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Choreographing Discourses: A Mark Franko Reader
by Mark FrankoChoreographing Discourses brings together essays originally published by Mark Franko between 1996 and the contemporary moment. Assembling these essays from international, sometimes untranslated sources and curating their relationship to a rapidly changing field, this Reader offers an important resource in the dynamic scholarly fields of Dance and Performance Studies. What makes this volume especially appropriate for undergraduate and graduate teaching is its critical focus on twentieth- and twenty-first-century dance artists and choreographers – among these, Oskar Schlemmer, Merce Cunningham, Kazuo Ohno, William Forsythe, Bill T. Jones, and Pina Bausch, some of the most high-profile European, American, and Japanese artists of the past century. The volume’s constellation of topics delves into controversies that are essential turning points in the field (notably, Still/Here and Paris is Burning), which illuminate the spine of the field while interlinking dance scholarship with performance theory, film, visual, and public art. The volume contains the first critical assessments of Franko’s contribution to the field by André Lepecki and Gay Morris, and an interview incorporating a biographical dimension to the development of Franko’s work and its relation to his dance and choreography. Ultimately, this Reader encourages a wide scope of conversation and engagement, opening up core questions in ethics, embodiment, and performativity.
Choreographing Empathy: Kinesthesia in Performance
by Susan Foster"This is an urgently needed book � as the question of choreographing behavior enters into realms outside of the aesthetic domains of theatrical dance, Susan Foster writes a thoroughly compelling argument." � Andr�epecki, New York University"May well prove to be one of Susan Foster�s most important works." � Ramsay Burt, De Montford University, UKWh
Choreographing Intersubjectivity in Performance Art (New World Choreographies)
by Victoria Wynne-JonesThis book offers new ways of thinking about dance-related artworks that have taken place in galleries, museums and biennales over the past two decades as part of the choreographic turn. It focuses on the concept of intersubjectivity and theorises about what happens when subjects meet within a performance artwork. The resulting relations are crucial to instances of performance art in which embodied subjects engage as spectators, participants and performers in orchestrated art events. Choreographing Intersubjectivity in Performance Art deploys a multi-disciplinary approach across dance choreography and evolving manifestations of performance art. An innovative, overarching concept of choreography sustains the idea that intersubjectivity evolves through places, spaces, performance and spectatorship. Drawing upon international examples, the book introduces readers to performance art from the South Pacific and the complexities of de-colonising choreography. Artists Tino Sehgal, Xavier Le Roy, Jordan Wolfson, Alicia Frankovich and Shigeyuki Kihara are discussed.
Choreographing Shakespeare: Dance Adaptations of the Plays and Poems
by Elizabeth KlettChoreographing Shakespeare presents a hitherto unexplored history of the choreographers and performers who have created dance adaptations of Shakespeare. This book investigates forty dance works in genres such as ballet, modern dance, and hip-hop, produced between 1940 and 2016 by choreographers in Britain, America, and Europe, all of which use Shakespeare’s plays and Sonnets as their source material. By combining scholarly analysis of these productions with practice-based conversations from six contemporary choreographers, Klett offers both breadth of coverage and in-depth analysis of how Shakespeare’s poetic language is translated into the usually wordless medium of dance, and shows exactly how these dance adaptations move beyond the Shakespearean texts to engage with musical and choreographic influences. Ideal for students of Shakespeare and Dance Studies, Choreographing Shakespeare explores how dance adaptations strive to design legible and intelligible stories, while ultimately celebrating the beauty of pure movement.
Choreography, Visual Art and Experimental Composition 1950s–1970s
by Erin BranniganThis book traces the history of engagements between dance and the visual arts in the mid-twentieth century and provides a backdrop for the emerging field of contemporary, intermedial art practice. Exploring the disciplinary identity of dance in dialogue with the visual arts, this book unpacks how compositional methods that were dance-based informed visual art contexts. The book provokes fresh consideration of the entangled relationship between, and historiographic significance of, visual arts and dance by exploring movements in history that dance has been traditionally mapped to (Neo-Avant Garde, Neo-Dada, Conceptual art, Postmodernism, and Performance Art) and the specific practices and innovations from key people in the field (like John Cage, Anna Halprin, and Robert Rauschenberg). This book also employs a series of historical and critical case studies which show how compositional approaches from dance—breath, weight, tone, energy—informed the emergence of the intermedial. Ultimately this book shows how dance and choreography have played an important role in shaping visual arts culture and enables the re-imagination of current art practices through the use of choreographic tools. This unique and timely offering is important reading for those studying and researching in visual and fine arts, performance history and theory, dance practice and dance studies, as well as those working within the fields of dance and visual art.
Choreomata: Performance and Performativity after AI
by Roberto Alonso TrilloIs artificial intelligence (AI) becoming more and more expressive, or is human thought adopting more and more structures from computation? What does it mean to perform oneself through AI, or to construct one’s subjectivity through AI? How does AI continue to complicate what it means to have a body? Has the golden age of AI, especially with regards to creative applications, already ended? Choreomata: Performance and Performativity after AI is a book about performance and performativity, but more specifically, it is a book about the performance of artificiality and the performance of intelligence. Both humans and human-designed computational forces are thoroughly engaged in an entangled, mutual performance of AI. Choreomata spins up a latticework of interdisciplinary thought, pairing theoretical inquiry from philosophy, information theory, and computer science with practical case studies from visual art, dance, music, and social theory. Through cross-disciplinary proportions and a diverse roster of contributors, this book contains insights for computer scientists, social scientists, industry professionals, artists, and beyond.
A Chorus Line
by Michael Bennett James Kirkwood Nicholas DanteIt is hard to believe that over 25 years have passed since A Chorus Line first electrified a New York audience. The memories of the show's birth in 1975, not to mention those of its 15-year-life and poignant death, remain incandescent - and not just because nothing so exciting has happened to the American musical since. For a generation of theater people and theatergoers, A Chorus Line was and is the touchstone that defines the glittering promise, more often realized in legend than in reality, of the Broadway way. This impressive book contains the complete book and lyrics of one of the longest running shows in Broadway history with a preface by Samuel Freedman, an introduction by Frank Rich and lots of photos from the stage production.
Christ the Tragedy of God: A Theological Exploration of Tragedy
by Kevin TaylorTragedy is a genre for exploring loss and suffering, and this book traces the vital areas where tragedy has shaped and been a resource for Christian theology. There is a history to the relationship of theology and tragedy; tragic literature has explored areas of theological interest, and is present in the Bible and ongoing theological concerns. Christian theology has a long history of using what is at hand, and the genre of tragedy is no different. What are the merits and challenges of placing the central narrative of the passion, death and resurrection of Christ in tragic terms? This study examines important and shared concerns of theology and tragedy: sacrifice and war, rationality and order, historical contingency, blindness, guilt, and self-awareness. Theologians such as Reinhold Niebuhr, Hans Urs von Balthasar, Martin Luther King Jr., Simone Weil, and Boethius have explored tragedy as a theological resource. The historical relationship of theology and tragedy reveals that neither is monolithic, and both remain diverse and unstable areas of human thought. This fascinating book will be of keen interest to theologians, as well as scholars in the fields of literary studies and tragic theory.
Christensen Brothers: An American Dance Epic (Choreography and Dance Studies Series #Vol. 16)
by Debra Hickenlooper SowellFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Christian Rite and Christian Drama in the Middle Ages: Essays in the Origin and Early History of Modern Drama
by O. B. Hardison Jr.Originally published in 1965. The European dramatic tradition rests on a group of religious dramas that appeared between the tenth and twelfth centuries. These dramas, of interest in themselves, are also important for the light they shed on three historical and critical problems: the relation of drama to ritual, the nature of dramatic form, and the development of representational techniques. Hardison's approach is based on the history of the Christian liturgy, on critical theories concerning the kinship of ritual and drama, and on close analysis of the chronology and content of the texts themselves. Beginning with liturgical commentaries of the ninth century, Hardison shows that writers of the period consciously interpreted the Mass and cycle of the church year in dramatic terms. By reconstructing the services themselves, he shows that they had an emphatic dramatic structure that reached its climax with the celebration of the Resurrection. Turning to the history of the Latin Resurrection play, Hardison suggests that the famous Quem quaeritis—the earliest of all medieval dramas—is best understood in relation to the baptismal rites of the Easter Vigil service. He sets forth a theory of the original form and function of the play based on the content of the earliest manuscripts as well as on vestigial ceremonial elements that survive in the later ones. Three texts from the eleventh and twelfth centuries are analyzed with emphasis on the change from ritual to representational modes. Hardison discusses why the form inherited from ritual remained unchanged, while the technique became increasingly representational. In studying the earliest vernacular dramas, Hardison examines the use of nonritual materials as sources of dramatic form, the influence of representational concepts of space and time on staging, and the development of nonceremonial techniques for composition of dialogue. The sudden appearance of these elements in vernacular drama suggests the existence of a hitherto unsuspected vernacular tradition considerably older than the earliest surviving vernacular plays.
The Christians: A Play
by Lucas HnathA big-little play about faith in America—and the trouble with changing your mind. Pastor Paul does not believe in Hell, and today, he's going to preach a sermon that finally says what he really believes. He thinks all the people in his church are going be happy to hear what he has to say. He's wrong.
Christina, The Girl King
by Linda Gaboriau Michel Marc BouchardMichel Marc Bouchard's latest play tells the story of Queen Christina of Sweden, who wreaked havoc throughout northern Europe in the middle of the seventeenth century. An enigmatic monarch, a flamboyant and unpredictable intellectual, a woman eager for knowledge, and a feminist before her time, Christina reigned over an empire she hoped to make the most sophisticated in all of Europe.In 1649, Christina summoned René Descartes to her court in Uppsala to share with her the radical new ideas emerging from science and philosophy at the time - ideas that contradicted long-held, faith-based views about the world. Astronomer Johannes Kepler had recently proposed the elliptical trajectory of planets - including Earth - around the sun, and Descartes himself contended, despite condemnation from the Church, that individuals, not God, determined their own destiny.Descartes's ideas about free will and reason appealed to Christina, who was struggling to reconcile tensions between her rational, thinking self and emotions she dared not name - including her love for a woman. Rather than bow to pressure to conform to the expectations of a nation that demanded she give it an heir, the twenty-six-year-old queen abdicate her throne to convert to Catholicism - rendering her ineligible to rule, according to Swedish law. Was this an act of madness? Or a bold gesture of autonomy by a modern woman born out of her time - one whom the seventeenth century simply could not contain?Christina, the Girl King premieres at the 2014 Stratford Festival.Cast of 4 women and 6 men.
Christina Reid's Theatre of Memory and Identity: Within and Beyond the Troubles
by Rachel TracieThis book is a study of the plays, performances and writings of Christina Reid. It explores Reid’s work through her own words, both in interviews and writings; through theoretical engagements in other disciplines, such as psychology and geography; and through responses to her plays in production. It is a compilation of sorts, gathering together interviews, critical material, unpublished works and theatrical reviews to reflect the breadth and depth of Reid’s contribution to the theatrical culture of Northern Ireland, during the Troubles and beyond.
Christmas at Home
by Joseph HayesShort Christmas Comedy / 3m, 4f / Interior / The day before Christmas finds the Burgess family busy with preparations and poignantly aware that this is the first year the members of the family will not be together; son Johnny is in Chicago, and Grandpa had died last summer. But the Burgesses do not feel sorry for themselves; they realize how happy and well off they are. In humorous and touching scenes, we see sixteen year-old Julie falling in love for the first time; eighteen year-old Emily receiving a proposal of marriage; twelve year-old Janet learning the real meaning of Christmas.
A Christmas Cactus
by Eliot ByerrumComedy / 4m, 2fScenery: Combined Interior and Exterior. Christmas Eve is tough for private investigator Cactus O'Riley, a white hot redhead with the holiday blues. She is trying to lure her secretary Fred away from his protective mother, dodging the affections of Deputy D.A. Windsor, and considering closing her business. She doesn't need the added aggravation of two fugitives who burst into her office looking for justice and a dead detective named Jake Marley. Cactus also doesn't need Fred's mother, who arrives to take Fred home but decides to stay because she thinks this is the Christmas murder mystery party she has always dreamed of attending. Christmas turns into a dickens of a holiday for Cactus as she solves mysteries, delivers small miracles and takes a second chance on love and sleuthing. Comedy, mystery and romance converge in this charming contemporary Christmas tale where goodwill and justice triumph.
A Christmas Carol
by Charles DickensEbenezer Scrooge was a lonely miser of a man, the meanest there ever was. He only loved money, and even when his best friend died, all he could think of was how to save on the funeral. One Christmas eve, Scrooge was visited by three spirits. The experience that he underwent with them shook his conscience--and his world. But did Scrooge change for the better? Charles Dickens in his inimitable style blends in emotions with high drama and conveys a powerful social message.
A Christmas Carol
by Michael PallerFull Length / Characters: 5 male, 2 female, 3 children Scenery: Composite set. This fresh approach to the classic tale faithfully conveys the magic of Dickens. On Christmas Eve in 1843 friends and family gathered at Dickens' home ask him to tell a story, but he refuses to work on Christmas Eve. If there is going to be a story, each must take a part in its telling. And so the story unfolds with the cast of 10 playing over 40 parts. "Done with respect and ingenuity. Deserves to be seen." Cleveland Free Press. "A treat ... for the whole family to enjoy." Cleveland Sunday Press.
A Christmas Pudding
by David BirneyEdited and adapted by David Birney / 3m., 3f., plus chorus 8 to 12 singers / Holiday Play with music /Simple Unit Set A Christmas celebration told in songs, stories, poems and tales by Dickens, Mark Twain, Shakespeare, Emily Dickinson, Shaw, Longfellow, St. Luke and many others collected with a host of traditional carols and holiday songs. This piece provides a perfect evening to warm hearts, stir memories and give laughter during the holiday season.
A Christmas Pudding II
by David BirneyHoliday Play with Music Character Descriptions: 3 male, 3 female, plus chorus of 8 to 12 singers Simple Set A Christmas celebration told in songs, stories, poems and tales by Dickens, Mark Twain, Frank McCourt, Emily Dickinson, Alfred Lord Tennyson, A.J. Carothers, and many others collected with a host of traditional carols and holiday songs. This piece provides a perfect evening to warm hearts, stir memories and give laughter during the holiday season. Also available from Samuel French: David Birney's original A Chrismas Pudding, which includes selections by Shakespeare, Shaw, Longfellow, St. Luke and many others! "David Birney's adaptation is an evening of song, poetry and stories that celebrates the spiritual dimensions of the season...from a diverse array of classic and modern texts, punctuated with musical interludes...[The] tone ranges from lighthearted whimsy to solemn reflection...humorous, wry...lighthearted...This is definitely a Christmas show...one (whose) openhearted sentiments send a message that's reassuringly inclusive." - The Los Angeles Times "A calorie-laden Christmas Pudding in Los Altos...a place to jump-start your holiday spirit as we enter the gratitude season of the year." - The Daily News, Los Altos, California
The Christmas Spirit
by Frederick StroppelComedy / 5m, 4f / Interior / Julia Dowling has an unexpected visitor who intends to escort her off to the afterlife. Infusing comedy into the classic Death Takes a Holiday,The Christmas Spirit is set in contemporary Long Island. Julia persuades Death to give her one more day to enjoy Christmas and invites him to be her guest at a festive party. The next day the house fills with bickering relatives, friends, the local priest - and Death, masquerading as a human, singing carols and drinking egg nog. Moments of high farce, drama and even romance arise as bright holiday fantasies collide with a not-so-merry reality. Winner of the 2002 Florida Repertory Theatre Congress of Jewelers Play Series.
Christoph Schlingensief's Realist Theater (Routledge Advances in Theatre & Performance Studies)
by Ilinca TodorutThis book is the first study of the prolific German filmmaker, performance artist, and TV host Christoph Schlingensief (1960–2010) that identifies him as a practitioner of realism in the theater and lays out how theatrical realism can offer an aesthetic frame sturdy enough to hold together his experiments across media and genres. This volume traces Schlingensief’s developing realism through his theater work in conventional theater venues, in less conventional venues, his opera work focusing on the production of Wagner’s Parsifal at Bayreuth, and his art installations on revolving platforms called Animatographs. This book will be of great interest to scholars of theater, film, and performance art and practitioners.
Christopher Durang Explains It All for You: 6 Plays (Books That Changed the World)
by Christopher DurangA collection of dark comedies about terrible therapists, dysfunctional parents, and more, from a winner of a Tony Award for Best Play and three Obies. Known for his dark, absurd humor and social commentary, Christopher Durang explores the pain and confusion of everyday life—and makes audiences laugh uproariously at the results. Sister Mary Ignatius Explains It All for You, the center of a storm of controversy for its satire of misplaced trust in religious authority, remains as powerful today as when it was originally produced. The excruciatingly funny The Nature and Purpose of the Universe asks whether Eleanor Mann’s Job-like suffering is really her fault, while Titanic takes us into the heart of children’s anger with their parents and parents’ manipulation of their children. In Beyond Therapy, two horrifyingly human therapists pursue their own needs at the expense of the most mismatched couple ever to meet through a personal ad.Also including ’Dentity Crisis and The Actor’s Nightmare, this collection demonstrates that laughter is the best surgery, slicing through prejudice and hypocrisy, cutting out dead beliefs and inflamed opinions. These black comedies, lit by lightning bolts of truth and humor, come from “one of the most explosively funny American dramatists” (Newsweek).Includes:The Nature and Purpose of the Universe’Dentity CrisisTitanicThe Actor’s NightmareSister Mary Ignatius Explains It All for YouBeyond Therapy
Christopher Marlowe (The University Wits)
by Robert A. LoganIn uncovering the origin of the designation 'University Wits', Bob Logan examines the characteristics of the Wits and their influence on the course of Elizabethan drama. For the first time, Christopher Marlowe is placed in the context of the six University Wits, where his reputation stands out as the most prominent, and the impact of his university education on his works is clarified. The essays selected for reprinting assess the most significant scholarship written about Marlowe, including biographical studies, challenges to familiar assumptions about the poet/playwright and his works, compositions on groupings of his works, on individual works, and on subjects particular to Marlowe. Unique in its perspective and in the collection of essays, this book will interest all students and scholars of Renaissance poetry, drama, and specialized cultural contexts.
Christopher Marlowe: Complete Plays (The Everyman Library #102)
by Christopher Marlowe J. M. DentTheir texts fully restored by recent scholarship, Marlowe's astonishing works can now be appreciated as originally written. For the first time, this edition boasts the complete plays - including two versions of Doctor Faustus.Blasphemy, perversion, defiance and transgression ... in a series of compelling tragedies, Marlowe challenged every authority of heaven and earth. From the proud wrath of Tamburlaine, the tyrant of Asia, to the racked anguish of Edward II, himself in thrall to unspeakable desires; from God's own Machiavel, the Duke of Guise, to Barabas, the Jew of Malta, curse of Christianity: all are taboo-breakers, to be broken in their turn. And in the tragedy of Doctor Faustus we perhaps read Marlowe's own: a tale of brilliance and audacity - and of terrible, inexorable punishment.Their texts fully restored by recent scholarship, Marlowe's astonishing works can now be appreciated as originally written. For the first time, this edition boasts the complete plays - including two versions of Doctor Faustus.
Christopher Marlowe: The Complete Plays
by Christopher Marlowe Robert Lindsey Frank RomanyMarlowe's seven plays dramatise the fatal lure of potent forces, whether religious, occult or erotic. In the victories of Tamburlaine, Faustus's encounters with the demonic, the irreverence of Barabas in The Jew of Malta, and the humiliation of Edward II in his fall from power and influence, Marlowe explores the shifting balance between power and helplessness, the sacred and its desecration.