanny. The delightful, oddly delicate Buddy Cop 2 is steeped in Christmas cheer. FOUR STARS. Critics' Pick." -Time Out New York. "Wonderfully entertaining. Funny, Charming, and perfectly pitched." - NYTheatre. com.
Buffoon
by Anosh IraniThree-time Governor General’s Literary Award–shortlisted author and playwright Anosh Irani’s critically acclaimed one-man show Buffoon is a masterclass of tragicomic theatre. Born to circus folk who prefer trapezing over parenting, Felix quickly learns to turn life’s misfortunes into jokes. His longing for family and home is piqued at the tender age of seven when he falls hopelessly in love with an older woman, the beguiling Aja, who is eight. In the process, a clown is born, and we watch him grow into a middle-aged buffoon. Over time, Felix stops waiting for someone else to love him; his journey becomes one of loving himself. A story of love, loss, and the fate that binds us, Buffoon is a gut-wrenching one-man show that expertly walks the tightrope between heartbreak and hilarity.
Building a Character
by Constantin Stanislavski Elizabeth Reynolds Hapgood<p>This vintage book contains Constantin Stanislavski's famous 1950 treatise, "Building a Character." Written by the father of method acting, this definitive handbook on the naturalistic approach to acting has been studied by some of best, and continues to be an invaluable and timeless tool for actors all over the world. <p>A must-have for aspiring and seasoned actors alike, "Building a Character" would make for a worthy addition to any collection. Konstantin Sergeievich Stanislavski (1863 - 1938) was a Russian actor and theatre director, famous for being the progenitor of the Stanislavski method. Stanislavski received the 'Order of Lenin' in 1937, the 'Order of the Red Banner of Labour' in 1938, and 'People's Artist of the USSR' in 1936 for his prolific contributions to the arts. <p>Elected for republication due to its immense historical and educational value, this book is being republished now in an affordable, modern, high-quality edition. It comes complete with a specially commissioned new biography of the author.</p>
Building a Representative Theater Corpus: A Broader View of Nineteenth-Century French
by Angus Grieve-SmithThe Digital Parisian Stage Project aims to compile a corpus of plays that are representative of performances in the theaters of Paris through history. This book surveys existing corpora that cover the nineteenth century, lays out the issue of corpus representativeness in detail, and, using a random sample of plays from this period, presents two case studies of language in use in the Napoleonic era. It presents a compelling argument for the compilation and use of representative corpora in linguistic study, and will be of interest to those working in the fields of corpus linguistics, digital humanities, and history of the theater.
Building A Character (Bloomsbury Revelations Ser.)
by Constantin StanislavskiBuilding a Character is one of the three volumes that make up Stanislavski’s The Acting Trilogy. An Actor Prepares explores the inner preparation an actor must undergo in order to explore a role to the full. In this volume, Sir John Gielgud said, this great director “found time to explain a thousand things that have always troubled actors and fascinated students.” Building a Character discusses the external techniques of acting: the use of the body, movement, diction, singing, expression, and control. Creating a Role describes the preparation that precedes actual performance, with extensive discussions of Gogol’s The Inspector General and Shakespeare’s Othello. Sir Paul Scofield called Creating a Role “immeasurably important” for the actor. These three volumes belong on any actor’s short shelf of essential books.
Building Embodiment: Integrating Acting, Voice, and Movement to Illuminate Poetic Text
by Baron Kelly Karen KopryanskiBuilding Embodiment: Integrating Acting, Voice, and Movement to Illuminate Poetic Text offers a collection of strategic and practical approaches to understanding, analyzing, and embodying a range of heightened text styles, including Greek tragedy, Shakespeare, and Restoration/comedy of manners. These essays offer insights from celebrated teachers across the disciplines of acting, voice, and movement and are designed to help actors and instructors find deeper vocal and physical connections to poetic text. Although each dramatic genre offers a unique set of challenges, Building Embodiment highlights instances where techniques can be integrated, revealing how the synthesis of body, brain, and word results in a fuller sense of character experiencing for both the actor and the audience. This book bridges the gap between academic and professional application and invites the student and professional actor into a richer experience of character and story.
Building the Successful Theater Company
by Lisa MulcahyWhat makes a theater company successful? Lisa Mulcahy poses the question to leaders from nineteen of the country’s most diverse and vital theater companies from the recent past and present, and offers answers in Building the Successful Theater Company. Producers, stage managers, directors-anyone dreaming of running a theater troupe-will benefit from the practical guidance, amusing anecdotes, and sincere advice in this peek behind the curtains of the often difficult, always seductive, profession of theater. With five additional companies profiled in this fully revised third edition, Building a Successful Theater Company features: The LABrynth Theater Company New Paradise Laboratories National Theatre of the Deaf Shotgun Players Asian-American Theatre Company Steppenwolf Theater Company The Pasadena Playhouse La Jolla Playhouse Chicago City Limits Berkeley Repertory Theatre Arena Stage’s The Living Stage Theatre Company Mixed Blood Theatre Company Horizons Theatre Wheelock Family Theatre L.A. Theatre Works A Traveling Jewish Theatre Jean Cocteau Repertory Bailiwick Repertory New Repertory TheatreNew chapters cover funding and financial aspects, maximizing a company's potential through powerful social media use, and creating successful partnerships by teaming up with corporate sponsors and establishing artistic collaborations. Stage veterans reveal advice on everything from locating performance space, to developing a business plan, to and rehearsing and publicizing productions in this invaluable guide to creating or growing a theater company.Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Building the Successful Theater Company
by Lisa MulcahyThe second edition of Building the Successful Theater Company takes readers even deeper into the world of theatrical production, examining in great depth the financial realities of establishing--and maintaining--a successful organization. This indispensable reference is updated to include more theater company profiles with expert advice to better reveal the pitfalls, passions, and practicalities of the theater industry. The author's been-there-done-that personal experiences along with the wisdom of esteemed theater company heads will encourage readers to aim high and overcome challenges to accomplish all of their creative and financial objectives. Everything from finding a performance space, to creating a first season, to promoting a company and production, to designing a long-term plan is discussed in detail in this engaging guide--a sometimes irreverent, always relevant look behind the curtain of the modern stage troupe. Chapters include developing business and budget plans, rehearsing, attracting attention with publicity and word-of-mouth, adapting to growth, and more. No other book contains the unique insights and sound advice found in this indispensable reference.
Building the Wall: The Play and Commentary (Oberon Modern Plays Ser.)
by Julian E. Zelizer Douglas S. Massey Robert Schenkkan Timothy Patrick McCarthyIn the tradition of Hamilton and Angels in America, a powerful, politically charged, dystopian drama that couldn’t be more timely. Written in a “white-hot fury” on the eve of the 2016 election, the stunning new play by Pulitzer Prize– and Tony Award–winning dramatist Robert Schenkkan is creating a nationwide sensation. Bypassing the usual development path for plays, it has been signed up to open in five theaters across America in a National New Play Network Rolling World Premiere, starting in Los Angeles (March) and Denver (April) and continuing in the Washington, DC, area, Tucson, and Miami, with more productions to follow, including in Santa Fe and New York City. Building the Wall lays out in a harrowing drama the consequences of Donald Trump’s anti-immigration campaign rhetoric turned into federal policy. Two years from now, that policy has resulted in the mass round-up of millions of illegal aliens, with their incarceration overflowing into private prisons and camps reminiscent of another century. The former warden for one facility is awaiting sentencing for what happened under his watch. In a riveting interview with a historian who has come seeking the truth, he gradually reveals how the unthinkable became the inevitable, and the faceless illegals under his charge became the face of tragedy. The play is accompanied by commentary from three prominent scholars: on the real purpose of the border wall, our dark nativist history of restricting immigration, and the tradition of political protest in art.
Bulgakov: The Novelist-Playwright
by Lesley MilneFirst published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Bulldaggers, Pansies, and Chocolate Babies: Performance, Race, and Sexuality in the Harlem Renaissance
by James WilsonBulldaggers, Pansies, and Chocolate Babies shines the spotlight on historically neglected plays and performances that challenged early twentieth-century notions of the stratification of race, gender, class, and sexual orientation. On Broadway stages, in Harlem nightclubs and dance halls, and within private homes sponsoring rent parties, African American performers of the 1920s and early 1930s teased the limits of white middle-class morality. Blues-singing lesbians, popularly known as "bulldaggers," performed bawdy songs; cross-dressing men vied for the top prizes in lavish drag balls; and black and white women flaunted their sexuality in scandalous melodramas and musical revues. Race leaders, preachers, and theater critics spoke out against these performances that threatened to undermine social and political progress, but to no avail: mainstream audiences could not get enough of the riotous entertainment.<P> Many of the plays and performances explored here, central to the cultural debates of their time, had been previously overlooked by theater historians. Among the performances discussed are David Belasco's controversial production of Edward Sheldon and Charles MacArthur's Lulu Belle (1926), with its raucous, libidinous view of Harlem. The title character, as performed by a white woman in blackface, became a symbol of defiance for the gay subculture and was simultaneously held up as a symbol of supposedly immoral black women. African Americans Florence Mills and Ethel Waters, two of the most famous performers of the 1920s, countered the Lulu Belle stereotype in written statements and through parody, thereby reflecting the powerful effect this fictional character had on the popular imagination.<P> Bulldaggers, Pansies, and Chocolate Babies is based on historical archival research including readings of eyewitness accounts, newspaper reports, songs, and playscripts. Employing a cultural studies framework that incorporates queer and critical race theory, it argues against the widely held belief that the stereotypical forms of black, lesbian, and gay show business of the 1920s prohibited the emergence of distinctive new voices. Specialists in American studies, performance studies, African American studies, and gay and lesbian studies will find the book appealing, as will general readers interested in the vivid personalities and performances of the singers and actors introduced in the book.
Bullshot Crummond
by Ron HouseFarce / 3m, 2f / This parody of low budget 30s detective movies typifies British heroism. Teutonic villain Otto von Brunno and his evil mistress crash their plane in the English countryside and kidnap Professor Fenton who has discovered a formula for making synthetic diamonds. Bullshot Crummond is called to the rescue. Otto paralyzes Crummond with a fiendish ray. He rams a stick of dynamite in Crummond's mouth which will explode when the next person enters the room. Rosemary enters, but the static electricity in her fur wrap averts the detonation. They pursue in a hair raising car chase, but plunge over a cliff. They sneak into the dungeons where the professor is being tortured, but Crummond hopelessly loses the ensuing saber duel. Unperturbed, Crummond finally triumphs by shooting the rest of the cast.
Bum Rush the Page: A Def Poetry Jam
by Tony Medina Louis Reyes RiveraBum Rush the Page is a groundbreaking collection, capturing the best new work from the poets who have brought fresh energy, life, and relevance to American poetry. "Here is a democratic orchestration of voices and visions, poets of all ages, ethnicities, and geographic locations coming together to create a dialogue and to jam--not slam. This is our mouth on paper, our hearts on our sleeves, our refusal to shut up and swallow our silence. These poems are tough, honest, astute, perceptive, lyrical, blunt, sad, funny, heartbreaking, and true. They shout, they curse, they whisper, and sing. But most of all, they tell it like it is." -Tony Medina, from the Introduction
The Bungler
by Richard Wilbur Molière"A mischievous new translation by the poet Richard Wilbur, [The Bungler] is great good fun and should open the gate for the play to be presented with the regularity it deserves."--Bruce Weber, The New York Times"My notion of translation is that you try to bring it back alive. Speak-ability is so important. . . . I came to see that a line that simply says 'I love you,' at the right point in the show, is entirely adequate, that a great deal of verbal sophistication is not necessarily called for."--Richard WilburPoet Richard Wilbur's translations of Molière's plays are loved, renowned, and performed throughout the world. This volume is part of Theater Communications Group's new series (with cover designs by Chip Kidd) to complete trade publication of these vital works of French neoclassical comedy. The Bungler is Molière's first recognizably great play, and the first to be written in verse. The charming farce is set in Sicily and born of the great Italian tradition of the commedia dell'arte: Loyal valet Mascarille schemes to win the lovely Celie away from rival Leadre, and into the arms of his master Leslie. Molière himself originated the role Mascarille, self-described as "the rashest fool on earth," who naturally bungles the job along the way.Richard Wilbur is a two-time Pulitzer Prize winner and a former Poet Laureate of the United States. His publications include six volumes of poetry and two collections of selected verses, a collection of prose, and two books for children.
Bunny
by Hannah Moscovitch“In one school year she kissed nineteen boys and won all the science awards.” From one of Canada’s boldest playwrights comes an intimate look into the sexual life of a young woman as she struggles with the power of her desires. Sorrel grew up with professor parents, where carob was dessert, reading passages of Canadian poetry aloud was entertainment, and canoeing was the only sport encouraged. No one really noticed the studious Sorrel until she turned seventeen, when late puberty suddenly transformed her into a hot dork. Boys wanted her and girls loathed her, and all at once Sorrel discovered the joys of sexuality and the pain of social rejection. Sorrel enters college as a self-proclaimed loser with no female friends, but then she meets Maggie. Maggie’s unwavering friendship helps her shed her inhibitions and become more truly herself. The two women grow older, but when Maggie is diagnosed with cancer, Sorrel must choose between raw feeling and devotion.
The Bunyip: A Play Based on an Australian Folktale
by Pat BetteleyIn search of food for their families, some men go hunting. When one man catches a strange creature, he ignores his fellow hunters who tell him to release the creature. The young creature's mother, eager to reclaim her baby, floods the land and turns the hunter and his people into black swans.
The Burial at Thebes: A Version of Sophocles' Antigone
by Seamus HeaneySophocles' play, first staged in the fifth century B.C., stands as a timely exploration of the conflict between those who affirm the individual's human rights and those who must protect the state's security.
Buried Child
by Sam ShepardA newly revised edition of an American classic, Sam Shepard's Pulitzer Prize--winning Buried Child is as fierce and unforgettable as it was when it was first produced more than twenty-five years ago.A scene of madness greets Vince and his girlfriend as they arrive at the squalid farmhouse of Vince's hard-drinking grandparents, who seem to have no idea who he is. Nor does his father, Tilden, a hulking former All-American footballer, or his uncle, who has lost one of his legs to a chain saw. Only the memory of an unwanted child, buried in an undisclosed location, can hope to deliver this familyFrom the Trade Paperback edition.
The Burlesque Handbook
by Jo WeldonThe Burlesque Handbook is the essential manual to understanding and performing both classic and neo-burlesque. Written by Jo Weldon, award-winning founder of the New York School of Burlesque, this book features easy-to-follow suggestions and exercises for developing stage-worthy confidence, presence, and sexiness. You'll learn about the fabulous makeup, costumes—including pasties!—moves, grooves, and attitudes of burlesque. The Burlesque Handbook is the must-have guide for everyone interested in this vibrant and wildly popular performance art, providing inspiration and practical information that readers can take straight from the page to the stage!
Burlesque Humor Revisited
by Dick PostonReview / 2m, 1f / Bare stage Three burlesque type performers (a straight man, a comic and a talking lady) "demonstrate" newly adapted versions of 12 classic burlesque standards. Compiled from authentic skits, the sketches have been edited and updated by Joey Faye's former straight man to retain the flavor of burlesque while catering to today's tastes and values. Individual sketches can be incorporated into vaudeville or musical variety shows or the entire collection can provide an evening's hilarious entertainment.
Burning Man: Learning from Heterotopia (Routledge Advances in Theatre & Performance Studies)
by Linda Noveroske-TrittenThis book centres on a philosophical analysis of creative acts in the Burning Man Festival and their roles in wider social change. With particular focus on the Ten Principles of Burning Man, Linda Noveroske posits a re-interpretation of common notions of “self” and “other” as they apply to identity, difference, and the ways that these personal impulses ripple outward from changing individuals into changing societies. Such radical re-imagination of ideology can be most powerful when it occurs in spaces of otherness, of heterotopia. This study casts Burning Man as a heterotopia to not only destabilizes what we think we know about visual art, performance, and creative encounters, but also bring these acts into an attitude of immediacy that facilitates previously unimagined behaviour and opens out artistic drive into the unknown. This book would be of value for scholars and practitioners in Performance Studies, Theatre and Dance, Art History, Psychology, Phenomenology, Architecture and Urban Studies.
Burning Mom
by Mieko OuchiThis is a true story!The show will premiere at the Royal Manitoba Theatre Centre in Winnipeg in April 2023.First produced by the Royal Manitoba Theatre Centre, Winnipeg, in April 2023
Burning Vision
by Marie ClementsBurning Vision sears a dramatic swath through the reactionary identity politics of race, gender and class, using the penetrating yellow-white light, the false sun of uranium and radium, derived from a coal black rock known as pitchblende, as a metaphor for the invisible, malignant evils everywhere poisoning our relationship to the earth and to each other.