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Café Central: Een Verhaal A Mensenrechten
by Jaime DespreeZou je met een prostituee trouwen? Zou je een homoseksuele zoon accepteren en naar zijn bruiloft met een andere man gaan? Zou je accepteren dat je dochter abortus pleegt omdat een zwangerschap onverenigbaar is met haar werk? Hoe zou je reageren als je dochter zegt dat ze verliefd is op een gekleurde man en dat ze zwanger is? Dat zijn de morele dilemma's waarin meerdere families in een buurt verwikkeld zijn, waarbij het Café Central de getuige en achtergrond is van deze dilemma's. Het is een pleidooi voor de mensenrechten.
Caillou: My First Play
by Eric Sévigny Marilyn Pleau-MurissiThere's a special event at Caillou's day care. Leo, Clementine and Caillou are getting ready to be in a play. They enjoy dressing up and rehearsing but they appreciate it even more when their parents come to see the show.
Cain v. Abel: A Jewish Courtroom Drama
by Rabbi Dan OrnsteinEnter the packed courtroom and take your seat as a juror on the Cain v. Abel trial. Soon, the prosecution and defense attorneys (angels from Jewish legend) will call Cain, Abel, Sin, Adam, Eve, and God to the witness stand to present their perspectives on the world&’s first murder. Great Jewish commentators throughout the ages will also offer contradictory testimony on Cain&’s emotional, societal, and spiritual influences. As jurors, when we mete out Cain&’s punishment, must we factor in his family history, psychological makeup, and the human impulse to sin? In this highly eclectic and gripping compilation of insights by Jewish commentators on the Cain and Abel story, courtroom scenes are juxtaposed with the author&’s commentary, advancing novel insights and introspection. As each of us grapples with Cain&’s actions, we confront our own darkest traits. If Cain is a symbol for all humanity, what can we do to avoid becoming like him? Furthering this conversation, Rabbi Dan Ornstein includes a discussion and activity guide to promote open dialogue about human brokenness and healing, personal impulses, and societal responsibility.
Caja de los Secretos: Ciertos Secretos Jamás Deben Ser Revelados
by Hailane BragaUn drama familiar donde podemos conocer a Iolanda, una mujer buena y feliz que tiene una vida maravillosa hasta que encuentra una caja con los secretos de su madre. Nada de lo que Iolanda había conocido sobre su vida era cierto ¿cómo va a superar estas verdades?
Cake
by Donna-Michelle St. BernardA man earns. However little, however nefariously, he earns. Oba, a middle-aged businessman, is torn between his pride and dignity. He’s obsessed with making deals in unidentified substances to stay afloat. A powerful client named Araf arrives, interested in Oba’s business, but also his fierce, inherited servant Femi. Oba’s young progeny Mabo is hungry and desperate, but still driven by his skills and sympathetic to the needs of others. In this stark and poetic musing on the nature and poisons of survival, Cake humanizes the dynamic between Niger and Iran and their clandestine trade in uranium, presenting a dark and critical look at oppression, consumerism, and what happens when all of our resources are dried up.
Caliban's Voice: The Transformation of English in Post-Colonial Literatures
by Bill AshcroftIn Shakespeare’s Tempest, Caliban says to Miranda and Prospero: "...you taught me language, and my profit on’t Is, I know how to curse. " With this statement, he gives voice to an issue that lies at the centre of post-colonial studies. Can Caliban own Prospero’s language? Can he use it to do more than curse? Caliban’s Voice examines the ways in which post-colonial literatures have transformed English to redefine what we understand to be ‘English Literature’. It investigates the importance of language learning in the imperial mission, the function of language in ideas of race and place, the link between language and identity, the move from orature to literature and the significance of translation. By demonstrating the dialogue that occurs between writers and readers in literature, Bill Ashcroft argues that cultural identity is not locked up in language, but that language, even a dominant colonial language, can be transformed to convey the realities of many different cultures. Using the figure of Caliban, Ashcroft weaves a consistent and resonant thread through his discussion of the post-colonial experience of life in the English language, and the power of its transformation into new and creative forms.
California Collections
by Houghton Mifflin HarcourtCalifornia Collections: A Grade 9 language arts textbook
California Schemin
by Ron HouseComedy / 3m, 3f / Single Set Roger Gallais, a small time hustler, is in a desperate fight to save his office/home from demolition. He needs $1500 in 24 hours or his estranged wife Lola Montezuma, an illegal alien, and her new boyfriend Nobby Carlyle, a fugitive from British justice, will take procession of the property, turn it into a mini mall and make a million bucks. Roger and his sole employee, Jules, are at the end of their rope, when Wanda Harrington, a naive middle-aged woman from Texas enters. She has just inherited the family oil fortune and is in Los Angeles to find her long lost lover, Henry, who she hasn't seen or heard from in 25 years. Roger reinvents himself and becomes a private detective specializing in missing persons cases and guarantees he will find Henry in one hour. Hilarious results ensue, involving Harvey Martin, "Gay Activist" who is running for mayor of West Hollywood, and wants to turn the city into a living "Camelot" and Shelly Levine, a failed New York standup comic who hates Los Angeles. "If you're up for a an evening of mindless entertainment and guilty pleasure then Ron House's zany farce is for you." - The Los Angeles Weekly "If you see only one play this year make sure it's California Schemin'!" - The Sacramento Bee "California Schemin' is a side-splitting entertainment!" - The Los Angeles Times
Caligula and Three Other Plays (Vintage International)
by Albert Camus'One word to tell the reader what he will not find in this book. Although I have the most passionate attachment for the theater, I have the misfortune of liking only one kind of play, whether comic or tragic.'
Caligula and Three Other Plays (Vintage International Ser.)
by Albert CamusFour thought-provoking masterworks for the theater by the Nobel Prize–winning author of The Stranger and The Plague, in a restorative new translation by Ryan Bloom that brings together, for the first time in English, Camus's final versions of the plays, along with deleted scenes and alternate lines of dialogue. Though known for his novels that plumb the depths of absurdism, it was the theater stage that Camus called &“one of the only places in the world I'm happy." After forming two troupes in his early twenties in Algeria, the prolific author moved to Paris for work, where between 1944-1949 he would go on to stage the four original plays gathered in this collection.Caligula, his first full-length work for the stage, begins with the infamous Roman emperor in the throes of grief at the death of his sister Drusilla and tugs at the same essential question that haunts so much of Camus&’s work: Faced with the nullifying force of time, which snuffs out even our grandest emotions, how does one go on living? And is there a limit to the hardness of the human heart?Here too are The Misunderstanding, a murderous tangle of the longing for home and the longing for elsewhere; The Just, depicting the 1905 assassination of a Grand Duke in Moscow and testing the ethical limits of one&’s belief in a political cause; and State of Emergency, an allegorical romp where The Plague itself appears as a central character, shedding new light on our current battles with viral disease and authoritarian regimes.These are engaging, often incendiary works, now in fresh English translations that beg to be performed.
Caligula and Three Other Plays
by Albert Camus Stuart Gilbert'One word to tell the reader what he will not find in this book. Although I have the most passionate attachment for the theater, I have the misfortune of liking only one kind of play, whether comic or tragic.
Call Me Debbie: True Confessions of a Down-to-Earth Diva
by Deborah VoigtInternationally beloved opera star Deborah Voigt recounts her harrowing and ultimately successful private battles to overcome the addictions and self-destructive tendencies that nearly destroyed her life.Call Me Debbie is one of the most electrifying performances of Deborah Voigt’s life. The brilliantly gifted opera soprano takes us behind the velvet curtains to tell her compelling story—a tale of success, addiction, music, and faith as dramatic as any role she has performed. For the first time, she talks about the events that led to her dangerous gastric bypass surgery in 2004 and its shocking aftermath: her substantial weight loss coupled with the “cross addiction” that led to severe alcoholism, frightening all-night blackouts, and suicide attempts. Ultimately, Voigt emerged from the darkness to achieve complete sobriety, thanks to a twelve-step program and a recommitment to her Christian faith.Colored by hilarious anecdotes and juicy gossip that illuminate what really goes on backstage, Voigt paints diverting portraits of the artists with whom she’s worked, her most memorable moments onstage, and her secrets to great singing. She also offers fascinating insight into the roles she’s played and the characters she loves, including Strauss’s Ariadne and Salome, Puccini’s Minnie, and Wagner’s Sieglinde, Isolde, and Brünnhilde, sharing her intense preparation for playing them.Filled with eight pages of color photos, Call Me Debbie is an inspirational story that offers a unique look into the life of a modern artist and a remarkable woman.
Callback
by Bill SvanoeComedy / 1m, 1f / Simple Set Callback is a two character contemporary comedy, drama about the forty-year mostly professional relationship between an actress and a director. They both go through struggles, heartbreaks, triumphs, and unexpected discoveries along the way. They are bound together on and off by many things, but what keeps them both going is their overwhelming love of the theater.
The Calling (The Dark Chronicles #3)
by Barbara SteinerMiki O'Ryan jumps at the chance to be part of a mysterious dance troupe--until she realizes its members may be more dangerous than they appear For several nights, Miki O'Ryan has snuck into the condemned Sullivan Theater to watch an enigmatic, shadowy group perform haunting routines that are part gymnastics, part dance, and part magic. When the director catches Miki spying one night, he invites her to join them. The Theater of the Dead is a gothic troupe whose members all pretend to be vampires. Miki is thrilled to finally belong to a family, however odd it may be. When the gorgeous Davin is assigned to be her partner--and seems as if he may be interested in being more--Miki is ready to follow the Theater of the Dead anywhere. But whenever Miki dances with them, she feels as if they are putting her under a spell with their sensuous movement and hypnotic eyes. Is it possible that these strange people are more than what they seem? Miki realizes she may be in danger of losing her life--and her soul--to the Theater of the Dead.
Calpurnia
by Audrey DwyerJulie, a young Jamaican Canadian screenwriter, is passionately working on an adaptation of one of the most beloved American novels of all time, To Kill a Mockingbird, telling the story from the perspective of the Finch family’s Black maid, Calpurnia. But within the safe confines of her wealthy father’s home, and besides all the encouragement from their Filipina housekeeper Precy, Julie struggles with writer’s block and numerous distractions as her family prepares for an important dinner party. When her brother challenges her, saying she’s appropriating a culture she doesn’t belong to, she goes to dramatic lengths to prove her point, only to find she has much to learn.Calpurnia is a witty and highly charged look at the complicated entanglements of intersectionality and allyship, exposing motives and biases that are clear as a bell one moment, and drowning in ambiguity the next.
The Cambridge Companion to African American Theatre (Cambridge Companions to Theatre and Performance)
by Harvey YoungThis new edition provides an expanded, comprehensive history of African American theatre, from the early nineteenth century to the present day. Including discussions of slave rebellions on the national stage, African Americans on Broadway, the Harlem Renaissance, African American women dramatists, and the New Negro and Black Arts movements, the Companion also features fresh chapters on significant contemporary developments, such as the influence of the Black Lives Matter movement, the mainstream successes of Black Queer Drama and the evolution of African American Dance Theatre. Leading scholars spotlight the producers, directors, playwrights, and actors who have fashioned a more accurate appearance of Black life on stage, revealing the impact of African American theatre both within the United States and around the world. Addressing recent theatre productions in the context of political and cultural change, it invites readers to reflect on where African American theatre is heading in the twenty-first century.
The Cambridge Companion to African American Theatre
by Harvey YoungThis Companion provides a comprehensive overview of African American theatre, from the early nineteenth century to the present day. Along the way, it chronicles the evolution of African American theatre and its engagement with the wider community, including discussions of slave rebellions on the national stage, African Americans on Broadway, the Harlem Renaissance, African American women dramatists, and the 'New Negro' and 'Black Arts' movements. Leading scholars spotlight the producers, directors, playwrights and actors whose efforts helped to fashion a more accurate appearance of black life on stage, and reveal the impact of African American theatre both within the United States and further afield. Chapters also address recent theatre productions in the context of political and cultural change and ask where African American theatre is heading in the twenty-first century.
The Cambridge Companion to American Theatre since 1945 (Cambridge Companions to Theatre and Performance)
by Julia Listengarten Stephen Di BenedettoThe Cambridge Companion to American Theatre since 1945 provides an overview and analysis of developments in the organization and practices of American theatre. It examines key demographic and geographical shifts American theatre after 1945 experienced in spectatorship, and addresses the economic, social, and political challenges theatre artists have faced across cultural climates and geographical locations. Specifically, it explores artistic communities, collaborative practices, and theatre methodologies across mainstream, regional, and experimental theatre practices, forms, and expressions. As American theatre has embraced diversity in practice and representation, the volume examines the various creative voices, communities, and perspectives that prior to the 1940s was mostly excluded from the theatrical landscape. This diversity has led to changing dramaturgical and theatrical languages that take us in to the twenty-first century. These shifting perspectives and evolving forms of theatrical expressions paved the ground for contemporary American theatrical innovation.
The Cambridge Companion to Arthur Miller
by Christopher BigsbyArthur Miller is regarded as one of the most important playwrights of the twentieth century, and his work continues to be widely performed and studied around the world. This updated Companion includes Miller's work since the publication of the first edition in 1997 - the plays Mr Peters' Connections, Resurrection Blues, and Finishing the Picture, recent film adaptations, and key productions of his plays since his death in 2005. Book jacket.
The Cambridge Companion to August Wilson
by Christopher BigsbyOne of America's most powerful and original dramatists, August Wilson offered an alternative history of the twentieth century, as seen from the perspective of black Americans. He celebrated the lives of those seemingly pushed to the margins of national life, but who were simultaneously protagonists of their own drama and evidence of a vital and compelling community. Decade by decade, he told the story of a people with a distinctive history who forged their own future, aware of their roots in another time and place, but doing something more than just survive. Wilson deliberately addressed black America, but in doing so discovered an international audience. Alongside chapters addressing Wilson's life and career, and the wider context of his plays, this Companion dedicates individual chapters to each play in his ten-play cycle, which are ordered chronologically, demonstrating Wilson's notion of an unfolding history of the twentieth century.
The Cambridge Companion to Brecht
by Peter Thomson Glendyr SacksThis Companion offers students crucial guidance on virtually every aspect of the work of this complex and controversial writer, bringing together the contrasting views of major critics and active practitioners. The opening essays place Brecht's creative work in its historical and biographical context and are followed by chapters on single texts, from The Threepenny Opera to The Caucasian Chalk Circle, on some early plays, on the Lehrstücke and on the neglected contribution of Elisabeth Hauptmann to the Brecht canon. The third group of essays analyse Brecht's directing, his theatrical theories, his poetry, his interest in music, his significant collaboration with stage designers and his work with actors, concluding with an assessment of Brecht's continuing influence on theatre practice. A detailed calendar of Brecht's life and work and a selective bibliography of English criticism complete this provocative overview of a writer who constantly aimed to provoke.
The Cambridge Companion to Brian Friel
by Anthony RocheBrian Friel is widely recognized as Ireland's greatest living playwright, winning an international reputation through such acclaimed works as Translations (1980) and Dancing at Lughnasa (1990). This 2006 collection of specially commissioned essays includes contributions from leading commentators on Friel's work (including two fellow playwrights) and explores the entire range of his career from his 1964 breakthrough with Philadelphia, Here I Come! to his most recent success in Dublin and London with The Home Place (2005). The essays approach Friel's plays both as literary texts and as performed drama, and provide the perfect introduction for students of both English and Theatre Studies, as well as theatregoers. The collection considers Friel's lesser-known works alongside his more celebrated plays and provides a comprehensive critical survey of his career. This is a comprehensive study of Friel's work, and includes a chronology and further reading suggestions.
The Cambridge Companion To British Theatre, 1730-1830
by Jane Moody Daniel O'QuinnThis Companion offers a wide-ranging and innovative guide to one of the most exciting and important periods in British theatrical history. The scope of the volume extends from the age of Garrick to the Romantic transformation of acting inaugurated by Edmund Kean. It brings together cutting-edge scholarship from leading international scholars in the long eighteenth century, offering lively and original insights into the world of the stage, its most influential playwrights and the professional lives of celebrated performers such as James Quin, George Anne Bellamy, John Philip Kemble, Dora Jordan, Fanny Abington and Sarah Siddons. The volume includes essential chapters about eighteenth-century acting, production and audiences, important surveys of key theatrical forms such as tragedy, comedy, melodrama and pantomime as well as a range of exciting thematic essays on subjects such as private theatricals, 'black' theatre and the representation of empire.
The Cambridge Companion to British Theatre since 1945 (Cambridge Companions to Theatre and Performance)
by Jen Harvie Dan RebellatoBritish theatre underwent a vast transformation and expansion in the decades after World War II. This Companion explores the historical, political, and social contexts and conditions that not only allowed it to expand but, crucially, shaped it. Resisting a critical tendency to focus on plays alone, the collection expands understanding of British theatre by illuminating contexts such as funding, unionisation, devolution, immigration, and changes to legislation. Divided into four parts, it guides readers through changing attitudes to theatre-making (acting, directing, writing), theatre sectors (West End, subsidised, Fringe), theatre communities (audiences, Black theatre, queer theatre), and theatre's relationship to the state (government, infrastructure, nationhood). Supplemented by a valuable Chronology and Guide to Further Reading, it presents up-to-date approaches informed by critical race theory, queer studies, audience studies, and archival research to demonstrate important new ways of conceptualising post-war British theatre's history, practices and potential futures.