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The Decroux Sourcebook
by Franc Chamberlain Thomas LeabhartThe Decroux Sourcebook is the first point of reference for any student of the ‘hidden master’ of twentieth century theatre. This book collates a wealth of key material on Etienne Decroux, including: an English translation of Patrice Pezin’s ‘Imaginary Interview’, in which Decroux discusses mime’s place in the theatre. previously unpublished articles by Decroux from France’s Bibiothèque Nationale. essays from Decroux’s fellow innovators Eugenio Barba and Edward Gordon Craig, explaining the synthesis of theory and practice in his work. Etienne Decroux’s pioneering work in physical theatre is here richly illustrated not only by a library of source material, but also with a gallery of images following his life, work and influences. The Decroux Sourcebook is an ideal companion to Thomas Leabhart’s Etienne Decroux in the Routledge Performance Practitioners series, offering key primary and secondary resources to those conducting research at all levels.
Defiance
by John Patrick Shanley"Defiance is a necessary step in the life of an individual and in the life of a nation."--John Patrick Shanley"As thoughtful and probing as its predecessor, Defiance [is] filled with the provocative questions and bristling dialogue for which Mr. Shanley is known . . . as it wonders about its big, knotty subjects."--Ben Brantley, The New York Times Defiance is the "very rich and satisfying" (The Village Voice) second work in John Patrick Shanley's trilogy that began with Doubt. The play is set in 1971 at Camp Lejeune, North Carolina, where Lt. Col. Morgan Littlefield and his reluctant protégé Capt. Lee King--a young African American officer--clash over issues of race and authority within the Marine Corps, even as the civil rights movement and Vietnam War divide the world outside. In this high-stakes struggle at the top of the ranks, witnessed by the base's inquisitive Chaplain White and Littlefield's irreproachable wife Margaret, Shanley has crafted another timely play exploring issues of power and morality within a hallowed institution. John Patrick Shanley's Doubt won the 2005 Pulitzer Prize for Drama and the Tony Award for Best Play, and was chosen as best play of the year by over ten news-papers and magazines. His other plays include Danny and the Deep Blue Sea, Four Dogs and a Bone, Psychopathia Sexualis, and Savage Limbo. He has written extensively for TV and film, including Moonstruck, for which he won an Academy Award for best screenplay.
Deflores and Other Plays
by Don NigroContents: Broadway Macabre Creatures Lurking in the Churchyard Deflores Doctor Faustus Gogol The Irish Girl Kissed in the Rain Wolfsbane
Defying Gravity
by Jane AndersonDrama / Characters: 3 male, 4 femaleScenery: Exterior with set pieces and projections. This free structured look at the 1986 Challenger disaster places the teacher who died with six others as they hurtled into space at the center of an exploration of our need to reach beyond ourselves and dare the universe. Defying Gravity artfully interweaves the past with the present and the lives of participants and bystanders, drawing parallels among painter Claude Monet's artistic quest, the zest of the teacher selected to the first civilian astronaut, the perspectives of her grieving daughter, the aspirations of elderly tourists who drive their Winnebago to Florida to watch the space shot and dream of hotels in space, the guilt felt by a NASA mechanic and his girl friend's fear of heights. . "Flies high in its attempt to describe man's fascination with space and its conquest.... You will certainly not be bored." N.Y. Post. . "[A] clever and uplifting fantasy ... [with] ear catching musings about art, religion and the outer limits of human possibility." N.Y. Times. . "A lovely piece.... It floats gracefully in the big blue yonder of the imagination ... letting Anderson's delicate, tender and human attitude toward her characters come through.... One by one they rise out of their earthbound selves ... to look down on the world from a new perspective." N.Y. Daily News.
Degas in New Orleans
by Rosary Hartel O'NeillCharaters: 3 male, 6 female . One Interior/Exterior Set . A historical drama that explores Edgar Degas' scandalous visit to New Orleans in 1872. Edgar Degas, the French Impressionist painter, is torn between helping his relatives in America and pursuing a career as a painter. Fame and family obligations come to a head when he discovers he is still in love with his sister-in-law, who is now pregnant and blind. As Edgar struggles with his own ethical conundrum, he discovers that his aggressively charming brother has gone through all the family money in an attempt to save his uncle's sugar business.
Deirdre of the Sorrows
by J. M. SyngeDeirdre of the Sorrows is a three-act play written by Irish playwright John Millington Synge, first performed at the Abbey Theatre by the Irish National Theatre Society in 1910
Deleuze and Beckett
by S. E. Wilmer Audronė ŽukauskaitėDeleuze and Beckett is a collection of essays illuminating similarities between the philosophies and practices of Deleuze and Beckett. The contributors include some of the leading Beckett and Deleuze specialists in the world, and their essays address different ideas and concepts of Deleuzian philosophy as well as a wide range of Beckett's oeuvre, including his novels, short stories, stage and television plays, and film work. The book considers Deleuze's interpretation of Beckett's work anddemonstrates that Deleuzian concepts and ideas can be usefully applied to Beckett's texts in order provide a greater understanding of Beckett's characters and their journeys. Deleuze's philosophy helps us to recognize that what has been seen as the private territory of despair, loneliness, and emptiness in Beckett's work masks a world of flow and fluctuation that expresses multiple and heterogeneous possibilities.
A Delicate Balance
by Edward AlbeeEdward Albee. Full Length, Drama . Characters: 2 male, 4 female . Interior Set . This Pulitzer Prize winner enjoyed a stunning Broadway revival in 1996 with George Gizzard, Rosemary Harris and Elaine Stritch. Wealthy middle-aged couple, Agnes and Tobias have their complacency shattered when Harry and Edna, longtime friends appear at their doorstep. Claiming an encroaching, nameless "fear" has forced them from their own home, these neighbors bring a firestorm of doubt, recrimination and ultimately solace, upsetting the "delicate balance" of Agnes and Tobias' household.. Winner of the 1996 Drama Desk and Award, Best Revival. . "Powerful...A beautiful play filled with humor and compassion, and touched with poetry...[with] the stature and eloquence of a classic."-New York Daily News . "A brilliant play."-New York Post . "An evening of theatrical fireworks."-The New York Times
A Delicate Balance
by Edward AlbeeOne of Edward Albee's most celebrated works, A Delicate Balance premiered on Broadway in 1966 and won the Pulitzer Prize for Drama in 1967, the first of three he has received for his work. The play revolves around wealthy middle-aged couple Agnes and Tobias, who have their complacency shattered when their longtime friends Harry and Edna appear at their doorstep. Claiming an encroaching, nameless "fear" has forced them from their own home, these neighbors bring a firestorm of doubt, recrimination and ultimately solace, upsetting the "delicate balance" of Agnes and Tobias's household. In recent years, A Delicate Balance has enjoyed many and new stunning revivals, running now, including a Broadway production in 1996, which won the Tony Award for Best Revival, and another at the Alameida Theatre in London in 2011.
A Delightful Quarantine
by Mark DunnComedy / 4m, 10f / What would it be like to be confined with people you don’t really know? Strange visitors leave behind a deadly disease that leaves seven separate households unexpectedly quarantined. Seven story lines are deftly balanced as people are forced to confront their personal issues. A heart-warming original comedy/drama about how people react when there’s nowhere else to go.
Dementia, Narrative and Performance: Staging Reality, Reimagining Identities
by Janet GibsonFocusing mainly on case studies from Australia and the United States of America, this book considers how people with dementia represent themselves and are represented in ‘theatre of the real’ productions and care home interventions, assessing the extent to which the ‘right kind’ of dementia story is being affirmed or challenged. It argues that this type of story — one of tragedy, loss of personhood, biomedical deficit, and socio-economic ‘crisis — produces dementia and the people living with it, as much as biology does. It proposes two novel ideas. One is that the ‘gaze’ of theatre and performance offers a reframing of some of the behaviours and actions of people with dementia, through which deficit views can be changed to ones of possibility. The other is that, conversely, dementia offers productive perspectives on ’theatre of the real’. Scanning contemporary critical studies about and practices of ‘theatre of the real’ performances and applied theatre interventions, the book probes what it means when certain ‘theatre of the real’ practices (specifically verbatim and autobiographical) interact with storytellers considered, culturally, to be ‘unreliable narrators’. It also explores whether autobiographical theatre is useful in reinforcing a sense of ‘self’ for those deemed no longer to have one. With a focus on the relationship between stories and selves, the book investigates how selves might be rethought so that they are not contingent on the production of lucid self-narratives, consistent language, and truthful memories.
Democracy in America -- Volume 2
by Alexis De TocquevilleThis anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare's finesse to Oscar Wilde's wit, this unique collection brings together works as diverse and influential as The Pilgrim's Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.
Democracy, Theatre and Performance: From the Greeks to Gandhi
by null David WilesDemocracy, argues David Wiles, is actually a form of theatre. In making his case, the author deftly investigates orators at the foundational moments of ancient and modern democracy, demonstrating how their performative skills were used to try to create a better world. People often complain about demagogues, or wish that politicians might be more sincere. But to do good, politicians (paradoxically) must be hypocrites - or actors. Moving from Athens to Indian independence via three great revolutions – in Puritan England, republican France and liberal America – the book opens up larger questions about the nature of democracy. When in the classical past Plato condemned rhetoric, the only alternative he could offer was authoritarianism. Wiles' bold historical study has profound implications for our present: calls for personal authenticity, he suggests, are not an effective way to counter the rise of populism.
Democratic Swarms: Ancient Comedy and the Politics of the People
by Page duBoisConsiders how ancient Greek comedy offers a model for present-day politics. With Democratic Swarms, Page duBois revisits the role of Greek comedy in ancient politics, considering how it has been overlooked as a political medium by modern theorists and critics. Moving beyond the popular readings of ancient Greece through the lens of tragedy, she calls for a revitalized look at Greek comedy. Rather than revisiting the sufferings of Oedipus and his family or tragedy’s relationship to questions of sovereignty, this book calls for comedy—its laughter, its free speech, its wild swarming animal choruses, and its rebellious women—to inform another model of democracy. Ancient comedy has been underplayed in the study of Greek drama. Yet, with the irrepressible energy of the comic swarm, it provides a unique perspective on everyday life, gender and sexuality, and the utopian politics of the classical period of Athenian democracy. Using the concepts of swarm intelligence and nomadic theory, duBois augments tragic thought with the resistant, utopian, libidinous, and often joyous communal legacy of comedy, and she connects the lively anti-authoritarianism of the ancient comic chorus with the social justice movements of today.
Los demonios y otras adaptaciones teatrales
by Albert CamusUn novedoso volumen con las seis obras que adaptó Albert Camus en su labor teatral, cuatro de ellas inéditas en castellano. Además de escribir cuatro obras originales, Albert Camus llevó a cabo una intensa labor como adaptador y director teatral. Ese trabajo poco conocido lo ocupó desde sus días de estudiante en Argelia hasta poco antes de su muerte, y las seis obras reunidas en este volumen dan testimonio de la pasión con que lo llevó a cabo. Una de ellas procede de un clásico francés del siglo XVI, dos son versiones de obras de Calderón y Lope de Vega, una cuarta retoma una pieza de Dino Buzzati y las dos restantes llevan a escena novelas de Faulkner y Dostoievski. El conjunto no solo ofrece un complemento perfecto de las obras del autor que hemos reunido con el título de Teatro, sino que muestra toda su versatilidad en el ámbito amplio de la escena, uno de los pocos lugares del mundo donde, en sus palabras, era feliz. «El teatro me ofrece la comunidad que necesito -escribió-. Aquí todos estamos vinculados sin que nadie deje de ser libre: ¿no es una buena fórmula para la sociedad futura?».
Den of Thieves (Cat Royal #3)
by Julia GoldingDisguised as a ballerina, Cat joins the French Revolution, only to find that it is up to her to save her friends after they are captured as traitors. The action-packed series continues with disguises, danger, drama, and the irrepressible Cat Royal.
Denazificando Leni
by Luigia Pantalea Rovito Lázaro DroznesQuesta finzione drammatica ricostruisce il processo a Leni Riefenstahl condotto dalla Commissione di Denazificazione degli Alleati per determinare il suo grado di responsabilità nei crimini nazisti, come parte della campagna di denazificazione effettuata nella Germania post-bellica. Diverse scene dei suoi documentari vengono usate come prova a suo carico, sostenendo che furono realizzati come strumenti della propaganda di regime. Leni difende la propria indipendenza e autonomia in quanto artista. Durante lo svolgimento del processo, appare il tema della relazione tra gli artisti e il potere, la necessità di sviluppare una carriera artistica indipendente dal potere politico e la possibilità di creare arte per l'arte. Un'arte il cui fine sia l'arte stessa.
Dennis Kelly (Routledge Modern and Contemporary Dramatists)
by Aloysia RousseauDennis Kelly explores Kelly’s unusual career path and sheds light on his eclectic approach to the arts, characterised by a refusal to write texts that people can fit within neat categories. This is the first monograph on Kelly’s work for stage and screen and brings to light his essential contribution to contemporary British drama and his huge range of work including his rise to international fame with Matilda the Musical.Drawing on Kelly’s published and unpublished texts, his work in production, reviews, original interviews with directors, actors and with Kelly himself as well as critical theory, Dennis Kelly examines and reappraises key motifs in his work such as his preoccupation with violence, the complex relationship between the individual and the community or his emphasis on storytelling. It also offers new insights into overlooked aspects of Kelly’s work by setting out to explore his traumatic narratives and his post-romanticism. In keeping with Kelly’s wish never to repeat himself, this study offers multiple critical entries into his plays, television series and films, drawing on moral and political philosophy, trauma studies, studies in humour, feminist theory and film studies.Part of the Routledge Modern and Contemporary Dramatist series, Dennis Kelly is addressed to students and scholars in Drama, Theatre and Performance as well as theatre practitioners and offers in-depth analysis of one of the most unique and challenging voices in contemporary British playwriting and screenwriting.
Denzil Quarrier
by George GissingThe novel Denzil Quarrier finds Gissing stretching beyond this well-trod comfort zone, telling the story of an heir to a Norwegian timber fortune in a gripping character study that is heavily influenced by the work of playwright Henrik Ibsen.
Der Anti-Stress-Trainer für Assistenzen
by Marit Zenk Peter BuchenauDieses Buch aus der Anti-Stress-Trainer Reihe ist die Erlösung für gestresste Assistenzen, die im Drehkreuz Sekretariat mit zig Bällen jonglieren. Spüren Sie den Druck, dem Sie unterliegen? Sei perfekt, sei stark, sei nett, sei schnell oder streng dich an - welcher Antreiber steckt in Ihnen? Zu Zeiten von 4.0 braucht selbst die modernste und versierteste Assistenz eine gute Strategie, um in der digital-verrückten Welt zu bestehen. Und zwar gesund! Lassen Sie sich Ihrer Illusionen „Jemals fertig zu werden“ und „Alles muss perfekt sein“ berauben. Neben dem erklärten Dilemma der Assistenz gibt es viele wertvolle Tipps zum Umgang mit Stress. Gepaart mit amüsanten Bildern, Sprüchen und Weisheiten bringt die Autorin Sie sicher zum Schmunzeln! Lassen Sie sich von Marit Zenk mit auf die Reise in Ihre Welt nehmen.
Der Blaue Engel bin ich: Marlene Dietrichs Leben Passiert Revue
by Lázaro Droznes Orlando GrossegesseMarlene Dietrich war einer der großen Hollywood-Stars und einer der großen Kino-Mythen. In Deutschland geboren, wurde sie durch Josef von Sterberg entdeckt; in die USA emigriert, wurde sie später dort eingebürgert. Sie wurde zur Ikone der Verführungskunst, der femme fatale, des ewig lockenden Weiblichen. Aber ihr Kampf gegen den Nazismus und ihre Teilnahme als Soldatin im Zweiten Weltkrieg zeigen eine andere, oft unterschlagene Facette ihrer Persönlichkeit. In diesem Werk verrät Marlene Begebnisse und intime Erfahrungen. Ihre Stimme wird durch berühmte Lieder wachgerufen, die ebenso wie ihre Erzählungen ein sagenumwobenes Leben Revue passieren lassen. Was ist das Mysterium, das Marlene Dietrich verbirgt und enthüllt?
Derrida | Benjamin: Two Plays for the Stage
by John Schad Fred DalmassoWithin the work of both Jacques Derrida and Walter Benjamin there is a buried theatricality, a theatre to-come. And in the last fifteen years there has been a growing awareness of this theatricality. To date, though, there has not been a published stage play about either Derrida or BenjaminCue Derrida| Benjamin, a volume that brings together two tragi-comic plays which mirror each other in a host of ways – above all, in the way that the central philosophical figure is displaced, or not quite where or when we would expect to find them. In Derrida’s case, it is Oxford in 1968; in Benjamin’s case, it is somewhere (or nowhere) near London in 1948. These, then, are plays in which the philosopher is exiled, or elsewhere – not quite himself. This a volume for anyone with an eye or ear for where theatre or performance meets philosophy – students, scholars, readers, actors.
Des rats dans la tête
by Antonio Morcillo Lopez Anne-Laure LachaudPol Pot, Idi Amín, Saddam Hussein et Staline, sont des rats qui vivent dans une boîte transparente. Ils sont habitués aux expériences scientifiques et savent ce que souffrir veut dire. Avec le temps, ils ont fini par considérer la décharge électrique comme une sorte de divinité insaisissable. Ils ne comprennent pas vraiment pourquoi elle survient, ni pourquoi on leur inflige autant de souffrance. Un jour, une décharge électrique un peu trop forte, a finalement raison d'eux. Ils passent alors de l'autre côté; celui des morts et décident de rendre visite au scientifique qui leur faisait subir toutes ces expériences. C'est l'heure de rendre des comptes...
The Designated Mourner
by Wallace Shawn"The play nicely combines Pinterian menace with caustic political commentary." -Time"Acerbic, elusive, poetic and chilling, the writing is demanding in a rarefied manner. Its implications are both affecting and disturbing." -Los Angeles Times"In his exquisitely written dramatic lament for the decline of high culture. . . . [Shawn] offers a definition of the self that should rattle the defenses of intellectual snobs everywhere." -The New York TimesWriter and performer Wallace Shawn's landmark 1996 play features three characters--a respected poet, his daughter, and her English-professor husband--suspected of subversion in a world where culture has come under the control of the ruling oligarchy. Told through three interwoven monologues, the Orwellian political story is recounted alongside the visceral dissolution of a marriage. The play debuted at the Royal National Theatre in London, in a production directed by David Hare, who also directed the film version, starring Mike Nichols and Miranda Richardson. The play's subsequent New York premiere was staged in a long-abandoned men's club in lower Manhattan, directed by Shawn's longtime collaborator André Gregory.Wallace Shawn is the author of Our Late Night (OBIE Award for Best Play), Marie and Bruce, Aunt Dan and Lemon, The Fever, and the screenplay for My Dinner with André. His most recent play, Grasses of a Thousand Colors, premiered last year in London.