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Dark Road: A play
by Ian Rankin Mark ThomsonFirst performed at Edinburgh's Royal Lyceum Theatre, the first stage play from the SUNDAY TIMES No.1 bestselling author of A SONG FOR THE DARK TIMESIt's been 25 years since Alfred Chalmers was convicted of the gruesome murder of four young women in Edinburgh. Isobel McArthur, Scotland's first Chief Constable, was the woman responsible for putting him behind bars, but the case has haunted her ever since.Now, with her retirement approaching, McArthur decides the time has come for answers. To uncover the truth, she revisits the case and interviews Chalmers for the first time in decades. But her decision rips opens old wounds and McArthur is soon caught up in a web of corruption, psychological mind-games and deceit that threatens not only her own life, but those of her fellow officers and even her own daughter.Tense, gritty and hard-hitting, DARK ROAD is the first ever stage play from bestselling crime writer Ian Rankin, co-written by the Royal Lyceum's Artistic Director Mark Thomson.
The Dark Side of Stand-Up Comedy (Palgrave Studies in Comedy)
by Patrice A. Oppliger Eric ShouseThis book focuses on the “dark side” of stand-up comedy, initially inspired by speculations surrounding the death of comedian Robin Williams. Contributors, those who study humor as well as those who perform comedy, join together to contemplate the paradoxical relationship between tragedy and comedy and expose over-generalizations about comic performers’ troubled childhoods, addictions, and mental illnesses. The book is divided into two sections. First, scholars from a variety of disciplines explore comedians’ onstage performances, their offstage lives, and the relationship between the two. The second half of the book focuses on amateur and lesser-known professional comedians who reveal the struggles they face as they attempt to hone successful comedy acts and likable comic personae. The goal of this collection is to move beyond the hackneyed stereotype of the sad clown in order to reveal how stand-up comedy can transform both personal and collective tragedies by providing catharsis through humor.
Dark Sonnets of the Lady
by Don NigroDrama / Characters: 4 male, 4 femaleScenery: Unit set. A finalist for the National Play Award, this funny drama takes place in Vienna, 1900. A beautiful and brilliant young girl enters the office of Sigmund Freud to begin the most famous and controversial encounter in psychoanalysis. Dora is funny, suspicious, sarcastic and elusive. Freud becomes obsessed by her and he moves like a detective through the mystery of her mind, finding a lecherous father, an obsessed mother, an irritating brother, a sinister admirer with a seductive wife, and a lost little governess. Nightmares, fantasies, hallucinations and memories materialize on stage in a kaleidoscopic tapestry as Freud moves closer and closer to the truth about Dora's murky past. Is Dora sick or is the corrupt patriarchal society in which she and Freud are trapped the source of a complex group neurosis that binds the characters together in a web of desperate erotic relationships? The play becomes a war between Dora and Freud over the nature of truth and the uneasy truce between men and women. This tragic love story is laced with haunting Strauss waltzes.
The Dark Theatre: A Book About Loss
by Alan ReadThe Dark Theatre is an indispensable text for activist communities wondering what theatre might have to do with their futures, students and scholars across Theatre and Performance Studies, Urban Studies, Cultural Studies, Political Economy and Social Ecology. The Dark Theatre returns to the bankrupted warehouse in Hope (Sufferance) Wharf in London’s Docklands where Alan Read worked through the 1980s to identify a four-decade interregnum of ‘cultural cruelty’ wreaked by financialisation, austerity and communicative capitalism. Between the OPEC Oil Embargo and the first screening of The Family in 1974, to the United Nations report on UK poverty and the fire at Grenfell Tower in 2017, this volume becomes a book about loss. In the harsh light of such loss is there an alternative to the market that profits from peddling ‘well-being’ and pushes prescriptions for ‘self-help’, any role for the arts that is not an apologia for injustice? What if culture were not the solution but the problem when it comes to the mitigation of grief? Creativity not the remedy but the symptom of a structural malaise called inequality? Read suggests performance is no longer a political panacea for the precarious subject but a loss adjustor measuring damages suffered, compensations due, wrongs that demand to be put right. These field notes from a fire sale are a call for angry arts of advocacy representing those abandoned as the detritus of cultural authority, second-order victims whose crime is to have appealed for help from those looking on, audiences of sorts.
Darkbeast
by Morgan KeyesA girl's love for her raven may put her life in jeopardy in this gripping tale.In Keara's world, every child has a darkbeast--a creature that takes dark emotions like anger, pride, and rebellion. Keara's darkbeast is Caw, a raven, and Keara can be free of her worst feelings by transferring them to Caw. He is her constant companion, and they are magically bound to each other until Keara's twelfth birthday. For on that day Keara must kill her darkbeast--that is the law. Refusing to kill a darkbeast is an offense to the gods, and such heresy is harshly punished by the feared Inquisitors. But Keara cannot imagine life without Caw. And she finds herself drawn to the Travelers, actors who tour the country performing revels. Keara is fascinated by their hints of a grand life beyond her tiny village. As her birthday approaches, Keara readies herself to leave childhood--and Caw--behind forever. But when the time comes for the sacrifice, will she be able to kill the creature that is so close to her? And if she cannot, where will she turn, and how can she escape the Inquisitors?
Darkbeast Rebellion
by Morgan KeyesBetrayal threatens everything Keara dreams of in this fast-paced, exciting sequel to Darkbeast. Keara, her friend Goran, and the wily old actor, Taggart, are fleeing for their lives. They have all spared their darkbeasts, the creatures that take on their darker deeds and emotions and lift their spirits. But their actions defy the law, which dictates that all citizens must kill their darkbeasts on their twelfth birthdays. There are rumors of safe havens, groups of people called Darkers who spared their darkbeasts and live outside the law. To find the Darkers, the trio must embark on a dangerous journey—and evade the Inquisitors who are searching for them everywhere. In the middle of winter, freezing and exhausted, Keara and her companions are taken to an underground encampment that seems the answer to all their hopes. But are these Darkers really what they appear to be?
Darkening Mirrors: Imperial Representation in Depression-Era African American Performance
by Stephanie Leigh BatisteIn Darkening Mirrors, Stephanie Leigh Batiste examines how African Americans participated in U.S. cultural imperialism in Depression-era stage and screen performances. A population treated as second-class citizens at home imagined themselves as empowered, modern U.S. citizens and transnational actors in plays, operas, ballets, and films. Many of these productions, such as the 1938 hits Haiti and The "Swing" Mikado recruited large casts of unknown performers, involving the black community not only as spectators but also as participants. Performances of exoticism, orientalism, and primitivism are inevitably linked to issues of embodiment, including how bodies signify blackness as a cultural, racial, and global category. Whether enacting U.S. imperialism in westerns, dramas, dances, songs, jokes, or comedy sketches, African Americans maintained a national identity that registered a diasporic empowerment and resistance on the global stage. Boldly addressing the contradictions in these performances, Batiste challenges the simplistic notion that the oppressed cannot identify with oppressive modes of power and enact themselves as empowered subjects. Darkening Mirrors adds nuance and depth to the history of African American subject formation and stage and screen performance.
The Darkest Hour
by Charles GeorgeDrama / 3m, 2f / One of the most powerful stories ever condensed into a one act play, The Darkest Hour tells the story of young John Madison, within four hours of his execution for murder, having been found guilty on circumstantial evidence. He is innocent, but has no way of proving it, as appearances have been too strongly against him. His sorrowing mother comes to pay her last visit before the State exacts its toll. He reiterates his innocence and relates the entire circumstances to her in this heartbreaking tale.
Darkness and Desire, 1804-1864 (Kabuki Plays On-Stage #3)
by James R. Brandon Samuel L. LeiterDarkness and Desire, 1804-1864, is the third volume in a monumental new series-the first collection of kabuki play translations to be published in nearly a quarter of a century. Fifty-one plays, published in four volumes, vividly trace kabuki's changing relations to Japanese society during the premodern era. <p><p>The fourteen plays translated in Volume 3, Darkness and Desire, 1804-1864, mark an extreme point in the development of kabuki dramaturgy. The plays are remarkable, even within kabuki, for their intense theatricality, gutsy individualism of character, cold-blooded and ferocious violence, realism pushed into fantasy and grotesquery, a novelty for its own sake, sexual aggressiveness, and assertion of female will. The plays depict a society in extremis, the end of an era, a time often marked by unmitigated darkness and desire.
Darkside
by Ken JonesDrama / 3m, 2f / Two American astronauts are stranded in a lunar landing module on the dark side of the moon while a third orbits in the command module. As they work with ground control toward rescue, flashbacks reveal their stories.
Darling Judi: A Celebration of Judi Dench
by VariousA celebration of Britain's favourite actress, Judi DenchThe very name Judi Dench encourages a warm and admiring response from the public and fellow actors alike. Her wide-ranging career includes numerous Shakespearean performances (most recently in ALL'S WELL THAT ENDS WELL at the RSC) and contemporary theatre (in plays by, among others, David Hare and Hugh Whitemore); on television (in the series A FINE ROMANCE and AS TIME GOES BY) and in the cinema (MRS BROWN, her Oscar-winning performance in SHAKESPEARE IN LOVE, THE SHIPPING NEWS, IRIS, and in four James Bond films as 'M').Judi Dench is as popular as she is talented - when she and Maggie Smith appeared together in a David Hare play last year all seats were sold for the entire run within 24 hours.John Miller, her biographer, invited fellow actors, writers, and people of the theatre, film and television, to illustrate her genius and her character from their own experience and perspective. With contributors ranging from Billy Connolly to Hugh Whitemore, Bob Larbey to Tim Pigott-Smith, this is a unique portrait of the legend that is Dame Judi Dench.
Darling Judi: A Celebration of Judi Dench
by VariousA celebration of Britain's favourite actress, Judi DenchThe very name Judi Dench encourages a warm and admiring response from the public and fellow actors alike. Her wide-ranging career includes numerous Shakespearean performances (most recently in ALL'S WELL THAT ENDS WELL at the RSC) and contemporary theatre (in plays by, among others, David Hare and Hugh Whitemore); on television (in the series A FINE ROMANCE and AS TIME GOES BY) and in the cinema (MRS BROWN, her Oscar-winning performance in SHAKESPEARE IN LOVE, THE SHIPPING NEWS, IRIS, and in four James Bond films as 'M').Judi Dench is as popular as she is talented - when she and Maggie Smith appeared together in a David Hare play last year all seats were sold for the entire run within 24 hours.John Miller, her biographer, invited fellow actors, writers, and people of the theatre, film and television, to illustrate her genius and her character from their own experience and perspective. With contributors ranging from Billy Connolly to Hugh Whitemore, Bob Larbey to Tim Pigott-Smith, this is a unique portrait of the legend that is Dame Judi Dench.
Darrell Dennis: Tales of An Urban Indian / The Trickster of Third Avenue East
by Darrell DennisTales of an Urban Indian is a one-person play that follows the trials and tribulations of Simon Douglas, a young First Nations man who moves from his rural reservation to the big city of Vancouver. This dark comedy examines the issues of race, identity, and assimilation that drive young Indigenous men to self-destruction. In The Trickster of Third Avenue East, Roger and Mary are spiralling out of control but are too scared to let each other go. Enter J.C., a mysterious visitor who turns their lives upside down and forces them to confront their darkest secrets. J.C. pushes Roger and Mary into the realm of the supernatural and past the brink of sanity.
Das Leben ist voller Überraschungen: Das Leben ist voller Überraschungen
by Giuseppina Valla InnocentiDas Leben ist voller Überraschungen von Giuseppina Valla Innocenti Ada, eine Sechzigjährige aus Turin, eine ehemalige Buchhändlerin, wird Zielscheibe eines Anrufs, der ihr keine Ruhe lässt. Nach einer ganzen Existenz, die der Arbeit gewidmet ist, sieht sie sich einem Schicksal gegenüber, das ihr den Rücken kehren wird. Der Geschmack einer alten und neuen Freundschaft gibt Sinn zurück Das Leben ist voller Überraschungen Ada analysiert ihren Lebensweg und verspürt den starken Wunsch, zurückzugehen und wie in einer Art Schiebetür eine Entscheidung zu ändern, wobei sie das Risiko eingeht, alles umzuwerfen. Dann kommt wie durch Zauberei das Leben mit seinen unentwirrbaren Regeln, die alles verändern und uns lehren, wie klein und oft unbedeutend unsere Wünsche sind. Das ist dem Protagonisten von ”Das Leben ist voller Überraschungen“ passiert.
Das Theater der Elektrizität: Technologie und Spektakel im ausgehenden 19. Jahrhundert (Szene & Horizont. Theaterwissenschaftliche Studien #6)
by Ulf OttoDas Theater der Moderne gründet sich auf ästhetische Energien. Seit den 1880er Jahren aber sind es elektrische Energien, aus fossilen Brennstoffen in Kraftwerken erzeugt, die im Theater zu zirkulieren beginnen. Installiert wird eine mysteriöse Entität, die noch als Lebenskraft gehandelt wird und schon für Fortschritt durch Technik steht. Mit der Elektrifizierung des Theaters wird Elektroindustrie respektabel und Bühnenkunst modernistisch. Entsorgt werden die Kulissen, die im Scheinwerferlicht nur noch verstaubt erscheinen, und aus der Bildermaschine wird Raumkunst. Doch wichtiger sind die institutionellen Transformationen, die sich in bislang unbeachteten Koalitionen, Kontinuitäten und Konkurrenzen von technischen und ästhetischen Dingen abspielen. Ingenieurswissen, Kontrolltechniken und Versorgungssysteme ändern, wie Theater und Gesellschaft verschaltet sind. Der Interaktionsraum (zwischen-)menschlicher Leiblichkeit des 20. Jahrhunderts entpuppt sich als eine technische Konstellation.
Dates and Nuts
by Gary LennonComedy / 2m, 3f / Interiors / This romantic comedy by the author of Blackout is about an animal rights activist in Brooklyn who is dumped by her fiancee for a man. Angry at the male species, she searches for Mr. Right or at least Mr. Right Now in the dating jungle of New York City. Her attempts are futile and she swears off men. When she actually bumps into the man of her dreams, the event goes unnoticed at first. When they do set out to conquer intimacy, they fight, laugh, love and dance their way into that heart shaped bed for newlyweds in the Poconos.
The Dating Game: Short Stories About the Search for Mr. Right
by Richelle Denise Cheritta L. Smith Cheryl Ashford Daniels Gina Johnson Gina Torres Kay Trina Morris Keleigh Hadley Loureva Slade M. C. Walker Marcena Hooks Natalie Woods Leffall Patrice Tartt Princess F.L. Gooden Tania Renee Zayid Trenekia Danielle Victoria Kennedy LaChelle WeaverFrom fairytale romances to dating disasters and everything in between, The Dating Game chronicles the stories of hopefuls on their journey toward happily ever after. In this compilation of dating stories, sixteen writers share tales of adventures and experiences while on the quest toward finding Mr. Right. From Tania Renee Zayid 's story of what happens when one woman becomes determined to keep the perfect man that she met online . . . to Natalie Leffall's hilarious look into the dating world of a plus-size girl . . . to Keleigh and Gina's rib-tickling and surprisingly dangerous, speed dating fiasco. . . and Gina Torres' tale of love, heartache, and the power of letting go . . . these diverse stories will make you laugh, cry, and root for the characters to land Mr. Right.
Daughters Of The Lone Star State
by Del ShoresComedy / 11f / Interior / This is the third of the Lowake, Texas series from the author of Daddy's Dyin' (Who's Got the Will?) and Cheatin'. It's the day before Christmas Eve and The Daughters of the Lone Star State are having their annual meeting. The old group is dying out, literally, so this year's effort to attract members is all out. When "white trash" and "coloreds" arrive, chaos erupts. This funny but biting play is a wonderful challenge for an all female ensemble. Nine characters are over 50 years old.
David And Lisa
by Eleanor Perry James Reach Theodore Isaac RubinThe award winning motion picture has been adapted for the stage with the utmost fidelity. It retells the strange, appealing and utterly fascinating story of two mentally disturbed adolescents: David, the only son of wealthy parents who is tortured by his mania against being touched, and Lisa, the waif with a split personality. One of her selves will speak only in childish rhymes and insists on being spoken to in the same manner. The play follows their exhilarating progresses and depressing retrogression during one term at Berkeley School, where they have come under the sympathetic guidance of psychiatrist Alan Swinford and his staff. Fellow students include Carlos, the street urchin; the over romantic Kate and stout Sandra, among others. Laughter, heart break and suspense distinguish this authentic and well told story.
David Garrick and the Mediation of Celebrity
by Leslie RitchieWhat happens when an actor owns shares in the stage on which he performs and the newspapers that review his performances? Celebrity that lasts over 240 years. From 1741, David Garrick dominated the London theatre world as the progenitor of a new 'natural' style of acting. From 1747 to 1776, he was a part-owner and manager of Drury Lane, controlling most aspects of the theatre's life. In a spectacular foreshadowing of today's media convergences, he also owned shares in papers including the St James's Chronicle and the Public Advertiser, which advertised and reviewed Drury Lane's theatrical productions. This book explores the nearly inconceivable level of cultural power generated by Garrick's entrepreneurial manufacture and mediation of his own celebrity. Using new technologies and extensive archival research, this book uncovers fresh material concerning Garrick's ownership and manipulation of the media, offering timely reflections for theatre history and media studies.
David Greig’s Holed Theatre: Globalization, Ethics and the Spectator
by Verónica RodríguezWith a Foreword by Dan Rebellato, this book offers up a detailed exploration of Scottish playwright David Greig’s work with particular attention to globalization, ethics, and the spectator. It makes the argument that Greig’s theatre works by undoing, cracking, or breaking apart myriad elements to reveal the holed, porous nature of all things. Starting with a discussion of Greig’s engagement with shamanism and arguing for holed theatre as a response to globalization, for Greig’s works’ politics of aesthethics, and for the holed spectator as part of an affective ecology of transfers, this book discusses some of Greig’s most representative political theatre from Europe (1994) to The Events (2013), concluding with an exploration of Greig’s theatre’s world-forming quality.
David Hare: A Casebook (Casebooks on Modern Dramatists #Vol. 18)
by Hersh ZeifmanLearning that David Hare has written sixteen stage plays, eight collaborations, and eleven screenplays for film and television, one might be surprised by the fact that this leading English artist is not yet fifty years old. He was only twenty-two when his first play was performed by the Portable Theatre, and he was a major voice on the British stage before he was thirty. The present volume is the first major collection of essays devoted to Hare, and its editor, Hersh Zeifman, who is a professor at York University, Toronto, is well-qualified to assemble and supervise such a significant undertaking. As co-editor of the prestigious journal, Modern Drama, he has been exposed to all the major authors and topics of modem theatre and is ideally positioned to discern Hare's pivotal role on the contemporary stage.
David Mamet and Male Friendship
by Arthur HolmbergUsing insights from psychology, sociology, anthropology, and the history of sexuality, Holmberg explores the ambiguity that drives male bonding. Personal interviews with Mamet and with the actors who have interpreted his major roles shed light on how and why men bond with each other and complement close analysis of Mamet's texts.
David Mamet's Glengarry Glen Ross: Text and Performance (Studies In Modern Drama Ser. #Vol. 8)
by Leslie KaneFirst published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.