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Christopher Marlowe and the Failure to Unify (Studies in Performance and Early Modern Drama)
by Andrew DuxfieldIn this sustained full length study of Marlowe's plays, Andrew Duxfield argues that Marlovian drama exhibits a marked interest in unity and unification, and that in doing so it engages with a discourse of anxiety over social discord that was prominent in the 1580s and 1590s. In combination with the ambiguity of the plays, he suggests, this focus produces a tension that both heightens dramatic effect and facilitates a cynical response to contemporary evocations of and pleas for unity. This book has three main aims. Firstly, it establishes that Marlowe’s tragedies exhibit a profound interest in the process of reduction and the ideal of unity. Duxfield shows this interest to manifest itself in different ways in each of the plays. Secondly, it identifies this interest in unity and unification as an engagement in a cultural discourse that was particularly prevalent in England during Marlowe’s writing career; during the late 1580s and early 1590s heightened inter-confessional tension, the threat and reality of foreign invasion and public puritan dissent in the form of the Marprelate controversy provoked considerable public anxiety about social discord. Thirdly, the book considers the plays’ focus on unity in relation to their marked ambiguity; throughout all of the plays, unifying ideals and reductive processes are consistently subject to renegotiation with, or undercut entirely by, the complexity and ambiguity of the dramas in which they feature. Duxfield’s focus on unity as a theme throughout the plays provides a new lens through which to examine the place of Marlowe’s work in its cultural moment.
Chromaticism
by Vladimir BarskyFirst Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Chronicle of a Suicide
by Franklin A. Díaz Lárez Julia Perez CasconA narrative of a suicide, and all the fundamental causes and circumstances that surrounded it. It is a chronicle narrated in the first person by its author, about the culmination of the circumstances that pushed a young real estate agent to commit the greatest barbarity that any human can commit against themselves; suicide. It is a detailed explanation of the events that drove him to madness, that drove him to the abyss of obsession. The story starts with a change of office address, to a location in which our protagonist meets the cause of his delirium; a beautiful young lady who had just turned sixteen. The very day they met, both were automatically charmed by one another, and influenced by loving emotions. However, as time passed, their family bonds (they are cousins), the girl’s toxic influence, and her immaturity drive things towards a fatality.
Chronicles
by Don NigroComic Drama / 4m, 5f / Unit set / In 1920 the Pendragons gather for the first time in years at the crumbling family mansion in Ohio where Matt Armitage lies dying. As his daughter Dorothy, who can neither hear nor speak, provides a running commentary which is heard only by the audience, her wild sister Jessie chases their half brother John Rose from room to room and tries to fathom what betrayal is behind her father's refusal to speak to her mother. Uncle David, an eccentric poet, is back from scouring Europe for a lost girl. John Rhys Pendragon, the journalist, broods over his wife's death and the loss of his beloved daughter. Sister Lizzy bustles around trying to feed everybody while enduring her own grief as Sarah, the housekeeper, is being driven mad by the confusion. Trapped in the labyrinth of a darkly cruel history, these people nevertheless love each other and make each other laugh. Richly textured and intricately woven through time and space, this funny and moving addition to the author's series the Pendragon Plays.
Churchill: Plays One
by Caryl ChurchillThe plays in this volume represent the best of Churchill's writing up to and including her emergence onto the international theatre scene with "Cloud Nine." The volume also contains a new introduction by the author as well as short prefaces to each play.
Churchill: The Playwright (Routledge Revivals)
by Geraldine CousinFirst Published in 1989, Churchill: The Playwright is an illuminating and comprehensive guide to Caryl Churchill’s stage, television, and radio plays. Alongside Top Girls, Fen and Serious Money, plays that have established Churchill as one of the most notable writers of the decade, Geraldine Cousin examines some of Churchill's major themes-the nature of time and the revolutionary possibilities for change- in earlier plays such as Light Shining in Buckinghamshire, Traps and Cloud Nine.Through detailed analysis Geraldine Cousin shows Churchill's development towards the challenging, innovative style and combination of pungent satire and compassion, that have made her such a successful chronicler and critic of our time. This is a must read for scholars and researchers of theatre studies.
Chushingura: A Puppet Play (Translations from Asian Classics)
by Donald KeeneChushingura (The Treasury of Loyal Retainers), also known as the story of the Forty-Six (or Forty-Seven) Ronin, is the most famous and perenially popular of all Japanese dramas. Written around 1748 as a puppet play, it is now better know in Kabuki performances. In the twentieth century, cinema and television versions have been equally successful. Donald Keene here presents a complete translation of the original text, with notes and an introduction that increase the reader's comprehension and enjoyment of the play. <p><p>The introduction also elucidates the idea of loyalty. This traditional virtue, as exemplified in Chushingura, has never completely lost its hold on audiences, in spite of twentieth-century changes in Japanese society and moral ideas. Moreover, as Professor Keene points out, the excitement, color and violence expressed in the play may be considered the counterpoint to the austere restraint and understatement which are more commonly thought to be "traditionally" Japanese.
Cicero's Use Of Judicial Theater
by Jonathan HallIn Cicero's Use of Judicial Theater, Jon Hall examines Cicero's use of showmanship in the Roman courts, looking in particular at the nonverbal devices that he employs during his speeches as he attempts to manipulate opinion. Cicero's speeches in the law-courts often incorporate theatrical devices including the use of family relatives as props during emotional appeals, exploitation of tears and supplication, and the wearing of specially dirtied attire by defendants during a trial, all of which contrast strikingly with the practices of the modem advocate. Hall investigates how Cicero successfully deployed these techniques and why they played such a prominent part in the Roman courts. These "judicial theatrics" are rarely discussed by the ancient rhetorical handbooks, and Cicero's Use of Judicial Theater argues that their successful use by Roman orators derives largely from the inherent theatricality of aristocratic life in ancient Rome--most of the devices deployed in the courts appear elsewhere in the social and political activities of the elite. While Cicero's Use of Judicial Theater will be of interest primarily to professional scholars and students studying the speeches of Cicero, its wider analyses, both of Roman cultural customs and the idiosyncratic practices of the courts, will prove relevant also to social historians, as well as historians of legal procedure.
The Cid, Cinna, the Theatrical Illusion (Penguin Classics)
by Pierre Corneille John CairncrossThis volume compiles three of Corneille's most lauded plays: The Cid, Corneille's masterpiece set in medieval Spain, was the first great work of French classical drama; Cinna, written three years later in 1641, is a tense political drama; and The Theatrical Illusion, an earlier work, is reminiscent of Shakespeare's exuberant comedies. <P><P> For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Cincinnati and Other Plays
by Don NigroMonologues for the Theatre. Contents: Cincinnati Nightmare with Clocks Captain Cook The Girlhood of Shakespeare's Heroines (5 monologues, titles listed below) -Axis Sally -Dead Men's Fingers -Full Fathom Five -How Many Children Had Lady Macbeth? -Notes from the Moated Grange
Cincinnati Theaters (Images of America)
by Douglas R. Weise Steven J. Rolfes Phil LindTheaters have always been the places where memories are made. There, on Saturday afternoons, children could escape the pressures of growing up to live for two hours in a fantasy world of daring heroes, dastardly villains, and dazzling magic. They were the places where awkward teenage boys could nervously, and often clumsily, put their arms around equally nervous girls. In years past, every neighborhood had its own local theater. Downtown was home to the great movie palaces, ornate portals to a world of motion picture thrills. For a unique experience, nothing could beat a hot summer night at the drive-in. Today, in the era of the corporate multiplex, the great movie palaces are just memories. Some neighborhood cinemas are now churches or venues for meetings, wedding receptions, and small concerts. Images of America: Cincinnati Theaters looks back at these marvelous old theaters and the days when they were in their prime.
Cinderella Meets the Wolfman
by Tim KellyMusical / 9m, 14f / Cinderella encounters a Prince who has inherited "The Charming Curse" and becomes a wolf every full moon. Igor, hired by King and Queen Charming to keep an eye on their son, a movie star who's come to attend the royal wedding (which will occur if Prince Charming can take a bride without devouring her), and a gypsy who can get a fortune for a genuine stuffed werewolf (she's got a silver bullet) add to the hilarity. This romp through sweet romance and bloodcurdling terror is fun for audiences of all ages.
Cinderella (Musical)
by Edna KuderChildren's musical \ 12 to 50 m & f \ Unit Set \ The enchanting version of the classic story teaches children the joy of being on stage. It is perfect to be performed by, and for, elementary schools. The text is easy to learn and the songs by an award winning composer (whose songs have been recorded by Bette Midler and Dionne Warwick) are melodic, with a simple piano accompaniment. Running time is approximately thirty minutes. The music is published in the libretto.
Cinderella Waltz
by Don NigroDon Nigro . Comedy. Characters: 4 male, 5 female. Single Set. Rosey Snow is trapped in a fairy tale world that is by turns funny and a little frightening, with her stepsisters Goneril and Regan, her demented stepmother, her lecherous father, a bewildered Prince, a fairy godmother who sings salty old sailor songs, a troll and a possibly homicidal village idiot. This play investigates the archetypal origins of the world's most popular fairy tale, contrasting the familiar and charming Perrault version with the darker, more ancient and disturbing tale recorded by the brothers Grimm. Grotesque farce and romantic fantasy blend in a fairy tale for adults.
The Cindy Ella's Going to the Ball
by Billy St. JohnComedy / 4m, 7f, extras / Interiors / This hilarious takeoff on Cinderella is set in a contemporary high school at prom time. Cindy Ella's stepsisters, Prissy and Missy, are hoping that Joe Prince will dance with them, while her stepmother hopes to find husband number three among the teachers chaperoning. Big Mama arrives in a puff of smoke to make sure that Cindy gets to the prom and hooks up with dreamboat Joe Prince. But is he really her Prince Charming? This comedy by the author of Reunion, Is There a Comic in the House and Abduction is perfect for teen and family audiences.
The Cine Lens Manual
by Jay Holben Christopher Probst AscFor anyone with a curiosity about cinema optics, The Cine Lens Manual is the definitive filmmaker's guide to the design, implementation, and history of motion picture optics. Authors Jay Holben and Christopher Probst share more than 60 years experience as cinematographers, educators, and technical journalists, creating a manual for anyone who seeks a deeper understanding of the cinema lens. This hardcover offers a comprehensive examination of the cine lens, with a deep dive into the art and science behind creating a cinema lens. <P><P> Cinematographers, directors, VFX artists, camera assistants, animators, historians, students, and rental house technicians will all benefit from the clear, easy to understand concepts, explained in simple language. Extensively illustrated, this manual examines the history and evolution of the cinema lens and motion picture formats.
A Cinema of Poetry: Aesthetics of the Italian Art Film
by Joseph LuzziLuzzi's study is the first to show how Italian filmmakers address such crucial aesthetic issues as the nature of the chorus, the relation between symbol and allegory, the literary prehistory of montage, and the place of poetry in cinematic expression-what Pasolini called the cinema of poetry.
Circle Mirror Transformation
by Annie BakerThanks, you guys. I think this was a really, really great start. Five lost people come together at a community centre class to try and find some meaning in their lives. Counting to ten can be harder than you think. Over six tangled weeks their lives become knotted together in this tender and funny play. Annie Baker's Circle Mirror Transformation won a New York Drama Critics Circle Award and the 2010 Obie Award for Best New American Play. It was voted one of the top ten plays of 2009 by the New York Times, Time Out and the New Yorker. It premiered in the UK as part of the Royal Court's Theatre Local strand of site specific productions across London.
The Circulation of Knowledge in Early Modern English Literature
by Sophie ChiariWith its many rites of initiation (religious, educational, professional or sexual), Elizabethan and Jacobean education emphasized both imitation and discovery in a struggle to bring population to a minimal literacy, while more demanding techniques were being developed for the cultural elite. The Circulation of Knowledge in Early Modern English Literature examines the question of transmission and of the educational procedures in16th- and 17th-century England by emphasizing deviant practices that questioned, reassessed or even challenged pre-established cultural norms and traditions. This volume thus alternates theoretical analyses with more specific readings in order to investigate the multiple ways in which ideas then circulated. It also addresses the ways in which the dominant cultural forms of the literature and drama of Shakespeare’s age were being subverted. In this regard, its various contributors analyze how the interrelated processes of initiation, transmission and transgression operated at the core of early modern English culture, and how Christopher Marlowe, William Shakespeare and Thomas Middleton, or lesser known poets and playwrights such as Thomas Howell, Thomas Edwards and George Villiers, managed to appropriate these cultural processes in their works.
Circus and the Avant-Gardes: History, Imaginary, Innovation (Routledge Advances in Theatre & Performance Studies)
by Anna-Sophie Jürgens and Mirjam HildbrandThis book examines how circus and circus imaginary have shaped the historical avant-gardes at the beginning of the 20th century and the cultures they help constitute, to what extent this is a mutual shaping, and why this is still relevant today. This book aims to produce a better sense of the artistic work and cultural achievements that have emerged from the interplay of circus and avant-garde artists and projects, and to clarify both their transhistorical and trans-medial presence, and their scope for interdisciplinary expansion. Across 14 chapters written by leading scholars – from fields as varied as circus, theatre and performance studies, art, media studies, film and cultural history – some of which are written together with performers and circus practitioners, the book examines to what extent circus and avant-garde connections contribute to a better understanding of early 20th century artistic movements and their enduring legacy, of the history of popular entertainment, and the cultural relevance of circus arts. Circus and the Avant-Gardes elucidates how the realm of the circus as a model, or rather a blueprint for modernist experiment, innovation and (re)negotiation of bodies, has become fully integrated in our ways of perceiving avant-gardes today. The book does not only map the significance of circus/avant-garde phenomena for the past, but, through an exploration of their contemporary actualisations (in different media), also carves out their achievements, relevance, and impact, both cultural and aesthetic, on the present time.
Circus Animals' Desertion
by Don NigroComedic Drama / 3m, 4f / Unit Set / Set in the early 1940's, this funny play tells the eerie story of frustrating, neurotic and irresponsible but resilient and strangely appealing Becky Armitage. This young lady leaves a trail of chaos but always manages to land on her feet. Because her mother died when she was born, she was raised by aunts who do not know what to do with her. Nobody will tell her who her father is. When the DeFlores carnival comes to town, she is seduced in the hall of mirrors by Romeo DeFlores. He skips town leaving her pregnant. She marries the town librarian and he is a good father to her child, but when the carnival returns she conceives another child in the labyrinth of mirrors and her gentle husband begins to lose his mind. An addition to the author's Pendragon plays, this moving play features characters that also appear in Chronicles and November. In the series the Pendragon Plays
Circus Bodies: Cultural Identity in Aerial Performance
by Peta TaitThis pioneering study is one of the major publications in the increasingly popular and largely undocumented area of circus studies. Through photographs and illustrations, Peta Tait presents an extraordinary survey of 140 years of trapeze acts and the socially changing ideas of muscular action in relation to our understanding of gender and sexuality. She questions how spectators see and enjoy aerial actions, and what cultural identities are presented by bodies in fast, physical aerial movement. Adeptly locating aerial performance within the wider cultural history of bodies and their identities, Circus Bodies explores this subject through a range of films such as Trapeze (1956) and Wings of Desire (1987) and Tait also examines live performances including: * the first trapeze performers: Léotard and the Hanlon Brothers* female celebrities; Azella, Sanyeah, black French aerialist LaLa, the infamous Leona Dare, and the female human cannonballs* twentieth-century gender benders; Barbette and Luisita Leers* the Codonas, Concellos, Gaonas, Vazquez and Pages troupes* imaginative aerial acts in Cirque de Soleil and Circus Oz productions. This book will prove an invaluable resource for all students and scholars interested in this fascinating field.
Circus, Science and Technology: Dramatising Innovation (Palgrave Studies in Performance and Technology)
by Anna-Sophie JürgensThis book explores the circus as a site in and through which science and technology are represented in popular culture. Across eight chapters written by leading scholars – from fields as varied as performance and circus studies, art, media and cultural history, and engineering – the book discusses to what extent the engineering of circus and performing bodies can be understood as a strategy to promote awe, how technological inventions have shaped circus and the cultures it helps constitute, and how much of a mutual shaping this is. What kind of cultural and aesthetic effects does engineering in circus contexts achieve? How do technological inventions and innovations impact on the circus? How does the link between circus and technology manifest in representations and interpretations – imaginaries – of the circus in other media and popular culture? Circus, Science and Technology examines the ways circus can provide a versatile frame for interpreting our relationship with technology.
The CIS Handbook (Regional Handbooks of Economic Development #Vol. 4)
by Patrick Heenan Monique Lamontagne Ronald J. Hill Bogdan SzajkowskiFirst Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Citizen Artists: A Guide to Helping Young People Make Plays That Change the World
by James WallertCitizen Artists takes the reader on a journey through the process of producing, funding, researching, creating, rehearsing, directing, performing, and touring student-driven plays about social justice. The process at the heart of this book was developed from 2015–2021 at New York City’s award-winning Epic Theatre Ensemble with and for their youth ensemble: Epic NEXT. Author and Epic Co-Founder James Wallert shares his company’s unique, internationally recognized methodology for training young arts leaders in playwriting, inquiry-based research, verbatim theatre, devising, applied theatre, and performance. Readers will find four original plays, seven complete timed-to-the-minute lesson plans, 36 theatre arts exercises, and pages of practical advice from more than two dozen professional teaching artists to use for their own theatre making, arts instruction, or youth organizing. Citizen Artists is a one-of-a-kind resource for students interested in learning about theatre and social justice; educators interested in fostering learning environments that are more rigorous, democratic, and culturally-responsive; and artists interested in creating work for new audiences that is more inclusive, courageous, and anti-racist.