- Table View
- List View
The Cambridge Introduction to Shakespeare's Poetry
by Michael SchoenfeldtShakespeare's poems, aside from the enduring appeal of the Sonnets, are much less familiar today than his plays, despite being enormously popular in his lifetime. This Introduction celebrates the achievement of Shakespeare as a poet, providing students with ways of understanding and enjoying his remarkable poems. It honours the aesthetic and intellectual complexity of the poems without making them seem unapproachably complicated, outlining their exquisite pleasures and absorbing enigmas. Schoenfeldt suggests that today's readers are better able to analyze aspects of the poems that were formerly ignored or the source of scandal - the articulation of a fervent same-sex love, for example, or the incipient racism inherent in a hierarchy of light and dark. By engaging closely with Shakespeare's major poems - Venus and Adonis, Lucrece, The Phoenix and the Turtle, the Sonnets and A Lover's Complaint - the Introduction demonstrates how much these extraordinary poems still have to say to us.
The Cambridge Introduction to Theatre Directing
by Christopher Innes Maria ShevtsovaThis Introduction is an exciting journey through the different styles of theatre that twentieth-century and contemporary directors have created. It discusses artistic and political values, rehearsal methods and the diverging relationships with actors, designers, other collaborators and audiences, and treatment of dramatic material. Offering a compelling analysis of theatrical practice, Christopher Innes and Maria Shevtsova explore the different rehearsal and staging principles and methods of such earlier groundbreaking figures as Stanislavsky, Meyerhold and Brecht, revising standard perspectives on their work. The authors analyse, as well, a diverse range of innovative contemporary directors, including Ariane Mnouchkine, Elizabeth LeCompte, Peter Sellars, Robert Wilson, Thomas Ostermeier and Oskaras Koršunovas, among many others. While tracing the different roots of directorial practices across time and space, and discussing their artistic, cultural and political significance, the authors provide key examples of the major directorial approaches and reveal comprehensive patterns in the craft of directing and the influence and collaborative relationships of directors.
The Cambridge Introduction to Theatre Studies
by Christopher B. BalmeProviding thorough coverage of the methods and tools required in studying historical and contemporary theatre, this Introduction examines the complexities of a rapidly changing and dynamic discipline. Following a cross-cultural perspective, the book surveys the ways theatre and performance are studied by looking initially at key elements such as performers, spectators and space. The central focus is on methodology, which is divided into sections covering theatre theory, historiography and textual and performance analysis. The book covers all the main theatrical genres - drama, opera and dance - providing students with a comparative, integrated perspective. Designed to guide students through the academic dimension of the discipline, the volume emphasizes questions of methodology, research techniques and approaches, and will therefore be relevant for a wide variety of theatre studies courses. Informative textboxes provide background on key topics, and suggestions for further reading are included at the end of each chapter.
The Cambridge Introduction to Tragedy
by Jennifer WallaceTragedy is the art-form created to confront the most difficult experiences we face: death, loss, injustice, thwarted passion, despair. From ancient Greek theatre up to the most recent plays, playwrights have found, in tragic drama, a means to seek explanation for disaster. But tragedy is also a word we continually encounter in the media, to denote an event which is simply devastating in its emotional power. This introduction explores the relationship between tragic experience and tragic representation. After giving an overview of the tragic theatre canon - including chapters on the Greeks, Shakespeare, Ibsen, Chekhov, post-colonial drama, and Beckett - it also looks at the contribution which philosophers have brought to this subject, before ranging across other art-forms and areas of debate. The book is unique in its chronological range, and brings a wide spectrum of examples, from both literature and life, into the discussion of this emotional and frequently controversial subject.
Cambridge Introductions to…: The Cambridge Introduction to Theatre and Literature of the Absurd
by Michael Y. BennettMichael Y. Bennett's accessible Introduction explains the complex, multidimensional nature of the works and writers associated with the absurd - a label placed upon a number of writers who revolted against traditional theatre and literature in both similar and widely different ways. Setting the movement in its historical, intellectual and cultural contexts, Bennett provides an in-depth overview of absurdism and its key figures in theatre and literature, from Samuel Beckett and Harold Pinter to Tom Stoppard. Chapters reveal the movement's origins, development and present-day influence upon popular culture around the world, employing the latest research to this often challenging area of study in a balanced and authoritative approach. Essential reading for students of literature and theatre, this book provides the necessary tools to interpret and develop the study of a movement associated with some of the twentieth century's greatest and most influential cultural figures.
Cambridge Studies in Modern Theatre: A History of the Berliner Ensemble
by David BarnettThe Berliner Ensemble was founded by Bertolt Brecht and his wife Helene Weigel in 1949. The company soon gained international prominence, and its productions and philosophy influenced the work of theatre-makers around the world. David Barnett's book is the first study of the company in any language. Based on extensive archival research, it uncovers Brecht's working methods and those of the company's most important directors after his death. The book considers the boon and burden of Brecht's legacy and provides new insights into battles waged behind the scenes for the preservation of the Brechtian tradition. The Berliner Ensemble was also the German Democratic Republic's most prestigious cultural export, attracting attention from the highest circles of government, and from the Stasi, before it privatised itself after German reunification in 1990. Barnett pieces together a complex history that sheds light on both the company's groundbreaking productions and their turbulent times.
Cambridge Studies in the History of the People's Republic of China: Mao's Cultural Army
by Brian James DemareCharting their training, travels, and performances, this innovative study explores the role of the artists that roamed the Chinese countryside in support of Mao's communist revolution. DeMare traces the development of Mao's 'cultural army' from its genesis in Red Army propaganda teams to its full development as a largely civilian force composed of amateur and professional drama troupes in the early years of the PRC. Drawing from memoirs, artistic handbooks, and rare archival sources, Mao's Cultural Army uncovers the arduous and complex process of creating revolutionary dramas that would appeal to China's all-important rural audiences. The Communists strived for a disciplined cultural army to promote party policies, but audiences often shunned modern and didactic shows, and instead clamoured for traditional works. DeMare illustrates how drama troupes, caught between the party and their audiences, did their best to resist the ever growing reach of the PRC state.
Cambridge Technicals Level 3 Performing Arts
by David Porter Mark Lewinski Sam ParrishSupport your teaching of the new Cambridge Technicals 2016 suite with Cambridge Technical Level 3 Performing Arts, developed in partnership between OCR and Hodder Education; this textbook covers each specialist pathway and ensures your ability to deliver a flexible course that is both vocationally focused and academically thorough.Cambridge Technical Level 3 Performing Arts is matched exactly to the new specification and follows specialist pathways in acting, dance, music, theatre production, and musical theatre.- Ensures effective teaching of each specialist pathway offered within the qualification.- Focuses learning on the skills, knowledge and understanding demanded from employers and universities.- Provides ideas and exercises for the application of practical skills and knowledge.- Developed in partnership between Hodder Education and OCR, guaranteeing quality resources which match the specification perfectly
Camera, Woman
by R. M. Vaughan'There are no lost women, only women who've forgotten their scripts.' RM Vaughan's play about Hollywood director Dorothy Arzner comes off the stage and onto the page in this handsome edition from Coach House Books. An insightful look at the gender politics behind the cameras and studios of the golden age of cinema.
Camino Real
by Tennessee WilliamsNow with a new introduction, the author's original Foreword and Afterword, the one-act play 10 Blocks on the Camino Real, plus an essay by noted Tennessee Williams scholar, Michael Paller. In this phantasmagorical play, the Camino Real is a dead end, a police state in a vaguely Latin American country, and an inescapable condition. Characters from history and literature--Don Quixote, Casanova, Camille, Lord Byron--inhabit a place where corruption and indifference have immobilized and nearly destroyed the human spirit. Then, into this netherworld, the archetypal Kilroy arrives--a sailor and all-American guy with "a heart as big as the head of baby." Celebrated American playwright John Guare has written an illuminative Introduction for this edition. Also included are Williams' original Foreword and Afterword to the play, the one-act play Ten Blocks on the Camino Real, plus an essay by noted Tennessee Williams scholar Michael Paller.
Camp
by Lev A.C. RosenFrom the author of the acclaimed Jack of Hearts (and other parts) comes a sweet and sharp screwball comedy that critiques the culture of toxic masculinity within the queer community. <p><p> Sixteen-year-old Randy Kapplehoff loves spending the summer at Camp Outland, a camp for queer teens. It's where he met his best friends. It's where he takes to the stage in the big musical. And it's where he fell for Hudson Aaronson-Lim - who's only into straight-acting guys and barely knows not-at-all-straight-acting Randy even exists. <p><p> This year, though, it's going to be different. Randy has reinvented himself as 'Del' - buff, masculine, and on the market. Even if it means giving up show tunes, nail polish, and his unicorn bedsheets, he's determined to get Hudson to fall for him. <p><p> But as he and Hudson grow closer, Randy has to ask himself how much is he willing to change for love. And is it really love anyway, if Hudson doesn't know who he truly is?
Canadian Drama and the Critics
by L. W. ConollyThe editor of this lively, updated assortment of reviews, interviews and other critical deliberations on contemporary Canadian drama has gathered material from books, theatre and scholarly journals; from major daily newspapers in Canada and abroad; from critics, academics, journalists and playwrights. This new expanded and updated edition of Canadian Drama and the Critics now includes commentary on forty-three English-language plays written during the last fifty years. | |Canadian Drama and the Critics is an enjoyable read that offers an intelligent, wide-ranging overview of modern Canadian plays and playwrights. An ideal companion text to Talonbooks' Modern Canadian Plays Volumes I and II and other anthologies of Canadian drama, Canadian Drama and the Critics also includes detailed production information for the premiere of each play and a comprehensive index.
The Canadian Kings of Repertoire: The Story of the Marks Brothers
by Michael V. TaylorThe Marks Brothers may well have been the most remarkable theatrical family in Canadian history. A phenomenon on the vaudeville circuit, the seven brothers left the farm and took to the boards and the footlights throughout the latter part of the 19th century and into the 1920s. The brothers from Christie Lake, near Perth in Eastern Ontario, played to an estimated eight million Canadians, as well as to sizeable audiences in the United States. Their road shows, largely melodramas and comedy, kept audiences crying, booing, laughing and cheering until movies sounded the death knell for touring repertory companies. The publication of The Canadian Kings of Repertoire brings back for one more curtain call the seven Marks boys, top hats, diamond rings and all. Joining them in a farewell performance are their glamorous leading ladies and a superb cast of supporting players. So clear the aisles and up with the curtain. It’s showtime once more.
Cáncer de amor
by Laura Szarapo Mohmmed Alsofi¡Sí! El amor es como un cáncer… Te ata a alguien y su imagen se ata de igual manera a tu mente. Además, la otra persona se convierte en un reflejo de tu corazón: cuando se siente feliz, tú te sientes feliz y cuando se siente triste, tú te sientes igual. Nada importa, excepto darle lo que él o ella necesita, aun cuando esto sea a costa de tu propia felicidad. ¡Sí… esto es amor!
Candles to the Sun
by Tennessee Williams William Jay Smith Dan IsaacThis early play about coal miners struggling to improve their lives helped establish a young Tennessee Williams as a powerful new voice in American theater. The first full-length play by novice playwright Thomas Lanier Williams, Candles to the Sun opened on Thursday, March 18, 1937 and received rave reviews in the local press. The Mummers, a semi-professional and socially aware theater troupe in St. Louis, produced the play, and the combination of director Willard Holland's theater of social protest and the young Williams' talent for the dramatic depiction of poverty and its consequences proved irresistible to an audience eager for relevant social content. Set in the Red Hills coal mining section of Alabama, Candles to the Sun deals with both the attempts of the miners to unionize and the bleak lives of their families. Colvin McPherson of the St. Louis Post-Dispatch wrote that "Williams, a 25-year-old Washington University senior, is revealed not only as a writer of unusual promise but one of considerable technical skill right now . . . . His writing is rarely unsteady and his play has an emotional unity and robustness. It stands on its own feet. Its characters are genuine, its dialogue of a type that must have been uttered in the author's presence, its appeal in the theater widespread." As it turns out, Tom Williams had never met a miner in his young life. As he did for another early Williams play, Spring Storm, Dan Isaac uses his directorial skills to prepare a text of Candles to the Sun that is faithful to the 1937 production while providing readers (and actors) with a social and theatrical context. William Jay Smith, former Poet Laureate of the United States and St. Louis friend of the playwright, has contributed an illuminating foreword that touches not only on his memories of the young Tom Williams and the original production of Candles, but also on the poetic nature of Williams' writing as reflected in this play.
The Canon in Contemporary Theatre: Plays by Shakespeare, Ibsen, and Brecht in Contemporary Directors’ Theatre (ISSN)
by Lars Harald MaagerøThis book explores the relationship between contemporary theatre, particularly contemporary theatre directors, and the dramatic canon of plays.Through focusing on productions of plays by three canonical playwrights (Shakespeare, Ibsen, and Brecht) by eight contemporary European directors (Michael Buffong, Joe Hill-Gibbins, and Emma Rice from the UK, Christopher Rüping from Germany, Thorleifur Örn Arnarsson from Iceland, and Kjeriski Hom, Alexander Mørk-Eidem, and Sigrid Strøm Reibo from Norway) the book investigates why and how the theatre continues to engage with canonical plays. In particular, the book questions the political and cultural implications of theatrical reproductions of the literary canon. Drawing on Chantal Mouffe’s theories of agonism and ‘critical art,’ the book investigates whether theatrical reproduction of the canon always reconstitutes the hegemonic values and ideologies of the canon, or whether theatrical interventions in the canon can challenge such values and ideologies, and thereby also challenge the dominant ideologies and hegemonies of contemporary culture and society.This study will be of great interest to academics and students in drama and theatre, particularly those who work with theatre in the twenty-first century, directors’ theatre, and the political impact of theatre.
Canonising Shakespeare: Stationers and the Book Trade, 1640–1740
by Peter Kirwan Emma DepledgeCanonising Shakespeare offers the first comprehensive reassessment of Shakespeare's afterlife as a print phenomenon, demonstrating the crucial role that the book trade played in his rise to cultural pre-eminence. 1640-1740 was the period in which Shakespeare's canon was determined, in which the poems resumed their place alongside the plays in print, and in which artisans and named editors crafted a new, contemporary Shakespeare for Restoration and eighteenth-century consumers. A team of international contributors highlight the impact of individual booksellers, printers, publishers and editors on the Shakespearean text, the books in which it was presented, and the ways in which it was promoted. From radical adaptations of the Sonnets to new characters in plays, and from elegant subscription volumes to cheap editions churned out by feuding publishers, this period was marked by eclecticism, contradiction and innovation as stationers looked to the past and the future to create a Shakespeare for their own times.
The Captain's Frozen Dream
by Georgie LeeCan he salvage her reputation? Trapped in the Arctic ice, intrepid explorer Captain Conrad Essington was driven on by thoughts of his fiancée, Katie Vickers. Finally home, he's ready to take her in his arms and kiss away the nightmare of that devastating winter. Except the past eighteen months haven't been plain sailing for Katie, either. With Conrad believed dead, and her reputation in tatters, Katie has relinquished all hope of her fiancé ever returning to save her. Now he's back, can the dreams they've both put on hold at last come true?
The Captain's Tiger
by Athol FugardWorld renowned South African playwright Athol Fugard recreates the world of his youth in his newest play, based on his experiences aboard a tramp steamer. This critically acclaimed drama has already had productions in Los Angeles, Washington D.C., Princeton N.J., and at the Spoleto Festival in South Carolina. The New York premiere is schedules for January 1999, staring Mr. Fugard.
Captive Audience: Prison and Captivity in Contemporary Theatre (Studies in Modern Drama #19)
by Thomas Fahy Kimball KingThe first collection on this important topic, Captive Audience examines the social, gendered, ethnic, and cultural problems of incarceration as explored in contemporary theatre. Beginning with an essay by Harold Pinter, the original contributions discuss work including Harold Pinter's screenplays for The Handmaid's Tale and The Trial, Theatrical Prison Projects and Marat/Sade. Kimball King, Thomas Fahy, Rena Fraden, Tiffany Ana Lopez, Fiona Mills, Harold Pinter, Ann C. Hall, Christopher C. Hudgins, Pamela Cooper, Robert F. Gross, Claudia Barnett, Lois Gordon
Captivi
by David Christenson PlautusThe play Captivi provides an introduction to the world of Roman comedy from one of its best practitioners, Plautus. As with all Focus translations, the emphasis is on an inexpensive, readable edition that is close to the original, with an extensive introduction, notes and appendices.
The Capybara Conspiracy: A Novel in Three Acts
by Erica S. PerlFans of Tim Federle and Louis Sachar will love this hilarious story of what happens when the non-jocks kidnap their sports-obsessed school's beloved mascot. Seventh-grade playwright Olive Henry is frustrated by her middle school's lack of appreciation for anything but sports. While the principal drones on and on during morning announcements about the sports teams' victories, all non-athletic club meetings are relegated to the school basement, never to be mentioned on the loudspeaker. So Olive and her best friend, Reynaldo, hatch a plan to kidnap the school's capybara mascot, planning to return it, heroically, just in time for the school's pep rally and claim a reward: permission for their drama club to practice in the auditorium. And, hopefully, some overdue respect for the school's non-athletes. But when an animal-rights student activist and an undercover athlete with murky motivations join in the conspiracy, their plans--along with Cappy the capybara--veer wildly out of Olive's control.
Caravaggio: Painter of Miracles (Eminent Lives)
by Francine Prose“Matching gorgeous prose to gorgeous artworks, Prose responds to each image as a moment of theatrical revelation, sensual or spiritual, and frequently both.” — Boston Sunday GlobeIn Caravaggio, New York Times bestselling author Francine Prose offers an enthralling account of the life and work of one of the greatest painters of all time. Caravaggio defied the aesthetic conventions of his time; his use of ordinary people, realistically portrayed—street boys, prostitutes, the poor, the aged—was a profound and revolutionary innovation that left its mark on generations of artists. His insistence on painting from nature, on rendering the emotional truth of experience, whether religious or secular, made him an artist who speaks across the centuries to modern day. Called “racy, intensely imagined, and highly readable” by the New York Times Book Review, Caravaggio includes eight pages of color illustrations, and is sure to appeal to art enthusiasts interested in one of history’s true innovators. Caravaggio is part of the “Eminent Lives” series from HarperCollins, a selection of biographies by distinguished authors on canonical figures