- Table View
- List View
Charm in Literature from Classical to Modernism: Charmed Life
by Richard BeckmanCharm in Literature from Classical to Modernism: Charmed Life discusses charm as both an emotional and aesthetic phenomenon. Beginning with the first appearance of literary charm in the Sirens episode of the Odyssey, Richard Beckman traces charm throughout canonical literature, examining the metamorphoses of charm through the millennia. The book examines the works of Chaucer, Spenser, Shakespeare, Milton, Pope, Wordsworth, Coleridge, Proust, Joyce, Mann, and others, considering the multiplicity of ways charm is defined, depicted, and utilized by authors. Positioning these poems, dramas, and novels as case studies, Beckman reveals the mercurial yet enduring connotations of charm.
Charmed Lives
by Michael KordaA Rolls Royce Silver Cloud drove him to airports; the British film industry kowtowed to his power; the great Hollywood studios fawned at his feet.Sir Alexander Korda, one of the world's most flamboyant movie tycoons, rose from obscurity in rural Hungary to become a legendary filmmaker. With him were his brothers, Zoltan and Vincent, all living charmed lives in circles that included H. G. Wells, Sir Lawrence Olivier, Marlena Dietrich, Vivien Leigh, and Merle Oberon, who was soon to be Alex's wife. But along with Alex's flair for success was an equally powerful impulse for destruction. Now, Vincent's son, Michael Korda, in the first book of his memoirs, recalls the enchanted figures of his childhood...the glory days of the Korda brothers' great films...and then their heartbreaking, tragic end.
Charmed Lives: A Family Romance
by Michael KordaA Rolls Royce Silver Cloud drove him to airports; the British film industry kowtowed to his power; the great Hollywood studios fawned at his feet. Sir Alexander Korda, one of the world's most flamboyant movie tycoons, rose from obscurity in rural Hungary to become a legendary filmmaker. With him were his brothers, Zoltan and Vincent, all living charmed lives in circles that included H. G. Wells, Sir Lawrence Olivier, Marlena Dietrich, Vivien Leigh, and Merle Oberon, who was soon to be Alex's wife. But along with Alex's flair for success was an equally powerful impulse for destruction. Now, Vincent's son, Michael Korda, in the first book of his memoirs, recalls the enchanted figures of his childhood...the glory days of the Korda brothers' great films...and then their heartbreaking, tragic end.
Chaucerian Play: Comedy and Control in the Canterbury Tales
by Laura KendrickThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.
Chaucer's Dante: Allegory and Epic Theater in the Canterbury Tales
by Richard NeuseRichard Neuse here explores the relationship between two great medieval epics, Dante's Divine Comedy and Chaucer's Canterbury Tales. He argues that Dante's attraction for Chaucer lay not so much in the spiritual dimension of the Divine Comedy as in the human. Borrowing Bertolt Brecht's phrase "epic theater," Neuse underscores the interest of both poets in presenting, as on a stage, flesh and blood characters in which readers would recognize the authors as well as themselves. As spiritual autobiography, both poems challenge the traditional medieval mode of allegory, with its tendency to separate body and soul, matter and spirit. Thus Neuse demonstrates that Chaucer and Dante embody a humanism not generally attributed to the fourteenth century. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991.
Cheatin'
by Del ShoresComedy / 4 m., 3 f. / Int. Before Daddy's Dyin' Who's Got the Will? there was this award winning comedy set in the west Texas watering hole of Lowake. Gossip, the town's major pastime, ignites a blaze of infidelity that engulfs three couples with the zany precision of a Feydeau farce. The clan includes Bo Bob, the dimwitted mailman, and Clarence, local stud and mechanic who's been messin' with Ovella since high school. His faithful girl is Sara Lee Turnover, the beautician. Teddy Joe, Ovella's wronged husband who is more brawn than brain, Maybelline, the overweight waitress who wants to be in love, and a narrator/story teller/singer who doubles as a psychic and believes in happy endings complete the cast. The comedy is fast paced and touching with a sense of authentic Texas humor. "First rate." Hollywood Reporter. "Hilarious." L.A. Daily News. "A sodbuster." L.A. Times. "A hotcake of a Texas comedy." Drama Logue. "An entertaining, truly hilarious eruption of bucolic wit." Kansas City Star.
Check, Please!: Dating, Mating, & Extricating
by Janice DickinsonSupermodel Janice Dickinson’s over-the-top quest for Mr. Right is a hilarious rollercoaster of famous names, outrageous stories, and vicarious thrills.The inimitable, outrageous Janice Dickinson—America’s first supermodel and the bestselling author of No Lifeguard on Duty and Everything About Me Is Fake... And I’m Perfect—now serves up her most scintillating kiss and tell-all yet in Check, Please! Loaded with uncensored dish on her dating sagas and her stranger-than-fiction bedroom adventures, Check, Please! shows Dickinson as a real life Samantha Jones, and three decades at the top of the fast-track, glamorous world of modeling have given her a wealth of juicy stories. Dickinson dissects nearly 100 dates over a 25-year span—each one more jaw-droppingly outrageous than anything Jackie Collins could dream up. (There’s the Big Pharma billionaire, for example, who blurts out his fantasy of having Swarovski crystals shoved in every orifice before they’ve finished the first course of their first date—a declaration that forces Dickinson to quickly abandon the fantasy of “free botox forever” that he’d inspired in her.) Dickinson’s dates also reflect the changing times and the evolution of what she’s looking for in a man. From the unfettered hedonism of the 80s, a decade spent in white-hot one night stands and steamy affairs, to her heightened desire to find Mr. Right during the 90s, to her current state of play, Check, Please! is a fun, over-the-top vicarious thrill ride—with a core that’s highly relatable.
Chekhov: The Essential Plays
by Anton Chekhov Michael HeimBecause Chekhov's plays convey the universally recognizable, sometimes comic, sometimes dramatic, frustrations of decent people trying to make sense of their lives, they remain as fresh and vigorous as when they were written a century ago. Gathered here in superb new renderings by one of the most highly regarded translators of our time--versions that have been staged throughout the United States, Canada, and Great Britain--are Chekhov's four essential masterpieces for the theater.From the Trade Paperback edition.
Chekhov in Context (Literature in Context)
by Yuri CorriganPremier playwright of modern theater and trailblazer of the short story, Anton Chekhov was also a practising doctor, journalist, writer of comic sketches, philanthropist and activist. This volume provides an accessible guide to Chekhov's multifarious interests and influences, with over 30 succinct chapters covering his rich intellectual milieu and his tumultuous socio-political environment, as well as the legacy of his work in over two centuries of interdisciplinary cultures and media around the world. With a Preface by Cornel West, a chronology and Further Reading list, this collection is the essential guide to Chekhov's writing and the manifold worlds he inhabited.
Chekhov in Yalta
by John DriverComedy / 7m, 4f / 1 Set Confined in is villa at Yalta by illness in April of 1900, Chekhov receives a delightful visit by the Moscow Art Theatre. They have embarked on a provincial tour with the express purpose of persuading Chekhov to give them his latest play. Noteworthy characters include Stanislavski, Valdmir Nemirovich Danchenko, Gorky, Ivan Bunin and actress Olga Knipper who Chekhov, a confirmed bachelor, contemplates marrying even as he acknowledges his advancing consumption. The play is criss crossed with amorous triangles, battles of ego, high spirits and melancholic languor reminiscent of Chekhov's work. Winner of several prestigious awards including a Los Angeles Drama Critics Award for Distinguished Playwrighting and an American Theatre Critics Citation. "A truly Chekhovian comedy filled with wit, style, and passion." - L.A. Star News
A Chekhov Quartet
by Vera GottliebFirst Published in 1996. Translated from Chekhov's short plays and adapted from his stories by Vera Gottlieb, this collection consists of four one-act plays. Short though they are, each contains a whole range of dramatic possibilities and presented together the plays form a coherent programme, offering performers and audiences an intimate theatrical experience ranging from high comedy to sombre analysis. Both student and professional actors will find an opportunity to display all their powers of invention, characterisation, timing, audience control, concentration and finesse. A Chekhov Quartet has been performed in London, Moscow and at the 1990 Chekhov Festival in Yalta
Chekhov's Three Sisters and Woolf's Orlando
by Virginia Woolf Sarah Ruhl Anton Chekhov"[Ruhl's Orlando] captures both the intellectual spirit and the literary brilliance of Woolf's work. . . . Ruhl writes with the imaginative sweep that allows Woolf's poetry to soar."--Variety "Sarah Ruhl's smart new translation [of Three Sisters] feels just right to contemporary American ears--lean, colloquial, and conversational for us and true to Chekhov's original work."--The Cincinnati Enquirer In her stage adaptation of Virginia Woolf's gender-bending, period-hopping novel, award-winning playwright Sarah Ruhl "is her usual unfailingly elegant, unbeatably witty self, cleverly braiding her own brand-name wit with Woolf's" (New York )magazine. Preserving Woolf's vital ideas and lyrical tone, Ruhl brings to the stage the life of an Elizabethan nobleman who's magically transformed into an immortal woman. In her fresh translation of Three Sisters, the Anton Chekhov classic of ennui and frustration, Ruhl employs her signature lyricism and elegant understanding of intimacy to reveal the discontent felt by fretful Olga, unhappy Masha, and idealistic Irina as they long to leave rural Russia for the ever-alluring Moscow. Sarah Ruhl's other plays include the Pulitzer Prize finalists In the Next Room (or the vibrator play) and The Clean House, as well as Passion Play, Dean Man's Cell Phone, Demeter in the City, Eurydice, Melancholy Play, and Late: a cowboy song. She is the recipient of a Whiting Writers' Award, a PEN/Laura Pels Award, and a MacArthur Fellowship. Her plays have premiered on Broadway, Off-Broadway, and in many theaters around the world.
The Chemistry of the Theatre
by Jerzy LimonThis innovative, theoretical work focuses on temporal issues in theatre and the 'chemistry' of theatre - the ways in which a variety of factors in performance combine to make up what we call 'theatre'. Discussing a range of canonical plays, from Shakespeare to Beckett, the book makes a unique contribution to theatre and performance studies.
The Cherry Orchard
by Anton ChekhovThe Cherry Orchard was first produced by the Moscow Art Theatre on Chekhov's last birthday, January 17, 1904. Since that time it has become one of the most critically admired and performed plays in the Western world, a high comedy whose principal theme, the passing of the old semifeudal order, is symbolized in the sale of the cherry orchard owned by Madame Ranevsky.The play also functions as a magnificent showcase for Chekhov's acute observations of his characters' foibles and for quizzical ruminations on the approaching dissolution of the world of the Russian aristocracy and life as it was lived on their great country estates. While the subject and the characters of the work are, in a sense, timeless, the dramatic technique of the play was a Chekhovian innovation. In this and other plays he developed the concept of "indirect action," in which the dramatic action takes place off stage and the significance of the play revolves around the reactions of the characters to those unseen events.Reprinted from a standard edition, this inexpensive well-made volume invites any lover of theater or great literature to enter the world of Madame Ranevsky, Anya, Gayef, Lopakhin, Firs, and the other memorable characters whose hopes, fears, loves, and general humanity are so brilliantly depicted in this landmark of world drama.
The Cherry Orchard
by Anton Chekhov Sharon Marie CarnickeDrawn from Sharon Marie Carnicke's volume of Chekhov, Four Plays and Three Jokes (Hackett), this edition of The Cherry Orchard features Carnicke's groundbreaking translation of a play that has been called Chekhov's ultimate theatrical coup d'etat.** Donald Rayfield, The Cherry Orchard: Catastrophe and Comedy
The Cherry Orchard
by Anton Chekhov Laurence Senelick<P>Anton Chekhov is a unique force in modern drama, his works cherished for their brilliant wit and insight into the human condition. <P>In this stunning new translation of one of Chekhov's most popular and beloved plays, Laurence Senelick presents a fresh perspective on the master playwright and his groundbreaking dramas. <P>He brings this timeless trial of art and love to life as memorable characters have clashing desires and lose balance in the shifting eruptions of society and a modernizing Russia. <P>Supplementing the play is an account of Chekhov's life; a note on the translation; an introduction to the work; and variant lines, often removed due to government censorship, which illuminate the context in which they were written. <P>This edition is the perfect guide to enriching our understanding of this great dramatist or to staging a production.
The Cherry Orchard
by Larissa Volokhonsky Richard Nelson Anton Chekhov Richard Pevear"Pevear and Volokhonsky are at once scrupulous translators and vivid stylists of English."--The New YorkerThere have always been two versions of Chekhov's heartrending and humorous masterwork: the one with which we are all familiar, staged by Konstatine Stanislavski at the Moscow Art Theatre in 1904, and the one Chekhov had originally envisioned. Now, for the first time, both are available and published here in a single volume in translations by the renowned playwright Richard Nelson and Richard Peavar and Larissa Volokhonsky, the foremost contemporary translators of classic Russian literature. Shedding new light on this most revered play, the translators reconstructed the script Chekhov first submitted and all of the changes he made prior to rehearsal. The result is a major event in the publishing of Chekhov's canon.Richard Nelson's many plays include Rodney's Wife, Goodnight Children Everywhere, Drama Desk-nominated Franny's Way and Some Americans Abroad, Tony Award-nominated Two Shakespearean Actors and James Joyce's The Dead (with Shaun Davey), for which he won a Tony Award for Best Book of a Musical, and the critically acclaimed, searing play cycle, The Apple Family Plays.Richard Pevear and Larissa Volokhonsky have produced acclaimed translations of Leo Tolstoy, Fyodor Dostoevsky, Nikolai Gogol, Anton Chekhov, and Mikhail Bulgakov. Their translations of The Brothers Karamazov and Anna Karenina won the 1991 and 2002 PEN/Book-of-the-Month Club Translation Prizes. Pevvear, a native of Boston, and Volokhonsjky, of St. Petersburg, are married to each other and live in Paris.
Cherry Soda Water
by Stephen LeviOne act dramas / 3m, 3f / Exterior / On the same night in a northern California coastal town, two families are challenged as reality crashes into fantasy in three related one act plays. In tone, Cherry and Little Banjo, Red Roses for My Lady and The Gulf of Crimson vary from lost innocence to shattered dreams to revived love. The trilogy enjoyed a long run in Los Angeles and was awarded Distinguished Achievement from Wichita State University. Also see individual titles.
The Chester Cycle in Context, 1555-1575: Religion, Drama, and the Impact of Change (Studies in Performance and Early Modern Drama)
by Jessica Dell David KlausnerThe Chester Cycle in Context, 1555-1575 considers the implications of recent archival research which has profoundly changed our view of the continuation of performances of Chester's civic biblical play cycle into the reign of Elizabeth I. Scholars now view the decline and ultimate abandonment of civic religious drama as the result of a complex network of local pressures, heavily dependent upon individual civic and ecclesiastical authorities, rather than a result of a nation-wide policy of suppression, as had previously been assumed.
Chicago Shakespeare Theater: Suiting the Action to the Word
by Regina BuccolaThe Chicago Shakespeare Theater is widely known for vibrant productions that reflect the Bard's genius for intricate storytelling, musicality of language, and depth of feeling for the human condition. Affectionately known to natives of the Windy City as "Chicago Shakes," this vanguard of Chicago's rich theatrical tradition celebrates its silver anniversary with this bracing collection of original essays by world-renowned scholars, directors, actors, and critics. Chicago Shakespeare Theater unveils the artistic visions and decisions that helped shape this venerable institution and examines the theater's international reputation for staging such remarkable and provocative performances. The volume brings together works by such heralded drama critics as Terry Teachout, Jonathan Abarbanel, and Michael Billington; theater industry giants like Michael Bogdanov, Edward Hall, and Simon Callow; interviews with the Chicago Shakespeare Theater's own Artistic Director Barbara Gaines and Executive Director Criss Henderson; and essays by such noted figures in academe as Clark Hulse, Wendy Wall, and Michael Shapiro.
Chikamatsu: Five Late Plays (Translations from the Asian Classics #No. 116)
by ChikamatsuChikamatsu Monzaemon (1653-1725), often referred to as "Japan's Shakespeare" and a "god of writers," was arguably the most famous playwright in Japanese history and wrote more than 100 plays for the kabuki and bunraku theaters. Today, the plays of this major literary figure are performed on kabuki and bunraku stages as well as in the modern theater, and forty-nine films of his plays have been made, thirty-one of them from the silent era.Translations of Chikamatsu's plays are available, but we have few examples of his late work, in which he increasingly incorporated stylistic elements of his shorter, contemporary dramas into his longer period pieces. Translator C. Andrew Gerstle argues that in these mature history plays, Chikamatsu depicted the tension between the private and public spheres of society by combining the rich character development of his contemporary pieces with the larger political themes of his period pieces. In this volume Gerstle translates five plays—four histories and one contemporary piece—never before available in English that complement other collections of Chikamatsu's work, revealing new dimensions to the work of this great Japanese playwright and artist.
The Child of Never
by Federico RomanoThe great journey that Frederik Jonson will make to the heavenly kingdom will open the way for him on the origin and truth of his life. Through a varied gallery of characters - human fauna of defenceless victims or executioners, wicked murderers or innocents, men devoted to excesses and perditions or innocent unconscious people - an extraordinary epiphany of greatness will take place: the revelation of Frederik's destiny and the eschatological passage from "child of never" to man from generous existence to heroism.
Childhood, Education and the Stage in Early Modern England
by Richard Preiss Deanne WilliamsWhat did childhood mean in early modern England? To answer this question, this book examines two key contemporary institutions: the school and the stage. The rise of grammar schools and universities, and of the professional stage featuring boy actors, reflect the culture's massive investment in children. In this collection, an international group of well-respected scholars examines how the representation of children by major playwrights and poets reflected the period's educational and cultural values. This book contains chapters that range from Shakespeare and Ben Jonson to the contemporary plays of Tom Stoppard, and that explore childhood in relation to classical humanism, medicine, art, and psychology, revealing how early modern performance and educational practices produced attitudes to childhood that still resonate to this day.
The Children's Republic
by Hannah MoscovitchConfined within the walls of the Warsaw Ghetto, Dr. Janusz Korczak struggles to protect the children at his orphanage from the horrors of the Second World War. There is not enough food or pairs of eyes to keep watch over them. Between a troublemaking thief, an abandoned girl, a malnourished boy, and a violin prodigy, Janusz has his hands full, but together they fight for beauty and hope in a world crumbling around them. Based on the WWII advocacy work of Dr. Janusz Korczak, The Children’s Republic is a reminder of the hope that can still be found in a world devoid of freedom and the necessities of life.
The Children's Shakespeare
by Edith NesbitThe acclaimed children&’s author shares vibrant retellings of the Bard&’s timeless tales in this classic, illustrated collection for young readers. As both a writer and a mother, E. Nesbit wanted an engaging way to share the great works of Shakespeare with children. In The Children&’s Shakespeare, she adapted eleven of his plays—including Hamlet, Twelfth Night, A Midsummer Night&’s Dream, and others—into accessible stories that creatively capture all the essential elements. The Children&’s Shakespeare offers an ideal introduction to these works, simply told yet preserving their wit, humor, emotion, and drama. In E. Nesbit's gifted hands, these stories emerge with all the charm and grace of the very best fairy tales. Written in modern English and each no more than ten pages in length, the eleven plays featured in this volume afford children the opportunity to discover the magic of Shakespeare for themselves