- Table View
- List View
Dreams Of Glory
by Frank D. GilroyA bitter sweet comedy \ 2 m., 2 f. \ Ext. \ Two late forties couples are at the country club dance. George Brewster finally admits to his wife and the other couple that he has indeed gained the long sought after presidency of his company. And he also tells them of that time long ago at his school prom when he had briefly filled in as piano player in Tommy Dorsey's band. Dorsey had given George a card with what he said was his private number-- and indicating George had promise. George has dreamed all these years of how exciting and satisfying his life might have been. Now, his career at its peak, he had called-- and learned that "dreams of glory" are-- just dreams.
Dreams, Sleep, and Shakespeare’s Genres (Palgrave Shakespeare Studies)
by Claude FretzThis book explores how Shakespeare uses images of dreams and sleep to define his dramatic worlds. Surveying Shakespeare’s comedies, tragedies, histories, and late plays, it argues that Shakespeare systematically exploits early modern physiological, religious, and political understandings of dreams and sleep in order to reshape conventions of dramatic genre, and to experiment with dream-inspired plots.The book discusses the significance of dreams and sleep in early modern culture, and explores the dramatic opportunities that this offered to Shakespeare and his contemporaries. It also offers new insights into how Shakespeare adapted earlier literary models of dreams and sleep – including those found in classical drama, in medieval dream visions, and in native English dramatic traditions. The book appeals to academics, students, teachers, and practitioners in the fields of literature, drama, and cultural history, as well as to general readers interested in Shakespeare’s works and their cultural context.
Dreamwork for Actors
by Janet SonenbergDrawing upon her wide experience as actor and director, Janet Sonenberg shows what dreamwork can do. No other acting technique offers the performer's own dreams as a means to profoundly deepen imaginative and artistic expression. This is a wholly new tool with which actors can unleash startling performances.
DreamWork: A Training for Directors
by David ZinderDreamWork: A Training for Directors provides a theoretical basis and a highly detailed, practical, step-by-step blueprint for developing a directorial concept for a play.Directing is a complex, multi-staged artistic process which, for the most part, is a collaborative work of art. The director works with designers, composers, choreographers and actors to create the performance that is eventually shown to an audience. In this process, there is one stage of the director’s work which is uniquely personal and individual: the creation of a directorial concept. This book concentrates on this crucial stage of the director’s work, offering a template for the creation of a directorial concept prior to embarking on the collaborative stage of the director’s work. The book follows the process from the choice of the text, through a series of clearly documented and structured sets of strategies with attendant examples, up to the creation of the director’s version of the original play - the adaptation - that is the starting point for the director’s dialogue with designers, composers, choreographers and actors.DreamWork: A Training for Directors is intended for directing students at universities or theatre academies, both at undergraduate and graduate levels, as well as directors at the beginning of their careers.
Dreary and Izzy
by Tara Beagan1975, Lethbridge Alberta. When the Monoghan sisters lose their parents in a car accident, Deirdre remains as the sole caregiver to her older sister, Isabelle. Just as Deirdre is poised to enter university and begin exploring, for the first time, her own future and independence, she must choose how much of her own life she will sacrifice for the love of Isabelle. Deirdre is barely staying afloat under the strain of this reality when hope arrives in the form of gorgeous vacuum cleaner salesman Freddie Seven Horses. Both sisters find in Freddie a new world of unexplored emotions and ideas, where Freddie is a port in a storm.
Dress and Undress: The Restoration and Eighteenth Century (Routledge Revivals)
by Iris BrookeOriginally published in 1958, this book deals with the details of dress – formal and informal – from the time of Charles II to the end of the eighteenth century. Most of the illustrations are taken from existing garments preserved in private collections or museums. Many verbatim descriptions are quoted from contemporary sources such as magazines, diaries, letters and newspapers. The popular idea of costume in this period is the formal aspect as shown in portraits, and the undress clothes of the time are little known although obviously commonly worn. These the author has illustrated together with the stays, hops, puffs and panniers, hairdressing and shoes that help to make up the complete appearance. The book will be of interest to those in theatre studies, costume design and social history.
Dressaged Animality: Human and Animal Actors in Contemporary Performance (ISSN)
by Lisa MoravecThe book applies a productive interdisciplinary lens of art history, performance, and animal studies for approaching political economy issues, critiquing anthropomorphic worldviews, and provoking thoughts around animal and human nature that spark impulses for an innovative performance aesthetics and ethics.It combines Marxist analysis with feminist and posthumanist methodology to analyse the relation between ‘societal dressage’ and ‘bodily animality’ that humans and animals share. Within this original theoretical framework, the book develops the concept of ‘dressaged animality’ as a mode of critique to analyse the social and political function of interdisciplinary forms of ‘contemporary performances.’Drawing on archival and primary research, the book theorises and historicises more than 15 performance practices in which animality is allegorically staged through by humans danced, real, or filmically mediated animals. It focuses on Rose English’s pioneering approach to performance-making as well as on overlooked performances by other renown and largely unknown American (Mike Kelley/Kate Foley, Robert Morris, Bruce Nauman, Yvonne Rainer, Diana Thater), British (Mark Wallinger, Rose English), and European artists (Tamara Grcic, Judith Hopf, Joseph Beuys, Bartabas) from the late 1960s until the late 2010s. While various types of artistic practice are framed as forms of critique (for example, protest art, interventionist strategies, institutional critique), the book maps an original performance theory in art which shows that contemporary artistic performances can also take up a critique of societal dressage.This study will be of great interest to students and scholars in art history, theatre, dance and performance studies, and ecology, as well as to artists and curators working with performance.
Drinks before Dinner: A Play
by E. L. DoctorowThe long-unavailable work by one of America's most eminent writers.
The Driving Force
by Linda Gaboriau Michel TremblayIn Act 1, Claude, 55, visits his father Alex, 77, in an Alzheimer's ward, intimately tending to his silent, vacant father's bodily needs while hopelessly trying to reach him with monologues and settle misunderstandings. In Act 2, in an eerie reversal of roles, Alex visits Claude in the same ward, similarly finding disconsolate irony where he had looked for forgiveness.
Driving Miss Daisy
by Alfred UhryRacial tensions are delicately explored when a warm friendship evolves between an elderly Jewish woman and her black chauffeur. Winner of a 1988 Pulitzer Prize, and Academy Awards for Best Picture and Best Adapted Screenplay.
Drop (1-Act)
by Dano MaddenComic drama \ Dano Madden \ 2 m., 1 f. \ Orflong and Zip are the lone dwellers on the planet Gavanuuy. They hunt Kalakazula worms with their sucknas (plungers) and play Gerfle, an infinite game. When Drop appears, they are fascinated by this English speaking creature and the games she brings. The closer Orflong and Zip get to Drop, the more estranged they become from each other until they can no longer communicate. Drop presents a unique challenge as it is scripted in the Gavanuuyian language spoken by Orflong and Zip. \ Winner of The Kennedy Center's National Short Play Award and The Anchorage Press Theatre for Youth Playwriting Award.
Drop Dead
by Jane Milmore Billy Van ZandtComedy / Characters: 7 male, 3 female Scenery: Interior . A cast of has been actors plan to revive their careers in Drop Dead!, a potboiler murder mystery directed by "Wonder Child of the Broadway Stage" Victor Le Pewe (a psychotic eye twitching megalomaniac). At the dress rehearsal the set falls, props break, and the producer and an actor are murdered. During the opening night performance, the murders continue. The remaining thespians must save the show and their careers, solve the mystery and stay alive for curtain calls. . "A nonstop physical comedy that turns the world of theater on its head!" Variety. . "The audience laughed at everything!" L.A. Times. . "Pick of the Month" L.A. Magazine. . "Heartily entertaining!" L.A. Reader.
The Drowning Girls and Comrades
by Liz Nicholls Beth Graham Charlie Tomlinson Daniela VlaskalicThe Drowning GirlsBessie, Alice, and Margaret have two things in common: they are married to George Joseph Smith, and they are dead. Surfacing from the bathtubs they were drowned in, the three breathless brides gather evidence against their womanizing, murderous husband by reliving the shocking events leading up to their deaths. Reflecting on the misconceptions of love, married life, and the not-so-happily ever after, The Drowning Girls is both a breathtaking fantasia and a social critique, full of rich images, a myriad of characters, and lyrical language.ComradesBartolomeo Vanzetti and Nicola Sacco dreamt of the land of the free. Leaving their small Italian villages, they embarked on a long voyage to the United States, only to encounter a world they never could have imagined. Controversially imprisoned for murder, both men must fight for their lives amidst discrimination and public humiliation. Based on actual events, Comrades bring to life Sacco and Vanzetti's seven-year imprisonment and explores the struggles and agonies of two men, tried not for what they did, but for who they were.
Dry Powder: A Play (Books That Changed the World)
by Sarah Burgess“A vicious if coolly rendered comedy about ruthlessness and greed in the world of high finance . . . a writer with a gift for razor-sharp dialogue.”—VogueThe same week his private equity firm forces massive layoffs at a national grocery chain, Rick throws himself an extravagant engagement party, setting off a publicity nightmare. Fortunately, Seth, one of Rick’s partners, has a win-win deal to invest in an American-made luggage company for a song and rescue his boss from a PR disaster. But Jenny, Seth’s counterpart, has an entirely different plan: to squeeze every last penny out of the company, no matter the consequences. The game is on in Sarah Burgess’ gripping, razor-sharp new play about the price of success and the real cost of getting the deal done.Dry Powder was originally performed in March 2016 at Public Theater in New York, helmed by Hamilton director Thomas Kail and featuring an all-star cast. The play was an instant on-stage success and is the first production written by this preternaturally gifted playwright.“[A] lacerating dark comedy . . . Dry Powder feels extraordinarily timely. It’s a play every oligarch should see.”—Time Out New York“Calling all Bernie Sanders fans. There’s a pageant of red meat for you . . . A slick drama set in sleek boardrooms . . . addressing the hot-button topics of income inequality and the collapse of American manufacturing . . . Ms. Burgess’s grasp of the jargon of high finance is impressive.”—The New York Times“Frighteningly funny . . . [a] timely play.”—Variety
Dryden: An Essay of Dramatic Poesy
by Thomas Arnold William T. Arnold"Dryden’s Essay of Dramatic Poesy" provides a captivating exploration of the nature and principles of dramatic poetry in this influential work first published in 1668. The web page encompasses not only the titular essay but also features a comprehensive preface by Thomas Arnold, revised by William T. Arnold, offering historical and biographical context along with a summary and analysis of Dryden's key arguments. Dryden's Epistle Dedicatory, addressed to Charles Sackville, adds a personal touch, elucidating the essay's purpose and praising Sackville's contributions to the arts. The main body, "Essay of Dramatic Poesy," unfolds as a lively dialogue among four gentlemen, debating topics ranging from ancient versus modern poets to the rules of drama. Dryden's sharp wit and critical insight shine through with rich examples and references. The inclusion of Dryden's Defence of the Essay, responding to objections raised by Sir Robert Howard, provides a well-rounded perspective, defending his views on rhyme, verse, and dramatic unities with humor and courtesy. This compilation offers a profound glimpse into the world of dramatic poesy and Dryden's enduring literary prowess.
The Duchess / Maggie & Pierre: And, The Duchess
by Linda GriffithsWinner of the first Dora Mavor Moore Award for Outstanding New Play, Maggie and Pierre chronicles the public and private relationship between Pierre Trudeau and Margaret Trudeau from 1974-1980. In this mock epic tale three characters, Pierre, Margaret, and Henry, a newspaper reporter navigate the landscape of a changing nation and opposing ideals. The Duchess tells the story of Wallis Simpson, the infamous woman for whom Edward VIII abdicated his throne in 1936. Wallis was brazen and sexual, and unintentionally steered the course of British history as she captivated the king. An inspired epic, The Duchess traverses between a straightforward narrative and magic realism.
The Duchess of Malfi: Seven Masterpieces of Jacobean Drama
by Frank KermodeEdited and with an Introduction by Frank Kermode. A Woman Killed with Kindness by Thomas Heywood. Volpone by Ben Jonson. The Revenger's Tragedy by Cyril Tourneur. The Maid's Tragedy by John Fletcher and Francis Beaumont. A Chaste Maid in Cheapside by Thomas Middleton. The Duchess of Malfi by John Webster. The Changeling by Thomas Middleton and William Rowley. The lyrical, bloodthirsty tragedies and witty urban comedies in this original collection were first performed during the reign of King James I (1603--25). Though nearly four centuries old, they display surprisingly modern sensibilities regarding sex, violence, morality, and honor. Brilliantly introduced and annotated by Frank Kermode, these seven Jacobean masterpieces are the finest and most representative plays of a time when drama was the most vital and important mirror of English society.
The Duchess of Malfi
by John WebsterThis Norton Critical Edition of John Webster's 1612-13 tragedy offers a newly edited and annotated text together with a full introduction and illustrative materials intended for student readers. The Duchess of Malfi's themes of love, loyalty, and betrayal have resonated through the centuries, making this a perennially popular play with audiences and readers alike. This volume includes a generous selection of supporting materials, among them Webster's likely sources for the play (William Painter, George Whetstone, Simon Goulart, and Thomas Beard) as well as related works by Webster and George Wither on widows, funerals, and memorializing death. A generous selection from Mark H. Curtis's classic essay, "The Alienated Intellectuals of Early Stuart England," tells readers as much about the character of Bosola as it does about his creator. Henry Fitzgeffrey (1617) and Horatio Busino (1618) provide early responses to the play. "Criticism" is thematically organized to provide readers with a clear sense of The Duchess of Malfi's central themes of dramaturgy; the politics of family, court, and religion; and gender. Also included are essays on contemporary re-imaginings of the play and its critical reception over time. Contributors include Don D. Moore, Inga-Stina Ewbank, Christina Luckyj, Barbara Correll, D. C. Gunby, Lee Bliss, Rowland Wymer, Brian Chalk, Theodora Jankowski, and Pascale Aebischer. A selected bibliography is also included.
The Duchess of Malfi (Dover Thrift Editions)
by John WebsterThe evils of greed and ambition overwhelm love, innocence, and the bonds of kinship in this dark tragedy, first presented circa 1613. John Webster's great Jacobean drama focuses on a secret marriage that strikes the disastrous spark to an inferno of violence. When the Duchess of Malfi marries Antonio, a household steward, her two fiendishly jealous brothers - hoping to inherit her title and estates - plant a household spy whose treachery leads to a bloody and horrifying climax. Often compared to Shakespeare in terms of his dynamic plots and poetic lyricism, Webster created radical, profoundly original works that feature shifting perspectives and thought-provoking challenges to conventional moral judgments. Required reading for courses in seventeenth-century English literature, this provocative masterpiece from the Golden Age of English drama will not only be welcomed by students and teachers of English literature but also a wide audience of general readers.
The Duchess of Malfi, The White Devil, The Broken Heart and 'Tis Pity She's a Whore
by John Ford John WebsterThese four plays, written during the reigns of James I and Charles I, took revenge tragedy in dark and ambiguous new directions. In The Duchess of Malfi and The White Devil, John Webster explores the role of women and the problems of power, sex and corruption in the Italian court, creating two unforgettable anti-heroines. In The Broken Heart, John Ford questions the value of emotional repression as his characters attempt to subdue their desires and hatreds in ancient Greece. Finally, Ford's masterpiece 'Tis Pity She's a Whore explores the taboo theme of incest and forbidden lust in a daring reworking of Romeo and Juliet.Jane Kingsley-Smith has edited the plays from the earliest quartos and added invaluable editorial material, including explanatory glosses and a new introduction that discusses how the playwrights explored issues around women, sex, power and violence.JOHN WEBSTER was born in about 1578 in London. He studied law at the Middle Temple before embarking on a career in the theatre, collaborating on many plays with contemporary dramatists. But it was his two solo-authored tragedies, The White Devil (1612) and The Duchess of Malfi (1614), which sealed his reputation. He died in the 1630s.JOHN FORD was born in 1586 in Devon. His early career was wholly concerned with poetry and philosophical works, and it was not until the 1620s that he began collaborating on stage plays. In the late 1620s, he began writing alone, producing the eight plays on which his reputation would be based, including The Broken Heart (1620) and 'Tis Pity She's a Whore (c.1630). Nothing more is known of Ford after the performance of his last play in 1638. JANE KINGSLEY-SMITH completed her PhD at the Shakespeare Institute, Stratford-upon-Avon and is the author of two monographs: Shakespeare's Drama of Exile (2003) and Cupid in Early Modern Literature and Culture (2010). She is a Reader at Roehampton University, London, and a regular guest speaker at Shakespeare's Globe.
The Duchess of Padua
by Oscar Wilde"The Duchess of Padua" is a five-act play by Oscar Wilde which was originally written for American actress Mary Anderson in 1883. Due to her rejection of the play, it was not performed until 1891 by the American tragedian Lawrence Barrett. He changed the name to "Guido Ferranti", the name of the male lead, and while embraced by critics and praised for its lyrical beauty, it failed with the New York public after three weeks to half-empty houses.
Duecentomila
by kai fig taddeiEstranged teenage cousins Eli and Kat have recently met online and bonded over their queer identities, but they have a limited understanding of each other’s very different realities. In Italy, soft-spoken Eli is trying to find a way to come out as trans to his conservative Roman Catholic family. In Canada, strong-headed Kat is desperate for connection to a culture and place she’s never known. Kat and her friend Hannah are the only ones who know that Eli is trans—not even his brother Matteo knows. And while her intentions are good, Kat’s decision to crowdfund a flight for Eli to attend Toronto Pride unknowingly outs him to the public, setting off a chain of events that leave the cousins and their loved ones reeling. Full of poetry, laughter, and big questions, this touching story paints a portrait of what it’s like for young people wanting to reconcile what they’ve inherited with what feels right.
Dundurn Performing Arts Library Bundle — Theatre: Broadway North / Let's Go to The Grand! / Once Upon a Time in Paradise / Passion to Dance / Sky Train / Romancing the Bard / Stardust and Shadows
by James Neufeld Charles Foster Mel Atkey Martin Hunter Sheila M.F. Johnston Ward McburneyThis special bundle contains seven books that detail Canada’s long and storied history in the performing arts. We learn about Canada’s early Hollywood celebrity movie stars; Canadians’ vast contributions to successful international stage musicals; the story of The Grand, a famous theatre in London, Ontario; reminiscences from the early days of radio; the history of the renowned Stratford Festival; and a lavish history of the famous National Ballet of Canada. Canada’s performing artists blossomed in the twentieth century, and you can learn all about it here. Includes Broadway North Let’s Go to The Grand! Once Upon a Time in Paradise Passion to Dance Sky Train Romancing the Bard Stardust and Shadows