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The Afterlife of Ophelia

This collection of new essays is the first to explore the rich afterlife of one of Shakespeare's most recognizable characters. With contributions from an international group of established and emerging scholars, The Afterlife of Ophelia moves beyond the confines of existing scholarship and forges new lines of inquiry beyond Shakespeare studies.

Afterlives of Endor: Witchcraft, Theatricality, and Uncertainty from the "Malleus Maleficarum" to Shakespeare

Afterlives of Endor offers an analysis of the way early modern English literature addressed the period's anxieties about witchcraft and theatricality. What determined whether or not a demonologist imagined a trial as a spectacle? What underlying epistemological constraints governed such choices and what conceptions of witchcraft did these choices reveal? Pairing readings of demonological texts with canonical plays and poetry, Laura Levine examines such questions. Through analyses of manuals and pamphlets about the prosecution of witches—including Reginald Scot's skeptical The Discoverie of Witchcraft (1584), King James VI/I's Daemonologie (1597), and Jean Bodin's De la Demonomanie des Sorciers (1580)—Afterlives of Endor examines the way literary texts such as Shakespeare's The Winter's Tale and The Tempest, Spenser's The Faerie Queene, and Marlowe's Tragicall History of Doctor Faustus address anxieties about witchcraft, illusion, and theatricality. Afterlives of Endor attends to the rhetorical tactics, argumentative investments, and underlying tensions of demonological texts with the scrutiny ordinarily reserved for literary texts.

Agamemnon

Aeschylus' Agamemnon, first produced in 458 BC, is the opening play in his Oresteian trilogy. Agamemnon returns home after the Trojan Wars with his concubine Cassandra and is murdered by his wife Clytemnestra and her lover, Aegisthus. The ensuing blood feud continues until the third and final play, Eumenides, when peace is finally restored to the house of the Atreidae. It is a powerful and moving play which is difficult to interpret and which for a long time lacked an English edition.

Agamemnon

Agamemnon, King of Argos, returns to Greece a victor in the Trojan War. He has brought with him the seer Cassandra as his war-prize and concubine. Awaiting him is his vengeful wife Clytemnestra, who is angry at Agamemnon's sacrifice of their daughter Iphigeneia to the gods, jealous of Cassandra, and guilty of taking a lover herself. The events that unfold catch everyone in a bloody net, including their absent son Orestes. Aeschylus (525-456 BC) was the first of the three great tragic dramatists of ancient Greece, a forerunner of Sophocles and Euripides. His early tragedies were largely choral pageants with minimal plots. In Agamemnon, choral songs still predominate, but Aeschylus infuses them with such dramatic feeling that the spectator or reader is constantly spellbound. Translator David Mulroy brings this ancient tragedy to life for modern readers and audiences. Using end rhyme and strict metrics, he combines the buoyant lyricism of the Greek text with a faithful rendering of its meaning in lucid English.

Age of Arousal

It's a time of passion and confusion. Virtue is barely holding down its petticoats. People are bursting their corsets with unbridled desire. It's 1885, and the typewriter and the suffrage movement are sending things topsy-turvy. In the midst of it all, five ambitious New Women and one Newish Man struggle to find their way. Miss Mary Barfoot runs a school for secretaries with her young lover, Miss Rhoda Nunn. But when the Misses Madden spinsters Virginia and Alice and beautiful young Monica arrive, along with the attractive Dr. Everard Barfoot, things can never be the same.Age of Arousal is a lavish, sexy, frenetic ensemble piece about the forbidden and gloriously liberated self genre-busting, rule-bending, and ambitiously original. The book includes notes and a rousing, thoughtful essay on Victorian womens' suffrage by the playwright.'Endlessly witty, vigorous, funny... brilliantly inventive.' - Calgary Herald 'Griffiths is one of Canada's 'originals' known not only for the quality of her work, but for the sheer range of her career.' - Maclean's

Age of Minority: Three Plays by Jordan Tannahill

Based on a true story, Get Yourself Home Skyler James follows the harrowing journey of a young lesbian who defects from the army when she is outed by fellow soldiers. Peter Fechter: 52 Minutes chronicles the last hour of Peter Fechter's life, a teenager in East Berlin shot while attempting to cross the Berlin Wall in 1962 with his companion. Finally, rihannaboi95 centres around a Toronto teen whose world comes crashing in when YouTube videos of him dancing to songs by his favourite pop heroine go viral. Together these solo plays explore the lives of three queer youth and their resilience in the face of violence and intolerance.

The Age of Shakespeare (Modern Library Chronicles)

In The Age of Shakespeare, Frank Kermode uses the history and culture of the Elizabethan era to enlighten us about William Shakespeare and his poetry and plays. Opening with the big picture of the religious and dynastic events that defined England in the age of the Tudors, Kermode takes the reader on a tour of Shakespeare’s England, vividly portraying London’s society, its early capitalism, its court, its bursting population, and its epidemics, as well as its arts—including, of course, its theater. Then Kermode focuses on Shakespeare himself and his career, all in the context of the time in which he lived. Kermode reads each play against the backdrop of its probable year of composition, providing new historical insights into Shakspeare’s characters, themes, and sources. The result is an important, lasting, and concise companion guide to the works of Shakespeare by one of our most eminent literary scholars.

Agnes of God

Drama / Characters: 3 FemalesSummoned to a covent, Dr. Martha Livingstone, a court-appointed psychiatrist, is charged with assessing the sanity of a young novitiat accused of murdering her newborn. Miriam Ruth, the Mother Superior, determindly keeps young Agnes from the doctor, arousing Livingstone's suspicions further. Who killed the infant and who fathered the tiny victim? Livingstone's questions force all three women to re-examine the meaning of faith and the power of love leading to a dramatic, compelling climax. A hit on Broadway and later on film. . "Riveting, powerful, electrifying drama...the dialogue crackles."-New York Daily News . "Outstanding play [that]...deals intelligently with questions of religion and psychology."-The New York Times. "Unquestionably blindingly theatrical...cleverly executed blood and guts evening in the theatre."-New York Post

Ahmed the Philosopher: Thirty-Four Short Plays for Children and Everyone Else

English-speaking readers might be surprised to learn that Alain Badiou writes fiction and plays along with his philosophical works and that they are just as important to understanding his larger intellectual project. In Ahmed the Philosopher, Badiou's most entertaining and accessible play, translated into English here for the first time, readers are introduced to Badiou's philosophy through a theatrical tour de force that has met with much success in France. <P><P> Ahmed the Philosopher presents its comic hero, the "treacherous servant" Ahmed, as a seductively trenchant philosopher even as it casts philosophy itself as a comic performance. The comedy unfolds as a series of lessons, with each "short play" or sketch illuminating a different Badiousian concept. Yet Ahmed does more than illustrate philosophical abstractions; he embodies and vivifies the theatrical and performative aspects of philosophy, mobilizing a comic energy that exposes the emptiness and pomp of the world. Through his example, the audience is moved to a living engagement with philosophy, discovering in it the power to break through the limits of everyday life.

Ahora y siempre: Memorias

Las memorias íntimas de Diane Keaton «¿Casarme? Yo no quería ser la mujer de nadie. Lo que me apetecía era ser una chica sexi, alguien con quien darse el lote.»Diane Keaton Ahora y siempre es un libro emocionante y divertido como la propia Diane Keaton. Cuenta la historia de una chica corriente que se convirtió en una mujer extraordinaria y el papel fundamental que su madre jugó en todo ello. Esta es la autobiografía de una de las actrices más aclamada de todos los tiempos pero también el relato vital de una madre y una hija, de sus sueños individuales y compartidos.

AI for Arts (AI for Everything)

AI for Arts is a book for anyone fascinated by the man–machine connection, an unstoppable evolution that is intertwining us with technology in an ever-greater degree, and where there is an increasing concern that it will be technology that comes out on top. Thus, presented here through perhaps its most esoteric form, namely art, this unfolding conundrum is brought to its apex. What is left of us humans if artificial intelligence also surpasses us when it comes to art? The articulation of an artificial intelligence art manifesto is long overdue, so hopefully this book can fill a gap that will have repercussions not only for aesthetic and philosophical considerations but possibly more so for the development of artificial intelligence.

Aias

Sophocles' play is a famous retelling of Aias's (Ajax's) demise. After the armor is awarded to Odysseus, Aias feels so insulted that he wants to kill Agamemnon and Menelaus. Athena intervenes and clouds his mind and vision, and he goes to a flock of sheep and slaughters them, imagining they are the Achaean leaders, including Odysseus and Agamemnon. When he comes to his senses, covered in blood, he realizes that what he has done has diminished his honor, and decides that he prefers to kill himself rather than live in shame.

Aias

Among the most celebrated plays of ancient Athens, Aias is one of seven surviving dramas by the great Greek playwright, Sophocles, now available from Harper Perennial in a vivid and dynamic new translation by award-winning poet James Scully. Still powerful and remarkably timely thousands of years after its creation, Aias is the moving story of a soldier returning home victorious from the Trojan War, only to discover he has lost his life’s purpose. This is Sophocles, vibrant and alive, for a new generation.

Al-Kady House "The Last God-Father

https://www.amazon.co.uk/Riyad-Al-Kadi/e/B00J9J8HBW Great Book, to read it describes the world of the iraqi Mafia and the World of Weapon Trade. you will never be happy in this World full of betrayal and hatred even from the close beloved ones to you, you never be safe it decribes the changes happened upon the Iraqi Society after the Coup aganist the King,

Al Simple Compás De La Pasión: Lindo, sorprendente y joven (Al Simple Compás De La Pasión #1)

Marina es una pequeña ciudad litoral que todos los años se convierte en escenario del gran festival de música "Aguas Sonoras". Durante dos días, la tranquilidad de Marina da lugar a una agitación frenética de jóvenes de la ciudad y alrededores. Daniel Vandres es cantante del grupo "Sound of Silence", atracción principal del festival. Él, por cierto, no imaginaba que se cruzaría en el camino de la soñadora Josy, quien sólo piensa en el trabajo pero es convencida por su hermana de ir al festival y divertirse un poco. Roberta nutre un amor platónico por Daniel desde su infancia y es capaz de cualquier locura con tal de que el cantante la note. Es en medio de una de esas locuras que ellas conocen a Beto y a Miguel, dos jóvenes que harán a Josy repensar un poco sobre su concepto de la diversión.

Alan Bennett: A Critical Introduction (Studies in Modern Drama)

Alan Bennett is perhaps best known in the UK for the BBC production of his Talking Heads TV plays, while the rest of the world may recognize him for the film adaptation of his play, The Madness of King George. O'Mealy points out that Bennett is a social critic strongly influenced by Beckett and Swift, interested in depicting and analyzing the role playing of everyday life, a'la sociologist Ervin Goffman.

Alan Rickman: The Unauthorised Biography

In this revised and updated biography, Maureen Paton encompasses the private, professional and political life of this most enigmatic, charismatic and intensely private of actors.

The Albany Depot: A Farce

1892. Howells was an American realist author. He wrote for various magazines including Atlantic Monthly and Harper's Magazine. His career blossomed after the publication of his first realist novel, A Modern Instance. The Albany Depot begins: Mrs. Roberts, with many proofs of an afternoon's shopping in her hands and arms, appears at the door of the ladies' room, opening from the public hall, and studies the interior with a searching gaze, which develops a few suburban shoppers scattered over the settees, with their bags and packages, and two or three old ladies in the rocking-chairs.

El alcalde de Zalamea

El alcalde de Zalamea está universalmente considerada como una de las joyas del teatro español, y por muchos como la más excelente y preciosa del teatro de Calderón de la Barca.Isabel cuenta a su padre, alcalde de Zalamea, que ha sido raptada y violada por el capitán Álvaro de Ataide, al que ofrecieron hospedaje cuando llegó al pueblo la compañía de soldados en avance hacia Portugal. El alcalde, don Pedro Crespo, no acata más justicia que la propia y condena el atropello cometido contra su hija, ya que #Al rey, la hacienda y la vida / se ha de dar, pero el honor/ es patrimonio del alma, / y el alma sólo es de Dios#.

Alcestis

"The Alcestis would hardly confirm its author's right to be acclaimed 'the most tragic of the poets.' It is doubtful whether one can call it a tragedy at all. Yet it remains one of the most characteristic and delightful of Euripidean dramas, as well as, by modern standards, the most easily actable. And I notice that many judges who display nothing but a fierce satisfaction in sending other plays of that author to the block or the treadmill, show a certain human weakness in sentencing the gentle daughter of Pelias." So begins the introduction to the Alcestis by Euripides.

Alcestis, Medea, Hippolytus

This new volume of three of Euripides' most celebrated plays offers graceful, economical, metrical translations that convey the wide range of effects of the playwright's verse, from the idiomatic speech of its dialogue to the high formality of its choral odes.

The Alchemist

Well-known English play of the time of Shakespeare.

The Alchemist and Other Plays (Oxford World's Classics)

Alchemists of the Stage: Theatre Laboratories in Europe (Routledge Icarus Ser.)

What is a theatre laboratory? Why a theatre laboratory? This book tries to answer these questions focusing on the experiences and theories, the visions and the techniques, the differences and similarities of European theatre laboratories in the twentieth century. It studies in depth the Studios of Stanislavski and Meyerhold, the school of Decroux, the Teatr Laboratorium of Jerzy Grotowski and Ludwik Flaszen, as well as Eugenio Barba's Odin Teatret. Theatre laboratories embody a theatre practice which defies the demands and fashions of the times, the usual ways of production and the sensible functions which stage art enjoys in our society. It is a theatre which refuses to be only art and whose radical research forges new conditions with a view to changing both the actor and the spectator. This research transforms theatrical craft into a laboratory which has been compared to the laboratory of the alchemists, who worked not on material but on substance. The alchemists of the stage did not operate only on forms and styles, but mainly on the living matter of the theatre: the actor, seen not just as an artist but above all as a representative of a new human being. Laboratory theatres have rarely been at the centre of the news. Yet their underground activity has influenced theatre history. Without them, the same idea of theatre, as it has been shaped in the course of the twentieth century, would have been different. In this book Mirella Schino recounts, as in a novel, the vicissitudes of a group of practitioners and scholars who try to uncover the technical, political and spiritual perspectives behind the word laboratory when applied to the theatre.

Alchemy, Paracelsianism, and Shakespeare’s The Winter’s Tale (Palgrave Studies in Literature, Science and Medicine)

This book explores the role of alchemy, Paracelsianism, and Hermetic philosophy in one of Shakespeare’s last plays, The Winter’s Tale. A perusal of the vast literary and iconographic repertory of Renaissance alchemy reveals that this late play is imbued with several topoi, myths, and emblematic symbols coming from coeval alchemical, Paracelsian, and Hermetic sources. It also discusses the alchemical significance of water and time in the play’s circular and regenerative pattern and the healing role of women. All the major symbols of alchemy are present in Shakespeare’s play: the intertwined serpents of the caduceus, the chemical wedding, the filius philosophorum, and the so-called rex chymicus. This book also provides an in-depth survey of late Renaissance alchemy, Paracelsian medicine, and Hermetic culture in the Elizabethan and Jacobean ages. Importantly, it contends that The Winter’s Tale, in symbolically retracing the healing pattern of the rota alchemica and in emphasising the Hermetic principles of unity and concord, glorifies King James’s conciliatory attitude.