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carried away on the crest of a wave
by David YeeFrom the shore of Ko Phi Phi in Thailand to a suburb in Utah to a mysterious Kafkaesque hole in the ground, carried away on the crest of a wave gives us brief glimpses into the lives of a sphinx-like escort, a grieving father, a conflicted priest, brothers of legend, a felonious housewife, an accountant of time, an orphaned boy, a radio shock jock and a man who finds things. Each are connected, primarily, by the cataclysmic 2004 Indian Ocean tsunami that claimed the lives of over a quarter million people. In a series of vignettes, carried away on the crest of a wave illustrates the ripple effect of one of the deadliest natural disasters in recorded history and ponders what happens when the events that bind us together are the same events that tear us apart.
Carry on Understudies: Theatre and Sexual Politics
by Michelene Wandor`one hell of a seminal read ... Here is a book that grapples, with energy, ingenuity and terrific intellectual rigour, with a bewildering forest of issues around gender and politics ... illuminating, insightful, perceptive.' - Women's Review
Carrying All before Her: Celebrity Pregnancy and the London Stage, 1689-1800 (Performing Celebrity)
by Chelsea PhillipsThe rise of celebrity stage actresses in the long eighteenth century created a class of women who worked in the public sphere while facing considerable scrutiny about their offstage lives. Such powerful celebrity women used the cultural and affective significance of their reproductive bodies to leverage audience support and interest to advance their careers, and eighteenth-century London patent theatres even capitalized on their pregnancies. Carrying All Before Her uses the reproductive histories of six celebrity women (Susanna Mountfort Verbruggen, Anne Oldfield, Susannah Cibber, George Anne Bellamy, Sarah Siddons, and Dorothy Jordan) to demonstrate that pregnancy affected celebrity identity, impacted audience reception and interpretation of performance, changed company repertory and altered company hierarchy, influenced the development and performance of new plays, and had substantial economic consequences for both women and the companies for which they worked. Deepening the fields of celebrity, theatre, and women's studies, as well as social and medical histories, Phillips reveals an untapped history whose relevance and impact persists today.
Carson the Magnificent
by Bill ZehmeINSTANT NEW YORK TIMES BESTSELLER A much-anticipated biography—twenty years in the making—of the entertainer who redefined late-night television and reshaped American culture.In 2002, Bill Zehme landed one of the most coveted assignments for a magazine writer: an interview with Johnny Carson—the only one he&’d granted since retiring from hosting The Tonight Show a decade earlier. Zehme was tapped for the Esquire feature story thanks to his years of legendary celebrity profiles, and the resulting piece portrayed Carson as more human being than showbiz legend. Shortly after Carson&’s death in 2005 and urged on by many of those closest to Carson, Zehme signed a contract to do an expansive biography. He toiled on the book for nearly a decade—interviewing dozens of Carson&’s colleagues and friends and filling up a storage locker with his voluminous research—before a cancer diagnosis and ongoing treatments halted his progress. When he died in 2023 his obituaries mentioned the Carson book, with New York Times comedy critic Jason Zinoman calling it &“one of the great unfinished biographies.&” Yet the hundreds of pages Zehme managed to complete are astounding both for the caliber of their writing and how they illuminate one of the most inscrutable figures in entertainment history: A man who brought so much joy and laughter to so many millions but was himself exceedingly shy and private. Zehme traces Carson&’s rise from a magic-obsessed Nebraska boy to a Navy ensign in World War II to a burgeoning radio and TV personality to, eventually, host of The Tonight Show—which he transformed, along with the entirety of American popular culture, over the next three decades. Without Carson, there would be no late-night television as we know it. On a much more intimate level, Zehme also captures the turmoil and anguish that accompanied the success: four marriages, troubles with alcohol, and the devastating loss of a child. In one passage, Zehme notes that when asked by an interviewer in the mid-80s for the secret to his success, Carson replied simply, &“Be yourself and tell the truth.&” Completed with help from journalist and Zehme&’s former research assistant Mike Thomas, Carson the Magnificent offers just that: an honest assessment of who Johnny Carson really was.
Cartas de la Antártida
by Federico Romano Raquel Ruiz Berset"Cartas de la Antártida"es mi primera novela y el libro más difícil que he escrito hasta ahora. La trama la ideé hace 4 años, pero necesité muchísimo tiempo para construir los personajes y sus movimientos dentro de la historia, porque no quería dejar nada al azar. Cuando comprobé que todo encajaba perfectamente, escribí el libro en poco más de 4 meses. 4 años y 4 meses, ¿una casualidad? No lo sé. Sólo recuerdo que cuando estaba escribiendo la última página del libro sentí la necesidad de añadirle música... El libro estaba terminado y por eso se me ocurrió buscar a un músico que pudiera acentuar las emociones del libro y expresarlas a través de otra forma de arte. Max Cottica leyó y releyó el libro y logró expresar musicalmente todas las emociones de la historia. Indurance se llama su nueva banda, una mezcla de ambientes emocionales musicales ideados y tocados íntegramente por él. Lilium es la joven cantante italiana de los Lolamog que ha prestado su voz en la introducción (junto a Luca Artioli) y en las dos últimas canciones "Te amaré siempre" y "Yo soy el silencio", las letras, no obstante, las he escrito yo. La cubierta del libro es obra de Daniel Rolli. Dedico este libro a todos mis seres queridos, a los que han hecho una aportación gráfica y musical a esta obra, a los que han leído mis libros anteriores y a mis sueños que siempre me susurran:"Fede, ¡¡¡no te rindas nunca!!!".
Carte Blanche
by Odysseas Elytes David ConnollyFirst Published in 1999. Odysseus Elytis (1911-1996) was born in Crete, and published his first poems in 1935. He established himself as one of the leading figures in the 'Generation of the Thirties'. As well as publishing seventeen collection of poetry and a number of translations from Ancient Greek, he created two large volumes of prose writings. In 1979 he was awarded the Nobel Prize for Literature. This book is illustrated with ten colour reproductions of collages and paintings by Elytis as well as selected writings.
Caryl Churchill (Routledge Modern and Contemporary Dramatists)
by Mary LuckhurstOne of Europe's greatest playwrights, Caryl Churchill has been internationally celebrated for four decades. She has exploded the narrow definitions of political theatre to write consistently hard-edged and innovative work. Always unpredictable in her stage experiments, her plays have stretched the relationships between form and content, actor and spectator to their limits. This new critical introduction to Churchill examines her political agendas, her collaborations with other practitioners, and looks at specific production histories of her plays. Churchill's work continues to have profound resonances with her audiences and this book explores her preoccupation with representing such phenomena as capitalism, genocide, environmental issues, identity, psychiatry and mental illness, parenting, violence and terrorism. It includes new interviews with actors and directors of her work, and gathers together source material from her wide-ranging career.
La casa de Bernarda Alba
by Federico García LorcaFruto capital del universo lorquiano, esta obra sin parangón recoge la historia de Bernarda Alba, enviudada por segunda vez a los sesenta años, y de sus hijas, obligadas a sumirse en un luto que desencadenará la tragedia. Considerada la obra más madura de Lorca, La casa de Bernarda Alba cierra la llamada trilogía de la tragedia -formada también por Bodas de sangre y Yerma-. Su carácter realista y la opresión en el pecho que se siente ante la represión de unas mujeres atrapadas en un frío infierno de luto, celos, silencio y sueños truncados se ha interpretado como un presagio de los oscuros tiempos que se avecinaban y en los que el propio Lorca se convertiría en una víctima prematura. No obstante, la presente edición contrapone este texto tan magnífico como terrible a Los sueños de mi prima Aurelia, una comedia inacabada inspirada en la infancia del poeta y dramaturgo, que nos demuestra que no habíaabandonado la ironía y el sentido del humor. Vicente Aleixandre dijo...«Su corazón no era ciertamente alegre. Era capaz de toda la alegría del Universo; pero su sima profunda, como la de todo gran poeta, no era la de la alegría. Quienes le vieron pasar por la vida como un ave llena de colorido, no le conocieron.»
La casa de Bernarda Alba | Doña Rosita la soltera (Teatro completo #4)
by Federico García LorcaLa casa de Bernarda Alba | Doña Rosita la soltera es el séptimo y último volumen de la Biblioteca Federico García Lorca y el cuarto de los que reúnen su «Teatro completo» . En este volumen se ofrecen al lector clásicos lorquianos como La casa de Bernarda Alba y Doña Rosita la soltera. Asimismo, se incluyen conferencias y charlas ofrecidas por el poeta en torno a sus textos, lo que permite una aproximación aún más personal a su obra. La edición y los prólogos, a cargo de Miguel García-Posada, permiten al lector acercarse a la complejidad de su obra y disfrutar, a lo largo de los siete volúmenes que componen esta Biblioteca Federico García Lorca, de uno de los autores españoles más relevantes del siglo XX. Luis Buñuel dijo...«De todos los seres vivos que he conocido, Federico era el primero. Ya se pusiera al piano para interpretar a Chopin, ya improvisarauna pantomima o una breve escena teatral, era irresistible. Era como una llama.» --------------------------------------------------------------------------BIBLIOTECA FEDERICO GARCÍA LORCA Poesía competa:1. Libro de poemas | Primeras canciones | Canciones2. Romancero gitano | Poema del cante jondo3. Poeta en Nueva York | Sonetos Teatro completo:4. La zapatera prodigiosa | Mariana Pineda5. El público | Así que pasen cinco años6. Bodas de sangre | Yerma7. La casa de Bernarda Alba | Doña Rosita la soltera--------------------------------------------------------------------------
La Casa de Playa
by Alec Silva Denia McGrewDos amigos van a pasar unos días en una casa de playa. Pronto descubren que sólo uno puede entrar en la casa, mientras que el otro, impedido por una fuerza invisible, está obligado a dormir en la terraza. Mientras intentan entender el misterio del lugar, las interrogantes y las incertidumbres mostrarán que la respuesta a la pregunta principal es más simple de lo que imaginan.
Cash on Delivery
by Michael CooneyFarce / 6m, 4f / This fast paced British farce concerns a con artist who has duped the welfare authorities for years by claiming every type of benefit for the innumerable people he claims live at his address. This scam nets him tens of thousands tax free. Just when he decides to kill off many of the imaginary dole recipients because matters are getting a bit too risky, welfare investigators show up. Some make inquiries about what is going on while others offer additional benefits for which he has not yet applied. To outwit the investigators, the con artist enlists help from one of his real lodgers and from his Uncle George, who also volunteers to convince his nephew's wife that he is not a transvestite. Nabbed in the end, the cheat is offered a job in the agency's fraud investigation unit because he knows all of the tricks!
Casina
by Plautus David ChristensonThe play Casina provides an introduction to the world of Roman comedy from one of its best practitioners, Plautus. As with all Focus translations, the emphasis is on an inexpensive, readable edition that is close to the original, with an extensive introduction, notes and appendices.
Cassandra: A Dramatic Poem (Harvard Library of Ukrainian Literature #8)
by Lesia UkrainkaCassandra, the daughter of King Priam of Troy, is cursed with the gift of true prophecies that are not believed by anyone. She foretells the city’s fall should Paris bring Helen as his wife, as well as the death of several of Troy’s heroes and her family. The classic myth turns into much more in Lesia Ukrainka’s rendering: Cassandra’s prophecies are uttered in highly poetic language—fitting for the genre of the work—and are not believed for that reason, rather than because of Apollo’s curse. Cassandra as poet and as woman are the focal points of the drama.Cassandra: A Dramatic Poem encapsulates the complexities of Ukrainka’s late works: use of classical mythology and her intertextual practice; intense focus on issues of colonialism and cultural subjugation—and allegorical reading of the asymmetric relationship of Ukrainian and Russian culture; a sharp commentary on patriarchy and the subjugation of women; and the dilemma of the writer-seer who knows the truth and its ominous implications but is powerless to impart that to contemporaries and countrymen.This strongly autobiographical work commanded a significant critical reception in Ukraine and projects Ukrainka into the new Ukrainian cultural canon. Presented here in a contemporary and sophisticated English translation attuned to psychological nuance, it is sure to attract the attention of the modern-day reader.
Cassie Has a New Secret Admirer
by Gabriella ReginaOn Valentine's Day week, Cassie got an anonymous romantic message through her college's radio program. The message gave her a few hurdles she needed to go through so she could get her admirer's number and get in touch with him. So she could have a date on Valentine's Day -- a chance that, according to her admirer, Cassie couldn't waste. Any other girl in Cassie's situation -- single and with no romantic prospects - would have been excited with the possibility of having a date to the most dramatic day of the year, just this weekend. But Cassie is not one of those girls. She has a history, and that history includes a stalker that was after her for a long time, and that anonymous message left her frightened with the possibility that, maybe, he's back in her life. Tthis time, to stay. So, Cassie goes after the one person that can help her find out who her secret admirer really is, before she has to go through the steps and face him, something that may end up being fatal for her.
Casting a Movement: The Welcome Table Initiative
by Claire Syler Daniel BanksCasting a Movement brings together US-based actors, directors, educators, playwrights, and scholars to explore the cultural politics of casting. Drawing on the notion of a "welcome table"—a space where artists of all backgrounds can come together as equals to create theatre—the book’s contributors discuss casting practices as they relate to varying communities and contexts, including Middle Eastern American theatre, disability culture, multilingual performance, Native American theatre, color- and culturally-conscious casting, and casting as a means to dismantle stereotypes. Syler and Banks suggest that casting is a way to invite more people to the table so that the full breadth of US identities can be reflected onstage, and that casting is inherently a political act; because an actor’s embodied presence both communicates a dramatic narrative and evokes cultural assumptions associated with appearance, skin color, gender, sexuality, and ability, casting choices are never neutral. By bringing together a variety of artistic perspectives to discuss common goals and particular concerns related to casting, this volume features the insights and experiences of a broad range of practitioners and experts across the field. As a resource-driven text suitable for both practitioners and academics, Casting a Movement seeks to frame and mobilize a social movement focused on casting, access, and representation.
Casting Lily (Orca Limelights Ser.)
by Holly BennettFourteen-year-old Ava is thrilled when she lands a part in a play based on the true story of orphans sent to Canada in the 1800s to work on farms. But is she good enough to hold her own in a professional production? As the rehearsal pressures crank up, Ava struggles with her character, with the vocal demands of outdoor theater and with the annoying ego of her castmate Kiefer. But as she learns more about the historical Lily on which her part is based, things begin to fall into place. Then one bad decision jeopardizes Ava's chances of being able to perform on opening night.
Castration Celebration
by Jake WiznerIt's High School Musical--rated R! When the girl who's foresworn men meets the boy who's devoted himself to picking up women, there's bound to be drama--perfect for a six-week summer program devoted to the arts. Olivia's summer goal: to write a musical that censures men with wandering eyes. Max's summer goal: to hone his acting skills, along with his talent for attracting the ladies. Before camp is over, they'll perform Olivia's musical onstage and in real life--though the ending may turn out differently than either expects. Jake Wizner's story within a story takes the battle of the sexes to a whole new level in a bawdy, uproarious romp that's laugh-out-loud fun.
Casual Shakespeare: Three Centuries of Verbal Echoes (Routledge Studies in Shakespeare)
by Regula Hohl TrilliniCasual Shakespeare is the first full-length study of the thousands of quotations both in and of Shakespeare's works which represent intertextuality outside of what is conventionally appreciated as literary value. Drawing on the insights gained as a result of a major, ongoing Digital Humanities project, this study posits a historical continuum of casual quotation which informs Shakespeare's own works as well as their afterlives. In this groudbreaking, rigorous analysis, Dr. Regula Trillini offers readers a new approach and understanding of the use and impact quotes like the infamous, 'To be or not to be,' have had througout literary history.
Casualties of Love
by Joel BlockIt is the 1960's, love is loose and a co-ed in a Southern University town is assaulted. Hidden behind the incident is a secret that she feels too vulnerable to reveal. Instead, she turns to her lover to help her seek revenge. Her lover, a scholarship student, has lived a life stifled by fear; his memories are not from real life, but from the fiction he loves and has hidden behind. His only close friends are the characters in the books he reads and, of course, those friendships are one-way. He is now faced with the decision to stand for something, and defend his girlfriend, or to allow a biased legal system betray her. The lovers are torn apart by their differences. The young man thought he had finally found a woman he could trust. He finds out that she is not the woman he thought her to be, and he is not the man he believed himself to be; he is more than he ever imagined. The young woman thought she could never give her heart to love and ends up giving everything. If it's been said that every generation gets the scandal it deserves, then it might be said that every town breeds the kind of crime it can accommodate, and we all eventually confront the challenge meant for us.
Cat on a Hot Tin Roof
by Edward Albee Tennessee WilliamsThe definitive text of this American classic--reissued with an introduction by Edward Albee (Who's Afraid of Virginia Woolf? and A Delicate Balance) and Williams' essay "Person-to-Person." Cat on a Hot Tin Roof first heated up Broadway in 1955 with its gothic American story of brothers vying for their dying father's inheritance amid a whirlwind of sexuality, untethered in the person of Maggie the Cat. The play also daringly showcased the burden of sexuality repressed in the agony of her husband, Brick Pollitt. In spite of the public controversy Cat stirred up, it was awarded the Pulitzer Prize and the Drama Critics Circle Award for that year. Williams, as he so often did with his plays, rewrote Cat on a Hot Tin Roof for many years--the present version was originally produced at the American Shakespeare Festival in 1974 with all the changes that made Williams finally declare the text to be definitive, and was most recently produced on Broadway in the 2003-04 season. This definitive edition also includes Williams' essay "Person-to-Person," Williams' notes on the various endings, and a short chronology of the author's life. One of America's greatest living playwrights, as well as a friend and colleague of Williams, Edward Albee has written a concise introduction to the play from a playwright's perspective, examining the candor, sensuality, power, and impact of Cat on a Hot Tin Roof then and now.
Category E
by Belinda CornishI didn’t think we got to have names.Two human test subjects—Corcoran, a half-blind paraplegic, and Filigree, a clinical psychopath—coexist in a laboratory cell. They are sterilized, property of the state, and utilized for the benefit of higher-valued citizens. In their cell are two beds and two chairs. But then Millet arrives. Within thirty-six hours there will only be two again. In the meantime, they play Monopoly, try to figure out who is next door, eat what is given to them, and do their best not to kill each other.This black comedy takes a wry and unsentimental look at the cavalier cruelties of animal science and asks how we place value on life.
Caterpillar Dogs: And Other Early Stories
by Tennessee WilliamsSeven previously unpublished stories of the Great Depression by America’s poet laureate of the lost These tales were penned by one Thomas Lanier Williams of Missouri before he became a successful playwright, and yet his voice is unmistakable. The reliable idiosyncrasies and quiet dignity of Williams’s eccentrics are already present in his characters. Consider the diminutive octogenarian of “The Caterpillar Dogs,” who may have just met her match in a pair of laughing Pekinese that refuse to obey; the retired, small-town evangelist in “Every Friday Nite is Kiddies Nite,” who wears bright-colored pajamas and receives a message from God to move to St. Louis and finally, finally go to the movies again; or the distraught factory worker whose stifled artistic spirit, and just a soupçon of the macabre, propel the drama of “Stair to the Roof.” Love’s diversions and misdirections, even autoerotic longings, are found in these delightful lagniappes: in “Season of Grapes,” the intoxicating ripeness of summer in the Ozarks acquaints one young man with his own passions, which turn into a fever dream, and the first revelation of female sexuality blooms for a college boy in “Ironweed.”Is there such a thing as innocence? Apparently in the 1930s there was, and Williams reveals it in these stories.
Cather and Opera
by David McKay PowellThroughout her fiction, Willa Cather mentioned forty-seven operas. References to opera appear in all but three of her twelve novels and in roughly half of her short stories. Despite a dearth of musical education, Cather produced astute writing about the genre beginning in her earliest criticism and continuing throughout her career. She counted opera stars among her close friends, and according to Edith Lewis, her companion throughout adulthood, the two women frequently visited the theater, even in the early days, when purchasing tickets to attend performances proved a financial sacrifice. Melding cultural history with thoughtful readings of her works and discussions of opera’s complex place in turn-of-the-century America, David McKay Powell’s Cather and Opera offers the first book-length study of what drew the writer so powerfully and repeatedly to the art form. With close attention to Cather’s fiction and criticism, Powell posits that at the heart of both her work and the operatic corpus dwells an innate tension between high artistic ideals and popular acceptance, often figured as a clash between compositional integrity and raw, personal emotion. Considering her connection to opera in both historical and intertextual terms, Cather and Opera investigates what operatic references mean in Cather’s writing, along with what the opera represented to her throughout her life.
Catherine de Valois, Uma Peça em Três Atos
by Vanisse Vaz Fernandes Laurel A. RockefellerA Guerra fez a rainha da Inglaterra. Seu amor por um galês, a fez imortal. Adaptado da criativa biografia não-ficção de mesmo nome, Catherine de Valois, conta a história de uma das rainhas mais fascinantes do século 15, levando o público para além de Henry V e Agincourt, para descobrir a verdadeira mulher que você pensou que conhecia desde de Shakespeare em "Henry V . "
The Catholic Church and Antisemitism
by Ronald ModrasInterwar Poland was home to more Jews than any other country in Europe. Its commonplace but simplistic identification with antisemitism was due largely to nationalist efforts to boycott Jewish business. That they failed was not for want of support by the Catholic clergy, for whom the ''Jewish question'' was more than economic. The myth of a Masonic-Jewish alliance to subvert Christian culture first flourished in France but held considerable sway over Catholics in 1930s Poland as elsewhere. This book examines how, following Vatican policy, Polish church leaders resisted separation of church and state in the name of Catholic culture. In that struggle, every assimilated Jew served as both a symbol and a potential agent of security. Antisemitism is no longer regarded as a legitimate political stance. But in Europe, the United States, and the Middle East, the issues of religious culture, national identity, and minorities are with us still. This study of interwar Poland will shed light on dilemmas that still effect us today.