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Dashing to the End: The Ray Milland Story (Hollywood Legends Series)

by Eric Monder

Born Alfred Reginald John Truscott-Jones, Welsh American actor Ray Milland (1907–1986) appeared in more than 135 theatrical releases between 1929 and 1985 and on radio, television, and the stage, while also becoming a film director; Milland’s extensive canon across such a period is remarkable, especially considering his lack of formal training, his belated start in show business in his late twenties, and the fact he only lived to age seventy-nine. Perhaps best remembered for his Oscar-winning performance as the tortured alcoholic in Billy Wilder’s The Lost Weekend (1945) or his outstanding collaboration with Alfred Hitchcock in Dial M for Murder (1954), there is much more to Milland’s life and career than the few films that elevated him from star to icon. Despite his prolific and successful career, Dashing to the End: The Ray Milland Story is the first comprehensive biography of the star. Milland’s personal and professional trajectory epitomize quintessential Hollywood lore: the British army soldier-turned-actor who went from unknown, struggling bit player to Oscar-winning star to aging, scandal-haunted “has-been” to comeback character actor to present-day cult figure. Using interviews with Milland’s costars and colleagues, as well as research from several major archives, author Eric Monder brings into sharp relief both the positive and negative aspects of the Hollywood film and television industries and paints a well-rounded portrait of this complex man and artist.

Dates and Nuts

by Gary Lennon

Comedy / 2m, 3f / Interiors / This romantic comedy by the author of Blackout is about an animal rights activist in Brooklyn who is dumped by her fiancee for a man. Angry at the male species, she searches for Mr. Right or at least Mr. Right Now in the dating jungle of New York City. Her attempts are futile and she swears off men. When she actually bumps into the man of her dreams, the event goes unnoticed at first. When they do set out to conquer intimacy, they fight, laugh, love and dance their way into that heart shaped bed for newlyweds in the Poconos.

The Dating Game: Short Stories About the Search for Mr. Right

by Richelle Denise Cheritta L. Smith Cheryl Ashford Daniels Gina Johnson Gina Torres Kay Trina Morris Keleigh Hadley Loureva Slade M. C. Walker Marcena Hooks Natalie Woods Leffall Patrice Tartt Princess F.L. Gooden Tania Renee Zayid Trenekia Danielle Victoria Kennedy LaChelle Weaver

From fairytale romances to dating disasters and everything in between, The Dating Game chronicles the stories of hopefuls on their journey toward happily ever after. In this compilation of dating stories, sixteen writers share tales of adventures and experiences while on the quest toward finding Mr. Right. From Tania Renee Zayid 's story of what happens when one woman becomes determined to keep the perfect man that she met online . . . to Natalie Leffall's hilarious look into the dating world of a plus-size girl . . . to Keleigh and Gina's rib-tickling and surprisingly dangerous, speed dating fiasco. . . and Gina Torres' tale of love, heartache, and the power of letting go . . . these diverse stories will make you laugh, cry, and root for the characters to land Mr. Right.

Daughters Of The Lone Star State

by Del Shores

Comedy / 11f / Interior / This is the third of the Lowake, Texas series from the author of Daddy's Dyin' (Who's Got the Will?) and Cheatin'. It's the day before Christmas Eve and The Daughters of the Lone Star State are having their annual meeting. The old group is dying out, literally, so this year's effort to attract members is all out. When "white trash" and "coloreds" arrive, chaos erupts. This funny but biting play is a wonderful challenge for an all female ensemble. Nine characters are over 50 years old.

David And Lisa

by Eleanor Perry James Reach Theodore Isaac Rubin

The award winning motion picture has been adapted for the stage with the utmost fidelity. It retells the strange, appealing and utterly fascinating story of two mentally disturbed adolescents: David, the only son of wealthy parents who is tortured by his mania against being touched, and Lisa, the waif with a split personality. One of her selves will speak only in childish rhymes and insists on being spoken to in the same manner. The play follows their exhilarating progresses and depressing retrogression during one term at Berkeley School, where they have come under the sympathetic guidance of psychiatrist Alan Swinford and his staff. Fellow students include Carlos, the street urchin; the over romantic Kate and stout Sandra, among others. Laughter, heart break and suspense distinguish this authentic and well told story.

David Garrick and the Mediation of Celebrity

by Leslie Ritchie

What happens when an actor owns shares in the stage on which he performs and the newspapers that review his performances? Celebrity that lasts over 240 years. From 1741, David Garrick dominated the London theatre world as the progenitor of a new 'natural' style of acting. From 1747 to 1776, he was a part-owner and manager of Drury Lane, controlling most aspects of the theatre's life. In a spectacular foreshadowing of today's media convergences, he also owned shares in papers including the St James's Chronicle and the Public Advertiser, which advertised and reviewed Drury Lane's theatrical productions. This book explores the nearly inconceivable level of cultural power generated by Garrick's entrepreneurial manufacture and mediation of his own celebrity. Using new technologies and extensive archival research, this book uncovers fresh material concerning Garrick's ownership and manipulation of the media, offering timely reflections for theatre history and media studies.

David Greig’s Holed Theatre: Globalization, Ethics and the Spectator

by Verónica Rodríguez

With a Foreword by Dan Rebellato, this book offers up a detailed exploration of Scottish playwright David Greig’s work with particular attention to globalization, ethics, and the spectator. It makes the argument that Greig’s theatre works by undoing, cracking, or breaking apart myriad elements to reveal the holed, porous nature of all things. Starting with a discussion of Greig’s engagement with shamanism and arguing for holed theatre as a response to globalization, for Greig’s works’ politics of aesthethics, and for the holed spectator as part of an affective ecology of transfers, this book discusses some of Greig’s most representative political theatre from Europe (1994) to The Events (2013), concluding with an exploration of Greig’s theatre’s world-forming quality.

David Hare: A Casebook (Casebooks on Modern Dramatists #Vol. 18)

by Hersh Zeifman

Learning that David Hare has written sixteen stage plays, eight collaborations, and eleven screenplays for film and television, one might be surprised by the fact that this leading English artist is not yet fifty years old. He was only twenty-two when his first play was performed by the Portable Theatre, and he was a major voice on the British stage before he was thirty. The present volume is the first major collection of essays devoted to Hare, and its editor, Hersh Zeifman, who is a professor at York University, Toronto, is well-qualified to assemble and supervise such a significant undertaking. As co-editor of the prestigious journal, Modern Drama, he has been exposed to all the major authors and topics of modem theatre and is ideally positioned to discern Hare's pivotal role on the contemporary stage.

David Mamet and Male Friendship

by Arthur Holmberg

Using insights from psychology, sociology, anthropology, and the history of sexuality, Holmberg explores the ambiguity that drives male bonding. Personal interviews with Mamet and with the actors who have interpreted his major roles shed light on how and why men bond with each other and complement close analysis of Mamet's texts.

David Mamet's Glengarry Glen Ross: Text and Performance (Studies In Modern Drama Ser. #Vol. 8)

by Leslie Kane

First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

David Rudkin: An Expository Study of his Drama 1959-1994

by David Ian Rabey David I. Rabey

Dr. Rabey's profound critical study of David Rudkin's drama constitutes an in-depth evaluation of this unique dramatist, re-assessed in the light of his bi-sexuality and Anglo-Irish origins. This key study includes insights from noted performers of Rudkin's work, including Ian Hogg, Peter McEnery, Ian McDiarmid, Gerard Murphy, and Charlotte Cornwell. It is a fully authorized study with exclusive reference to archival material which includes some frank and urgent interview contributions from the dramatist himself, who is usually deemed reclusive. It is enhanced by Dr. Rabey's own experience of Wales, Ireland, and the English Black Country for his exposition of Rudkin's mythic sense of Celtic and Mercian history.

Davies and Penhall's Sunny Afternoon

by John Fleming

When ‘You Really Got Me’ exploded on Swinging London in 1964, the Kinks forever changed the course of rock ’n’ roll. Ray Davies and Joe Penhall’s Olivier Award-winning Sunny Afternoon (2014) covers the band’s formative years of 1964–7, when four working- class North London lads broke through to become one of the most unlikely and influential rock bands of the 1960s. Mixing the comic adventures of ‘Dave the Rave’ with the touching introspection of Ray’s sometimes fragile psyche, Joe Penhall’s script weaves Ray Davies’ songs, both the hits and lesser-known works, into one of the finest jukebox musicals of the new millennium. Drawing on a wealth of background material, John Fleming examines the blend of events and songs selected, reconsidering the relationship between biography and drama to shed new light on the Kinks and the musical that tells their story.

Dawn

by Thomas Bradshaw

Drama / Characters: 2m, 4f, plus 1 male or female character and 1 male voice over / Simple Set / Dawn revolves around Hampton, an abusive alcoholic who has completely alienated his wife and children. Can he stop drinking and make up for the past, even amidst some very dark revelations of incest and pedophilia? Dawn is one father's story of redemption and reconciliation - with a twist. Bradshaw was named Playwright of the year by the theater blog KUL-That Sounds Cool and Dawn was named among the best performances of Stage and Screen for 2008 in The New Yorker. "[Bradshaw's] most daring and mature work to date!" -The New Yorker. "You will enjoy this latest visit to the unsettled world of Thomas Bradshaw, where people misbehave without the cushion of guilt or the filter of psychology. ****4 Stars! Critics' Pick " -Time Out New York. "Bradshaw's best play! It will be a sad statement about the NYC theatergoing public if there is one empty seat in the house for the rest of this show's run." -www.NYTheatre.com.

The DbD Experience: Chance Knows What it's Doing!

by Rachel Rosenthal

First, pick up a copy of Rachel Rosenthal’s inspiring The DbD Experience; Part manual, part manifesto, part memoir, then head for Los Angeles… FRIDAY - OriginsArrive at the Doing by Doing workshop to be greeted by Rosenthal, pioneering theatre explorer and your host for the weekend ahead. Explore non-human ways of living and moving. Begin to develop a shared vocabulary with your fellow students through exercises. SATURDAY - ConnectionsContinue to connect with the group on an energetic level. Make the journey from Kansas to OZ. Collaborate and create as a group, moving and vocalising without language. Improvise boldly at every step. Treat music, voice, lighting, costume, sets, props and fellow performers as equals. SUNDAY - PowerLearn to arrive in the moment when you are needed. Engage with transformative processes and take part in the Star Meditation. Understand your own individual power, joining your physical and emotional self. Perform solo improvisations and the Rambler – the final, extended culmination of everything that you have learned through the 34 hour experience.

De Filippo Four Plays: The Local Authority; Grand Magic; Filumena; Marturano (Methuen World Classics Ser.)

by Eduardo De Filippo

These plays include "Napoli Milionaria" produced at the Royal National Theatre in 1991. Eduardo De Filippo was one of Italy's leading popular dramatists. His plays focus on the lives of the Neapolitan people, their cunning nourished by centuries of hunger, their fantasies, and their love of life.

De smeekbede van Pablo

by Erick Carballo

"De smeekbede van Pablo" is een roman waarin de eenzaamheid, het pesten, de ondeugd en het egoïsme van een vader verweven zijn met de onverschilligheid van een moeder die haar zoon aan zijn lot overlaat om een nieuw leven te beginnen met een man die hem verzekert van een veelbelovende toekomst.   Pablo is een achtjarige jongen die maar één vriend heeft die hij kan vertrouwen, maar een reeks gebeurtenissen leidt hem naar een tragisch lot. Vertaald met www.DeepL.com/Translator (gratis versie)

De viva voz: Conferencias y alocuciones

by Federico García Lorca

La totalidad de los textos escritos por Federico García Lorca para ser leídos en voz alta: conferencias, alocuciones e intervenciones públicas. Federico García Lorca es uno de los poetas y dramaturgos más célebres de nuestra literatura, y su amplia obra ha sido representada, leída, editada y estudiada desde que el poeta fue asesinado en 1936. Sin embargo, son poco conocidas sus conferencias y presentaciones en público, un conjunto que se ha publicado de forma muy dispersa. Este volumen presenta por primera vez la totalidad de esas charlas y alocuciones, e incluye algunos textos inéditos de su madurez. Escritos para ser léidos en voz alta, todos tienen la particularidad de mostrarnos las preocupaciones estéticas y sociales del gran autor granadino, acercándonos a su pensamiento de un modo fresco y directo. La edición está a cargo de Jesús Ortega y Víctor Fernández, quien ha editado de 2017 en adelante la biblioteca Lorca en Debolsillo, con una mirada renovadora de obras que parecían ya muy conocidas.

Dead City

by Shelia Callaghan

Full Length, Comic Drama / 3m, 4f / Unit Set / It's June 16, 2004. Samantha Blossom, a chipper woman in her 40s, wakes up one June morning in her Upper East Side apartment to find her life being narrated over the airwaves of public radio. She discovers in the mail an envelope addressed to her husband from his lover, which spins her raw and untethered into an odyssey through the city.... a day full of chance encounters, coincidences, a quick love affair, and a fixation on the mysterious Jewel Jupiter. Jewel, the young but damaged poet genius, eventually takes a shine to Samantha and brings her on a midnight tour of the meat-packing district which changes Samantha's life forever-or doesn't. This 90 minute comic drama is a modernized, gender-reversed, relocated, hyper-theatrical riff on the novel Ulysses, occurring exactly 100 years to the day after Joyce's jaunt through Dublin. "Wonderful... Sheila Callaghan's pleasingly witty and theatrical new drama that is a love letter to New York masquerading as hate mail...[Callaghan] writes with a world-weary tone and has a poet's gift for economical description. The entire dead city comes alive..." -New York Times. "DEAD CITY, Sheila Callaghan's riff on James Joyce's ULYSSES is stylish, lyrical, fascinating, occasionally irritating, and eminently worthwhile... the kind of work that is thoroughly invigorating." -Backstage.

The Dead Inside: A True Story

by Cyndy Etler

For readers of Girl Interrupted and Tweak, Cyndy Etler's gripping memoir gives readers a glimpse into the harrowing reality of her sixteen months in the notorious "tough love" program the ACLU called "a concentration camp for throwaway kids."I never was a badass. Or a slut, a junkie, a stoner, like they told me I was. I was just a kid looking for something good, something that felt like love. I was a wannabe in a Levi's jean jacket. Anybody could see that. Except my mother. And the professionals at Straight.From the outside, Straight Inc. was a drug rehab. But on the inside it was...well, it was something else.All Cyndy wanted was to be loved and accepted. By age fourteen, she had escaped from her violent home, only to be reported as a runaway and sent to a "drug rehabilitation" facility that changed her world.To the public, Straight Inc. was a place of recovery. But behind closed doors, the program used bizarre and intimidating methods to "treat" its patients. In her raw and fearless memoir, Cyndy Etler recounts her sixteen months in the living nightmare that Straight Inc. considered "healing."

Dead Man's Cell Phone

by Sarah Ruhl

"Satire is her oxygen. . . . In her new oddball comedy, Dead Man's Cell Phone, Sarah Ruhl is forever vital in her lyrical and biting takes on how we behave."--The Washington Post"Ruhl's zany probe of the razor-thin line between life and death delivers a fresh and humorous look at the times we live in."--Variety"Sarah Ruhl is deliriously imaginative and fearless in her choice of subject matter. She is an original."--Molly Smith, artistic director, Arena StageAn incessantly ringing cell phone in a quiet café. A stranger at the next table who has had enough. And a dead man--with a lot of loose ends. So begins Dead Man's Cell Phone, a wildly imaginative new comedy by playwright Sarah Ruhl, recipient of a MacArthur "Genius" Grant and Pulitzer Prize finalist for her play The Clean House. A work about how we memorialize the dead--and how that remembering changes us--it is the odyssey of a woman forced to confront her own assumptions about morality, redemption, and the need to connect in a technologically obsessed world.Sarah Ruhl's plays have been produced at theaters around the country, including Lincoln Center Theater, the Goodman Theatre, Arena Stage, South Coast Repertory, Yale Repertory Theatre, Berkeley Repertory Theatre, among others, and internationally. She is the recipient of the Susan Smith Blackburn Prize (for The Clean House, 2004), the Helen Merrill Emerging Playwrights Award, and the Whiting Writers' Award. The Clean House was a Pulitzer Prize finalist in 2005. She is a member of 13P and New Dramatists.

Dead Metaphor

by George F. Walker

Canada's top playwright sears the page with three new darkly comic plays that denounce political culture, individualism, and the accompanying moral depravity. The title play, Dead Metaphor, examines the collision of a politician's personal and professional lives, complicated by a son's return from Afghanistan. In The Ravine, a mayoral candidate learns that his ex-wife is living in a gully nearby and wants to put a hit on him. The Burden of Self-Awareness has money at the centre of a dramatic conflict of values. Each of the three plays is populated by characters trying to navigate the increasingly blurred lines of what's right and wrong - trying to always stay informed, alert, and ready to act for the common good. Or just to get even.

Dead Ringer

by Gino Diiorio

Characters: 2 males, 1 femaleSingle setWinner! 2005 BBC International Playwriting ContestTyrus Cole, a horse trainer, lives on a ranch with his invalid sister Mary. Because he can't watch her during the day, Tyrus has Mary confined to a root cellar. When Dwight Foley arrives at the ranch seeking help with his horse, he and Mary fall in love and begin plotting the demise of Tyrus and their eventual escape. Their plan escalates and in the end, the three find themselves trapped in a complex web of greed and secrets."You don't see a lot of film noir westerns, but that genre turns out to be a winning combination...Humor was never a big factor in 1940s and '50s film noir, but it has a place here. Mr. DiIorio's low-key jokiness comes from attitude and from the smooth use of western vernacular... Forcefully absorbing."-The New York Times.

The Deadly Catch (The Midnight Library #8)

by Damien Graves

1. Adam and David go canoeing. Trouble awaits them in the water. The hungry kind of trouble. 2. Katie screams when she sees a mouse. And another one. And another one. And another one. 3. Kelly pursues a dream role in the school play. Offstage, her life is becoming a nightmare.

Deadly Murder

by David Foley

Murder Mystery/Thriller / Characters: 2m, 1f / Interior Nominated for a 2008 Edgar Award Camille Dargus has fought her way up from humble beginnings to a glittering Manhattan lifestyle. She has beauty, brains, wealth, and a successful career as a jewelry designer for the leading lights of New York society. She also has a penchant for attractive young men. One night at a society gala she meets Billy, a handsome young waiter, and brings him back to her Soho apartment. But there's more to Billy than meets the eye, and Camille finds herself held hostage at gunpoint by a man who seems frighteningly familiar with the past Camille has struggled to forget. Over the course of one explosive night, Camille must use all her wits and cunning to save her life--and to prevent the dark secrets of her past from destroying everything she's worked for. Full of twists and turns, bluffs and double bluffs, this brilliantly intricate thriller will be one step ahead of you all the way! "A nerve shredding, intricately plotted thriller, full of twists, turns and double crosses... [a] refreshingly modern thriller." -Worthing Herald "Witty and macabre." -This Is Gloucestershire "Masterly...thrilling!" -Eastbourne Herald "Crackling tension." -Kronenzeitung

Deadly Thought: Hamlet And The Human Soul (Applications Of Political Theory Ser.)

by Jan H. Blits

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