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CliffsNotes on Wilder's Our Town

This CliffsNotes guide includes everything you’ve come to expect from the trusted experts at CliffsNotes, including analysis of the most widely read literary works.

CliffsNotes on Wilde's The Importance of Being Earnest

The original CliffsNotes study guides offer a look into critical elements and ideas within classic works of literature. The latest generation of titles in this series also feature glossaries and visual elements that complement the classic, familiar format. CliffsNotes on The Importance of Being Earnest offers a concise look at this Victorian farce, which tweaks the complacency and aristocratic attitudes prevalent among the wealthy upper class of the time. Hidden identities, fierce repartee, underlying passions, and surprises punctuate this lively play. This study guide shows, through its expert commentaries, just how three sets of lovers clear up mishap and misunderstandings and end up happily ever after. Other features that help you figure out this survey of Victorian social issues include:A close look at the author's life, which itself was rife with scandal and ruinSummaries and commentaries, act by actDescriptive character analysesA character map that reveal key relationshipsCritical essays on Victorian views on compassion, religion, marriage, and moreA review section that tests your knowledge, and suggested essay topics Classic literature or modern-day treasure—you'll understand it all with expert information and insight from CliffsNotes study guides.

CliffsNotes on Williams' The Glass Menagerie & A Streetcar Named Desire

The original CliffsNotes study guides offer a look into key elements and ideas within classic works of literature.CliffsNotes on Glass Menagerie & Streetcar Named Desire explores two popular plays, both of which take place in the South and borrow heavily from author Tennessee Williams's own life experiences.Following stories marked by struggle among loved ones, this study guide provides summaries and critical commentaries for each scene within the works. Other features that help you figure out this important work includePersonal background on the playwrightIntroduction to and synopsis of the playsIn-depth analyses of the cast of charactersReview section that features interactive quizzes and suggested essay topicsSelected bibliographies for both playsClassic literature or modern-day treasure -- you'll understand it all with expert information and insight from CliffsNotes study guides.

CliffsNotes on Williams' The Glass Menagerie and A Streetcar Named Desire

The original CliffsNotes study guides offer a look into key elements and ideas within classic works of literature. CliffsNotes on Glass Menagerie & Streetcar Named Desire explores two popular plays, both of which take place in the South and borrow heavily from author Tennessee Williams's own life experiences. Following stories marked by struggle among loved ones, this study guide provides summaries and critical commentaries for each scene within the works. Other features that help you figure out this important work include Personal background on the playwright Introduction to and synopsis of the plays In-depth analyses of the cast of characters Review section that features interactive quizzes and suggested essay topics Selected bibliographies for both playsClassic literature or modern-day treasure - you'll understand it all with expert information and insight from CliffsNotes study guides.

The Clockmaker

"WHO ARE YOU?" Monsieur Pierre (the immigration official) poses his usual question, but Heinrich's unusual answer sets in motion a metaphysical rollercoaster. Why would a simple statement of name and profession bring so much attention to an unassuming clockmaker? Maybe because that's two more things than anyone else in this place remembers…? Soon, Heinrich is reminding his new friend Frieda of memories she's forgotten and even summoning up a few of his own—of forbidden love, and crimes he may or may not have committed. Is it possible to be guilty of being about to commit a crime, as Monsieur Pierre suspects? And why wouldn't one recall something so significant as premeditating murder? Armed with a newfound-yet-familiar love for each other, Heinrich and Frieda set about solving this Kafkaesque puzzle.Winner of the Betty Mitchell Award for Best New Play (2009) and named best Canadian play of the 2010-2011 season at the inaugural Toronto Theatre Critics' Awards.

The Clockwork Girl

Paris, 1750. In the midst of an icy winter, as birds fall frozen from the sky, chambermaid Madeleine Chastel arrives at the home of the city's celebrated clockmaker and his clever, unworldly daughter. Madeleine is hiding a dark past, and a dangerous purpose: to discover the truth of the clockmaker's experiments and record his every move, in exchange for her own chance of freedom. For as children quietly vanish from the Parisian streets, rumours are swirling that the clockmaker's intricate mechanical creations, bejewelled birds and silver spiders, are more than they seem. And soon Madeleine fears that she has stumbled upon an even greater conspiracy. One which might reach to the very heart of Versailles... A intoxicating story of obsession, illusion and the price of freedom.

The Clockwork Girl: The captivating and hotly-anticipated mystery you won’t want to miss in 2022!

'Evocative, chilling, compelling' TAMMY COHEN'Breathtakingly good' ABIR MUKHERJEE'Kept me guessing until the end. An absolute masterpiece' JENNIFER SAINT'A deliciously dark historical novel of thrilling originality' ESSIE FOX'Spellbinding, gripping, immersive and deliciously gothic' ERIN KELLYParis, 1750.In the midst of an icy winter, as birds fall frozen from the sky, chambermaid Madeleine Chastel arrives at the home of the city's celebrated clockmaker and his clever, unworldly daughter. Madeleine is hiding a dark past, and a dangerous purpose: to discover the truth of the clockmaker's experiments and record his every move, in exchange for her own chance of freedom.For as children quietly vanish from the Parisian streets, rumours are swirling that the clockmaker's intricate mechanical creations, bejewelled birds and silver spiders, are more than they seem.And soon Madeleine fears that she has stumbled upon an even greater conspiracy. One which might reach to the very heart of Versailles...A intoxicating story of obsession, illusion and the price of freedom.

The Clone People: Hollywood Finish

All Groups / Thriller / 4 m., 5 f. / Interior / Jay Westcott and Nessa Paxton are two of Hollywood's most successful stars and a happily married couple. While filming on location, Nessa sustains an accidental blow on the head and flees to her home in Beverly Hills before anxious studio staff members can stop her. She bursts in on Jay and, nearly incoherent with hysteria, insists she is really Polly Ackerman, a girl who vanished just before their marriage. Jay fears for her sanity and, over her protests, he allows the studio to find her and provide medical help. Several strange events make him suspect she might be telling the truth and that something incredibly evil is going on at the studio where he may be the next victim. For an evening of plausible nightmare, suspense and breathtaking terror with a shocking surprise ending this show can't be excelled.

Closet Drama: History, Theory, Form (Routledge Advances in Theatre & Performance Studies)

Closet Drama: History, Theory, Form introduces the emerging field of Closet Drama Studies by featuring twelve original essays from distinguished scholars who offer fresh and illuminating perspectives on closet drama as a genre. Examining an unusual mix of historical narratives, performances, and texts from the Renaissance to the present, this collection unleashes a provocative array of theoretical concerns about the phenomenon of the closet play—a dramatic text written for reading rather than acting.

Clothes Encounters

Farce / 3m, 2f / Interior When Alan Masters, a real estate broker, shows a property to Betty Parker, she is inadvertently soaked by a misdirected shower requiring her to disrobe. Unbeknownst to Alan, his wife, Kathy, also a broker, arrives to show the property to Betty's husband, Ralph, who also falls victim to the goofy shower. Betty and Ralph, scantily clad in the homeowners' clothing, must be kept out of each other's way by the artful, ridiculous machinations of Alan and Kathy. The farce is a mixture of double meanings, mistaken identities and sexual innuendo whose plot is further intensified by the presence of Heinz, a well-meaning but bumbling handyman. The situation is a riotous whirlwind that resolves itself to the satisfaction of all.

Clothes for a Summer Hotel: Play

This late play by Tennessee Williams explores the troubled relationship between F. Scott and Zelda Fitzgerald. The late Tennessee Williams's Clothes for a Summer Hotelmade its New York debut in 1980. Here Scott and Zelda Fitzgerald, often seen as symbols of the doomed youth of the jazz age, become two halves of a single creative psyche, each part alternately feeding and then devouring the other. Set in Highland Hospital near Asheville, North Carolina, where Zelda spent her last confinement, this "ghost play" begins several years after Scott's death of a heart attack in California. But the past is "still always present" in Zelda, and Williams's constant shifting of chronology and mixing of remembrance with ghostly re-enactment suggest that our real intimacy is with the shadow characters of our own minds. As Williams said in the Author's Note to the Broadway production: "Our reason for taking extraordinary license with time and place is that in an asylum and on its grounds liberties of this kind are quite prevalent: and also these liberties allow us to explore in more depth what we believe is truth of character." Williams poses the inevitable, unanswerable questions: Did Scott prevent Zelda from achieving an independent creativity? Did Zelda's demands force Scott to squander his talents and turn to alcohol? Whose betrayal--emotional, creative, sexual--destroyed the other? But he poses these questions in a new way: in the act of creation, Zelda and Scott are now aware of their eventual destruction, and the creative fire that consumed two artists combines symbolically with the fire that ended Zelda's life.

Clothes for a Summer Hotel

The late Tennessee Williams's Clothes for a Summer Hotelmade its New York debut in 1980. Here Scott and Zelda Fitzgerald, often seen as symbols of the doomed youth of the jazz age, become two halves of a single creative psyche, each part alternately feeding and then devouring the other. Set in Highland Hospital near Asheville, North Carolina, where Zelda spent her last confinement, this "ghost play" begins several years after Scott's death of a heart attack in California. But the past is "still always present" in Zelda, and Williams's constant shifting of chronology and mixing of remembrance with ghostly re-enactment suggest that our real intimacy is with the shadow characters of our own minds. As Williams said in the Author's Note to the Broadway production: "Our reason for taking extraordinary license with time and place is that in an asylum and on its grounds liberties of this kind are quite prevalent: and also these liberties allow us to explore in more depth what we believe is truth of character. " Williams poses the inevitable, unanswerable questions: Did Scott prevent Zelda from achieving an independent creativity? Did Zelda's demands force Scott to squander his talents and turn to alcohol? Whose betrayal--emotional, creative, sexual--destroyed the other? But he poses these questions in a new way: in the act of creation, Zelda and Scott are now aware of their eventual destruction, and the creative fire that consumed two artists combines symbolically with the fire that ended Zelda's life.

The Clouds

Socrates' "Thinkery" is at the center of Clouds, which spoofs untraditional techniques for educating young men.

Clouds

This line-for-line translation of Aristophanes' best-known comedy features an Introduction on Old Comedy, and the place of Clouds and Aristophanic comedy within it. Footnotes and more detailed endnotes further distinguish this edition of a play famous for its caricature of Socrates and of the "new learning."

Clouds

This is an English translation of Aristophanes' famous comedy, Clouds, noted for its critique of philosophy, society and education. It includes essays on Old Comedy and the Theater of Dionysus, suggestions for further reading, notes on production, and a map. Focus Classical Library provides close translations with notes and essays to provide access to understanding Greek culture.

The Clouds

Clowning and Authorship in Early Modern Theatre

To early modern audiences, the 'clown' was much more than a minor play character. A celebrity performer, he was a one-man sideshow whose interactive entertainments - face-pulling, farce interludes, jigs, rhyming contests with the crowd - were the main event. Clowning epitomized a theatre that was heterogeneous, improvised, participatory, and irreducible to dramatic texts. How, then, did those texts emerge? Why did playgoers buy books that deleted not only the clown, but them as well? Challenging the narrative that clowns were 'banished' by playwrights like Shakespeare and Jonson, Richard Preiss argues that clowns such as Richard Tarlton, Will Kemp, and Robert Armin actually made playwrights possible - bridging, through the publication of their routines, the experience of 'live' and scripted performance. Clowning and Authorship tells the story of how, as the clown's presence decayed into print, he bequeathed the new categories around which theatre would organize: the author, and the actor.

Clowns: In conversation with modern masters

Clowns: In Conversation with Modern Masters is a groundbreaking collection of conversations with 20 of the greatest clowns on earth. In discussion with clown aficionados Ezra LeBank and David Bridel, these legends of comedy reveal the origins, inspirations, techniques, and philosophies that underpin their remarkable odysseys. Featuring incomparable artists, including Slava Polunin, Bill Irwin, David Shiner, Oleg Popov, Dimitri, Nola Rae, and many more, Clowns is a unique and definitive study on the art of clowning. In Clowns, these 20 master artists speak candidly about their first encounters with clowning and circus, the crucial decisions that carved out the foundations of their style, and the role of teachers and mentors who shaped their development. Follow the twists and turns that changed the direction of their art and careers, explore the role of failure and originality in their lives and performances, and examine the development and evolution of the signature routines that became each clown’s trademark. The discussions culminate in meditations on the role of clowning in the modern world, as these great practitioners share their perspectives on the mysterious, elusive art of the clown.

Clues to Acting Shakespeare

Clues to Acting Shakespeare has become a popular guide for actors, directors, teachers and Shakespeare enthusiasts, selling over 15,000 copies of previous editions. This third edition retains the second edition’s unique solutions to challenges that face directors and actors at advanced levels and is expanded to include an entirely new section for amateur and community theatre groups. In this new edition, readers will be delighted to find: New section to aid community theatres to perform Shakespeare’s plays, including five recorded workshops of community theatre actors coached and trained by the author Updates to the successful sections on training student actors (MFA and BFA programs), and professional actors (including audition tips)—highlighted by twenty author-coached workshops with professional and advanced student actors Improved section for teachers of high school and child actors with worksheets and sample lesson plans New exercises and resources for all levels of acting and production To aid professionals, Clues to Acting Shakespeare offers a one-day brush-up for auditions and preparation to play Shakespeare immediately. Text analysis, character studies, and both classical British training and American methods are explored. The exercises and recorded workshops provide inspiring advice to all actors and demonstrate concepts discussed throughout the book. The critical skills required for acting Shakespeare, including scansion, phrasing, caesura, breathing, speech structure, antithesis, and more are covered in detail. The comprehensive exercises using the Bard’s plays and sonnets teach actors to break down the verse, support the words, understand the imagery, and use the text to create vibrant performances.

Clybourne Park: A Play

Clybourne Park spans two generations fifty years apart. In 1959, Russ and Bev are selling their desirable two-bedroom at a bargain price, unknowingly bringing the first black family into the neighborhood (borrowing a plot line from Lorraine Hansberry's A Raisin in the Sun) and creating ripples of discontent among the cozy white residents of Clybourne Park. In 2009, the same property is being bought by a young white couple, whose plan to raze the house and start again is met with equal disapproval by the black residents of the soon-to-be-gentrified area. Are the issues festering beneath the floorboards actually the same, fifty years on? Bruce Norris's excruciatingly funny and squirm-inducing satire explores the fault line between race and property. Clybourne Park is the winner of the 2011 Pulitzer Prize for Drama, and the winner of the 2012 Tony Award for Best Play.

C'mon, Get Happy: The Making of Summer Stock

In their third and final screen teaming, Judy Garland and Gene Kelly starred together in the MGM musical Summer Stock. Despite its riveting production history, charismatic lead actors, and classic musical moments, the movie has not received the same attention as other musicals from MGM’s storied dream factory. In C’mon, Get Happy: The Making of “Summer Stock,” authors David Fantle and Tom Johnson present a comprehensive study of this 1950 motion picture, from start to finish and after its release.The production coincided at a critical point in the careers of Kelly and an emotionally spent Garland. Kelly, who starred in An American in Paris just one year later, was at the peak of his abilities. On the other hand, Summer Stock was Garland’s final film at MGM, and she gamely completed it despite her own personal struggles. Summer Stock includes Kelly’s favorite solo dance routine and Garland’s signature number “Get Happy.”The authors discuss in rich detail the contributions of the cast (which included Gloria DeHaven, Eddie Bracken, Phil Silvers, and Marjorie Main); the director (Charles Walters); the producer (Joe Pasternak); the script writers (George Wells and Sy Gomberg); the songwriters (which included Harry Warren and Mack Gordon); and top MGM executives (Louis B. Mayer and Dore Schary). The volume features extensive interviews, conducted by the authors, with Kelly, Walters, Warren, and others, who shared their recollections of making the movie. Deeply researched, C’mon, Get Happy reveals the studio system at work during Hollywood’s Golden Era.Additionally, the authors have written a special section called “Taking Stock” that buttonholes numerous contemporary dancers, singers, choreographers, musicians, and even Garland impersonators for their take on Summer Stock, its stars, and any enduring legacy they think the film might have. Artists from Mikhail Baryshnikov, Ben Vereen, and Tommy Tune to Garland’s and Kelly’s daughters, Lorna Luft and Kerry Kelly Novick, respectively, offer their unique perspective on the film and its stars.

Cockeyed

Comedy / Character: 3m, 1w / Unit Set Phil, an average nice guy, is madly in love with the beautiful Sophia. The only problem is that she's unaware of his existence. He tries to introduce himself but she looks right through him. When Phil discovers Sophia has a glass eye, he thinks that might be the problem, but soon realizes that she really can't see him. Perhaps he is caught in a philosophical hyperspace or dualistic reality or perhaps beautiful women are just unaware of nice guys. Armed only with a B.A. in philosophy, Phil sets out to prove his existence and win Sophia's heart. This fast moving farce is the winner of the HotCity Theatre's GreenHouse New Play Festival. The St. Louis Post-Dispatch called Cockeyed a clever romantic comedy, Talkin' Broadway called it "hilarious," while Playback Magazine said that it was "fresh and invigorating." Winner of the HotCity Theatre GreenHouse New Play Festival "Rocking with laughter...hilarious...polished and engaging work draws heavily on the age-old conventions of farce: improbable situations, exaggerated characters, amazing coincidences, absurd misunderstandings, people hiding in closets and barely missing each other as they run in and out of doors...full of comic momentum as Cockeyed hurtles toward its conclusion." - Talkin' Broadway

cockroach (曱甴)

You can call him Cockroach, or Roach for short. He’s a catnip-smoking city slicker living in the dark corners of our homes. A bard (yes, that one) longs for rest as he contends with his legacy. In their crosshairs lies a boy, caught in their collision of linguistics, longing, and lobsters (who sometimes burp). A unique exploration of survival and the dynamics of language erosion, cockroach (曱甴) is a coming-of-age play about the stories we tell ourselves to comfort, to persevere, to resist, to overcome, and to be.

The Cocktail Party: Verse Drama

A comedic play about the universal quest for meaning, written in some of Eliot's "most beautiful poetry" (The New York Times). A sterling example of contemporary theater, The Cocktail Party is a dramatic tour de force from one of our greatest writers to date.

Code-Choice and Identity Construction on Stage: Code-choice in Identity Construction on Stage (Routledge Advances in Theatre & Performance Studies)

Code-Choice and Identity Construction on Stage challenges the general assumption that language is only one of the codes employed in a theatrical performance; Sirkku Aaltonen changes the perspective to the audience, foregrounding the chosen language variety as a trigger for their reactions. Theatre is ‘the most public of arts’, closely interwoven with contemporary society, and language is a crucial tool for establishing order. In this book, Aaltonen explores the ways in which chosen languages on stage can lead to rejection or tolerance in diglossic situations, where one language is considered unequal to another. Through a selection of carefully chosen case studies, the socio-political rather than artistic motivation behind code-choice emerges. By identifying common features of these contexts and the implications of theatre in the wider world, this book sheds light on high versus low culture, the role of translation, and the significance of traditional and emerging theatrical conventions. This intriguing study encompassing Ireland, Scotland, Quebec, Finland and Egypt, cleverly employs the perspective of familiarising the foreign and is invaluable reading for those interested in theatre and performance, translation, and the connection between language and society.